Polyphony In Medieval Paris

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Polyphony in Medieval Paris

Author : Catherine A. Bradley
Publisher : Cambridge University Press
Page : 301 pages
File Size : 47,8 Mb
Release : 2018-08-09
Category : History
ISBN : 9781108418584

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Polyphony in Medieval Paris by Catherine A. Bradley Pdf

Redefines musical analysis for a period that marks the beginnings of composition as we know it now.

French and English Polyphony of the 13th and 14th Centuries

Author : Ernest H. Sanders
Publisher : Routledge
Page : 344 pages
File Size : 43,5 Mb
Release : 2019-05-29
Category : Music
ISBN : 9780429763373

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French and English Polyphony of the 13th and 14th Centuries by Ernest H. Sanders Pdf

First published in 1998, this volume brings together the most part of the author’s work on medieval polyphony. The most significant advance in music during the period in the High Gothic was the development of a system of rhythm and of its notation, the modern understanding of which was to a considerable extent obscured by an undue emphasis on the so-called rhythmic modes. The investigation of this topic forms the centre of this book, and a related essay deals with rhythmic Latin poetry. Other pieces survey the accomplishments of Europe’s first great composer and the flourishing of the medieval motet, whose rise he stimulated, while several essays focus on English polyphony, and on what remains of the motets of Philippe de Vitry, a major figure in Parisian intellectual circles of the 14th century.

Music and Ceremony at Notre Dame of Paris, 500-1550

Author : Craig Wright
Publisher : Cambridge University Press
Page : 424 pages
File Size : 50,6 Mb
Release : 2008-10-30
Category : Music
ISBN : 0521088348

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Music and Ceremony at Notre Dame of Paris, 500-1550 by Craig Wright Pdf

This book is a history of the early musical life of the Parisian cathedral of Notre Dame. All aspects of the musical establishment of Notre Dame are covered, from Merovingian times to the period of the wars of religion in France. Nine discrete essays discuss the history of Parisian chant and liturgy and the pattern and structure of the cathedral services in the late Middle Ages; Notre Dame polyphony and the composers most closely associated with the cathedral, among them Leoninus, Perotinus and Philippe de Vitry; the organ and its repertoire; the choir, the musical education and performing traditions; and the relationship of the cathedral to the court.

Revisiting the Music of Medieval France

Author : Manuel Pedro Ferreira
Publisher : Taylor & Francis
Page : 228 pages
File Size : 50,9 Mb
Release : 2023-05-31
Category : Music
ISBN : 9781000949148

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Revisiting the Music of Medieval France by Manuel Pedro Ferreira Pdf

This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvère and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.

The Dorset Rotulus

Author : Margaret Bent,Jared C. Hartt,Peter Lefferts
Publisher : Boydell & Brewer
Page : 419 pages
File Size : 43,8 Mb
Release : 2021
Category : Music
ISBN : 9781783276189

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The Dorset Rotulus by Margaret Bent,Jared C. Hartt,Peter Lefferts Pdf

From its origins in the thirteenth century, the Latin-texted motet in England and France became the most significant and diverse polyphonic genre of the fourteenth, a body of music important both for its texts and its variety of musical structures. However, although the motet in England plays a vital role in the music-historical narrative of the first decades of the 1300s, it has too often been overlooked in modern scholarship, due largely to its preservation in numerous but almost entirely fragmentary sources.0In 2017, substantial new fragments of medieval polyphony came to light. They originated at the Benedictine monastery of Abbotsbury, a major institution located high above Chesil Beach on Dorset's Jurassic Coast. The two leaves once headed an imposing musical scroll, and preserve significant portions of four large-scale Latin-texted motets from early fourteenth-century England.0This book introduces the manuscript and its provenance in Abbotsbury, relates it to other scrolls of late medieval music, contextualizes its motets within the larger corpus of contemporary Latin-texted motets, and analyses and reconstructs each of the motets, providing complete performable transcriptions of three of these compositions as well as three of its large-scale comparands. Spurred by the Dorset discovery, this monograph, the first in thirty-five years devoted to the medieval motet in England, offers a new evaluation of the richness of the English repertory in its own terms.

An Explanation of the Origins and Nature of Notre Dame Modal Polyphony in the Twelfth Century

Author : Edwin Frederick Flindell
Publisher : Unknown
Page : 0 pages
File Size : 51,8 Mb
Release : 2014
Category : Art, Gothic
ISBN : 0773443126

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An Explanation of the Origins and Nature of Notre Dame Modal Polyphony in the Twelfth Century by Edwin Frederick Flindell Pdf

Offering a significant contribution and interdisciplinary approach to medieval musical research, the author not only researches the music history of the time, but incorporates the political, social and cultural conditions that gave rise to the birth of polyphonic thought in Western music.

Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550

Author : Sarah Ann Long
Publisher : Boydell & Brewer
Page : 377 pages
File Size : 53,8 Mb
Release : 2021
Category : Confraternities
ISBN : 9781580469968

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Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550 by Sarah Ann Long Pdf

The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powers

The Parisian Two-part Organa

Author : Hans Tischler
Publisher : Pendragon Press
Page : 704 pages
File Size : 46,8 Mb
Release : 1988
Category : Juvenile Nonfiction
ISBN : 0918728894

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The Parisian Two-part Organa by Hans Tischler Pdf

This edition, for the first time, presents a complete modern rendering of an extensive repertoire of works crucial to the development of polyphonic Western music, the organa at Notre Dame cathedral of Paris ca.1165-1225. The two chief composers, Leonin and Perotin, devised the first musical notation to indicate pitch and rhythm, and formulated several musical styles and types of composition which were sung throughout Europe for approximately two centuries. Hans Tischler's edition explores the evolution of compositional methods for both composers, examining the individual styles of organum purum, discant, copula, and pseudo-discant. A second evolutionary factor considered is the selected use of melodic formulae and the recurrence of whole phrases and sections which interrelate numerous organa. A third consideration of the analysis is the increasing complexity of the rhythmic treatment in the tenors of discant clausulae, from Leonin's creation of modal notation, to Perotin's invention of additional rhythmic patterns and their notational symbols. The repertoire comprises settings of well over one hundred chants, the majority of them in two or three versions; and each setting is comprised of several independent and exchangeable sections, totaling approximately 1,500. Only portions of this vast repertoire have been previously published, however, this edition includes all relevant extant material, drawn from sixteen manuscripts, several of which contain two or more collections of organal works . It also refers to related compositions in seven additional collections and to chant sources in eight medieval and eight modem codices.

A Critical Companion to Medieval Motets

Author : Jared C. Hartt
Publisher : Boydell & Brewer
Page : 422 pages
File Size : 50,5 Mb
Release : 2018
Category : BUSINESS & ECONOMICS
ISBN : 9781783273072

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A Critical Companion to Medieval Motets by Jared C. Hartt Pdf

First full comprehensive guide to one of the most important genres of music in the Middle Ages.

Song, Landscape, and Identity in Medieval Northern France

Author : Jennifer Saltzstein
Publisher : Oxford University Press
Page : 289 pages
File Size : 55,7 Mb
Release : 2023-06-13
Category : Music
ISBN : 9780197547779

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Song, Landscape, and Identity in Medieval Northern France by Jennifer Saltzstein Pdf

Song, Landscape, and Identity in Medieval Northern France offers a new perspective on how medieval song expressed relationships between people and their environments. Informed by environmental history and harnessing musicological and ecocritical approaches, author Jennifer Saltzstein draws connections between the nature imagery that pervades songs written by the trouvères of northern France to the physical terrain and climate of the lands on which their authors lived. In doing so, she analyzes the different ways in which composers' lived environments related to their songs and categorizes their use of nature imagery as realistic, aspirational, or nostalgic. Demonstrating a cycle of mutual impact between nature and culture, Saltzstein argues that trouvère songs influenced the ways particular groups of medieval people defined their identities, encouraging them to view themselves as belonging to specific landscapes. The book offers close readings of love songs, pastourelles, motets, and rondets from the likes of Gace Brulé, Adam de la Halle, Guillaume de Machaut, and many others. Saltzstein shows how their music-text relationships illuminate the ways in which song helped to foster identities tied to specific landscapes among the knightly classes, the clergy, aristocratic women, and peasants. By connecting social types to topographies, trouvère songs and the manuscripts in which they were preserved presented models of identity for later generations of songwriters, performers, listeners, patrons, and readers to emulate, thereby projecting into the future specific ways of being on the land. Written in the long thirteenth century during the last major era of climate change, trouvère songs, as Saltzstein demonstrates, shape our understanding of how identity formation has rested on relationships between nature, culture, and change.

Medieval Polyphony and Song

Author : Helen Deeming,Frieda van der Heijden
Publisher : Cambridge University Press
Page : 263 pages
File Size : 46,5 Mb
Release : 2023-06-30
Category : Music
ISBN : 9781107151161

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Medieval Polyphony and Song by Helen Deeming,Frieda van der Heijden Pdf

A comprehensive introduction to medieval vocal and choral music, with their rich variety of genres and regional and linguistic traditions.

Music of the Middle Ages

Author : David Fenwick Wilson
Publisher : New York : Schirmer Books ; Toronto : Collier Macmillan Canada
Page : 440 pages
File Size : 52,6 Mb
Release : 1990
Category : Music
ISBN : UOM:39015018867757

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Music of the Middle Ages by David Fenwick Wilson Pdf

Music of the Middle Ages provides a comprehensive, chronological survey of musical style and compositional technique from early plainchant to the flourishing of fourteenth-century polyphony.--From publisher description.

Medieval Music

Author : John Caldwell
Publisher : Routledge
Page : 316 pages
File Size : 41,8 Mb
Release : 2019-06-26
Category : History
ISBN : 9780429575266

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Medieval Music by John Caldwell Pdf

Originally published in 1978, Medieval Music explores the fascinating development of medieval western music from its often obscure origins in the Jewish synagogue and early Church, to the mid-fifteenth century. The book is intended as a straightforward survey of medieval music and emphases the technical aspects such as form, style and notation. It is illustrated by nearly one hundred musical examples, the majority of which have been transcribed from original sources and many of which contains chapters on Latin chant and other forms of sacred monophony, secular song, early polyphony, the ars antiqua, French and Italian fourteenth-century music, English music, and fifteenth-century music. Each chapter is followed by a classified bibliography divided into musical sources, literary sources and modern studies; in addition to a comprehensive bibliography.

The Cambridge History of Medieval Music

Author : Mark Everist,Thomas Forrest Kelly
Publisher : Cambridge University Press
Page : 128 pages
File Size : 50,9 Mb
Release : 2018-08-09
Category : Music
ISBN : 9781108577076

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The Cambridge History of Medieval Music by Mark Everist,Thomas Forrest Kelly Pdf

Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Music in Medieval Europe

Author : Alma Santosuosso
Publisher : Routledge
Page : 457 pages
File Size : 42,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557382

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Music in Medieval Europe by Alma Santosuosso Pdf

This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.