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Photography and Writing in Latin America by Marcy E. Schwartz,Mary Beth Tierney-Tello Pdf
This is the first book to document the extensive collaboration between writers and photographers in Latin America from the Mexican Revolution through the twentieth century.
Photography and Writing in Latin America by Marcy E. Schwartz,Mary Beth Tierney-Tello Pdf
This is the first book to document the extensive collaboration between writers and photographers in Latin America from the Mexican Revolution through the twentieth century.
Textual Exposures: Photography in Twentieth Century Spanish American Narrative Fiction by Dan4aut Russek Pdf
This book examines how twentieth-century Spanish American literature has registered photography's powers and limitations, and the creative ways in which writers of this region of the Americas have elaborated in fictional form the conventions and assumptions of this medium. While the book is essentially a study of literary criticism, it also aims to show how texts critically reflect upon the media environment in which they were created. The writings analyzed enter a dialogic relation with visual technologies such as the x-ray, cinema, illustrated journalism, and television. The study examines how these technologies, historically and aesthetically linked to the photographic medium, inform the works of some of the most important writers in Latin America.Methodologically, the close readings of the texts centre on the figure of ekphrasis (defined as the verbal representation of a visual representation). The book is concerned with the thematic, symbolic, structural and cultural imprints photography leaves in narrative texts. The author relies on an immanent approach, reading the selected texts according to their own specificities and making the relevant thematic and structural connections between them drawing from a variety of sources in the fields of literary criticism and theory and history of photography
The Study of Photography in Latin America by Nathanial Gardner Pdf
In this book Nathanial Gardner provides an insider’s perspective to the study of photography in Latin America. He begins with a carefully structured introduction that lays out his unique methodology for the book, which features over eighty photographs and the insights from sixteen prominent Latin American photography scholars and historians, including Boris Kossoy, John Mraz, and Ana Mauad. The work reflects the advances of the study of photography throughout Latin America with certain emphasis on Brazil and Mexico. The author further underlines the role of important institutions and builds context by discussing influential theories and key texts that currently guide the discipline. The Study of Photography in Latin America is critical to all who want to expand their current knowledge of the subject and engage with its experts.
Viewing Photography in Post-Dictatorship Latin America by David Rojinsky Pdf
This book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by “the end of history” and, with the advent of digital technologies, by “the end of photography,” these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewer’s affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle.
The Study of Photography in Latin America by Nathanial Gardner Pdf
In this book Nathanial Gardner provides an insider's perspective to the study of photography in Latin America. He begins with a carefully structured introduction that lays out his unique methodology for the book, which features over eighty photographs and the insights from sixteen prominent Latin American photography scholars and historians, including Boris Kossoy, John Mraz, and Ana Mauad. The work reflects the advances of the study of photography throughout Latin America with certain emphasis on Brazil and Mexico. The author further underlines the role of important institutions and builds context by discussing influential theories and key texts that currently guide the discipline. The Study of Photography in Latin America is critical to all who want to expand their current knowledge of the subject and engage with its experts.
Photography in Latin America by Gisela Cánepa Koch,Ingrid Kummels Pdf
Historical photographs taken in Latin America have now become key sites for memory politics, ethnographic imagination, and the negotiation of identity. This volume opens up a set of questions relating to the contemporaneous agency of images as well as their current appropriation via new technologies. Case studies of pictures taken in Mexico, Colombia, Peru and Brazil analyze these processes by tracing how the images have been resignified over time and space. The contributions examine photographs that have been recently rediscovered by such diverse actors as European museums, human rights organizations, anthropologists, shamans, local historians, and communities of internet users.
In this work Robert M. Levine undertakes two separate and important tasks: to provide the first overview of the history of photography in Latin America until the advent of the cheap cameras that permitted mass photography, and to analyze the photographic record for clues to the use of the images as historical documents. Levine has woven together an account of the development of photographic equipment and processes, with the artists and entrepreneurs who actually took the pictures, and places the emergence of photography firmly in the historical context of Latin American societies. Treating the photographs themselves—some 225 in all—Levine develops criteria for questions we can ask of the photographs in an attempt to extract emotional, psychological, and personal information, as well as the more obvious material evidence. This is an often subjective process, one that can lead to differing results, and observers may well come to conclusions departing radically from those of the author. But this may well be one of the most important functions of an innovative work, the creation of controversy that stimulates forward motion in a discipline.
Author : Robert M. Levine Publisher : University of Miami Iberian Studies Institute Page : 172 pages File Size : 52,7 Mb Release : 1987 Category : Social Science ISBN : UTEXAS:059173018378298
Using 139 black and white images from private and public collections, this photographic anthology studies contemporary and past Latin American societies, combining text and visual images.
* Best Books of 2015 - Photo District News Photo AnnualA Respect for Light showcases the unique genius of Latin American photographer (by birth and subject matter) Mario Algaze, whose deep appreciation and understanding of the nuances of light - sunlight pouring in through church windows, illuminating a pair of teacups on a café table, casting late-afternoon shadows on a cobblestoned street - is both legendary and rare. This compilation is an exquisite and comprehensive collection of work by the Cuban-American photographer who, after being exiled from his homeland at the age of thirteen, traveled extensively in Central and South America, capturing the spirit of Latin America through his lens and seeking a connection with his cultural roots. This book represents the full breadth of the artist's work, culled from over three decades of travel in sixteen different countries. As Carol McCusker, Curator of Photography at the Museum of Photographic Arts (MoPA) in San Diego, writes, Algaze "has steadily built a sum view of Spanish-speaking countries that no other photographer has done before or since." Contents:Foreword Vince Aletti; A Photographer's Identity: A Conversation with Nadira Husain; Portfolio; Appendices; Biography; Group Exhibitions; Public and Corporate Collections; Selected Bibliography; Acknowledgements.
Image and Memory by Wendy Watriss,Lois Parkinson Zamora Pdf
FotoFest 1992, a major festival of international photography, brought Latin American photography into focus for a wide audience. Offering a diverse selection of photographers, countries, artistic movements, and subject matter, the show revealed a photographic tradition rich in history and creativity. Drawing from the more than 1,000 images exhibited by FotoFest, this book documents the work of fifty-two photographers from ten countries. The photographs range from the opening of the Brazilian frontier in the 1880s to a secret archive of documentary images from El Salvador's recent civil war to works of specifically aesthetic intent. Many of the photographs appear here in print for the first time. Watriss's opening essay provides the curatorial overview for the book. Lois Zamora examines the roots of visual image-making in Latin American cultures. Boris Kossoy addresses the history of Latin American photography through the nineteenth century, while Fernando Castro covers the contemporary scene. With its compelling images and English-Spanish text, this book will serve as a benchmark for future studies of photography in Latin America.
In marking five hundred years of European presence in Latin America, photographers look at their own countries, each through the life of a specific community there. Sandra Eleta focuses on the Panamanian fishing port of Portobelo, founded as a free republic two centuries ago by runaway slaves. Paz Errazuriz seeks out the ?marginalized? of her native Chile - transvestites, prostitutes, gypsies, the poor - while Maria Cristina Orive explores the mix of indigenous rituals with those of the Catholic Church in the Holy Week processions of Guatemala. The chosen subjects of Sara Facio are the inhabitants of her native Buenos Aires; whereas for Graciela Iturbide they are Mexican street gangs of Los Angeles and Tijuana.
Author : Museum of Modern Art of Latin America Publisher : Unknown Page : 80 pages File Size : 45,5 Mb Release : 1989 Category : Photography ISBN : UOM:39015018956048
Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries’ literary traditions looked at modern life through the camera in a variety of ways. Mário de Andrade, known as the “pope” of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium’s aesthetic potential as “the prodigal daughter of the fine arts.” Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist “ethos” to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures, who were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s. Gabara argues that Brazilian and Mexican modernists deliberately made photography err: they made this privileged medium of modern representation simultaneously wander and work against its apparent perfection. They flouted the conventions of mainstream modernism so that their aesthetics registered an ethical dimension. Their photographic modernism strayed, dragging along the baggage of modernity lived in a postcolonial site. Through their “errant modernism,” avant-garde writers and photographers critiqued the colonial history of Latin America and its twentieth-century formations.
The Latin American Photobook by Horacio Fernández Pdf
Compiled with the input of a committee of researchers, scholars, and photographers, 'The Latin American Photobook' presents 150 volumes from Argentina, Bolivia, Brazil, Chile, Colombia, Cuba, Ecuador, Mexico, Nicaragua, Peru, and Venezuela. It begins with the 1920s and continues up to today.
