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Author : Jenna M. Gibbs
Publisher : JHU Press
Page : 328 pages
File Size : 46,5 Mb
Release : 2014-06-20
Category : History
ISBN : 9781421413396
Scholars and students interested in slavery and abolition, British and American politics and culture, and Atlantic history will take an interest in this provocative work.
Author : Monika M Elbert,Lesley Ginsberg
Publisher : Routledge
Page : 302 pages
File Size : 43,5 Mb
Release : 2014-12-05
Category : Literary Criticism
ISBN : 9781317671787
American publishing in the long nineteenth century was flooded with readers, primers, teaching-training manuals, children’s literature, and popular periodicals aimed at families. These publications attest to an abiding faith in the power of pedagogy that has its roots in transatlantic Romantic conceptions of pedagogy and literacy. The essays in this collection examine the on-going influence of Romanticism in the long nineteenth century on American thinking about education, as depicted in literary texts, in historical accounts of classroom dynamics, or in pedagogical treatises. They also point out that though this influence was generally progressive, the benefits of this social change did not reach many parts of American society. This book is therefore an important reference for scholars of Romantic studies, American studies, historical pedagogy and education.
Author : Nicole Eustace,Fredrika J. Teute
Publisher : UNC Press Books
Page : 513 pages
File Size : 42,8 Mb
Release : 2017-08-08
Category : History
ISBN : 9781469631769
The War of 1812 was one of a cluster of events that left unsettled what is often referred to as the Revolutionary settlement. At once postcolonial and neoimperial, the America of 1812 was still in need of definition. As the imminence of war intensified the political, economic, and social tensions endemic to the new nation, Americans of all kinds fought for country on the battleground of culture. The War of 1812 increased interest in the American democratic project and elicited calls for national unity, yet the essays collected in this volume suggest that the United States did not emerge from war in 1815 having resolved the Revolution's fundamental challenges or achieved a stable national identity. The cultural rifts of the early republican period remained vast and unbridged. Contributors: Brian Connolly, University of South Florida Anna Mae Duane, University of Connecticut Duncan Faherty, Queens College, CUNY James M. Greene, Pittsburg State University Matthew Rainbow Hale, Goucher College Jonathan Hancock, Hendrix College Tim Lanzendoerfer, University of Mainz Karen Marrero, Wayne State University Nathaniel Millett, St. Louis University Christen Mucher, Smith College Dawn Peterson, Emory University Carroll Smith-Rosenberg, University of Michigan David Waldstreicher, The Graduate Center, CUNY Eric Wertheimer, Arizona State University
Author : Grégory Pierrot
Publisher : University of Georgia Press
Page : 275 pages
File Size : 49,7 Mb
Release : 2019-05-01
Category : Social Science
ISBN : 9780820354903
With the Ta-Nehisi Coates–authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016); Nate Parker’s cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018); violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values—honor, loyalty, love—reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Pierrot’s The Black Avenger in Atlantic Culture studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.
Author : Bridget Orr
Publisher : Cambridge University Press
Page : 297 pages
File Size : 51,6 Mb
Release : 2020-01-02
Category : Drama
ISBN : 9781108499712
Reveals how England's eighteenth-century theatre dramatized anti-imperial protest, and gave voice to oppressed groups.
Author : Jeremy Schipper,Nyasha Junior
Publisher : Oxford University Press, USA
Page : 193 pages
File Size : 48,7 Mb
Release : 2020
Category : History
ISBN : 9780190689780
"The United States has never existed without a Black Samson. Before Harriet Tubman or Martin Luther King were identified with Moses, African Americans linked those who challenged racial oppression in America with Samson. In Black Samson: The Untold Story of an American Icon, Nyasha Junior and Jeremy Schipper investigate legal documents, narratives by enslaved persons, speeches, sermons, periodicals, poetry, fiction, and visual arts to tell the unlikely story of how a flawed biblical hero became an iconic figure in America's racial history. Along the way, Schipper and Junior engage the work of African-American luminaries, including Fredrick Douglass, Ida B. Wells-Barnett, Richard Wright, Ralph Ellison, James Baldwin, Malcolm X, Huey P. Newton, and many others. From stories of slave rebellions to the Harlem Renaissance to the civil rights era and the Black Power movement, invoking the biblical character of Samson became a powerful way for African American intellectuals, activists, and artists to voice strategies and opinions about many race-related issues, including slavery, education, patriotism, organized labor, civil rights, and gender equality. As this provocative book reveals, the story of Black Samson became a story of America's contested racial history"--
Author : Julia Prest
Publisher : Liverpool University Press
Page : 280 pages
File Size : 53,8 Mb
Release : 2023-10-15
Category : Performing Arts
ISBN : 9781837644810
Cutting across academic boundaries, this volume brings together scholars from different disciplines who have explored together the richness and complexity of colonial-era Caribbean theatre. The volume offers a series of original essays that showcase individual expertise in light of broader group discussions. Asking how we can research effectively and write responsibly about colonial-era Caribbean theatre today, our primary concern is methodology. Key questions are examined via new research into individual case studies on topics ranging from Cuban blackface, commedia dell’arte in Suriname and Jamaican oratorio to travelling performers and the influence of the military and of enslaved people on theatre in Saint-Domingue. Specifically, we ask what particular methodological challenges we as scholars of colonial-era Caribbean theatre face and what methodological solutions we can find to meet those challenges. Areas addressed include our linguistic limitations in the face of Caribbean multilingualism; issues raised by national, geographical or imperial approaches to the field; the vexed relationship between metropole and colony; and, crucially, gaps in the archive. We also ask what implications our findings have for theatre performance today – a question that has led to the creation of a new work set in a colonial theatre and outlined in the volume’s concluding chapter.
Author : Alasdair Pettinger
Publisher : Edinburgh University Press
Page : 376 pages
File Size : 52,7 Mb
Release : 2018-11-14
Category : Political Science
ISBN : 9781474444279
This book shows that addressing crowded halls from Ayr to Aberdeen, Frederick Douglass gained the confidence, mastered the skills and fashioned the distinctive voice that transformed him as a campaigner.
Author : Iris Smith Fischer
Publisher : Springer
Page : 305 pages
File Size : 49,7 Mb
Release : 2016-04-30
Category : Performing Arts
ISBN : 9780230100787
This collection of essays dissects American plays, movies and other performance types that examine America and its history and culture. From Amerindian stage performances to AIDS and post-9/11 America, it displays the various and important ways theatre and performance studies have examined and conversed with American culture and history.
Author : Paul C. Nagel
Publisher : New York : Oxford University Press
Page : 342 pages
File Size : 48,9 Mb
Release : 1964
Category : Federal government
ISBN : 9780195000351
"The Union" meant meant many things to Americans in the years between the Revolution and the Civil War. Nagel's thesis is that the idea served as a treasure-trove of the values and images by which Americans tried to understand their nature and destiny. By tracing the idea of Union through the crucial, formative years of America's history, he makes clear the nature of the intellectual and emotional responses Americans have had to their country.
Author : Richard Emmons
Publisher : Wentworth Press
Page : 150 pages
File Size : 52,5 Mb
Release : 2019-03-25
Category : Electronic
ISBN : 1011175541
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Thomas T. Samaras,Frank J. Williams
Publisher : Nova Publishers
Page : 216 pages
File Size : 51,7 Mb
Release : 2007
Category : Biography & Autobiography
ISBN : 1600213189
This book is an exploration not only of the lessons that Abraham Lincoln, America's sixteenth president, drew from the founders of the United States, especially, George Washington and Thomas Jefferson, but also how others abroad have interpreted and incorporated his legacy. Because Lincoln occupied the presidency during democracy's first great civil war, he set a precedent for other leaders at home and abroad. "Liberal" leaders tend to identify with his roles as the Great Emancipator and magnanimous Great Reconciler, who eschewed "ethnic cleansing" in favour of restoring the Union as soon as possible after secession.
Author : Anonim
Publisher : Unknown
Page : 1068 pages
File Size : 49,6 Mb
Release : 2002
Category : Charitable uses, trusts, and foundations
ISBN : MINN:31951D02275088Q
Author : Anonim
Publisher : Unknown
Page : 894 pages
File Size : 52,5 Mb
Release : 1991
Category : Charitable uses, trusts, and foundations
ISBN : NYPL:33433016643821
Author : Margaret Ross Griffel
Publisher : Scarecrow Press
Page : 1015 pages
File Size : 48,8 Mb
Release : 2012-12-21
Category : Music
ISBN : 9780810883253
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.