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Picturing the Americas by Valéria Piccoli,Peter John Brownlee,Georgiana Uhlyarik Pdf
Catalogue of a touring exhibition held at the Art Gallery of Ontario, Toronto, June 20-September 20, 2015; Crystal Bridges Museum of American Art, Bentonville, Arkansas, November 7, 2015-January 18, 2016; and Pinacoteca do Estado de Saao Paulo, Saao Paulo, February 27-May 29, 2016.
Author : Stephen J. Hornsby Publisher : University of Chicago Press Page : 302 pages File Size : 50,6 Mb Release : 2017-03-23 Category : History ISBN : 9780226386188
Instructive, amusing, colorful—pictorial maps have been used and admired since the first medieval cartographer put pen to paper depicting mountains and trees across countries, people and objects around margins, and sea monsters in oceans. More recent generations of pictorial map artists have continued that traditional mixture of whimsy and fact, combining cartographic elements with text and images and featuring bold and arresting designs, bright and cheerful colors, and lively detail. In the United States, the art form flourished from the 1920s through the 1970s, when thousands of innovative maps were mass-produced for use as advertisements and decorative objects—the golden age of American pictorial maps. Picturing America is the first book to showcase this vivid and popular genre of maps. Geographer Stephen J. Hornsby gathers together 158 delightful pictorial jewels, most drawn from the extensive collections of the Library of Congress. In his informative introduction, Hornsby outlines the development of the cartographic form, identifies several representative artists, describes the process of creating a pictorial map, and considers the significance of the form in the history of Western cartography. Organized into six thematic sections, Picturing America covers a vast swath of the pictorial map tradition during its golden age, ranging from “Maps to Amuse” to “Maps for War.” Hornsby has unearthed the most fascinating and visually striking maps the United States has to offer: Disney cartoon maps, college campus maps, kooky state tourism ads, World War II promotional posters, and many more. This remarkable, charming volume’s glorious full-color pictorial maps will be irresistible to any map lover or armchair traveler.
In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works provide an interart focus for examining the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text. Wong considers eight writers-artists, including comic-book author Art Spiegelman; Faith Ringgold, known for her story quilts; and celebrated Indigenous writer Leslie Marmon Silko. Wong shows how her subjects formulate webs of intersubjectivity shaped by historical trauma, geography, race, and gender as they envision new possibilities of selfhood and fresh modes of self-narration in word and image.
Picturing America's National Parks by Jamie M. Allen Pdf
To celebrate the centennial of America's National Park Service, Picturing America's National Parks brings together some of the finest landscape photography in the history of the medium, from America's most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America's National Parks have been enjoyed through photographs for over 100 years. This book traces that history and delights readers with stunning photographs of the best American landscapes. An informative essay and commentary from curator Jamie M. Allen unfold the role of photography in promoting America's national heritage, land conservation and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore and Joel Sternfeld, this volume offers a powerful look at America's National Parks and pays homage to a practice that has defined the way we see America, particularly the American West. The parks included are Acadia National Park (ME), Arches National Park (UT), Badlands National Park (SD), Big Bend National Park (TX), Bryce Canyon National Park (UT), Capital Reef National Park (UT), Canyonlands National Park (UT), Crater Lake National Park (OR), Death Valley National Park (CA and NV), Denali National Park (AK), Glacier National Park (MT), Glacier Bay National Monument (AK), Grand Canyon National Park (AZ), Grand Teton National Park (WY), Great Basin National Park (NV), Great Sand Dunes National Park (CO), Great Smoky Mountains National Park (NC and TN), Joshua Tree National Park (CA), Kenai Fjords National Park (AK), Mount Rainer National Park (WA), Olympic National Park (WA), Redwood National Park (CA), Rocky Mountain National Park (CO), Yellowstone National Park (WY), Yosemite National Park (CA) and Zion National Park (UT).
David M. Lubin,Charlotte C Weber Professor of Art David M Lubin,Professor David M Lubin
Author : David M. Lubin,Charlotte C Weber Professor of Art David M Lubin,Professor David M Lubin Publisher : Yale University Press Page : 400 pages File Size : 53,6 Mb Release : 1994-01-01 Category : Art ISBN : 0300057326
Picturing a Nation by David M. Lubin,Charlotte C Weber Professor of Art David M Lubin,Professor David M Lubin Pdf
Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description.
Picturing America: Thomas Cole and the Birth of American Art by Hudson Talbott Pdf
This fascinating look at artist Thomas Cole's life takes readers from his humble beginnings to his development of a new painting style that became America's first formal art movement: the Hudson River school of painting. Thomas Cole was always looking for something new to draw. Born in England during the Industrial Revolution, he was fascinated by tales of the American countryside, and was ecstatic to move there in 1818. The life of an artist was difficult at first, however Thomas kept his dream alive by drawing constantly and seeking out other artists. But everything changed for him when he was given a ticket for a boat trip up the Hudson River to see the wilderness of the Catskill Mountains. The haunting beauty of the landscape sparked his imagination and would inspire him for the rest of his life. The majestic paintings that followed struck a chord with the public and drew other artists to follow in his footsteps, in the first art movement born in America. His landscape paintings also started a conversation on how to protect the country's wild beauty. Hudson Talbott takes readers on a unique journey as he depicts the immigrant artist falling in love with--and fighting to preserve--his new country.
Author : Rachael Ziady DeLue Publisher : Terra Foundation for the Arts Page : 0 pages File Size : 54,8 Mb Release : 2016 Category : ART ISBN : 0932171575
Diligent and profound thinking about the nature and capacity of images and image-making in the form of art-critical writing, poetry, literature, theatre, and philosophical or scientific treatises, among other things, existed alongside and became complexly entangled with artistic practice in the American context. The essays in Picturing consider the questions about the very nature of representation--What is an image? Why make an image? What do images do?--that artists and others brought to bear on the making, viewing, and analysis of art and visual culture in the United States. In so doing, it highlights the centrality and significance of the problematic of picturing within the domain of American visual practice. Essays in this volume present a range of subjects from the early modern period through the end of the twentieth century. Some focus on texts, others on images or other visual artifacts, with the understanding that works of art themselves actively theorize their own nature and limits. They posit the idea of picturing broadly, hoping to demonstrate how deliberation about pictures and picture-making in the American context included but also extended beyond academy-based or art-critical writing, manifesting in expressions as diverse as natural history illustration, popular fiction, and illustrated travel narratives. It is usually assumed that thinking about pictures in the United States hewed closely to the precepts of European art treatises, the derivativeness of art theory in America thus not warranting close or sustained analysis. Picturing explores the circulation of ideas across the Atlantic while aiming to reveal the richness, range, complexity, and even the strangeness of the theorization of the visual in the American context. About the Terra Foundation for American Art Research Series The series explores themes of critical importance to the history of American art through a series of innovative essays exposing historical material to different conceptual concerns. Each volume offers original research that attends to specific objects as well as to historically significant and presiding conceptual and theoretical concerns. Structured around ideas that have been important to artistic developments within the United States, the series invites readers to look and think critically about art objects as they have been made, collected and talked about in their times.
Author : The National Baseball Hall of Fame and Museum Publisher : Mango Media Inc. Page : 395 pages File Size : 42,9 Mb Release : 2021-06-17 Category : Sports & Recreation ISBN : 9781642505344
Picturing America's Pastime by The National Baseball Hall of Fame and Museum Pdf
Baseball Photography Classics “It’s a great addition to your coffee table, or as a gift to the baseball fan in your life.” ―baseballmusings.com #1 New Release in Photojournalism, Photo Essays, Statistics, History, Sports Photography, and Sports Picturing America’s Pastime celebrates baseball through a unique photography collection of the National Baseball Hall of Fame and Museum’s unmatched archive of baseball photos. Preserving History, Honoring Excellence, Connecting Generations is the mission of the Baseball Hall of Fame in Cooperstown, New York. Now, with this unequaled collection of photos from baseball history, you can revel in the moments we share at the ballpark, the grand sweep of the stadium, the drama of the game, and classic images of baseball greats. Celebrate the history of baseball and baseball photography. Go beyond the standard highlights of baseball history in this collection of rarely seen photos that reveals the full landscape of our national pastime as no other collection can. Selected by the historians and curators at the Baseball Hall of Fame, the photographs reveal the rich relationship between photography and the game. Each image includes an historic quote and a detailed caption, often highlighting little-known information about the photographers and techniques used across the 150 plus years covered in the book. Experience the storied history of this great game through iconic images: • Panoramic photos of historic stadiums • A thoughtful Honus Wagner studying his bat • Early African American team portraits and photos of such greats as Hank Aaron, Jackie Robinson, and Orestes “Minnie” Miñoso • And much more! If you have enjoyed baseball photography books such as The Story of Baseball: In 100 Photographs, 100 Year in Pinstripes: The New York Yankees in Photographs, or Baseball: An Illustrated History, you will love The National Baseball Hall of Fame’s Picturing America’s Pastime.
Picturing American Modernity by Kristen Whissel Pdf
In Picturing American Modernity, Kristen Whissel investigates the relationship between early American cinema and the experience of technological modernity. She demonstrates how between the late 1890s and the eve of the First World War moving pictures helped the U.S. public understand the possibilities and perils of new forms of “traffic” produced by industrialization and urbanization. As more efficient ways to move people, goods, and information transformed work and leisure at home and contributed to the expansion of the U.S. empire abroad, silent films presented compelling visual representations of the spaces, bodies, machines, and forms of mobility that increasingly defined modern life in the United States and its new territories. Whissel shows that by portraying key events, achievements, and anxieties, the cinema invited American audiences to participate in the rapidly changing world around them. Moving pictures provided astonishing visual dispatches from military camps prior to the outbreak of fighting in the Spanish-American War. They allowed audiences to delight in images of the Pan-American Exposition, and also to mourn the assassination of President McKinley there. One early film genre, the reenactment, presented spectators with renditions of bloody battles fought overseas during the Philippine-American War. Early features offered sensational dramatizations of the scandalous “white slave trade,” which was often linked to immigration and new forms of urban work and leisure. By bringing these frequently distant events and anxieties “near” to audiences in cities and towns across the country, the cinema helped construct an American national identity for the machine age.
Eric Sandeen presents here the first in-depth study of the exhibit and its influence worldwide. He examines how the exhibit came to be assembled, the beliefs and background Edward Steichen brought to the project, and what he wanted to show about the human condition from his selection of images. He then looks at the politics and culture of the 1950s to determine why the show was so popular at the time.
Author : Megan Swift Publisher : University of Toronto Press Page : 246 pages File Size : 49,8 Mb Release : 2020-05-12 Category : History ISBN : 9781442667426
Based on sources from rare book libraries in Russia and around the world, Picturing the Page offers a vivid exploration of illustrated children’s literature and reading under Lenin and Stalin – a period when mass publishing for children and universal public education became available for the first time in Russia. By analysing the illustrations in fairy tales, classic "adult" literature reformatted for children, and war-time picture books, Megan Swift elucidates the vital and multifaceted function of illustrated children’s literature in repurposing the past. Picturing the Page demonstrates that while the texts of the past remained fixed, illustrations could slip between the pages to mediate and annotate that past, as well as connect with anti-religious, patriotic, and other campaigns that were central to Soviet children’s culture after the 1917 Revolution.
Liza Black critically examines the inner workings of post–World War II American films and production studios that cast American Indian extras and actors as Native people, forcing them to come face to face with mainstream representations of “Indianness.”
This symbiotic relationship and the mass-market acceptance of this dramatic and often melodramatic pictorial genre had an enormous effect on the kind and the intensity of history that Americans absorbed.".