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Conceptual Revolutions in Twentieth-Century Art by David W. Galenson Pdf
From Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators – from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst – responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhere.
The Great American Makeover is a collection of essays that explore the American makeover mythos that has been recently repackaged in the form of popular makeover television programs such as Extreme Makeover, The Swan, Supernanny, and Queer Eye for the Straight Guy.
Author : Anthony E. Grudin Publisher : University of Chicago Press Page : 229 pages File Size : 46,9 Mb Release : 2017-10-20 Category : Art ISBN : 9780226347776
Author : Mindy Clegg Publisher : State University of New York Press Page : 336 pages File Size : 40,8 Mb Release : 2022-08-01 Category : Music ISBN : 9781438489391
Punk Rock examines the history of punk rock in its totality. Punk became a way of thinking about the role of culture and community in modern life. Punks forged real alternatives to producing popular music and built community around their music. This punk counterpublic, forged in the late Cold War period, spanned the globe and has provided a viable cultural alternative to alienated young people over the years. This book starts with the rise of modernity and places the emergence of punk as a musical subculture into that longer historical narrative. It also reveals how punk itself became a contested terrain, as participants sought to imbue the production of music with greater meaning. It highlights all styles of punk and its wide variety of creators around the world, including from the LGBTQ+, feminist, and alternative communities. Punk was and remains a transnational phenomenon that influences music production and shapes our understanding of culture’s role in community building.
Sitcoms of the 1950s and 1960s are widely considered conformist in their depictions of gender roles and sexual attitudes. In Camp TV Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as The Dick Van Dyke Show as well as in more obscure fare, such as The Ugliest Girl in Town. Situating his analysis within the era's shifts in the television industry and the coalescence of straightness and whiteness that came with the decline of vaudevillian camp, Miller shows how the sitcoms of this era overflowed with important queer representation and gender nonconformity. Whether through regular supporting performances (Ann B. Davis's Schultzy in The Bob Cummings Show), guest appearances by Paul Lynde and Charles Nelson Reilly, or scripted dialogue and situations, industry processes of casting and production routinely esteemed a camp aesthetic that renders all gender expression queer. By charting this unexpected history, Miller offers new ways of exploring how supposedly repressive popular media incubated queer, genderqueer, and transgender representations.
"Proust/Warhol : Analytical Philosophy of Art employs three key intellectual tools : the aesthetic theory of Arthur Danto, the account of Proust by Joshua Landy, and the analysis of the art of living by Alexander Nehamas. Proust/Warhol concludes with a discussion of an issue of particular importance for Warhol, the relationship between art and fashion."--Jacket
From the Publisher: While critics have long disparaged commercial television as a vast wasteland, TV has surprising links to the urbane world of modern art that stretch back to the 1950s and '60s during that era, the rapid rise of commercial television coincided with dynamic new movements in the visual arts-a potent combination that precipitated a major shift in the way Americans experienced the world visually. TV by Design uncovers this captivating story of how modernism and network television converged and intertwined in their mutual ascent during the decades of the cold war. Whereas most histories of television focus on the way older forms of entertainment were recycled for the new medium, Lynn Spigel shows how TV was instrumental in introducing the public to the latest trends in art and design. Abstract expressionism, pop art, art cinema, modern architecture, and cutting-edge graphic design were all mined for staging techniques, scenic designs, and an ever-growing number of commercials. As a result, TV helped fuel the public craze for trendy modern products, such as tailfin cars and boomerang coffee tables, that was vital to the burgeoning postwar economy. And along with influencing the look of television, many artists-including Eero Saarinen, Ben Shahn, Saul Bass, William Golden, and Richard Avedon-also participated in its creation as the networks put them to work designing everything from their corporate headquarters to their company cufflinks. Dizzy Gillespie, Ernie Kovacs, Duke Ellington, and Andy Warhol all stop by in this imaginative and winning account of the ways in which art, television, and commerce merged in the first decades of the TV age.
Excavating Stephen King by James Arthur Anderson Pdf
Excavating Stephen King: A Darwinist Hermeneutic Study of the Fiction combines approaches from science and literary theory to examine the canon of Stephen King’s fiction work in a single critical study. James Arthur Anderson has devised the concept of Darwinist Hermeneutics as a critical tool to combine evolutionary psychology, neuroscience, biology, and literary Darwinism with other more conventional critical theory, including structuralism, narratology, semiotics, and linguistic analysis. Using this theory, Anderson examines King’s works in terms of archetypes and mythology, human universals, affective emotions, and the organization of story to create maximum suspense. This method brings new insights into King’s stories and broader implications for storytelling as a whole.
Soulfully Gay is a personal memoir of an intellectually rigorous gay man wrestling with fundamental issues of meaning and self-acceptance. Joe Perez finds himself on a quest to understand what it means to be gay at the intersection of conflicts between homosexuality and Christianity, faith and skepticism, mysticism and madness. His journey unfolds amid challenges to his health as a recovering addict, a survivor of a psychotic episode, and a man living with AIDS. Joe is able to integrate seemingly contradictory elements—his Roman Catholic upbringing versus his openly gay lifestyle, his authentic mystical experiences versus the delusions for which he was hospitalized. With a solid understanding of theology and an ability to see through the veils of political correctness, Joe brings a new level of intellect and understanding to the challenges of being a gay man.
Warhol in Ten Takes by Gary Needham,Glyn Davis Pdf
Andy Warhol remains one of the world's most influential artists, and his reputation has only grown since his death in 1987. He first picked up a film camera in 1963. Within the space of five years, he made around 650 films. These are now recognised as a hugely significant part of Warhol's oeuvre, vital for understanding his output as a whole. Warhol in Ten Takes provides a comprehensive introduction to Warhol's film-making alongside ten essays on individual films (from canonical classics such as The Chelsea Girls, to sorely neglected titles such as Bufferin) from leading scholars of cinema, art and culture. Drawing on research from the Warhol archives, newly-unearthed images, and original interviews with denizens of the Factory, this book explores the richness and variety of Warhol's films and interrogates accepted perspectives on them – while acknowledging the challenge of ever fully coming to terms with the life and career of this extraordinary artist.
Author : Craig J. Peariso Publisher : University of Washington Press Page : 246 pages File Size : 41,8 Mb Release : 2014-12-01 Category : History ISBN : 9780295805573
From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective “tolerance” masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the “put-on” — the signature activist performance of the radical left — ended up becoming a valuable American political practice, one that continues to influence contemporary radical movements such as Occupy Wall Street.
The Life & the Work by Getty Research Institute Pdf
It is often assumed that reading about the lives of artists enhances our understanding of their work--and that their work reveals something about them--but the relationship between biography and art is rarely straightforward. In The Life and the Work, art historians Thomas Crow, Charles Harrison, Rosalind Krauss, Debora Silverman, Paul Smith, and Robert Williams address this fundamental if convoluted relationship. Looking to such figures as Andy Warhol, Bob Dylan, Vincent van Gogh, Paul Cezanne, Leonardo da Vinci, and the artists associated with the name Art & Language, the volume's authors have written a set of provocative essays that explore how an artist's life and art are intertwined."