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The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. The Odes contain versions of some of the best known Greek myths and are also a valuable source for Greek religion and ethics. Verity's lucid translations are complemented by insights into competition, myth, and meaning. - ;'we can speak of no greater contest than Olympia' The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. He celebrated the victories of athletes competing in foot races, horse races, boxing, wrestling, all-in fighting and the pentathlon, and his Odes are fascinating not only for their poetic qualities, but for what they tell us about the Games. Pindar praises the victor by comparing him to mythical heroes and the gods, but also reminds the athlete of his human limitations. The Odes contain versions of some of the best known Greek myths, such as Jason and the Argonauts, and Perseus and Medusa, and are a valuable source for Greek religion and ethics. Pindar's startling use of language - striking metaphors, bold syntax, enigmatic expressions - makes reading his poetry a uniquely rewarding experience. Anthony Verity's lucid translations are complemented by an introduction and notes that provide insight into competition, myth, and meaning. -
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Combining historical and philological method with contemporary literary analysis, this study of Pindar's longest and most elaborate victory ode, the Fourth Pythian, traces the underlying mythical patterns, implicit poetics, and processes of mythopoesis that animate his poetry. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Pindar by Pindar Pindar,C. A. M. D. 1916 Fennell Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Value Of Victory In Pindars Odes by Hanna Boeke Pdf
This book investigates the cosmological context of Pindar's odes, and how it influences his presentation of praise. An overview of cosmological ideas based on gnomai is complemented by detailed literary analyses showing that these ideas are modified according to a victor's circumstances.
Hailed by Horace and Quintilian as the greatest of Greek lyric poets, Pindar has always enjoyed a privileged position in the so-called classical tradition of the West. Given the intense difficulty of the poetry, however, Pindaric interpretation has forever grappled with the perplexing dilemma that one of the most influential poets of antiquity should prove to be so dark. In discussing both poets and scholars from a broad historical span, with special emphasis on the German legacy of genius, Soliciting Darkness investigates how Pindar's obscurity has been perceived and confronted, extorted and exploited. As such, this study addresses a variety of pressing issues, including the recovery and appropriation of classical texts, problems of translation, representations of lyric authenticity, and the possibility or impossibility of a continuous literary tradition. The poetics of obscurity that emerges here suggests that taking Pindar to be an incomprehensible poet may not simply be the result of an insufficient or false reading, but rather may serve as a wholly adequate judgment.
The Greek lyric poet Pindar is renowned for his poems celebrating the victories of athletes in the great games of Greece at Olympia, Delphi (the Pythian Games), Corinth (the Isthmian Games) and Nemea. Pindar's victory odes have the reputation of being complex and allusive in their language and reference. In this much-needed commentary on seven of the extant odes, Professor Willcock aims to open up Pindar's poetry to a wider readership by starting with a short and straightforward poem and progressing by level of difficulty to one of the greatest. The book begins with an introduction which includes sections on Pindar's life and on his thought, language and style, but which pays particular attention to the genre of the victory ode and its conventions.
This collection of essays, although written over a period of almost 30 years, deals with one problem: who is the I in the odes of the most celebrated ancient Greek poet, Pindar?. since antiquity, the complex and allusive language of the first-person statements has provoked many different answers, Professor Lefkowitz describes the function and nature of Pindar's I statements and proposes a controversial solution that would cause some histories of Greek literature to be rewritten. Rather than accept the view that the identity of the speaker could be subject to instant and unannounced change, she proposes that the voice of the victory odes is the poet himself, in his most professional persona. Professor Lefkowitz also refutes the traditional belief that the odes were sung by a chorus. She shows that in most, if not all cases, they were sung as solos and that Pindar was continuing the tradition established by the Homeric bards.
Pindars sechste olympische Siegesode by Zsolt Adorjani Pdf
Pindar’s Sixth Olympian Ode is considered one of the poet’s most brilliant victory odes. This is the first full-scale commentary on it. Adorjáni presents Greek text with critical apparatus, translation and metrical analysis. Three introductory chapters treat matters of history (background, date, performance) and literary criticism. Then follows a verse-by-verse commentary rooted in the tradition of philological exegesis, concentrating on grammatical, stylistic and interpretive features. Until now the Sixth Olympian has been praised chiefly for its magnificent and lucid presentation of the myth of Iamos, a seer of Arcadian origin and ancestor of the prophetic clan of the Iamidae. This commentary illuminates both the overwhelming depth of thought and the cunningly wrought structure of this masterpiece, contributing to a better understanding of Pindar’s verbal artistry. Pindars sechste olympische Ode ist einer der glänzendsten Siegesgesänge des Dichters. Hier wird der erste umfassende philologische Kommentar zum Gedicht vorgelegt. Adorjáni bietet einen griechischen Text mit kritischem Apparat, Übersetzung, metrischer Analyse und drei Einleitungskapiteln, die in die Probleme der Geschichtlichkeit (Hintergrund, Entstehungszeit, Aufführung) und der literarischen Interpretation hineinführen. Auf diesen Teil folgt ein von Vers zu Vers fortschreitender Kommentar, der gemäß den alten Traditionen der Texterklärung auf grammatische, stilistische und interpretatorische Fragen eingeht. Bisher wurde Olympie 6 zumeist als großartige und suggestive Erzählung des Mythos des Sehers Iamos, des Vorfahren der olympischen Iamiden, gewürdigt. Diesem Kommentar ist daran gelegen, die intrikate Gedankentiefe und vollkommenste Formkunst dieses Meisterwerks vor Augen zu führen.