Point Of View In The Cinema

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Point of View in the Cinema

Author : Edward Branigan
Publisher : Walter de Gruyter
Page : 288 pages
File Size : 53,9 Mb
Release : 2012-01-02
Category : Language Arts & Disciplines
ISBN : 9783110817591

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Point of View in the Cinema by Edward Branigan Pdf

Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.

Point of View in the Cinema

Author : Edward Richard Branigan
Publisher : Unknown
Page : 128 pages
File Size : 44,8 Mb
Release : 1900
Category : Electronic
ISBN : OCLC:1056683042

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Point of View in the Cinema by Edward Richard Branigan Pdf

Point of View in the Cinema

Author : Edward Branigan
Publisher : Unknown
Page : 486 pages
File Size : 41,7 Mb
Release : 1979
Category : Motion pictures
ISBN : STANFORD:36105004732710

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Point of View in the Cinema by Edward Branigan Pdf

Narration in the Fiction Film

Author : David Bordwell
Publisher : Univ of Wisconsin Press
Page : 388 pages
File Size : 40,8 Mb
Release : 1985
Category : Performing Arts
ISBN : 0299101746

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Narration in the Fiction Film by David Bordwell Pdf

Mimetic theories of narration - Diegetic theories of narration - The viewe's activity - Principles of narration - Sin, murder, and narration - Narration and time - Narration and space - Modes and norms - Classical narration : the Hollywood example - Art-cinema narration - Historical-materialist narration : the soviet example - Parametric narration - Godard and narration.

Breaking the Fourth Wall

Author : Tom Brown
Publisher : Edinburgh University Press
Page : 208 pages
File Size : 51,8 Mb
Release : 2012-05-21
Category : Performing Arts
ISBN : 9780748644261

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Breaking the Fourth Wall by Tom Brown Pdf

What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other.

The A to Z of Horror Cinema

Author : Peter Hutchings
Publisher : Scarecrow Press
Page : 432 pages
File Size : 48,7 Mb
Release : 2009-09-02
Category : Performing Arts
ISBN : 9780810870505

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The A to Z of Horror Cinema by Peter Hutchings Pdf

Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.

The Cinema of Michael Haneke

Author : Ben McCann,David Sorfa
Publisher : Columbia University Press
Page : 304 pages
File Size : 46,9 Mb
Release : 2011
Category : Performing Arts
ISBN : 9781906660307

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The Cinema of Michael Haneke by Ben McCann,David Sorfa Pdf

Ben McCann is senior lecturer in French Studies at the University of Adelaide --

Exploring Movie Construction and Production

Author : John Reich
Publisher : Open SUNY Textbooks
Page : 128 pages
File Size : 53,6 Mb
Release : 2017-07-10
Category : Electronic
ISBN : 1942341474

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Exploring Movie Construction and Production by John Reich Pdf

Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.

Early American Cinema in Transition

Author : Charlie Keil
Publisher : University of Wisconsin Pres
Page : 321 pages
File Size : 42,8 Mb
Release : 2001-12-10
Category : Performing Arts
ISBN : 9780299173630

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Early American Cinema in Transition by Charlie Keil Pdf

The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel’s duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O’Salem-Town; Cupid’s Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.

Ritwik Ghatak and the Cinema of Praxis

Author : Diamond Oberoi Vahali
Publisher : Springer Nature
Page : 250 pages
File Size : 41,6 Mb
Release : 2020-04-24
Category : Performing Arts
ISBN : 9789811511974

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Ritwik Ghatak and the Cinema of Praxis by Diamond Oberoi Vahali Pdf

In a significant departure from other works on Ritwik Ghatak, this book establishes him as an auteur and a maestro on par with some of the great film directors, like Sergei Eisenstein, Satyajit Ray, Ingmar Bergman, Federico Fellini, Kenji Mizoguchi and Luis Bunuel. Based on in-depth research that follows Ghatak’s journey within the context of the Indian People’s Theatre Association, it fills an important gap in the scholarship around Ghatak by offering crucial insights into Ghatak’s unique vision of cinema embedded as it is in the cultural psychic configurations of the people. It analyses Ghatak’s practice by minutely tracing formal similarities across the language of his cinematic oeuvre in the domain of cinematography, lighting, music, and sound. The book develops the way in which cinematic technique enters the domain of conceptual constructs and abstractions. It moves on to chronicle Ghatak’s political odyssey as reflected in his cinema. Moreover, it charts the manner in which Ghatak, through his cinematic idiom, offers a polemic of cinema that further adds to his notion of praxis – a thoughtful Marxist paradigm organically associated with the culture and context of India. By locating Ghatak within the discourse of nationalism, the book brings to the surface Ghatak’s critical insights related to the independence of the nation and the trauma of the partition of Bengal. Ghatak’s cinema served the crucial function of chronicling the mass tragedy of partition and its impact on the human psyche.This book appeals to scholars of film studies and filmmaking as well as to researchers and general readers interested in debates pertaining to culture, politics, art, psychoanalysis, partition and refugee studies, cinema, theatre, and ideology.

The Action and Adventure Cinema

Author : Yvonne Tasker
Publisher : Routledge
Page : 431 pages
File Size : 46,6 Mb
Release : 2004-08-19
Category : Education
ISBN : 9781134564941

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The Action and Adventure Cinema by Yvonne Tasker Pdf

Addressing areas such as genre, film history and style, action and spectacle, stars and bodies, action auteurs and the film industry, the reader covers both Hollywood and also European and Asian action cinema.

Israeli Cinema

Author : Miri Talmon,Yaron Peleg
Publisher : University of Texas Press
Page : 392 pages
File Size : 49,7 Mb
Release : 2011-07-01
Category : Performing Arts
ISBN : 9780292725607

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Israeli Cinema by Miri Talmon,Yaron Peleg Pdf

With top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors' illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.

The Cinema of Poetry

Author : P. Adams Sitney
Publisher : Oxford University Press
Page : 297 pages
File Size : 55,5 Mb
Release : 2015
Category : Art
ISBN : 9780199337026

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The Cinema of Poetry by P. Adams Sitney Pdf

Includes bibliographical references (pages 257-270) and index.

Place, Setting, Perspective

Author : Eleanor Andrews
Publisher : Rowman & Littlefield
Page : 259 pages
File Size : 52,9 Mb
Release : 2014-09-26
Category : Performing Arts
ISBN : 9781611476910

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Place, Setting, Perspective by Eleanor Andrews Pdf

Place, Setting, Perspective examines the films of the Italian filmmaker, Nanni Moretti, from a fresh viewpoint, employing the increasingly significant research area of space within a filmic text. The book is conceived with the awareness that space cannot be studied only in aesthetic or narrative terms: social, political, and cultural aspects of narrated spaces are equally important if a thorough appraisal is to be achieved of an oeuvre such as Moretti’s, which is profoundly associated with socio-political commentary and analysis. After an exploration of various existing frameworks of narrative space in film, the book offers a particular definition of the term based on the notions of Place, Setting, and Perspective. Place relates to the physical aspect of narrative space and specifically involves cityscapes, landscapes, interiors, and exteriors in the real world. Setting concerns genre characteristics of narrative space, notably its differentiated use in melodrama, detective stories, fantasy narratives, and gender based scenarios. Perspective encompasses the point of view taken optically by the camera which supports the standpoint of Moretti’s personal philosophy expressed through the aesthetic aspects which he employs to create narrative space. The study is based on a close textual analysis of Moretti’s eleven major feature films to date, using the formal film language of mise-en-scène, cinematography, editing, and sound. The aim is to show how Moretti selects, organizes, constructs, assembles, and manipulates the many elements of narrative space into an entire work of art, to enable meanings and pleasures for the spectator.

Narration in the Fiction Film

Author : David Bordwell
Publisher : Routledge
Page : 385 pages
File Size : 52,5 Mb
Release : 2013-09-27
Category : Performing Arts
ISBN : 9781136099168

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Narration in the Fiction Film by David Bordwell Pdf

In this study, David Bordwell offers a comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives.