Phantoms Monsters Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Phantoms Monsters book. This book definitely worth reading, it is an incredibly well-written.
A collection of unexplained encounters submitted by regular people who felt compelled to contact me about their encounter. I truly understand their dilemma...they want answers. But can they comprehend the truth? I have also included transcriptions and vintage news reports that detail unknown beasts and bizarre events. Black-eyed people, humanoids, entities, Bigfoot and hairy hominids, flying monsters and winged anomalies, upright canines, Dogman, Pennsylvania's lycans and more cryptids.
A collection of bizarre encounter reports submitted to me by regular people who felt compelled to find answers about their unexplained experience. I keep an open mind when reading, assessing and discussing witness accounts since I truly understand how they feel. I have not been a stranger to bizarre situations. Cases for which I offered my abilities and help are also included.
A collection of mysterious accounts submitted by regular people who felt compelled to contact me about their encounter. There are a variety of phenomena described...alien encounters, cryptids, skinwalkers, bi-pedal canines, unexplained events, strange flying craft, etc. I truly understand their dilemma...they want answers. But will they be able comprehend an explanation...or the reality of what they saw?
Harrison Roberts, like most of us, is good at hiding things, especially from himself. At six years old, still hurting from his father's abandonment, he is left in the care of a Monster who does the unthinkable, then threatens death if he ever reveals the truth. Harrison turns to Jesus for protection from his fears, real and imagined. As he grows, Jesus's voice drowns out the Monster's old threats. A new life emerges: one of love, music and ministry. For a while, Harrison buries the darkest demons from his traumatic past-the ones only God knows about. But when the blessings stop flowing and catastrophe strikes, Harrison spirals into an emotional crisis, questioning his sanity, mortality and his God. He must now navigate the threats from a new Monster: his own faith. What will he risk losing in order to know the truth and become who he is meant to be? On Monsters and Phantoms lifts the veil on a life forged by trauma, which sculpted a man into the image of someone not himself. A bold and honest look into adverse childhood experiences (ACEs) and religious trauma, it peers into the soul of Christian fundamentalism, challenging you to question everything, and daring you to seek the answers.
“Phantoms is gruesome and unrelenting…It’s well realized, intelligent, and humane.”—Stephen King They found the town silent, apparently abandoned. Then they found the first body, strangely swollen and still warm. One hundred fifty were dead, 350 missing. But the terror had only begun in the tiny mountain town of Snowfield, California. At first they thought it was the work of a maniac. Or terrorists. Or toxic contamination. Or a bizarre new disease. But then they found the truth. And they saw it in the flesh. And it was worse than anything any of them had ever imagined...
The Phantom and the Phoenix by Christopher Mancini Pdf
It is the year of 2055. War between the Communist Coalition and the Brotherhood Alliance plagues the world. Before this year of strife, a solution was proposed in the hopes of preventing conflict. This supposed solution, however, only stimulated hostilities. Roy Angelo, a professor at Providence, Rhode Islands Cohen Academy, and his beautiful girlfriend, Marissa Duvina, are unwillingly entangled in wars snare. Thomas Cohen, founder of Cohen Laboratories, struggles to make ends meet with his career and family life, but can he accomplish such a feat while simultaneously maintaining his undisclosed project? A hero is born, and a villain is spawned. During this time of global warfare, internal conflict emerges within the heart of Rhode Island, slowly dispersing across America. America faces two wars: a war of ideological differences and a war of monsters. Does war ever truly spawn a victor, or does everybody lose? In this dystopian future, it is difficult to say. Join Roy Angelo on a journey of fleeting love, tragedy, action, and adventure. Soar alongside him, and partake in the epic tale of The Phantom and the Phoenix.
Midwestern Strange chronicles B.J. Hollars’s exploration of the mythic, lesser-known oddities of flyover country. The mysteries, ranging from bipedal wolf sightings to run-ins with pancake-flipping space aliens to a lumberjack-inspired “Hodag hoax,” make this book a little bit X-Files, a little bit Ghostbusters, and a whole lot of Sherlock Holmes. Hollars’s quest is not to confirm or debunk these mysteries but rather to seek out these unexplained phenomena to understand how they complicate our worldview and to discover what truths might be gleaned by reexamining the facts in our “post-truth” era. Part memoir and part journalism, Midwestern Strange offers a fascinating, funny, and quirky account of flyover folklore that also contends with the ways such oddities retain cultural footholds. Hollars shows how grappling with such subjects might fortify us against the glut of misinformation now inundating our lives. By confronting monsters, Martians, and a cabinet of curiosities, we challenge ourselves to look beyond our presumptions and acknowledge that just because something is weird, doesn’t mean it is wrong.
From pre-Columbian legends to modern-day eyewitness accounts, this comprehensive guide covers the history, sightings and lore surrounding the most mysterious monsters in America—including Bigfoot, the Jersey Devil, and more. Bigfoot, the chupacabra, and thunderbirds aren’t just figments of our overactive imaginations—according to thousands of eyewitnesses, they exist, in every corner of the United States. Throughout America’s history, shocked onlookers have seen unbelievable creatures of every stripe—from sea serpents to apelike beings, giant bats to monkeymen—in every region. Author, investigator, and creature expert Linda S. Godfrey brings the same fearless reporting she lent to Real Wolfmen to this essential guide, using historical record, present-day news reports, and eyewitness interviews to examine this hidden menagerie of America’s homegrown beasts.
Author : David D. Gilmore Publisher : University of Pennsylvania Press Page : 226 pages File Size : 54,7 Mb Release : 2012-05-26 Category : Social Science ISBN : 9780812203226
The human mind needs monsters. In every culture and in every epoch in human history, from ancient Egypt to modern Hollywood, imaginary beings have haunted dreams and fantasies, provoking in young and old shivers of delight, thrills of terror, and endless fascination. All known folklores brim with visions of looming and ferocious monsters, often in the role as adversaries to great heroes. But while heroes have been closely studied by mythologists, monsters have been neglected, even though they are equally important as pan-human symbols and reveal similar insights into ways the mind works. In Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors, anthropologist David D. Gilmore explores what human traits monsters represent and why they are so ubiquitous in people's imaginations and share so many features across different cultures. Using colorful and absorbing evidence from virtually all times and places, Monsters is the first attempt by an anthropologist to delve into the mysterious, frightful abyss of mythical beasts and to interpret their role in the psyche and in society. After many hair-raising descriptions of monstrous beings in art, folktales, fantasy, literature, and community ritual, including such avatars as Dracula and Frankenstein, Hollywood ghouls, and extraterrestrials, Gilmore identifies many common denominators and proposes some novel interpretations. Monsters, according to Gilmore, are always enormous, man-eating, gratuitously violent, aggressive, sexually sadistic, and superhuman in power, combining our worst nightmares and our most urgent fantasies. We both abhor and worship our monsters: they are our gods as well as our demons. Gilmore argues that the immortal monster of the mind is a complex creation embodying virtually all of the inner conflicts that make us human. Far from being something alien, nonhuman, and outside us, our monsters are our deepest selves.
IAIN BANKS was one of the finest writers of his generation. The Wasp Factory appeared in 1984, to great and gratifying controversy (one reviewer helpfully described it as "e;a work of unparalleled depravity"e;). There were a further 27 works of fiction from the prolific Banks before his untimely death in June 2013 at the age of 59, his customary method being to alternate between contemporary fiction and science fiction - the latter genre published under the name of Iain M. Banks. In 2008 The Times named Banks in their list of the 50 greatest British writers since 1945. This book by Moira Martingale is the first full-length comprehensive analysis of Banks's oeuvre and the thematic - and very Gothic - interests which preoccupied him. These interests include human monstrosity, religious belief, the fluidity of identity, the evolution of humankind and the technological adaptations which may order our future. At the outer limits of time and space can be found Banks's Utopian space civilization, The Culture. With its emphasis on the distant and unearthly - and the opening of the mind to imaginative possibilities - science fiction shares common ground with Gothic fiction of former centuries, and the Gothic is inherent to all Banks's fiction, dealing as it does with the ambiguities which wriggle uncomfortably and uncannily around the boundaries between good and evil, life and death, victim and villain, past and present, civilization and primitive barbarity, organic and machine or artificial technology. In most of Banks's work, conventions of the Gothic boil or simmer, whether it be the barbarities of the past entering the present, the ambivalent literary device of the Doppelganger or the blurred boundaries between the life of the dreaming unconscious and "e;real"e; life. Banks incorporates the fantastic, the mythological and the psychological to re-sculpt the Gothic's early fictional motifs and ethical concerns for our own time, and then he projects them star-wards, enabling him to elaborate a futuristic myth of socio-political salvation through technological expertise. With reference to many other writers, including J. G. Ballard, Stephen King, Doris Lessing, Mary Shelley and Banks's fellow-Scot Alasdair Gray, this book, rather in the style of the Gothic itself, straddles the boundary dividing the scholastic from popular writing. The style is clear and accessible and should appeal to both the academic and the general intelligent reader of Banks's work. MOIRA MARTINGALE is a journalist, author and former columnist for national and regional newspapers. Her previous books were published in the UK by Robert Hale and internationally by various publishers. She has a doctorate in Gothic Literature.
Action and Agency in Dialogue by François Cooren Pdf
"Elegantly written and compellingly argued, Cooren offers up some of the most original theorizing on agency in the communication sciences that we have seen to date. Nonhuman agency does not just "make a difference" in this book. It is a difference that connects, communicates, and brings to life the impossible."-Gail T. Fairhurst, Professor, University of Cincinnati, USA --
Author : Stephen F. Eisenman,Odilon Redon Publisher : University of Chicago Press Page : 322 pages File Size : 40,6 Mb Release : 1992-12-15 Category : Art ISBN : 0226195481
The Temptation of Saint Redon by Stephen F. Eisenman,Odilon Redon Pdf
Bristling with demons, grotesques, and bizarre apparitions, the graphic work of Odilon Redon has often seemed to be the product of a mind unhinged. In The Temptation of Saint Redon, Stephen F. Eisenman argues instead that these works are Redon's conscious and considered response to changing social realities—an attempt to find refuge from the forces of modernization in an imaginative world of the macabre and the fantastic. Eisenman's careful attention to the circumstances of Redon's life (1840-1916) allows him to bring into focus the interconnections between Redon's complex style and the culture and society of his time. Born and raised on a sixteenth-century estate near Bordeaux, Redon was immersed as a child in traditional rural culture. "I spent my entire childhood in the Médoc completely free, among peasant children," he recalled in his memoirs. "I heard them tell supernatural tales—witches still exist there." Indeed, local tales and legends of witches, ghosts, one-eyed monsters, evil eyes, and wood fairies figure prominently in Redon's graphic works, which he called his noirs, or "blacks." After formal training at Bordeaux and Paris in the 1850s and 1860s, Redon began to chart his independent artistic course. Eisenman shows how, rejecting both naturalism and classicism, Redon, a prototypical Symbolist, found in grotesque and epic genres the expression of organic communities and precapitalist societies. He places Redon's desire for this imagined world of superstitious simplicity a desire manifest in his entire mature artistic practice in the context of contemporary avant-garde movements. Redon's great noirs of the 1870s and 1880s, dreamlike configurations of seemingly irreconcilable elements from portraits, still lifes, and landscapes, show an increasingly subtle control of connotation and a complex indebtedness to caricature, allegory, and puns. Many of the noirs also visually interpret works by like-minded authors, including Baudelaire, Flaubert, Poe, and Mallarmé, one of Redon's close friends. Eisenman's analysis of the noirs underscores Redon's interest in creating an imaginative, even fantastic art, that could act directly on the human spirit. In addition to deepening our understanding of Redon and his art, The Temptation of Saint Redon exposes a link between place, politics, personal history, and the artistic imagination.
The eighteenth century Enlightenment marks the beginning of the modern age when the scientific method and belief in reason and progress came to hold sway over the Western world. In the twentieth century, however, the Enlightenment has often been judged harshly for its apparently simplistic optimism. Here a master historian goes back to the sources to give us both a more sophisticated and intriguing view of the philosophes, their world and their ideas.