Pigment Compendium A Dictionary Of Historical Pigments
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The Pigment Compendium Dictionary is a comprehensive information source for scientists, art historians, conservators and forensic specialists. Drawn together from extensive analystical research into the physical and chemical properties of pigments, this essential reference to pigment names and synonyms describes the inter-relationship of different names and terms. The Dictionary covers the field worldwide from pre-history to the present day, from rock art to interior decoration, from ethnography to contemporary art. Drawing on hundreds of hard-to-obtain documentary sources as well as modern scientific data each term is discussed in detail, giving both its context and composition. * Comprehensive list of pigment names and synonyms * Pigments used worldwide from pre-history to the present day * Contains information from hundreds of hard-to-obtain documentary sources
Bringing together for the first time the two original Pigment Compendium volumes, the collection forms an essential guide for identification of historical pigment compounds, and details pigment names and synonyms.
Pigment Compendium: A Dictionary of Historical Pigments by Nicholas Eastaugh,Valentine Walsh,Tracey Chaplin,Ruth Siddall Pdf
The Pigment Compendium Dictionary is a comprehensive information source for scientists, art historians, conservators and forensic specialists. Drawn together from extensive analystical research into the physical and chemical properties of pigments, this essential reference to pigment names and synonyms describes the inter-relationship of different names and terms. The Dictionary covers the field worldwide from pre-history to the present day, from rock art to interior decoration, from ethnography to contemporary art. Drawing on hundreds of hard-to-obtain documentary sources as well as modern scientific data each term is discussed in detail, giving both its context and composition.
Pigment Compendium: Optical Microscopy of Historical Pigments by Nicholas Eastaugh,Valentine Walsh,Tracey Chaplin,Ruth Siddall Pdf
This is an essential purchase for all painting conservators and conservation scientists dealing with paintings and painted objects. It provides the first definitive manual dedicated to optical microscopy of historical pigments. Illustrated throughout with full colour images reproduced to the highest possible quality, this book is based on years of painstaking research into the visual and optical properties of pigments. Groundbreaking and comprehensive, the Pigment Compendium is a major addition to the study and understanding of historic pigments.
Pigment Compendium by Nicholas Eastaugh,Valentine Walsh,Tracey Chaplin,Ruth Siddall Pdf
This is an essential purchase for all painting conservators and conservation scientists dealing with paintings and painted objects. It provides the first definitive manual dedicated to optical microscopy of historical pigments. Illustrated throughout with full colour images reproduced to the highest possible quality, this book is based on years of painstaking research into the visual and optical properties of pigments. Now combined with the Pigment Dictionary, the most thorough reference to pigment names and synonyms avaiable, the Pigment Compendium is a major addition to the study and understanding of historic pigments.
Pigment Compendium: A Dictionary of Historical Pigments by Nicholas Eastaugh,Valentine Walsh,Tracey Chaplin,Ruth Siddall Pdf
The Pigment Compendium Dictionary is a comprehensive information source for scientists, art historians, conservators and forensic specialists. Drawn together from extensive analystical research into the physical and chemical properties of pigments, this essential reference to pigment names and synonyms describes the inter-relationship of different names and terms. The Dictionary covers the field worldwide from pre-history to the present day, from rock art to interior decoration, from ethnography to contemporary art. Drawing on hundreds of hard-to-obtain documentary sources as well as modern scientific data each term is discussed in detail, giving both its context and composition.
Color Science in the Examination of Museum Objects by Ruth Johnston-Feller Pdf
This volume presents the life work of the late Ruth Johnston-Feller, one of the nation's leading color scientists. It combines an overview of basic theoretical concepts with detailed, hands-on guidance for the professional conservator and conservation scientist. The author focuses on the application of color science to the solution of practical problems, providing a comprehensive discussion of the nondestructive spectrophotometric tools and techniques used to understand the color and appearance of materials during the technical examination of works of art. The book, which features numerous examples of reference reflectance spectra, can help prevent misinterpretation of color measurements and the erroneous conclusions that might result. Topics include spectrophotometry, colorimetry, colorant mixtures, analytical techniques, reflection, fluorescence, and the effects of extenders, fillers, and inerts.
Pigment Compendium: A Dictionary of Historical Pigments by Nicholas Eastaugh,Valentine Walsh,Tracey Chaplin,Ruth Siddall Pdf
The Pigment Compendium Dictionary is a comprehensive information source for scientists, art historians, conservators and forensic specialists. Drawn together from extensive analystical research into the physical and chemical properties of pigments, this essential reference to pigment names and synonyms describes the inter-relationship of different names and terms. The Dictionary covers the field worldwide from pre-history to the present day, from rock art to interior decoration, from ethnography to contemporary art. Drawing on hundreds of hard-to-obtain documentary sources as well as modern scientific data each term is discussed in detail, giving both its context and composition.
This book provides an up-to-date insight into the chemistry behind the colour of the dyes and pigments that make our world so colourful. The impressive breadth of coverage starts with a dip into the history of colour science. Colour Chemistry then goes on to look at the structure and synthesis of the various dyes and pigments, along with their applications in the traditional areas of textiles, coatings and plastics, and also the ever-expanding range of "high-tech" applications. Also discussed are some of the environmental issues associated with the manufacture and use of colour. The broad and balanced coverage presented in this book makes it ideal for students and graduates. In addition, many specialists in industry or academia will also benefit from the overview of the subject that is provided.
New Dictionary of Theology by Martin Davie,Tim Grass,Stephen R. Holmes,John McDowell,Thomas A. Noble Pdf
ECPA 2017 Christian Book Award Finalist This classic one-volume reference work has been appreciated for decades. It is now substantially expanded and revised to focus on a variety of theological themes, thinkers and movements. From African Christian Theology to Zionism, this volume of historical and systematic theology offers a wealth of information and insight for students, pastors and all thoughtful Christians. Over half of the more than eight hundred articles are new or rewritten with hundreds more thoroughly revised. Fully one-third larger than its predecessor, this volume focusing on systematic and historical theology has added entries and material on theological writers and themes in North America and around the world. Helpful bibliographies have also been updated throughout. Over three hundred contributors form an international team of renowned scholars including Marcella Altaus-Reid, Richard Bauckham, David Bebbington, Kwame Bediako, Todd Billings, Oliver Crisp, Samuel Escobar, John Goldingay, Tremper Longman III, John McGuckin, Jennifer McNutt, Michael J. Nasir-Ali, Bradley Nassif, Mark Noll, Anthony Thiselton, John Webster and N. T. Wright. This new edition combines excellence in scholarship with a high standard of clarity and profound insight into current theological issues. Yet it avoids being unduly technical. Now an even more indispensable reference, this volume is a valuable primer and introduction to the grand spectrum of theology.
Scientific Research in the Field of Asian Art by Paul Jett,Freer Gallery of Art Pdf
Scientific research into Asian Art reveals a small but important part of the whole, helping to bring back to life the artists and artisans of the area. Scientific research into works of Asian art at the Freer Gallery began with R.J. Gettens in 1951. The papers presented in this text are a celebration of 50 years research in this field at the Freer.
Author : Paul Jett,Blythe Ellen McCarthy,Janet G. Douglas Publisher : Unknown Page : 0 pages File Size : 42,6 Mb Release : 2012 Category : Art and science ISBN : 1904982727
Scientific Research on Ancient Asian Metallurgy by Paul Jett,Blythe Ellen McCarthy,Janet G. Douglas Pdf
This book covers the latest research in the field of ancient Asian metal-working in South and Southeast Asia, China and West Asia, concentrating mainly on copper alloys.
Excerpt from The Palace of Apries: Memphis II 1. After the close of the excavations at Qurneh our camp was moved to Memphis to continue the work of the previous season, recorded in Memphis I. Mr. Wainwright left Qurneh three weeks before me, in order to study at the Cairo museum, and to begin the arrangements at Memphis. I went down on 10 February, and Mr. Mackay followed twelve days later after packing. I left on 21 April and Mr. Wainwright soon after, Mr. Mackay staying on till near the middle of May. The greater part of our work was spent upon the large mound at the north end of Memphis, which we found to be the site of the royal palace of Apries. The general appearance of it is a long ridge about two hundred feet wide, and four hundred feet from the north end up to some immense walled enclosures of brick at the south end. The view of the whole, from the east, is in PI. X, and the plan of the palace in PI. I. The plan was entirely measured by taping, from a sighted line laid out along the wall east of the new broadway, with diagonal ties across the great court to fix the squareness of the whole. Plumb-lines were constantly used for sighting and measuring. The clearance was over two acres of ground, to a depth of ten or fifteen feet in most parts, the largest clearance made this year in any site. Last season I had seen that there were walls remaining on the top of the mound, and therefore we ranked a row of workmen along each side of the ridge, and began steadily clearing inwards until they met in the middle. 2. The walls are all of black mud brick, with stone linings around the lower part of the halls, stone floors to the halls, and stone doorways and stairways. The walls are from 10 to 22 feet in thickness, generally being about 14 feet. They vary in age, some being patched on the top with later brickwork, some being built up from the floor of Apries, while many extend down far into the mound, covered with plaster, and evidently have served for previous palaces. It may be said that the level of Apries is inserted some way up the older walls, with some repairs, and some new construction added. The disentanglement of the history of construction, and of the changes of levels, will need careful work in future; but for the present we only deal with the level of Apries. The history of these changes seems clear. As a dynasty decayed, the roofs were not kept in good state, the winter rains ran into the walls, large masses fell off the tops of the walls after a heavy storm, some roofs fell in; then when a new order of things arose, the damaged parts were taken down, the floors were all levelled up with the rubbish, the sound walls were trimmed and patched, new walls were built where the decay was beyond repair, and the whole palace was restored at a higher level. Thus about seventy feet depth of artificial construction stands between the primitive ground level and the floor of Apries. Much of the north end has been successively extended by building up a cellular substructure of brick shafts domed over, like the platforms of the forts of Naukratis and Daphnae; but the rest of the site shews earlier courts in the lower levels. 3. The general scheme of the building was that it occupied the north-west corner of the great fortified camp of about thirty acres, at the north end of the ruins of Memphis. Along the west side of the camp was a line of three great enclosures, and the palace-fortress mound. The enclosures to the south are ruined and built over; that next to the palace has been cleared out by the sebakhin for earth, leaving a square of massive walls standing about forty feet high; all the interior of this is empty, and we cannot know what it contained before it was destroyed. Through this great square there was a roadway, with a wide gate on the south, and another on the north opposite to it. This latter is shewn on the plan, PI. I, by two white lines across the thick wall at the foot of the plate. T.
