Poetry In Blue Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Poetry In Blue book. This book definitely worth reading, it is an incredibly well-written.
The Blue Poetry Book was the third of the series of Fairy Books by Andrew Lang. This book contains 153 poems by great British and American poets such as; William Blake; Elizabeth Browning; John Bunyan; Robert Burns; Lord Byron; Thomas Campbell; Samuel Coleridge Taylor; William Cowper; Charles Lamb, and many others.
The Blue Poetry Book was the third of the series of Fairy Books by Andrew Lang. This book contains 153 poems by great British and American poets such as; William Blake; Elizabeth Browning; John Bunyan; Robert Burns; Lord Byron; Thomas Campbell; Samuel Coleridge Taylor; William Cowper; Charles Lamb, and many others.
The struggle of Native American peoples after the arrival of the Europeans is well documented, even in poetry. Yet Blue Marrow introduces a unique voice and perspective to this tension, one that is poignant and simultaneously reminiscent of all that is already familiar. In this haunting collection, Halfe brings to light the hypocrisy shaped by the conflict of Christianity and tradition-unique, informative, artistic and memorable, a combination worthy of note. (KLIATT).
Look at This Blue by Allison Adelle Hedge Coke Pdf
Interweaving elegy, indictment, and love letter to California, Look at This Blue calls into America's genocidal past and present as it warns of a future threatened by mass extinction and climate peril. Stark, immediate truths permeate this book-length poem by American Book Award winner Allison Adelle Hedge Coke. From found historical materials to piercing, lyric fragments, these poems form a taxonomy of threatened lives--human, plant, and animal--in a century marked by climate emergency. Look at This Blue insists upon a reckoning with America's continuing violence toward Earth and its indigenous people, as Hedge Coke's hypnotic litany of loss spirals into a powerful crescendo of resistance.
In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.
Come down to the shore with this rich and vivid celebration of the ocean! With watercolors gorgeous enough to wade in by award-winning artist Meilo So and playful, moving poems by Kate Coombs, Water Sings Blue evokes the beauty and power, the depth and mystery, and the endless resonance of the sea.
Winner of the 2018 Yale Series of Younger Poets prize How can a search for self‑knowledge reveal art as a site of community? Yanyi’s arresting and straightforward poems weave experiences of immigration as a Chinese American, of racism, of mental wellness, and of gender from a queer and trans perspective. Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life. These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.
The Blue Book includes poems on a range of themes, from recollections of time spent in Fiji, to sharper memories of an adolescence spent in the tough streets of a small, rural town; from dark ruminations on farm life to tender and unconventional love poems.
Carl Phillips is the author of nine previous books of poems, including "Quiver of Arrows: Selected Poems, 1986-2006";" Riding Westward"; and "The Rest of Love," a National Book Award finalist. He teaches at Washington University in St. Louis. This is the second collection of poems by Carl Phillips, whose first book, "In the Blood," won the 1992 Morse Poetry Prize. As "The Boston Book Review" observed, "Cortege" is the work of "an erotic poet, one who follows his sexuality into surprising territory . . . The contemporary scene is fully present [throughout this book], with all its new and old terrors--AIDS, loneliness--but Phillips's richness of mind is such that he often encounters in this life the artifacts of a couple of millennia of art and mythology. Which is not to say these poems have an academic flavor--far from it. The vision is contemporary, the language ours . . . What makes these poems such a coherent whole, in addition to their open sensuality, is the awareness they contain of the inescapable sadness of beauty . . . This is a poet of tact and delicacy, with an understated approach to even potentially explosive subjects." "A classicist by training, Phillips mythologizes the everyday as adeptly as he domesticates Ovid, and the verse [to be found in "Cortege"] is both poised and informal, literate and personal."--"The New Yorker" ""Cortege" is a book that has been packed in salt: the durable salt of artistic making and the bitter salt of longing."--"Alan Shapiro" "The poems of James Merrill and Paul Monette come to mind as one reads Phillips's second collection. Here is a poet who writes with the same masterly elegance, often enhanced by tight, three-line stanzas. References to Ovid, Dante, or Renaissance painting are as lyrical as his frequent descriptions of shadows and birds. 'And now, / the candle blooms gorgeously away / from his hand-- / and the light had made / blameless all over / the body of him.' The word "gorgeously" here points to the care with which each image is sought. Friends, lovers, and, by extension, readers are addressed with a parallel tenderness. Explicit sexual imagery is inserted so delicately that it's impossible to take offence. Written by a poet who also happens to be an African American, these are some of the most sensitive homoerotic poems to be found in contemporary literature. ["Cortege" is] recommended for all poetry collections."--"Library Journal"
Suppose I were to begin by saying that I had fallen in love with a color . . . A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.
George Elliott Clarke's poetry subscribes to Irving Layton's adage that "good poems should rage like a fire, burning all things." Blue is black, profane, surly, damning and unrelenting in its brilliance.The five parts of Blue skilfully expand and dissect Clarke's rage until it becomes a violet bruise of love and mourning. From the opening "Black" section, which blisters Clarke's roots as "Her Majesty's Nasty, Nofaskoshan (Nova Scotian) Negro," to the sensually explicit satirics of the "Red" section; from the fiery and fierce tenderness of the "Gold Sapphics" to the uncompromising lament of the "Blue Elegies," Clarke has written urgent and necessary poems-poems that burn the reader, illuminating us with their rage, truth and beauty.
A dazzling new anthology of 180 contemporary poems, selected and introduced by America’s Poet Laureate, Billy Collins. Inspired by Billy Collins’s poem-a-day program with the Library of Congress, Poetry 180 is the perfect anthology for readers who appreciate engaging, thoughtful poems that are an immediate pleasure. A 180-degree turn implies a turning back—in this case, to poetry. A collection of 180 poems by the most exciting poets at work today, Poetry 180 represents the richness and diversity of the form, and is designed to beckon readers with a selection of poems that are impossible not to love at first glance. Open the anthology to any page and discover a new poem to cherish, or savor all the poems, one at a time, to feel the full measure of contemporary poetry’s vibrance and abundance. With poems by Catherine Bowman, Lucille Clifton, Billy Collins, Dana Gioia, Edward Hirsch, Galway Kinnell, Kenneth Koch, Philip Levine, Thomas Lux, William Matthews, Frances Mayes, Paul Muldoon, Naomi Shihab Nye, Sharon Olds, Katha Pollitt, Mary Jo Salter, Charles Simic, David Wojahn, Paul Zimmer, and many more.
Dionne Brand, author of the Griffin Poetry Prize-winning collection Ossuaries, returns with a startlingly original work about the act of writing itself. On a lonely wharf a clerk in an ink blue coat inspects bales and bales of paper that hold a poet's accumulated left-hand pages--the unwritten, the withheld, the unexpressed, the withdrawn, the restrained. In The Blue Clerk award-winning poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet's pages. In their dialogues--which take shape as a series of haunting prose poems--the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Keipja, and Walter Benjamin to John Coltrane, Josephine Turalba, and Jorge Luis Borges. Through these essay poems, Brand explores memory, language, culture, and time, offering beautiful and jarring juxtapositions ("The Wire is the latest version of The Adventures of Huckleberry Finn"), and endlessly haunting language ("On a road like this you don't know where you are. Whether you have arrived or whether you are still on your way. Whether you are still at the beginning or at the end. You are in the middle all the time. What would be the sign?"). An essential observer and one of the most accomplished poets writing today, Dionne Brand's latest engages intimately with the act and difficulty of writing, the relationship between the author and the world, and the relationship between the author and art. Profound, moving, and wise in equal parts, The Blue Clerk is a work of staggering intellect and imagination, and a truly sublime piece of writing from one of Canada's most renowned, honoured, and bestselling poets.
