Pierrot In Petrograd

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Pierrot in Petrograd

Douglas Clayton
Pierrot in Petrograd Book PDF

Author : Douglas Clayton
Publisher : McGill-Queen's Press - MQUP
Page : 388 pages
File Size : 54,7 Mb
Release : 1994-01-10
Category : Performing Arts
ISBN : 9780773564411

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Pierrot in Petrograd by Douglas Clayton Pdf

Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot); and in Germany (Tieck's and Hoffmann's metatheatre). He also analyses crucial texts by Gozzi, Lothar, Benavente, and Schnitzler that came to play a central role in the Russian theatre. Tracing the history of commedia dell'arte on the Russian stage, he demonstrates that the introduction of the tradition was theory-driven and discusses several milestone productions in the pre- and post-revolutionary period. Clayton examines the impact of commedia dell'arte, russified as the new theatrical genre of balagan, on both popular and lesser-known Russian playwrights, and, in conclusion, explores the significance of the commedia dell'arte as a theoretical underpinning for Sergei Eisenstein's theories of theatre and film.

Of 'truths Impossible to Put in Words'

Rose-Carol Washton Long
Of truths Impossible to Put in Words Book PDF

Author : Rose-Carol Washton Long
Publisher : Peter Lang
Page : 440 pages
File Size : 44,6 Mb
Release : 2009
Category : Art
ISBN : 3039107046

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Of 'truths Impossible to Put in Words' by Rose-Carol Washton Long Pdf

This volume of essays relate Max Beckmann's work to the tangible circumstances of its production and reception. The essays contextualise aspects of Beckmann's early, middle, and late career by way of detailed reference to contemporary music, film, philosophy, theatre, history, sports and exile.

Three Loves for Three Oranges

Dassia N. Posner,Kevin Bartig,Maria De Simone
Three Loves for Three Oranges Book PDF

Author : Dassia N. Posner,Kevin Bartig,Maria De Simone
Publisher : Indiana University Press
Page : 460 pages
File Size : 54,6 Mb
Release : 2021-09-14
Category : Drama
ISBN : 9780253057891

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Three Loves for Three Oranges by Dassia N. Posner,Kevin Bartig,Maria De Simone Pdf

In 1921, Sergei Prokofiev's Love for Three Oranges—one of the earliest, most famous examples of modernist opera—premiered in Chicago. Prokofiev's source was a 1913 theatrical divertissement by Vsevolod Meyerhold, who, in turn, took inspiration from Carlo Gozzi's 1761 commedia dell'arte–infused theatrical fairy tale. Only by examining these whimsical, provocative works together can we understand the full significance of their intertwined lineage. With contributions from 17 distinguished scholars in theater, art history, Italian, Slavic studies, and musicology, Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev illuminates the historical development of Modernism in the arts, the ways in which commedia dell'arte's self-referential and improvisatory elements have inspired theater and music innovations, and how polemical playfulness informs creation. A resource for scholars and theater lovers alike, this collection of essays, paired with new translations of Love for Three Oranges, charts the transformations and transpositions that this fantastical tale underwent to provoke theatrical revolutions that still reverberate today.

The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation

Alexis Weedon
The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation Book PDF

Author : Alexis Weedon
Publisher : Springer Nature
Page : 289 pages
File Size : 50,5 Mb
Release : 2021-06-18
Category : Literary Criticism
ISBN : 9783030724764

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The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation by Alexis Weedon Pdf

This book explores the significance of professional writers and their role in developing British storytelling in the 1920s and 1930s, and their influence on the poetics of today’s transmedia storytelling. Modern techniques can be traced back to the early twentieth century when film, radio and television provided professional writers with new formats and revenue streams for their fiction. The book explores the contribution of four British authors, household names in their day, who adapted work for film, television and radio. Although celebrities between the wars, Clemence Dane, G.B. Stern, Hugh Walpole and A.E.W Mason have fallen from view. The popular playwright Dane, witty novelist Stern and raconteur Walpole have been marginalised for being German, Jewish, female or gay and Mason’s contribution to film has been overlooked also. It argues that these and other vocational authors should be reassessed for their contribution to new media forms of storytelling. The book makes a significant contribution in the fields of media studies, adaptation studies, and the literary middlebrow.

Russomania

Rebecca Beasley
Russomania Book PDF

Author : Rebecca Beasley
Publisher : Oxford University Press, USA
Page : 550 pages
File Size : 53,5 Mb
Release : 2020-03-26
Category : Literary Criticism
ISBN : 9780198802129

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Russomania by Rebecca Beasley Pdf

Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class--the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.

Stanislavsky in Practice

Vreneli Farber
Stanislavsky in Practice Book PDF

Author : Vreneli Farber
Publisher : Peter Lang
Page : 254 pages
File Size : 47,8 Mb
Release : 2008
Category : Drama
ISBN : 143310315X

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Stanislavsky in Practice by Vreneli Farber Pdf

Stanislavsky in Practice focuses on the course of study pursued today by aspiring actors in Russia and on the philosophy that informs this curriculum. It draws on extensive observation during the academic year 2000-2001 of the actor training program of the St. Petersburg State Academy of Theatre Arts (SPGATI), one of the three most prestigious theatrical institutes in Russia, and on interviews of a wide array of individuals in the Academy. Although the years since 1991 have witnessed many changes in theater and in actor training - sources of funding, administration, choice of repertoire, new methodologies, etc. - there remains much continuity with the past. The core of this continuity is the Stanislavsky tradition, which nevertheless has been affected by the views of post-Soviet Russia. The developments in actor training from 1991 to 2001 reflect the challenges and problems faced by other institutions in the arts and sciences. In other words, the phenomenon of continuity and discontinuity with the past is characteristic of other institutions in Russia, cultural as well as scientific and educational.

Adapting Chekhov

J. Douglas Clayton,Yana Meerzon
Adapting Chekhov Book PDF

Author : J. Douglas Clayton,Yana Meerzon
Publisher : Routledge
Page : 336 pages
File Size : 53,9 Mb
Release : 2013
Category : Drama
ISBN : 9780415509695

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Adapting Chekhov by J. Douglas Clayton,Yana Meerzon Pdf

This book considers the hundred years of re-writes of Anton Chekhov's work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov's dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book presents adaptation as the emerging genre of drama, theatre, and film. This trend marks the performative and social practices of the new millennium, highlighting our epoch's need to engage with the history of dramatic forms and their evolution. The collection demonstrates that adaptation as the practice of transformation and as a re-thinking of habitual dramatic norms and genre definitions leads to the rejuvenation of existing dramatic and performative standards, pioneering the creation of new traditions and expectations. As the major mode of the storytelling imagination, adaptation can build upon and drive the audience's horizons of expectations in theatre aesthetics. Hence, this volume investigates the original and transformative knowledge that the story of Chekhov's drama in mutations offers to scholars of drama and performance, to students of modern literatures and cultures, and to theatre practitioners worldwide.

Reframing Russian Modernism

Irina Shevelenko
Reframing Russian Modernism Book PDF

Author : Irina Shevelenko
Publisher : Unknown
Page : 272 pages
File Size : 54,9 Mb
Release : 2018-12-11
Category : Literary Criticism
ISBN : 9780299320409

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Reframing Russian Modernism by Irina Shevelenko Pdf

Presents modernism in Russia through the lens of its engagement with politics, science, religion, and other social practices. In the early twentieth century, when many Russian social institutions looked to the past, modernist arts powerfully amplified a gamut of new ideas about individual and collective transformation.

A Reader's Guide to Andrei Bely's "petersburg

Leonid Livak
A Reader s Guide to Andrei Bely s petersburg Book PDF

Author : Leonid Livak
Publisher : Unknown
Page : 281 pages
File Size : 42,8 Mb
Release : 2018-12-11
Category : History
ISBN : 9780299319304

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A Reader's Guide to Andrei Bely's "petersburg by Leonid Livak Pdf

An introduction to a complex but hugely influential Russian novel written on the eve of the First World War. Accessible essays explain how Petersburg articulated the sensibility, ideas, phobias, and aspirations of Russian and transnational modernism.

A History of Russian Theatre

Robert Leach,Victor Borovsky
A History of Russian Theatre Book PDF

Author : Robert Leach,Victor Borovsky
Publisher : Cambridge University Press
Page : 468 pages
File Size : 42,5 Mb
Release : 1999-11-29
Category : Drama
ISBN : 0521432200

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A History of Russian Theatre by Robert Leach,Victor Borovsky Pdf

A comprehensive history of Russian theatre, written by an international team of experts.

The Silver Mask

Olga Yu Soboleva
The Silver Mask Book PDF

Author : Olga Yu Soboleva
Publisher : Peter Lang
Page : 304 pages
File Size : 41,6 Mb
Release : 2008
Category : Literary Collections
ISBN : 3039107062

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The Silver Mask by Olga Yu Soboleva Pdf

A highly significant movement within the Silver Age, harlequinade did not surface in Russian high culture until the turn of the twentieth century, when it suddenly began to attract the close attention of symbolist authors. In the present work, an attempt is made to show that the proliferation of the new cultural idiom was indicative of the fundamental concerns of the time and intimately related to the development of artistic thought. Although the theme is considered in its cultural totality (visual arts, literature and drama), the work is focused on symbolist poetry. It provides a close analysis of the 'harlequinade' verse of Blok and Belyi - two leading figures of the movement, in whose writings the symbolist theory found its maturity and perfection. The poems in question are conceptually centred on the dialectical unity of self and other - one of the key-notes in the new symbolist outlook. This is traced at various levels of poetic representation: in the imagery system and the principles of text construction, in linguistic features and poetic devices employed by the authors. Special attention is given to the sound organization of the poems, which heightens considerably the semantic potential of the text.

Staging the Absolute

Thomas Seifrid
Staging the Absolute Book PDF

Author : Thomas Seifrid
Publisher : University of Toronto Press
Page : 222 pages
File Size : 53,8 Mb
Release : 2023-10-02
Category : Literary Criticism
ISBN : 9781487551827

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Staging the Absolute by Thomas Seifrid Pdf

Staging the Absolute argues that an array of practices and beliefs came together to define an essential aspect of Russian and Soviet culture in the twentieth century: the persistent desire to interrupt – or disrupt – history. Drawing on sources that define the nature of public rituals, the book reveals the pervasive presence of the impulse to impede history in Russia’s modern era and the realization of the idea in the form of the Stalinist show trials of the 1930s. Thomas Seifrid analyses Soviet festivals, public displays of agitational propaganda, and urban planning, together with such modernist precursors as fin-de-siècle and early twentieth-century projects for reviving the theatre, modernist adaptations of puppet theatre, the Faust legend and its vogue in early twentieth-century Russia, and the nineteenth-century panorama. The book reveals that what binds these otherwise disparate phenomena together is a shared impatience with history and a corresponding desire to appropriate urban space. Illuminating the deeper meanings in these revived archaic forms, Staging the Absolute shows how pervasive the interest in disrupting history was in the Russian modern era.

The Men with the Movie Camera

Philip Cavendish
The Men with the Movie Camera Book PDF

Author : Philip Cavendish
Publisher : Berghahn Books
Page : 362 pages
File Size : 53,8 Mb
Release : 2013-12-30
Category : Performing Arts
ISBN : 9781782380788

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The Men with the Movie Camera by Philip Cavendish Pdf

Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.

Popular Theater and Society in Tsarist Russia

E. Anthony Swift
Popular Theater and Society in Tsarist Russia Book PDF

Author : E. Anthony Swift
Publisher : Univ of California Press
Page : 367 pages
File Size : 50,7 Mb
Release : 2002-12-30
Category : Performing Arts
ISBN : 9780520925878

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Popular Theater and Society in Tsarist Russia by E. Anthony Swift Pdf

This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "people's theaters" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change. Swift illuminates many aspects of the story of these popular theaters—the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific theaters and performances, and explores in particular how popular audiences responded to the plays.

A Soviet Credo: Shostakovich's Fourth Symphony

Pauline Fairclough
A Soviet Credo Shostakovich s Fourth Symphony Book PDF

Author : Pauline Fairclough
Publisher : Routledge
Page : 382 pages
File Size : 42,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351577953

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A Soviet Credo: Shostakovich's Fourth Symphony by Pauline Fairclough Pdf

Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.