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Author : Simon Brittan
Publisher : University of Virginia Press
Page : 242 pages
File Size : 42,6 Mb
Release : 2003
Category : Language Arts & Disciplines
ISBN : 0813921562
By acknowledging interpretive theories of the past, Brittan provides a proper historical frame of reference in which today's student can better understand figurative language in poetry.
Author : Simon Brittan
Publisher : Unknown
Page : 226 pages
File Size : 50,5 Mb
Release : 2003
Category : Literary Criticism
ISBN : 0813921570
Dealing with poetry is frequently problematic for the university teacher and student: although undergraduates are usually responsive to discussions about drama and prose, poetry often silences the classroom. Unless a poem provides references easily applicable to their own lives, many students feel they can’t relate to the piece and are stymied. In particular, allegorical poetry produces tensions among the desire to find the meanings of the poet’s symbolism, the fear of voicing a "wrong" interpretation, and a natural objection to perceived restrictions on interpretive freedom. Poetry, Symbol, and Allegory eases that dilemma by providing a historical overview of theories of interpretation as they apply to symbol and allegory in poetry, thereby reclaiming valuable and useful methods of analyzing poems. Beginning with Plato and Aristotle, Simon Brittan moves from classical theory to the lesser-known medieval exegetical theories of such notables as Augustine, Aquinas, and Origen; addresses theory pertaining to Renaissance Italy and Dante, English theory of the Middle Ages, the sixteenth and seventeenth centuries, and the Romantic period; and concludes by weighing the poetry of T. E. Hulme, T. S. Eliot, and Ezra Pound on the larger historical scale of literary theory. By acknowledging interpretive theories of the past, Brittan provides a proper historical frame of reference in which today’s student can better understand figurative language in poetry. Simon Brittan is an independent scholar who divides his time between England and Michigan. He has taught at the University of East Anglia and in the Department for Continuing Education at the University of Oxford and written for Renaissance Forum, the Times Literary Supplement, and Gravesiana.
Author : Wallace Fowlie
Publisher : Penn State Press
Page : 178 pages
File Size : 55,8 Mb
Release : 2010-11-01
Category : Literary Criticism
ISBN : 9780271038131
Author : Morton Wilfred Bloomfield
Publisher : Cambridge, Mass. : Harvard University Press
Page : 408 pages
File Size : 41,6 Mb
Release : 1981
Category : Literary Criticism
ISBN : STANFORD:36105037645012
The essays in this volume, ranging in time from the Middle Ages to the present and in subject from poetry to philosophy, explore the multiple interpretations of allegory, as well as the important distinctions among allegory, myth, and symbol.
Author : Tzvetan Todorov
Publisher : Cornell University Press
Page : 310 pages
File Size : 52,5 Mb
Release : 1984
Category : Language Arts & Disciplines
ISBN : 0801492882
Focusing on theories of verbal symbolism, Tzvetan Todorov here presents a history of semiotics. From an account of the semiotic doctrines embodied in the works of classical rhetoric to an exploration of representative modern concepts of the symbol found in ethnology, psychoanalysis, linguistics, and poetics, Todorov examines the rich tradition of sign theory. In the course of his discussion Todorov treats the works of such writers as Aristotle, Cicero, Quintilian, Augustine, Condillac, Lessing, Diderot, Goethe, Novalis, the Schlegel brothers, Levy-Bruhl, Freud, Saussure, and Jakobson.
Author : Nidhi Tiwari
Publisher : Atlantic Publishers & Dist
Page : 240 pages
File Size : 41,7 Mb
Release : 2001-12
Category : Imagery (Psychology) in literature
ISBN : 8171569994
Twentieth Century English Literature Was Shaped To A Great Extent By The Genius Of T.S. Eliot. His Towering Personality Illuminates The Major Genres Of English Literature. No Study Of The Early Twentieth Century British Canonical Literature Is Possible Without Encountering The Icon T.S. Eliot Poet, Critic, Dramatist.Images And Symbols Have Been Always Employed By Writers Of All Literatures Down The Ages. But, Movements Like Imagism And Symbolism Gave An Entirely New Focus To Images And Symbols. Archetypal Criticism Was A Parallel Emergence. In An Age Torn By The Anxiety Of Two World Wars, And Dissatisfied With Scientific And Materialistic Concept Of Man, The Archetypal Approach Sought To Restore To Man The Entire Humanity.The Present Volume Offers An Indepth Study Of The Major Archetypes And How They Are Interwoven In The Imagery And Symbolism In The Poetry Of T.S. Eliot. The Complexities Of The Modern Age And Their Expression In Eliot S Poetry Cannot Be Understood Without Archetypes, Myths And Legends. This Domain Had Not Been Explored So Far. Hence, This Volume Presents A Systematic Structuring And Evaluation Of Archetypal Imagery And Symbolism In Eliot S Major Poems As Well As Other Minor Poems. It Is Hoped That Teachers, Researchers And Students Of Literature Will Find The Volume To Be Of Considerable Interest And Use.
Author : Brenda Machosky
Publisher : Fordham Univ Press
Page : 273 pages
File Size : 48,9 Mb
Release : 2013
Category : Literary Criticism
ISBN : 9780823242849
Structures of Appearing: Allegory and the Work of Literature is an interdisciplinary study that revises the history of allegory through a phenomenological approach. The book also takes on the history of aesthetics as an ideology that has long subjugated literature (and art generally) to criteria of judgment that are philosophical rather than literary.
Author : Edmund Spenser
Publisher : CUP Archive
Page : 390 pages
File Size : 55,6 Mb
Release : 1920
Category : Electronic
ISBN : 8210379456XXX
Author : William Henry Schofield
Publisher : Forgotten Books
Page : 104 pages
File Size : 48,5 Mb
Release : 2017-10-21
Category : Electronic
ISBN : 0282757333
Excerpt from Symbolism, Allegory, and Autobiography in "the Pearl" In no one of these documents has my point of view with regard to the symbolism, allegory, and autobiography in the poem been fully accepted. To be sure, the chief part of former, fanciful speculations regarding the author's life and incentive to composition have not been repeated; 1 but all who have recently written about the poem have clung tenaciously to the pleasant belief that The Pearl is a personal lament of the poet for a daughter of his own, and therefore strictly elegiac and autobiographical. This belief would be fairly harmless if (because of the primary stress always laid upon it) it did not inevitably Obscure the true significance of the poem; but on this account it should not be allowed to establish itself more firmly without frank protest. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : John P. Hermann,John J. Burke Jr.
Publisher : University of Alabama Press
Page : 268 pages
File Size : 52,5 Mb
Release : 1981
Category : Literary Criticism
ISBN : 9780817300425
Signs and Symbols in Chaucer's Poetry presents the work of nine distinguished Chaucer scholars inspired by the work of D. W. Robertson Jr., whose seminal 1969 study Preface to Chaucer has exerted wide influence in medieval studies and sparked new interest in the literary iconography of Middle English.
Author : Peter T. Struck
Publisher : Princeton University Press
Page : 331 pages
File Size : 40,8 Mb
Release : 2014-03-10
Category : Literary Criticism
ISBN : 9780691162263
Nearly all of us have studied poetry and been taught to look for the symbolic as well as literal meaning of the text. Is this the way the ancients saw poetry? In Birth of the Symbol, Peter Struck explores the ancient Greek literary critics and theorists who invented the idea of the poetic "symbol." The book notes that Aristotle and his followers did not discuss the use of poetic symbolism. Rather, a different group of Greek thinkers--the allegorists--were the first to develop the notion. Struck extensively revisits the work of the great allegorists, which has been underappreciated. He links their interest in symbolism to the importance of divination and magic in ancient times, and he demonstrates how important symbolism became when they thought about religion and philosophy. "They see the whole of great poetic language as deeply figurative," he writes, "with the potential always, even in the most mundane details, to be freighted with hidden messages." Birth of the Symbol offers a new understanding of the role of poetry in the life of ideas in ancient Greece. Moreover, it demonstrates a connection between the way we understand poetry and the way it was understood by important thinkers in ancient times.
Author : Jason Reynolds
Publisher : Simon and Schuster
Page : 319 pages
File Size : 40,9 Mb
Release : 2017-10-24
Category : Young Adult Fiction
ISBN : 9781481438278
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
Author : Cleanth Brooks,Robert Penn Warren
Publisher : Unknown
Page : 624 pages
File Size : 53,9 Mb
Release : 1960
Category : American poetry
ISBN : IND:30000001396211
Guide to understanding the elements of poetry with 345 English and American poems.
Author : Adesola Joan Akala
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 40,9 Mb
Release : 2014-07-31
Category : Religion
ISBN : 9780567577108
This volume examines Johannine symbolism within the lens of Jesus' relationship with the Father. After demonstrating that the Gospel narrative symbolically portrays Jesus as the Son of God who is relationally inseparable from his Father, the study shows how the Son-Father Relationship (SFR) is at the center of the network of Christological symbols in the Gospel of John. Using an innovative narrative framework, this book unveils the creative and symbolic introduction of the SFR in the Prologue (Jn. 1. 1-18), its development through the words and actions of Jesus' teaching ministry within the Johannine narrative, and its culmination in the Prayer (Jn. 17); the SFR motif then concludes in the remainder of the Gospel. This narrative framework reveals how the SFR shapes the literary style and theological strategy of the Gospel, and acts as an integrative force by giving structure and cohesion to the Gospel's symbolic system. Two key features presented in this book are a theory of symbolism and a network of symbols. The specially formulated 'Theory of Johannine Symbolism' explains the theoretical and theological underpinnings of the Gospel's symbolic network, called 'John's Christological Symbology'. Through the symbolic network, the author of the Gospel fulfills the theological purpose stated in Jn. 20:31-that hearer-readers believe in Jesus the Christ, as the Son of God, and thereby experience eternal life.
Author : Wallace Fowlie
Publisher : Penn State University Press
Page : 164 pages
File Size : 51,8 Mb
Release : 1990-01-01
Category : Poetry
ISBN : 027100696X
Wallace Fowlie provides an uncommonly well-written survey of French Symbolism by way of analyzing key poems in relation to the historical and literary contexts in which they were written. The literary symbol, as it has been used since Baudelaire's time, has in Fowlie's view a closer relationship with the religious spirit of humanity than with any practical or didactic use. Symbolism has been a major focus of literary study since Baudelaire'sCorrespondances, which can be seen as a succinct manifesto. It has provided an aesthetic basis for works that have elements of both myth and allegory. These are among the most impressive works of literature since 1850, which have reacted strongly against a realistic art of precision in order to reflect preoccupations that are religious and philosophical. After tracing the background of Symbolism from Romanticism to “Art for Art's Sake,” Fowlie considers the work of Nerval, Baudelaire, Mallarmé, Rimbaud, Laforgue, Corbière, and Verlaine. He then recapitulates the major features of Symbolism and illustrates its continuity to our day. Fowlie sees Symbolism and modern poetry not as the art of rules and obstacles, but rather as the art of triumph over obstacles and the transcendence of human adventure and experience. He concludes with penetrating analyses of the poetic practice of Valéry, Claudel, St. John Perse, and René Char.