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Poetry, Politics and Spirituality by George Lysloff Pdf
Born in Paris, France from a Russian migr father and a Baltic-German mother, the author grewup in poverty, developed into a cosmopolitan minded individual. He studied medicine, worked as a psychiatrist and never stopped writing, fi rst in French, then in German and lastly in English. He immigrated to the US over 50 years ago and continued to expound on his poetry as well as his philosophical ideas, still very much infl uenced by his mostly French, but also more international, almost global views. He got married and sired three children, all quite successful. He presently lives in Wisconsin and the present book is his fourteenth-published product.
The Spiritual Poems of Rumi is a beautiful and elegantly illustrated gift book of Rumi's spiritual poems translated by Nader Khalili, geared for readers searching for a stronger spiritual core.
From master storyteller and host of On Being's Poetry Unbound, Pádraig Ó Tuama, comes an unforgettable memoir of peace and reconciliation, Celtic spirituality, belonging, and sexual identity. "It is in the shelter of each other that the people live." Drawing on this Irish saying, Ó Tuama relates ideas of shelter and welcome to our journeys of life, using poetry, story, biblical reflection, and prose to open up gentle ways of living well in a troubled world. In the Shelter introduces Corrymeela, the Northern Ireland peace and reconciliation community Ó Tuama led for many years, and throughout the book he reveals the power of storytelling in communities of conflict. From the heart of a poet comes a profound look at the landscapes we all try to inhabit even as we always search for shelter, a place we can call home. An instant spiritual classic in Ireland and Britain, now brought to a US readership.
Rumi: Unseen Poems - the second volume of Rumi in the Everyman Pocket Poet series - is a treasury of poems which have never been translated before, researched and translated by Rumi biographer Brad Gooch and the Iranian writer Maryam Mortaz. The thirteenth-century Persian poet Rumi was trained in Sufism, a mystic tradition within Islam. He founded the Mevlevi Order, often known as the Whirling Dervishes, who use dance and music as part of their spiritual devotion. His poetry combines the sacred and the sensual, expressing both rapturous divine love, and aching human love for his companion and teacher, Shams of Tabriz. It has long been popular in the West, never more so than in the last twenty-five years, when a new wave of free translations introduced him to an ever-widening audience. However, some of these recent translations have been more in the nature of interpretations by writers who are not Persian speakers. Cultural and Islamic references central to an understanding of Rumi's poetry have been toned down or omitted. And so vast was Rumi's output that earlier scholarly translators were obliged to be selective, leaving a rich vein of verse still unmined. From this Gooch and Mortaz have made a selection of ghazals (short lyric poems) and rubaiyat (quatrains), aiming in their own translations to achieve fidelity to the originals while preserving all Rumi's lyric exuberance. This book makes a perfect companion to the first Everyman volume of Rumi, which presents the very best of the twentieth-century translations.
An exquisite memoir of a life saved by poetry. "This is a portrait of the artist, narrated by a priest and a poet and a gay man with tenderness and searing honesty. Spencer Reece weaves the poetry he loves into how he has lived, the poetry as solace and relief, as confirmation and rescue, as redemption." —Colm Toíbín The Secret Gospel of Mark is a powerful dynamo of a story that delicately weaves the author's experiences with an appreciation for seven great literary touchstones: Elizabeth Bishop, Sylvia Plath, Emily Dickinson, James Merrill, Mark Strand, George Herbert, and Gerard Manley Hopkins. In speaking to the beauty these poets' works inspire in him, Reece finds the beauty of his own life's journey, a path that runs from coming of age as a gay teenager in the 1980s, Yale, alcoholism, a long stint as a Brooks Brothers salesman, Harvard Divinity School, and leads finally to hard-won success as a poet, reconciliation with his family, and the fulfillment of finding his life's work as an Episcopal priest. Reece's writing approaches the truth and beauty of the writers who have influenced him; elliptical and direct, always beautifully rendered.
Author : Robert McDowell Publisher : Simon and Schuster Page : 272 pages File Size : 48,8 Mb Release : 2008-07-15 Category : Language Arts & Disciplines ISBN : 1416566902
Poetry as Spiritual Practice by Robert McDowell Pdf
"[When we read and write poetry,] it is as if a long-settled cloud in our mind suddenly dissipates, and we are divine once again." -- from the Introduction Poetry is the language of devotion in prayer, chant, and song. Reading and writing poetry creates clarity, deepens and expands spiritual inquiry, and cultivates wisdom, compassion, self-confidence, patience, and love. In author Robert McDowell's words, poetry makes you into a tuning fork of the Divine. But poetry has disappeared over the centuries from religious ceremonies, academic curricula, and public discourse. In Poetry as Spiritual Practice, the first inspirational and instructional guide to combine poetry and spirituality, McDowell restores poetry as the natural language of spiritual practice and invites you to recognize poetry as "the pure sound and shape of your spirit." Vividly illustrated with a wide range of poems from all historical eras and poetic traditions, numerous religions and faiths, and McDowell's own and his students' work, Poetry as Spiritual Practice will reintroduce you to the unique pleasure of verse. And meditations throughout will allow you to integrate reading and writing poetry into your spiritual journeys and daily life. Since many of us have long forgotten, or never learned, the mechanics and terminology of poetry -- trochaic feet and tropes trip us up; we can't tell a villanelle from its shorter cousin, rondeau; and a terza rima may as well be a tanka -- this is also an instructional handbook on reading and writing poetry. An engaging guide through the landscape of world poetry, McDowell argues along the way for the many practical benefits of poetic literacy. Making poetry an essential part of daily rituals, aspirations, and intentions will put you on the path to greater meaning, growth, and peace in your life. At once an engaging technical primer, a profound meditation on the relationship between poetry and the Divine, and an inspirational guide for integrating poetry into spiritual practice, Poetry as Spiritual Practice will become a cherished companion.
As more and more people in North America and Europe have distanced themselves from mainstream religious traditions over the past centuries, a “crisis of faith” has emerged and garnered much attention. But Glenn Hughes, author of A More Beautiful Question: The Spiritual in Poetry and Art, contends that despite the withering popularity of faith-based worldviews, our times do not evince a decline in spirituality. One need only consider the search for “alternative” religious symbolisms, as well as the growth of groups espousing fundamentalist religious viewpoints, to recognize that spiritual concerns remain a vibrant part of life in Western culture. Hughes offers the idea that the modern “crisis of faith” is not a matter of vanishing spiritual concerns and energy but rather of their disorientation, even as they remain pervasive forces in human affairs. And because art is the most effective medium for spiritually evocation, it is our most significant touchstone for examining this spiritual disorientation, just as it remains a primary source of inspiration for spiritual experience. A More Beautiful Question is concerned with how art, and especially poetry, functions as a vehicle of spiritual expression in today’s modern cultures. The book considers the meeting points of art, poetry, religion, and philosophy, in part through examining the treatments of consciousness, transcendence, and art in the writings of twentieth-century philosophers Eric Voegelin and Bernard Lonergan. A major portion of A More Beautiful Question is devoted to detailed “case studies” of three influential modern poets: Gerard Manley Hopkins, Emily Dickinson, and T. S. Eliot. In these and its other chapters, the book examines the human need for artistic symbols that evoke the mystery of transcendence, the ways in which poetry and art illuminate the spiritual meanings of freedom, and the benefits of an individual’s loving study of great literature and art. A More Beautiful Question has a distinctive aim—to clarify the spiritual functions of art and poetry in relation to contemporary confusion about transcendent reality—and it meets that goal in a manner accessible by the layperson as well as the scholar. By examining how the best art and poetry address our need for spiritual orientation, this book makes a valuable contribution to the philosophies of art, literature, and religion, and brings deserved attention to the significance of the “spiritual” in the study of these disciplines.
Baal and the Politics of Poetry by Aaron Tugendhaft Pdf
Baal and the Politics of Poetry provides a thoroughly new interpretation of the Ugaritic Baal Cycle that simultaneously inaugurates an innovative approach to studying ancient Near Eastern literature within the political context of its production. The book argues that the poem, written in the last decades of the Bronze Age, takes aim at the reigning political-theological norms of its day and uses the depiction of a divine world to educate its audience about the nature of human politics. By attuning ourselves to the specific historical context of this one poem, we can develop more nuanced appreciation of how poetry, politics, and religion have interacted—in antiquity, and beyond.
An immersive collection of poetry to open your world, curated by the host of Poetry Unbound This inspiring collection, edited by Pádraig Ó Tuama, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig’s illuminating commentary that offers personal anecdotes and generous insights into the content of the poem. Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn’t necessarily know how to do so. Poetry Unbound contains expanded reflections on poems as heard on the podcast, as well as exclusive new selections. Contributors include Hanif Abdurraqib, Patience Agbabi, Raymond Antrobus, Margaret Atwood, Ada Limón, Kei Miller, Roger Robinson, Lemn Sissay, Layli Long Soldier and more.
Pretty much every poet in every age has written about death and dying. Along with love, it might be the most popular subject in poetry. Yet, until now, no anthology has gathered the best and most famous of these verses in one place. This collection ranges dramatically. With more than 320 poems, it goes across all of history, from the ancients straight through to today. Across countries and languages, across schools of poetry. You’ll find a plethora of approaches—witty, humorous, deadly serious, tear-jerking, wise, profound, angry, spiritual, atheistic, uncertain, highly personal, political, mythic, earthy, and only occasionally morbid. Every angle you can think of is covered—the deaths of children, lost loves, funeral rites, close calls, eating meat, serial killers, the death penalty, roadkill, the Underworld, reincarnation, elegies for famous people, death as an equalizer, death as a junk man, death as a child, the death of God, the death of death . . . . You’ll find death poetry’s greatest hits, including: “Because I Could Not Stop for Death” by Emily Dickinson “To an Athlete Dying Young” by A.E. Housman “Do not go gentle into that good night” by Dylan Thomas “When Lilacs Last in the Dooryard Bloom’d” by Walt Whitman “Annabel Lee” by Edgar Allan Poe The rest of the band includes . . .Jane Austen, Mary Jo Bang, Willis Barnstone, Charles Baudelaire, William Blake, Charlotte Brontë, Lord Byron, Lucille Clifton, Andrei Codrescu, Wanda Coleman, Billy Collins, Ralph Waldo Emerson, T.S. Eliot, Nick Flynn, Benjamin Franklin, Robert Frost, Kimiko Hahn, Homer, Victor Hugo, Langston Hughes, James Joyce, C.S. Lewis, Amy Lowell, W.S. Merwin, Edna St. Vincent Millay, Pablo Neruda, Thich Nhat Hanh, Friedrich Nietzsche, Wilfred Owen, Rainer Maria Rilke, Christina Rossetti, Rumi, Sappho, Shakespeare, Wallace Stevens, Ruth Stone, Wislawa Szymborska, W.B. Yeats, and a few hundred more.
Author : Laura E. Pérez Publisher : Duke University Press Page : 409 pages File Size : 46,8 Mb Release : 2007-08-09 Category : Art ISBN : 9780822338680
Honored as a "Best Book of 2014" by Library Journal NPR.org writes: “In his second collection, The New Testament, Brown treats disease and love and lust between men, with a gentle touch, returning again and again to the stories of the Bible, which confirm or dispute his vision of real life. 'Every last word is contagious,' he writes, awake to all the implications of that phrase. There is plenty of guilt—survivor’s guilt, sinner’s guilt—and ever-present death, but also the joy of survival and sin. And not everyone has the chutzpah to rewrite The Good Book.”—NPR.org "Erotic and grief-stricken, ministerial and playful, Brown offers his reader a journey unlike any other in contemporary poetry."—Rain Taxi "To read Jericho Brown's poems is to encounter devastating genius."—Claudia Rankine In the world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing—and the truth is coming on fast. Fairy Tale Say the shame I see inching like steam Along the streets will never seep Beneath the doors of this bedroom, And if it does, if we dare to breathe, Tell me that though the world ends us, Lover, it cannot end our love Of narrative. Don’t you have a story For me?—like the one you tell With fingers over my lips to keep me From sighing when—before the queen Is kidnapped—the prince bows To the enemy, handing over the horn Of his favorite unicorn like those men Brought, bought, and whipped until They accepted their masters’ names. Jericho Brown worked as the speechwriter for the mayor of New Orleans before earning his PhD in creative writing and literature from the University of Houston. His first book, PLEASE (New Issues), won the American Book Award. He currently teaches at Emory University and lives in Atlanta, Georgia.
Women, Poetry, and Politics in Seventeenth-Century Britain by Sarah C. E. Ross Pdf
Women, Poetry, and Politics in Seventeenth-Century Britain offers a new account of women's engagement in the poetic and political cultures of seventeenth-century England and Scotland, based on poetry that was produced and circulated in manuscript. Katherine Philips is often regarded as the first in a cluster of women writers, including Margaret Cavendish and Aphra Behn, who were political, secular, literary, print-published, and renowned. Sarah C. E. Ross explores a new corpus of political poetry by women, offering detailed readings of Elizabeth Melville, Anne Southwell, Jane Cavendish, Hester Pulter, and Lucy Hutchinson, and making the compelling case that female political poetics emerge out of social and religious poetic modes and out of manuscript-based authorial practices. Situating each writer in her political and intellectual contexts, from early covenanting Scotland to Restoration England, this volume explores women's political articulation in the devotional lyric, biblical verse paraphrase, occasional verse, elegy, and emblem. For women, excluded from the public-political sphere, these rhetorically-modest genres and the figural language of poetry offered vital modes of political expression; and women of diverse affiliations use religious and social poetics, the tropes of family and household, and the genres of occasionality that proliferated in manuscript culture to imagine the state. Attending also to the transmission and reception of women's poetry in networks of varying reach, Sarah C. E. Ross reveals continuities and evolutions in women's relationship to politics and poetry, and identifies a female tradition of politicised poetry in manuscript spanning the decades before, during, and after the Civil Wars.
Pantheism is the idea that God and the world are identical—that the creator, sustainer, destroyer, and transformer of all things is the universe itself. From a monotheistic perspective, this notion is irremediably heretical since it suggests divinity might be material, mutable, and multiple. Since the excommunication of Baruch Spinoza, Western thought has therefore demonized what it calls pantheism, accusing it of incoherence, absurdity, and—with striking regularity—monstrosity. In this book, Mary-Jane Rubenstein investigates this perennial repugnance through a conceptual genealogy of pantheisms. What makes pantheism “monstrous”—at once repellent and seductive—is that it scrambles the raced and gendered distinctions that Western philosophy and theology insist on drawing between activity and passivity, spirit and matter, animacy and inanimacy, and creator and created. By rejecting the fundamental difference between God and world, pantheism threatens all the other oppositions that stem from it: light versus darkness, male versus female, and humans versus every other organism. If the panic over pantheism has to do with a fear of crossed boundaries and demolished hierarchies, then the question becomes what a present-day pantheism might disrupt and what it might reconfigure. Cobbling together heterogeneous sources—medieval heresies, their pre- and anti-Socratic forebears, general relativity, quantum mechanics, nonlinear biologies, multiverse and indigenous cosmologies, ecofeminism, animal and vegetal studies, and new and old materialisms—Rubenstein assembles possible pluralist pantheisms. By mobilizing this monstrous mixture of unintentional God-worlds, Pantheologies gives an old heresy the chance to renew our thinking.