Picturing American Modernity

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Picturing American Modernity

Author : Kristen Whissel
Publisher : Duke University Press
Page : 288 pages
File Size : 49,5 Mb
Release : 2008-10-03
Category : Performing Arts
ISBN : 9780822391456

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Picturing American Modernity by Kristen Whissel Pdf

In Picturing American Modernity, Kristen Whissel investigates the relationship between early American cinema and the experience of technological modernity. She demonstrates how between the late 1890s and the eve of the First World War moving pictures helped the U.S. public understand the possibilities and perils of new forms of “traffic” produced by industrialization and urbanization. As more efficient ways to move people, goods, and information transformed work and leisure at home and contributed to the expansion of the U.S. empire abroad, silent films presented compelling visual representations of the spaces, bodies, machines, and forms of mobility that increasingly defined modern life in the United States and its new territories. Whissel shows that by portraying key events, achievements, and anxieties, the cinema invited American audiences to participate in the rapidly changing world around them. Moving pictures provided astonishing visual dispatches from military camps prior to the outbreak of fighting in the Spanish-American War. They allowed audiences to delight in images of the Pan-American Exposition, and also to mourn the assassination of President McKinley there. One early film genre, the reenactment, presented spectators with renditions of bloody battles fought overseas during the Philippine-American War. Early features offered sensational dramatizations of the scandalous “white slave trade,” which was often linked to immigration and new forms of urban work and leisure. By bringing these frequently distant events and anxieties “near” to audiences in cities and towns across the country, the cinema helped construct an American national identity for the machine age.

Body Shots

Author : Jonathan Auerbach
Publisher : Univ of California Press
Page : 214 pages
File Size : 52,9 Mb
Release : 2007-10-09
Category : Performing Arts
ISBN : 9780520941199

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Body Shots by Jonathan Auerbach Pdf

This original and compelling book places the body at the center of cinema's first decade of emergence and challenges the idea that for early audiences, the new medium's fascination rested on visual spectacle for its own sake. Instead, as Jonathan Auerbach argues, it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, Auerbach begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display—both exceptional figures, such as 1896 presidential candidate William McKinley, and ordinary people caught by the movie camera in their daily routines. The result is a sharp, unique, and groundbreaking way to consider the turn-of-the-twentieth-century American incarnation of cinema itself.

The Civil War Dead and American Modernity

Author : Ian Finseth,Ian Frederick Finseth
Publisher : Oxford University Press
Page : 297 pages
File Size : 42,8 Mb
Release : 2018
Category : HISTORY
ISBN : 9780190848347

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The Civil War Dead and American Modernity by Ian Finseth,Ian Frederick Finseth Pdf

The "ghastly spectacle": witnessing Civil War death -- Body images: the Civil War dead in visual culture -- Blood and ink: historicizing the Civil War dead -- Plotting mortality: the Civil War dead and the narrative imagination

Electric Dreamland

Author : Lauren Rabinovitz
Publisher : Columbia University Press
Page : 257 pages
File Size : 42,6 Mb
Release : 2012
Category : History
ISBN : 9780231156608

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Electric Dreamland by Lauren Rabinovitz Pdf

More than two thousand amusement parks dotted the American landscape in the early twentieth century, thrilling the general public with the latest in entertainment and motion picture technology. Amusement parks were the playgrounds of the working class, combining numerous, mechanically-based spectacles into one unique, modern cultural phenomenon. Lauren Rabinovitz describes the urban modernity engendered by these parks and their media, encouraging ordinary individuals to sense, interpret, and embody a burgeoning national identity. As industrialization, urbanization, and immigration upended society before World War I, amusement parks tempered the shocks of racial, ethnic, and cultural conflict while shrinking the distinctions between gender and class. As she follows the rise of American parks from 1896 to 1918, Rabinovitz seizes on a simultaneous increase in cinema and spectacle audiences and connects both to the success of leisure activities in stabilizing society.

Seeing Things

Author : Mason Kamana Allred
Publisher : UNC Press Books
Page : 267 pages
File Size : 46,8 Mb
Release : 2023-02-14
Category : Religion
ISBN : 9781469672595

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Seeing Things by Mason Kamana Allred Pdf

In this theoretically rich work, Mason Kamana Allred unearths the ways Mormons have employed a wide range of technologies to translate events, beliefs, anxieties, and hopes into reproducible experiences that contribute to the growth of their religious systems of meaning. Drawing on methods from cultural history, media studies, and religious studies, Allred focuses specifically on technologies of vision that have shaped Mormonism as a culture of seeing. These technologies, he argues, were as essential to the making of Mormonism as the humans who received, interpreted, and practiced their faith. While Mormons' uses of television and the internet are recent examples of the tradition's use of visual technology, Allred excavates older practices and technologies for negotiating the spirit, such as panorama displays and magic lantern shows. Fusing media theory with feminist new materialism, he employs media archaeology to examine Mormons' ways of performing distinctions, beholding as a way to engender radical visions, and standardizing vision to effect assimilation. Allred's analysis reveals Mormonism as always materially mediated and argues that religious history is likewise inherently entangled with media.

Fiction and Imagination in Early Cinema

Author : Mario Slugan
Publisher : Bloomsbury Publishing
Page : 358 pages
File Size : 49,7 Mb
Release : 2019-11-28
Category : History
ISBN : 9781350115699

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Fiction and Imagination in Early Cinema by Mario Slugan Pdf

Shortlisted for the BAFTSS 'Best Monograph' Award 2021 When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.

Imperial Affects

Author : Jonna Eagle
Publisher : Rutgers University Press
Page : 286 pages
File Size : 53,7 Mb
Release : 2017-07-21
Category : Performing Arts
ISBN : 9780813583051

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Imperial Affects by Jonna Eagle Pdf

Imperial Affects is the first sustained account of American action-based cinema as melodrama. From the earliest war films through the Hollywood Western and the late-century action cinema, imperialist violence and mobility have been produced as sites of both visceral pleasure and moral virtue. Suffering and omnipotence operate as twinned affects in this context, inviting identification with an American national subject constituted as both victimized and invincible—a powerful and persistent conjunction traced here across a century of cinema.

Screening Race in American Nontheatrical Film

Author : Allyson Nadia Field,Marsha Gordon
Publisher : Duke University Press
Page : 320 pages
File Size : 49,5 Mb
Release : 2019-11-15
Category : Performing Arts
ISBN : 9781478005605

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Screening Race in American Nontheatrical Film by Allyson Nadia Field,Marsha Gordon Pdf

Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed—for various purposes and intentions—the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it. Contributors. Crystal Mun-hye Baik, Jasmyn R. Castro, Nadine Chan, Mark Garrett Cooper, Dino Everett, Allyson Nadia Field, Walter Forsberg, Joshua Glick, Tanya Goldman, Marsha Gordon, Noelle Griffis, Colin Gunckel, Michelle Kelley, Todd Kushigemachi, Martin L. Johnson, Caitlin McGrath, Elena Rossi-Snook, Laura Isabel Serna, Jacqueline Najuma Stewart, Dan Streible, Lauren Tilton, Noah Tsika, Travis L. Wagner, Colin Williamson

Italy in Early American Cinema

Author : Giorgio Bertellini
Publisher : Indiana University Press
Page : 465 pages
File Size : 53,9 Mb
Release : 2010
Category : Art
ISBN : 9780253221285

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Italy in Early American Cinema by Giorgio Bertellini Pdf

Giorgio Bertellini traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic—the picturesque. Once associated with landscape painting in northern Europe, the picturesque came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Taking its cue from a picturesque stage backdrop from The Godfather Part II, Italy in Early American Cinema shows how this aesthetic was transferred from 19th-century American painters to early 20th-century American filmmakers. Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny.

The Cambridge History of American Literature: Volume 3, Prose Writing, 1860-1920

Author : Sacvan Bercovitch,Cyrus R. K. Patell
Publisher : Cambridge University Press
Page : 844 pages
File Size : 53,7 Mb
Release : 1994
Category : Literary Criticism
ISBN : 0521301076

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The Cambridge History of American Literature: Volume 3, Prose Writing, 1860-1920 by Sacvan Bercovitch,Cyrus R. K. Patell Pdf

Multi-volume history of American literature.

Dying in Full Detail

Author : Jennifer Malkowski
Publisher : Duke University Press
Page : 264 pages
File Size : 52,8 Mb
Release : 2017-02-03
Category : Performing Arts
ISBN : 9780822373414

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Dying in Full Detail by Jennifer Malkowski Pdf

In Dying in Full Detail Jennifer Malkowski explores digital media's impact on one of documentary film's greatest taboos: the recording of death. Despite technological advances that allow for the easy creation and distribution of death footage, digital media often fail to live up to their promise to reveal the world in greater fidelity. Malkowski analyzes a wide range of death footage, from feature films about the terminally ill (Dying, Silverlake Life, Sick), to surreptitiously recorded suicides (The Bridge), to #BlackLivesMatter YouTube videos and their precursors. Contextualizing these recordings in the long history of attempts to capture the moment of death in American culture, Malkowski shows how digital media are unable to deliver death "in full detail," as its metaphysical truth remains beyond representation. Digital technology's capacity to record death does, however, provide the opportunity to politicize individual deaths through their representation. Exploring the relationships among technology, temporality, and the ethical and aesthetic debates about capturing death on video, Malkowski illuminates the key roles documentary death has played in twenty-first-century visual culture.

Public Spectacles of Violence

Author : Rielle Navitski
Publisher : Duke University Press
Page : 344 pages
File Size : 55,7 Mb
Release : 2017-05-18
Category : Performing Arts
ISBN : 9780822372899

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Public Spectacles of Violence by Rielle Navitski Pdf

In Public Spectacles of Violence Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America’s most industrialized nations and later developed two of the region’s largest film industries. Navitski analyzes a wide range of sensational cultural forms, from nonfiction films and serial cinema to illustrated police reportage, serial literature, and fan magazines, demonstrating how media spectacles of violence helped audiences make sense of the political instability, high crime rates, and social inequality that came with modernization. In both nations, sensational cinema and journalism—influenced by imported films—forged a common public sphere that reached across the racial, class, and geographic divides accentuated by economic growth and urbanization. Highlighting the human costs of modernization, these media constructed everyday experience as decidedly modern, in that it was marked by the same social ills facing industrialized countries. The legacy of sensational early twentieth-century visual culture remains felt in Mexico and Brazil today, where public displays of violence by the military, police, and organized crime are hypervisible.

Aeroscopics

Author : Patrick Ellis
Publisher : Univ of California Press
Page : 192 pages
File Size : 50,5 Mb
Release : 2021-07-27
Category : History
ISBN : 9780520355484

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Aeroscopics by Patrick Ellis Pdf

Introduction : spotting the spot -- The panoramic altitude -- The panstereorama -- Vertigo effects -- Observation rides -- The aeroplane gaze -- Conclusion : first flights.

Universal Women

Author : Mark Garrett Cooper
Publisher : University of Illinois Press
Page : 266 pages
File Size : 50,7 Mb
Release : 2010-03-10
Category : Performing Arts
ISBN : 9780252035227

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Universal Women by Mark Garrett Cooper Pdf

Between 1912 and 1919, the Universal Film Manufacturing Company credited eleven women with directing at least 170 films, but by the mid-1920s all of these directors had left Universal and only one still worked in the film industry at all. This book explores how corporate movie studios interpret and act on institutional culture in deciding what it means to work as a man or woman. In focusing on issues of institutional change, the author challenges interpretations that explain women's exile from the film industry as the inevitable result of a transhistorical sexism or as an effect of a broadly cultural revision of gendered work roles. He examines the relationship between institutional organization and aesthetic conventions during the formative years when women filmmakers such as Ruth Ann Baldwin, Cleo Madison, Ruth Stonehouse, Elise Jane Wilson and Ida May Park directed films for Universal.

America First

Author : Mandy Merck
Publisher : Routledge
Page : 330 pages
File Size : 41,6 Mb
Release : 2012-11-12
Category : Performing Arts
ISBN : 9781136007101

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America First by Mandy Merck Pdf

At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly 'American'. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed? Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.