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Debating Organization by Robert Westwood,Stewart Clegg Pdf
This volume introduces readers to the central debates oforganization studies through a series of 'point' and 'counterpoint'debates by major figures in the field. Introduces readers to the central tensions and debates oforganization studies. Celebrates the productive heterogeneity of the field by placingcompeting perspectives side by side. Includes contributions from major figures in the field. Structured in an innovative 'point' and 'counterpoint'format.
Author : Edward L. Gubman,Anna Tavis,Richard M. Vosburgh Publisher : Society for Human Resource Management Page : 0 pages File Size : 46,8 Mb Release : 2012 Category : Business & Economics ISBN : 1586442767
A varied and emotionally complex cast of characters interact with one another and the broader society in Britain in the 1920s, their experiences exploring themes of modern living, morality, and humanity. Point Counter Point reflects many of the same sentiments about the perils of modern life as Aldous Huxley’s later novel Brave New World, but presents these ideas in a more subtle and intricate fashion. Often considered Huxley’s masterpiece, Point Counter Point was the author’s longest and most complex work, and many of the main characters are thought to be influenced by contemporary public figures such as D.H. Lawrence and Sir Oswald Mosley. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Maurice Spandrell and the ‘Problem of Evil’ in "Point Counter Point" (1928) by Aldous Huxley by Tabea Halbmeyer Pdf
Master's Thesis from the year 2016 in the subject Literature - Modern Literature, grade: 1,0, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: This paper is an analysis of Huxley's representation of evilness by the example of Maurice Spandrell, a character in his novel "Point Counter Point". Huxley constructed Spandrell as the incarnation of evilness according to the understanding of evilness as an ‘unsubstantial’ category. Here, ‘good’ and ‘evil’ are intertwined as he is represented as a paradoxical figure, namely both as a perpetrator and as a victim. The dialectics in Spandrell’s characterisation are exemplary for the dialectics present in "Point Counter Point" and in modernism in general. Talking a closer look, "Point Counter Point" reveals Huxley’s belief in a deeper ‘truth’ that remains mysterious in its contingent existence of absence and presence. In connection with Huxley’s understanding of ‘God’, which he lays down mainly in his book The Perennial Philosophy (1945), Huxley’s representation of evilness alias Spandrell is going to be analysed in this paper.8 There are other characters in Point Counter Point concerned with the question of God, for example, Marjorie Carling.9 However, the focus will be on Spandrell as the contemplations about good and evil concentrate around his character. Spandrell constantly tries to explain God’s absence and make his presence felt but he is disappointed again and again. In this way, he embodies the focal point of the ‘problem of evil’ in Point Counter Point. The root of evil, in Spandrell’s case, can be found in his ‘individual’ psychology. With the help of Spandrell, Huxley reflects on the origin of evil, in particular, on how evilness can develop in a person’s life.
Morality and Social Justice by James P. Sterba Pdf
These original essays by seven leading contemporary political philosophers spanning the political spectrum explore the possibility of achieving agreement in political theory. Each philosopher defends in a principal essay his or her own view of social justice and also comments on two or more of the other essays. The result is a lively exchange that leaves the reader to judge to what degree the contributors achieve agreement or reconciliation.
The Doors of Perception & Heaven and Hell by Aldous Huxley Pdf
Two of the most famous pieces of non-fiction by Aldous Huxley (best known for Brave New World), The Doors of Perception details his experiences on the mind-altering drug mescaline, while Heaven and Hell details the relationships between mysticism, art, and sense perception that these experiences helped Huxley to explore and develop. He analogizes the mental states achievable through the use of mind-altering substances to very forms of religious self-flagellation, and also theorizes that they might be used as a form of treatment for psychological ailments. The two works have been significant influences on thinkers in this field, as well as writers, theologians, and philosophers. Random House of Canada is proud to bring you classic works of literature in ebook form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
It is the twilight of mankind. Depleted by generations of war with a race of dark beasts, humanity stands on the brink of extinction. The outlands are soaked with the blood of the fallen. The midlands are rotting with decadence and despair. Elfkind, estranged by past crimes, watches and waits for nature to run its course. And then the two collide. Ayden's life has long been guided by two emotions: love for his sister, and hatred of all things human. When he's captured in battle, he is enslaved in the service of a human prince, Freyrik Farr. Freyrik's always known elves to be beautiful and dangerous, but never has one affected him as deeply as Ayden. Teetering on a dagger's edge between duty and high treason, Freyrik discovers that some choices can change a life, and some an entire world. Between prejudice, politics, pride, and survival, Ayden and Freyrik must carve a new path, no matter how daunting. For nothing less than the fate of both their peoples rests on the power of their perseverance — and their love.
"Rich and compelling. . .Lynskey’s account of the reach of 1984 is revelatory.” --George Packer, The Atlantic An authoritative, wide-ranging, and incredibly timely history of 1984--its literary sources, its composition by Orwell, its deep and lasting effect on the Cold War, and its vast influence throughout world culture at every level, from high to pop. 1984 isn't just a novel; it's a key to understanding the modern world. George Orwell's final work is a treasure chest of ideas and memes--Big Brother, the Thought Police, Doublethink, Newspeak, 2+2=5--that gain potency with every year. Particularly in 2016, when the election of Donald Trump made it a bestseller ("Ministry of Alternative Facts," anyone?). Its influence has morphed endlessly into novels (The Handmaid's Tale), films (Brazil), television shows (V for Vendetta), rock albums (Diamond Dogs), commercials (Apple), even reality TV (Big Brother). The Ministry of Truth is the first book that fully examines the epochal and cultural event that is 1984 in all its aspects: its roots in the utopian and dystopian literature that preceded it; the personal experiences in wartime Great Britain that Orwell drew on as he struggled to finish his masterpiece in his dying days; and the political and cultural phenomena that the novel ignited at once upon publication and that far from subsiding, have only grown over the decades. It explains how fiction history informs fiction and how fiction explains history.
We rely on your support to help us keep producing beautiful, free, and unrestricted editions of literature for the digital age. Will you support our efforts with a donation? Mrs. Aldwinkle, an English aristocrat of a certain age, has purchased a mansion in the Italian countryside. She wishes to bring a salon of intellectual luminaries into her orbit, and to that end she invites a strange cast of characters to spend time with her in her palazzo: Irene, her young niece; Ms. Thriplow, a governess-turned-novelist; Mr. Calamy, a handsome young man of great privilege and even greater ennui; Mr. Cardan, a worldly gentleman whose main talent seems to be the enjoyment of life; Hovenden, a young motorcar-obsessed lord with a speech impediment; and Mr. Falx, a socialist leader. To this unlikely cast is soon added Mr. Chelifer, an author with an especially florid, overwrought style that is wasted on his day job as editor of The Rabbit Fancier’s Gazette, and the Elvers, a scheming brother who is the guardian of his mentally-challenged sister. As this unlikely group mingles, they discuss a great many grand topics: love, art, language, life, culture. Yet very early on the reader comes to realize that behind the pompousness of their elaborate discussions lies nothing but vacuity—these characters are a satire of the self-important intellectuals of Huxley’s era. His skewering of their intellectual barrenness continues as the group moves on to a trip around the surrounding country, in a satire of the Grand Tour tradition. The party brings their English snobbery out in full force as they traipse around Rome, sure of nothing else except in their belief that Italy is culturally superior simply because it’s Italy. As the vacation winds down, we’re left with a biting lampoon of the elites who suppose themselves to be at the height of art and culture—the kinds of personalities that arise in every generation, sure of their own greatness but unable to actually contribute anything to the world of art and culture that they feel is so important.
Counterpoint: A Memoir of Bach and Mourning by Philip Kennicott Pdf
A Pulitzer Prize–winning critic’s “lyrical and haunting” (Alex Ross, The New Yorker) reflection on the meaning and emotional impact of a Bach masterwork. As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn’t seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. For him, Bach’s music held the elements of both joy and despair, life and its inevitable end. He spent the next five years trying to learn one of the composer’s greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight through his grief by coming to terms with his memories of a difficult, complicated childhood. He describes the joys of mastering some of the piano pieces, the frustrations that plague his understanding of others, the technical challenges they pose, and the surpassing beauty of the melodies, harmonies, and counterpoint that distinguish them. While exploring Bach’s compositions he sketches a cultural history of playing the piano in the twentieth century. And he raises two questions that become increasingly interrelated, not unlike a contrapuntal passage in one of the variations itself: What does it mean to know a piece of music? What does it mean to know another human being?
Point Counterpoint offers a series of papers and replies originally presented at a special session of the Second Language Research Forum, UCLA, March 1989. The focus of the papers is primarily the role of Universal Grammar in second language acquisition, though the agenda also includes discussion of other fundamental questions, viz., the explanatory potential of linguistic theory in native-language development. It may come as no surprise that the contributors and their respondents often present very different perspectives on the issues, for most of the authors were known in advance to hold contrasting points of view. Contributors (c) and Respondents (r) are: Wolfgang Klein (c)/Nina Hyams (r); Sascha Felix (c)/Jacquelyn Schachter (r); Suzanne Flynn & Sharon Manuel (c)/David Birdsong (r); Lydia White (c)/Robert Bley-Vroman (r); Peter Jordens (c)/Lynn Eubank (r); Jurgen Meisel (c)/Bonnie Schwartz (r); Sharon Hilles (c)/William O'Grady (r); Daniel Finer (c)/Margaret Thomas (r); Usha Lakshmanan (c)/Nina Hymans & Ken Safir (r).
One beautiful September day, three sixty-six-year old men convene on Martha's Vineyard, friends ever since meeting in college in the sixties. They couldn't have been more different then, or even today - Lincoln's a commercial real estate broker, Teddy a tiny-press publisher, and Mickey a musician beyond his rockin' age. But each man holds his own secrets, in addition to the monumental mystery that none of them has ever stopped puzzling over since a Memorial Day weekend right here on the Vineyard in 1971. Now, forty-four years later, as this new weekend unfolds, three lives and that of a significant other are displayed in their entirety while the distant past confounds the present like a relentless squall of surprise and discovery. Shot through with Russo's trademark comedy and humanity, Chances Are ... also introduces a new level of suspense and menace that will quicken the reader's heartbeat throughout this absorbing saga of how friendship's bonds are every bit as constricting and rewarding as those of family or any other community. For both longtime fans and lucky newcomers, Chances Are ... is a stunning demonstration of a highly acclaimed author deepening and expanding his remarkable achievement.
Author : Walter Piston Publisher : W W Norton & Company Incorporated Page : 235 pages File Size : 53,8 Mb Release : 1947 Category : Music ISBN : 0393097285
Explores the contrapuntal element in significant works from the eighteenth and nineteenth centuries for the music student who fully understands the composition of harmony
Affirmative Action and Racial Preference by Carl Cohen,James P. Sterba Pdf
Cohen and Sterba, two contemporary philosophers in sharp opposition, debate the value of affirmative action and racial preference. They defend thier views with analysis and commentay on landmark cases - including the decisions of the United States Supreme Court and the University of Michigan admissions cases, Gratz and Grutter.