Polish Cinema

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Historical Dictionary of Polish Cinema

Author : Marek Haltof
Publisher : Rowman & Littlefield
Page : 385 pages
File Size : 45,7 Mb
Release : 2015-02-02
Category : Performing Arts
ISBN : 9781442244726

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Historical Dictionary of Polish Cinema by Marek Haltof Pdf

In 1902, scientist and inventor Kazimierz Prószyński made the first Polish narrative film, The Return of a Merry Fellow. Since then, the Polish film industry has produced a diverse body of work, ranging from patriotic melodramas and epic adaptations of the national literary canon to Yiddish cinema and films portraying the corrupt side of communism. Poland has produced several internationally known films, including Andrzej Wajda’s war trilogy, A Generation (1955), Kanal (1957), and Ashes and Diamonds (1958); Roman Polański’s Knife in the Water (1962); and Andrzej Munk’s The Passenger (1963). Often performing specific political and cultural duties for their nation, Polish filmmakers were well aware of their role as educators, entertainers, social activists, and political leaders. This second edition of Historical Dictionary of Polish Cinema fills the gap in film scholarship, presenting an extensive factual survey of Polish film. Through a chronology; an introductory essay; appendixes, a bibliography; and over 300 cross-referenced dictionary entries on films, directors, actors, producers, and film institutions, a balanced picture of the richness of Polish cinema is presented. Readers with professional interest in cinema will welcome this new work, which will enhance senior undergraduate or postgraduate courses in film studies.

Polish Cinema in a Transnational Context

Author : Ewa Mazierska,Michael Goddard
Publisher : Boydell & Brewer
Page : 344 pages
File Size : 43,9 Mb
Release : 2014
Category : History
ISBN : 9781580464680

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Polish Cinema in a Transnational Context by Ewa Mazierska,Michael Goddard Pdf

This volume introduces a novel treatment of Polish cinema by discussing its international reception, performance, co-productions, and subversive émigré auteurs, such as Andrzej Zulawski and Walerian Borowczyk. The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, presents ideal conditions for examiningPolish cinema from a transnational vantage point. Yet not only have studies of Polish cinema remained largely within a national framework but Polish cinema, as well as many other Eastern European cinemas, has been virtually excluded from new research in transnational cinema. Polish Cinema in a Transnational Context addresses this lacuna in film studies, offering extended analysis of this national cinema's global influence. Contributors assess the reception of Polish films in Europe and North America, Polish international coproductions, the presence of Polish performers in foreign films, and the works of subversive émigré auteurs like Andrzej Zulawski and Walerian Borowczyk. The collection presents familiar films and filmmakers in a new and revealing light, while also focusing on lesser-known filmmakers and aspects of Polish cinema. The resulting volume moves the discussion beyond the border of Polish national belonging. Contributors: Peter Hames, Darragh O'Donoghue, Helena Goscilo, Dorota Ostrowska, Charlotte Govaert, Eva Näripea, Izabela Kalinowska, Ewa Mazierska, Alison Smith, Lars Kristensen, Jonathan Owen, Michael Goddard, Robert Murphy, Kamila Kuc, Elzbieta Ostrowska Ewa Mazierska is professor of film studies at the University of Central Lancashire. Michael Goddard is senior lecturer in media at the University of Salford.

Polish Film and the Holocaust

Author : Marek Haltof
Publisher : Berghahn Books
Page : 288 pages
File Size : 44,5 Mb
Release : 2012-01-01
Category : Performing Arts
ISBN : 9780857453570

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Polish Film and the Holocaust by Marek Haltof Pdf

During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda’s A Generation (1955) and Andrzej Munk’s The Passenger (1963). Between 1965 and 1980 there was an “organized silence” regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski’s Decalogue 8 (1988), Andrzej Wajda’s Korczak (1990), Jan Jakub Kolski’s Keep Away from the Window (2000), and Roman Polański’s The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland’s national memory.

Polish Cinema Today

Author : Helena Goscilo,Beth Holmgren
Publisher : Rowman & Littlefield
Page : 385 pages
File Size : 43,5 Mb
Release : 2021-08-19
Category : Social Science
ISBN : 9781793641663

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Polish Cinema Today by Helena Goscilo,Beth Holmgren Pdf

A 2022 Choice Reviews Outstanding Academic Title Structured according to key themes, Polish Cinema Today analyzes the remarkable innovations in Polish cinema emerging a decade after the 1989 dissolution of the Soviet bloc, once its film industry had evolved from a socialist state enterprise into a much more accessible system of film production, with growing expertise in distribution and marketing. By the early 2000s, an impressive, diverse cohort of filmmakers broke through the gridlock of a small set of esteemed, aging auteurs as well as the glut of imported Hollywood blockbusters, empowered by the digital revolution and domestic audience appetite for independent work. Polish directors today challenge sacrosanct bromides about national and gender identity, Poland’s historical martyrdom, the status of the influential Catholic Church, and the benevolent family, while investigating the phenomena of migration and sexuality in their full complexity. Each thematic chapter places these recent films within a historical/cultural context nationally and transnationally, and designs its analyses of specific works to engage general audiences of film scholars, students, and cinephiles.

Andrzej Wajda

Author : Janina Falkowska
Publisher : Berghahn Books
Page : 368 pages
File Size : 42,9 Mb
Release : 2007
Category : Biography & Autobiography
ISBN : 1845455088

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Andrzej Wajda by Janina Falkowska Pdf

The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements. It is the reworking of these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities.

Polish National Cinema

Author : Marek Haltof
Publisher : Berghahn Books
Page : 328 pages
File Size : 41,9 Mb
Release : 2002
Category : History
ISBN : 157181275X

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Polish National Cinema by Marek Haltof Pdf

In the years since World War 2, Poland has developed one of Europe's most distinguished film cultures. This is a comprehensive study of Polish cinema from the end of the 19th century to the present.

Women in Polish Cinema

Author : Ewa Mazierska,Elżbieta Ostrowska
Publisher : Berghahn Books
Page : 264 pages
File Size : 51,5 Mb
Release : 2006
Category : Motion pictures
ISBN : 1571819479

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Women in Polish Cinema by Ewa Mazierska,Elżbieta Ostrowska Pdf

This work aims to explore the main types of female character in Polish feature cinema, from its beginnings to contemporary times and also to analyse the work of the most prominent Polish women film directors against the background of the roles being played by women in Polish history and their positions within society.

Poland Daily

Author : Ewa Mazierska
Publisher : Berghahn Books
Page : 346 pages
File Size : 47,6 Mb
Release : 2017-06-01
Category : Performing Arts
ISBN : 9781785335372

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Poland Daily by Ewa Mazierska Pdf

Like many Eastern European countries, Poland has seen a succession of divergent economic and political regimes over the last century, from prewar “embedded liberalism,” through the state socialism of the Soviet era, to the present neoliberal moment. Its cinema has been inflected by these changing historical circumstances, both mirroring and resisting them. This volume is the first to analyze the entirety of the nation’s film history—from the reemergence of an independent Poland in 1918 to the present day—through the lenses of political economy and social class, showing how Polish cinema documented ordinary life while bearing the hallmarks of specific ideologies.

Women in Polish Cinema

Author : Ewa Mazierska,Elżbieta Ostrowska
Publisher : Berghahn Books
Page : 260 pages
File Size : 54,9 Mb
Release : 2006
Category : Motion pictures
ISBN : 1571819487

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Women in Polish Cinema by Ewa Mazierska,Elżbieta Ostrowska Pdf

Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish women filmmakers, four of whom are presented in this volume: Wanda Jakubowska, Agnieszka Holland, Barbara Sass and Dorota Kędzierzawska, whose work is examined.

Polish Cinema

Author : Marek Haltof
Publisher : Berghahn Books
Page : 516 pages
File Size : 46,9 Mb
Release : 2018-10-19
Category : Performing Arts
ISBN : 1785339745

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Polish Cinema by Marek Haltof Pdf

First published in 2002, Marek Haltof’s seminal volume was the first comprehensive English-language study of Polish cinema, providing a much-needed survey of one of Europe’s most distinguished—yet unjustly neglected—film cultures. Since then, seismic changes have reshaped Polish society, European politics, and the global film industry. This thoroughly revised and updated edition takes stock of these dramatic shifts to provide an essential account of Polish cinema from the nineteenth century to today, covering such renowned figures as Kieślowski, Skolimowski, and Wajda along with vastly expanded coverage of documentaries, animation, and television, all set against the backdrop of an ever-more transnational film culture.

No End in Sight

Author : Anna Krakus
Publisher : University of Pittsburgh Press
Page : 296 pages
File Size : 53,9 Mb
Release : 2018-08-31
Category : Art
ISBN : 9780822986034

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No End in Sight by Anna Krakus Pdf

No End in Sight offers a critical analysis of Polish cinema and literature during the transformative late Socialist period of the 1970s and 1980s. Anna Krakus details how conceptions of time, permanence, and endings shaped major Polish artistic works. She further demonstrates how film and literature played a major role in shaping political consciousness during this highly-charged era. Despite being controlled by an authoritarian state and the doctrine of socialism, artists were able to portray the unsettled nature of the political and psychological climate of the period, and an undetermined future. In analyzing films by Andrzej Wajda, Krzysztof Kieslowsi, Krzysztof Zanussi, Wojciech Has, and Tadeusz Konwicki alongside Konwicki’s literary production, Anna Krakus identifies their shared penchant to defer or completely eschew narrative closure, whether in plot, theme, or style. Krakus calls this artistic tendency "aesthetic unfinalizability." As she reveals, aesthetic unfinalizability was far more than an occasional artistic preference or a passing trend; it was a radical counterpolitical act. The obsession with historical teleology saturated Polish public life during socialism to such a degree that instances of nonclosure or ambivalent endings emerged as polemical responses to official ideology.

Polish Postcommunist Cinema

Author : Ewa Mazierska
Publisher : Peter Lang
Page : 304 pages
File Size : 48,7 Mb
Release : 2007
Category : Foreign Language Study
ISBN : 3039105299

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Polish Postcommunist Cinema by Ewa Mazierska Pdf

This book covers the history of Polish cinema from 1989 up to the present in a broad political and cultural context, looking at both the film industry and film artistry. It considers the main ideas behind the institutional changes in the Polish film industry after the collapse of communism and assesses how these ideas were implemented. In discussing artistry, the focus is on the genres which dominated the Polish cinematic landscape after 1989 and the most important directors.

Polish Cinema

Author : Marek Haltof
Publisher : Berghahn Books
Page : 516 pages
File Size : 44,8 Mb
Release : 2018-10-19
Category : Performing Arts
ISBN : 9781785339738

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Polish Cinema by Marek Haltof Pdf

First published in 2002, Marek Haltof’s seminal volume was the first comprehensive English-language study of Polish cinema, providing a much-needed survey of one of Europe’s most distinguished—yet unjustly neglected—film cultures. Since then, seismic changes have reshaped Polish society, European politics, and the global film industry. This thoroughly revised and updated edition takes stock of these dramatic shifts to provide an essential account of Polish cinema from the nineteenth century to today, covering such renowned figures as Kieślowski, Skolimowski, and Wajda along with vastly expanded coverage of documentaries, animation, and television, all set against the backdrop of an ever-more transnational film culture.

Framing the Holocaust in Polish Aftermath Cinema

Author : Matilda Mroz
Publisher : Springer Nature
Page : 305 pages
File Size : 48,6 Mb
Release : 2021-02-09
Category : Performing Arts
ISBN : 9781137461667

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Framing the Holocaust in Polish Aftermath Cinema by Matilda Mroz Pdf

This book offers a unique perspective on contemporary Polish cinema’s engagement with histories of Polish violence against their Jewish neighbours during the Holocaust. Moving beyond conventional studies of historical representation on screen, the book considers how cinema reframes the unwanted knowledge of violence in its aftermaths. The book draws on Derridean hauntology, Didi-Huberman’s confrontations with art images, Levinasian ethics and anamorphosis to examine cinematic reconfigurations of histories and memories that are vulnerable to evasion and formlessness. Innovative analyses of Birthplace (Łoziński, 1992), It Looks Pretty From a Distance (Sasnal, 2011), Aftermath (Pasikowski, 2012), and Ida (Pawlikowski, 2013) explore how their rural filmic landscapes are predicated on the radical exclusion of Jewish neighbours, prompting archaeological processes of exhumation. Arguing that the distressing materiality of decomposition disturbs cinematic composition, the book examines how Poland’s aftermath cinema attempts to recompose itself through form and narrative as it faces Polish complicity in Jewish death.

Polish Migrants in European Film 1918–2017

Author : Kris Van Heuckelom
Publisher : Springer
Page : 283 pages
File Size : 46,8 Mb
Release : 2019-04-23
Category : Performing Arts
ISBN : 9783030042189

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Polish Migrants in European Film 1918–2017 by Kris Van Heuckelom Pdf

This study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polański’s The Tenant, Jean-Luc Godard’s Passion and Krzysztof Kieślowski’s Trois couleurs: Blanc are the best-known examples. Engaging with contemporary debates on modernisation and Europeanisation, the author proposes the notion of “close Otherness” to delineate the liminal position of fictional characters with a Polish background. Polish Migrants in European Film 1918-2017 takes the reader through a wide range of genres, from interwar musicals to Cold War defection films; from communist-era exile right up to the contemporary moment. It is suitable for scholars interested in European or Slavic studies, as well as anyone who is interested in topics such as identity construction, ethnic representation, East-West cultural exchanges and transnationalism.