Performance And Theatricality In The Middle Ages And The Renaissance

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Performance and Theatricality in the Middle Ages and the Renaissance

Author : Mark Cruse
Publisher : Brepols Publishers
Page : 0 pages
File Size : 45,9 Mb
Release : 2018
Category : Performance
ISBN : 2503579876

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Performance and Theatricality in the Middle Ages and the Renaissance by Mark Cruse Pdf

This volume is a contribution to the cross-cultural study of theater and performance in the Middle Ages and the Renaissance. The studies gathered here examine material from Austria, England, France, Germany, Italy, the Netherlands, Russia, and Spain from the thirteenth to the eighteenth century. Underlying all of these essays is the understanding that performance shapes reality--that in all of the cultural contexts included here, performance opened a space in which patrons, rulers, writers, painters, spectators, and readers could see themselves or their societies differently, and thereby could assume different identities or construct alternative communities. Addressing confession and private devotion, urban theater and pageantry, royal legitimacy and religious debate, and a wide range of genres and media, this volume offers a panoramic mosaic of the world-making role of theater and performance in medieval and early modern European societies.

Acts and Texts

Author : Laurie Postlewate,Wim N. M. Hüsken
Publisher : Rodopi
Page : 363 pages
File Size : 52,6 Mb
Release : 2007
Category : Art
ISBN : 9789042021914

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Acts and Texts by Laurie Postlewate,Wim N. M. Hüsken Pdf

For the Middle Ages and Renaissance, meaning and power were created and propagated through public performance. Processions, coronations, speeches, trials, and executions are all types of public performance that were both acts and texts: acts that originated in the texts that gave them their ideological grounding; texts that bring to us today a trace of their actual performance. Literature, as well, was for the pre-modern public a type of performance: throughout the medieval and early modern periods we see a constant tension and negotiation between the oral/aural delivery of the literary work and the eventual silent/read reception of its written text. The current volume of essays examines the plurality of forms and meanings given to performance in the Middle Ages and Renaissance through discussion of the essential performance/text relationship. The authors of the essays represent a variety of scholarly disciplines and subject matter: from the "performed" life of the Dominican preacher, to coronation processions, to book presentations; from satirical music speeches, to the rendering of widow portraits, to the performance of romance and pious narrative. Diverse in their objects of study, the essays in this volume all examine the links between the actual events of public performance and the textual origins and subsequent representation of those performances.

Moving Subjects

Author : Kathleen M. Ashley,Wim N. M. Hüsken
Publisher : Rodopi
Page : 276 pages
File Size : 48,9 Mb
Release : 2001
Category : Drama
ISBN : 904201265X

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Moving Subjects by Kathleen M. Ashley,Wim N. M. Hüsken Pdf

Procession, arguably the most ubiquitous and versatile public performance mode until the seventeenth century, has received little scholarly or theoretical attention. Yet, this form of social behaviour has been so thoroughly naturalised in our accounts of western European history that it merited little comment as a cultural performance choice over many centuries until recently, when a generation of cultural historians using explanatory models from anthropology called attention to the processional mode as a privileged vehicle for articulation in its society. Their analyses, however, tended to focus on the issue of whether processions produced social harmony or reinforced social distinctions, potentially leading to conflict. While such questions are not ignored in this collection of essays, its primary purpose is to reflect upon salient theatrical aspects of processions that may help us understand how in the performance of "moving subjects" they accomplished their often transformative cultural work.

Spectacle and Public Performance in the Late Middle Ages and the Renaissance

Author : Anonim
Publisher : BRILL
Page : 286 pages
File Size : 50,7 Mb
Release : 2006-04-01
Category : History
ISBN : 9789047408802

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Spectacle and Public Performance in the Late Middle Ages and the Renaissance by Anonim Pdf

No volume about the spectacles and public performances of early modern England could pretend to treat comprehensively a body of materials so conspicuously vast. Rather than efforts to survey the territory, these essays are best understood in the original sense of the term as “essays”—as trials, attempts, experiments to open alternative ways of understanding that vast corpus of mystery plays, civic pageants, court masques and professional dramas that constitute its subject. The book crosses traditional period lines, including studies of Medieval as well as Renaissance entertainments. Once more, the essays are not organized according to a single critical or historical methodology. They employ an eclectic range of interpretive practices, reflecting the variety of interpretive approaches now current in the field. Contributors include: Tiffany J. Alkan, Robert W. Barrett, Jr., Sarah Beckwith, Tom Bishop, Peter Cockett, Richard K. Emmerson, Peter Holland, Nora Johnson, Richard C. McCoy, Lauren Shohet, and Robert E. Stillman.

Drama and Resistance

Author : Claire Sponsler
Publisher : U of Minnesota Press
Page : 236 pages
File Size : 45,6 Mb
Release : 1997
Category : Drama
ISBN : 0816629277

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Drama and Resistance by Claire Sponsler Pdf

Provides a cultural and historical context for medieval popular drama. In Drama and Resistance, Claire Sponsler explores the intertwined histories of bodily subjectivity, commodity culture, and theatricality in late medieval England. In a fascinating consideration of popular drama in the period from 1350 to 1520, she argues that many types of performances during this time represented cultural evasions of the imposition of disciplinary power. The medieval theater was a social site where resistance, masked from the full scrutiny of authority by theatricality, was practiced, articulated, and enacted. Sponsler examines three key discourses of authoritarian bodily and commodity control -- clothing laws, conduct literature, and Books of Hours -- and pairs them with three kinds of theatrical performances that enact resistance to disciplining codes -- Robin Hood performances, morality plays, and Corpus Christi pageants. She considers the contradictions and inconsistencies in the repressive official discourses and analyzes the ways in which the staging of forbidden acts like cross-dressing, social and sexual misbehavior, and violence against the body challenged these discourses. Drawing on recent social theory, Drama and Resistance is an important contribution to medieval studies and the history of theater.

The Performance of Middle English Culture

Author : James J. Paxson,Lawrence M. Clopper,Sylvia Tomasch
Publisher : Boydell & Brewer
Page : 220 pages
File Size : 48,7 Mb
Release : 1998
Category : Literary Collections
ISBN : 0859915271

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The Performance of Middle English Culture by James J. Paxson,Lawrence M. Clopper,Sylvia Tomasch Pdf

First detailed examination of theatricality in Chaucer and in Middle English literature and culture as a whole. Theatricality as a cultural process is vitally important in the middle ages; it encompasses not only the thematic importation of dramatic images into the Canterbury Tales, but also the social and ideological `performativities' of the mystery and morality plays, metadramatic investments, and the ludic energies of Chaucerian discourses in general. The twelve essays collected here address for the first time this intersection, using contemporary theoryand historical scholarship to treat a number of important critical problems, including the anthropology of theatrical performance; gender; allegory; Chaucerian metapoetics; intertextual play and jouissance; social mediationand rhetoric; genre; and the institutionality of medieval studies. JAMES J. PAXSON is Associate Professor of English at the University of Florida; LAWRENCE M. CLOPPER is Professor of English at Indiana University; SYLVIA TOMASCHis Associate Professor of English at Hunter College, City University of New York. Contributors: KATHLEEN ASHLEY, MARLENE CLARK, RICHARD DANIELS, ALFRED DAVID, RICHARD K. EMMERSON, JOHN GANIM, WARREN GINSBERG, ROBERT W. HANNING, SHARON KRAUS, SETH LERER, WILLIAM MCLELLAN, PAMELA SHEINGORN, PETER W. TRAVIS

A Cultural History of Theatre in the Middle Ages

Author : Jody Enders
Publisher : Bloomsbury Publishing
Page : 304 pages
File Size : 47,5 Mb
Release : 2019-08-08
Category : History
ISBN : 9781350135321

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A Cultural History of Theatre in the Middle Ages by Jody Enders Pdf

Historically and broadly defined as the period between the fall of the Roman Empire and the rise of the Renaissance, the Middle Ages encompass a millennium of cultural conflicts and developments. A large body of mystery, passion, miracle and morality plays cohabited with song, dance, farces and other public spectacles, frequently sharing ecclesiastical and secular inspiration. A Cultural History of Theatre in the Middle Ages provides a comprehensive and interdisciplinary overview of the cultural history of theatre between 500 and 1500, and imaginatively pieces together the puzzle of medieval theatre by foregrounding the study of performance. Each of the ten chapters of this richly illustrated volume takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

Medieval Theatre Performance

Author : Philip Butterworth,Katie Normington
Publisher : Boydell & Brewer
Page : 298 pages
File Size : 44,8 Mb
Release : 2017
Category : Literary Criticism
ISBN : 9781843844761

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Medieval Theatre Performance by Philip Butterworth,Katie Normington Pdf

Investigations into the realities of staging dramatic performances, of a variety of kinds, in the middle ages.

Visualizing Medieval Performance

Author : Elina Gertsman
Publisher : Routledge
Page : 517 pages
File Size : 53,7 Mb
Release : 2017-07-05
Category : Performing Arts
ISBN : 9781351537360

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Visualizing Medieval Performance by Elina Gertsman Pdf

Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.

Pleasure and Leisure in the Middle Ages and Early Modern Age

Author : Albrecht Classen
Publisher : Walter de Gruyter GmbH & Co KG
Page : 764 pages
File Size : 52,7 Mb
Release : 2019-08-05
Category : History
ISBN : 9783110623079

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Pleasure and Leisure in the Middle Ages and Early Modern Age by Albrecht Classen Pdf

Jan Huizinga and Roger Caillois have already taught us to realize how important games and play have been for pre-modern civilization. Recent research has begun to acknowledge the fundamental importance of these aspects in cultural, religious, philosophical, and literary terms. This volume expands on the traditional approach still very much focused on the materiality of game (toys, cards, dice, falcons, dolls, etc.) and acknowledges that game constituted also a form of coming to terms with human existence in an unstable and volatile world determined by universal randomness and fortune. Whether considering blessings or horse fighting, falconry or card games, playing with dice or dolls, we can gain a much deeper understanding of medieval and early modern society when we consider how people pursued pleasure and how they structured their leisure time. The contributions examine a wide gamut of approaches to pleasure, considering health issues, eroticism, tournaments, playing music, reading and listening, drinking alcohol, gambling and throwing dice. This large issue was also relevant, of course, in non-Christian societies, and constitutes a critical concern both for the past and the present because we are all homines ludentes.

French Visual Culture and the Making of Medieval Theater

Author : Laura Weigert
Publisher : Cambridge University Press
Page : 311 pages
File Size : 40,6 Mb
Release : 2015-12-30
Category : Art
ISBN : 9781107040472

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French Visual Culture and the Making of Medieval Theater by Laura Weigert Pdf

This book revives the variety of performances that took place in the realms of the French kings and Burgundian dukes.

The Great Western Schism, 1378-1417

Author : Joëlle Rollo-Koster
Publisher : Unknown
Page : 421 pages
File Size : 45,7 Mb
Release : 2022-04-14
Category : Religion
ISBN : 9781107168947

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The Great Western Schism, 1378-1417 by Joëlle Rollo-Koster Pdf

A new history of the Great Western Schism, focusing on social drama and the performance of legitimacy and papacy.

The Routledge Companion to Medieval English Literature

Author : Raluca Radulescu,Sif Rikhardsdottir
Publisher : Taylor & Francis
Page : 521 pages
File Size : 53,6 Mb
Release : 2022-12-30
Category : Literary Criticism
ISBN : 9780429588983

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The Routledge Companion to Medieval English Literature by Raluca Radulescu,Sif Rikhardsdottir Pdf

The Routledge Companion to Medieval English Literature offers a new, inclusive, and comprehensive context to the study of medieval literature written in the English language from the Norman Conquest to the end of the Middle Ages. Utilising a Trans-European context, this volume includes essays from leading academics in the field across linguistic and geographic divides. Extending beyond the traditional scholarly discussions of insularity in relation to Middle English literature and ‘isolationism’, this volume: Oversees a variety of genres and topics, including cultural identity, insular borders, linguistic interactions, literary gateways, Middle English texts and traditions, and modern interpretations such as race, gender studies, ecocriticism, and postcolonialism. Draws on the combined extensive experience of teaching and research in medieval English and comparative literature within and outside of anglophone higher education and looks to the future of this fast-paced area of literary culture. Contains an indispensable section on theoretical approaches to the study of literary texts. This Companion provides the reader with practical insights into the methods and approaches that can be applied to medieval literature and serves as an important reference work for upper-level students and researchers working on English literature.

Performance and Religion in Early Modern England

Author : Matthew J. Smith
Publisher : University of Notre Dame Pess
Page : 501 pages
File Size : 50,9 Mb
Release : 2018-12-15
Category : Drama
ISBN : 9780268104689

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Performance and Religion in Early Modern England by Matthew J. Smith Pdf

In Performance and Religion in Early Modern England, Matthew J. Smith seeks to expand our view of “the theatrical.” By revealing the creative and phenomenal ways that performances reshaped religious material in early modern England, he offers a more inclusive and integrative view of performance culture. Smith argues that early modern theatrical and religious practices are better understood through a comparative study of multiple performance types: not only commercial plays but also ballads, jigs, sermons, pageants, ceremonies, and festivals. Our definition of performance culture is augmented by the ways these events looked, sounded, felt, and even tasted to their audiences. This expanded view illustrates how the post-Reformation period utilized new capabilities brought about by religious change and continuity alike. Smith posits that theatrical practice at this time was acutely aware of its power not just to imitate but to work performatively, and to create spaces where audiences could both imaginatively comprehend and immediately enact their social, festive, ethical, and religious overtures. Each chapter in the book builds on the previous ones to form a cumulative overview of early modern performance culture. This book is unique in bringing this variety of performance types, their archives, venues, and audiences together at the crossroads of religion and theater in early modern England. Scholars, graduate and undergraduate students, and those generally interested in the Renaissance will enjoy this book.

The Subject of Crusade

Author : Marisa Galvez
Publisher : University of Chicago Press
Page : 323 pages
File Size : 51,7 Mb
Release : 2020-04-09
Category : Literary Criticism
ISBN : 9780226693354

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The Subject of Crusade by Marisa Galvez Pdf

In the Middle Ages, religious crusaders took up arms, prayed, bade farewell to their families, and marched off to fight in holy wars. These Christian soldiers also created accounts of their lives in lyric poetry, putting words to the experience of personal sacrifice and the pious struggle associated with holy war. The crusaders affirmed their commitment to fighting to claim a distant land while revealing their feelings as they left behind their loved ones, homes, and earthly duties. Their poems and related visual works offer us insight into the crusaders’ lives and values at the boundaries of earthly and spiritual duties, body and soul, holy devotion and courtly love. In The Subject of Crusade, Marisa Galvez offers a nuanced view of holy war and crusade poetry, reading these lyric works within a wider conversation with religion and culture. Arguing for an interdisciplinary treatment of crusade lyric, she shows how such poems are crucial for understanding the crusades as a complex cultural and historical phenomenon. Placing them in conversation with chronicles, knightly handbooks, artworks, and confessional and pastoral texts, she identifies a particular “crusade idiom” that emerged out of the conflict between pious and earthly duties. Galvez fashions an expanded understanding of the creative works made by crusaders to reveal their experiences, desires, ideologies, and reasons for taking up the cross.