Popular Filmgoing In 1930s Britain

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Popular Filmgoing in 1930s Britain

Author : John Sedgwick
Publisher : University of Exeter Press
Page : 338 pages
File Size : 49,8 Mb
Release : 2000
Category : History
ISBN : 0859896609

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Popular Filmgoing in 1930s Britain by John Sedgwick Pdf

In the 1930s there were close to a billion annual admissions to the cinema in Britain and it was by far the most popular paid-for leisure activity. This book is an exploration of that popularity. John Sedgwick has developed the POPSTAT index, a methodology based on exhibition records which allows identification of the most popular films and the leading stars of the period, and provides a series of tables which will serve as standard points of reference for all scholars and specialists working in the field of 1930s cinema. The book establishes similarities and differences between national and regional tastes through detailed case study analysis of cinemagoing in Bolton and Brighton, and offers an analysis of genre development. It also reveals that although Hollywood continued to dominate the British market, films emanating from British studios proved markedly popular with domestic audiences.

Audiences

Author : Ian Christie
Publisher : Amsterdam University Press
Page : 334 pages
File Size : 50,8 Mb
Release : 2012
Category : Art
ISBN : 9789089643629

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Audiences by Ian Christie Pdf

"This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.

Towards a Comparative Economic History of Cinema, 1930–1970

Author : John Sedgwick
Publisher : Springer Nature
Page : 366 pages
File Size : 41,6 Mb
Release : 2022-09-09
Category : Business & Economics
ISBN : 9783031057700

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Towards a Comparative Economic History of Cinema, 1930–1970 by John Sedgwick Pdf

This book examines the economic circumstances in which films were produced, distributed, exhibited, and consumed during the spoken era of film production until 1970. The periodisation covers the years between the onset of sound and the demise of the phased distribution of films. Films are generally appreciated for their aesthetic qualities. But they are also commodities. This work of economic history presents a new approach, considering consumption behaviour as significant as supply-side decision-making. Audiences’ tastes are considered central, with box-office an indicator of what they liked. The POPSTAT Index of Film Popularity is used as a proxy where box office knowledge is missing. Comparative analysis is conducted through the tool RelPOP. The book comprises original case studies covering film consumption in Great Britain, the Netherlands, Sweden, and the United States during the 1930s; Australia and occupied Belgium during the Second World War; and Italy, the United States, Poland and Czechoslovakia during the Post-war. An overriding theme is how the classical American business model, which emerged during the 1910s linking production to distribution and exhibition, adapted to local circumstances, including the two countries behind the Iron Curtain during the years of ‘High Stalinism’.

The British Working Class in Postwar Film

Author : Philip Gillett
Publisher : Manchester University Press
Page : 244 pages
File Size : 42,7 Mb
Release : 2003-06-28
Category : History
ISBN : 0719062586

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The British Working Class in Postwar Film by Philip Gillett Pdf

Using a sociological model, The British Working Class in Postwar Film looks at how working-class people are portrayed in British feature films from the decade after World War II. Original statistical data is used to assess the popularity of the films with audiences. With an interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Readers are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields.

Film's Musical Moments

Author : Ian Conrich
Publisher : Edinburgh University Press
Page : 240 pages
File Size : 49,5 Mb
Release : 2006-07-14
Category : Performing Arts
ISBN : 9780748627271

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Film's Musical Moments by Ian Conrich Pdf

The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. By bringing together chapters that are concerned both with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts, Film's Musical Moments will be of equal importance to students of film studies, cultural studies and music. The book is organised into four sections: Music, Film, Culture focuses on cinema representations of music forms; Stars, Performance and Reception explores stars, fan cultures and intertextuality; The Post-Classical Hollywood Musical considers the importance of popular music to contemporary cinema; and Beyond Hollywood looks to specific national contexts.

Female Stars of British Cinema

Author : Melanie Williams
Publisher : Edinburgh University Press
Page : 248 pages
File Size : 44,7 Mb
Release : 2017-07-07
Category : Social Science
ISBN : 9781474405652

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Female Stars of British Cinema by Melanie Williams Pdf

Although stardom and celebrity have sometimes been seen as antithetical to traditional British notions of restraint and modesty, female stars have nenetheless always been an important attraction for audiences of British cinema, offering specifically British takes on ideas of glamour, acting prowess and femininity. This book will explore in detail the history of British female stardom from the 1940's to the present day through an examination of careers and star personae, from Anna Neagle, who enjoyed record-breaking popularity in the immediate post-war years, to key contemporary figures such as Keira Knightley and Helen Mirren. This is a major new study of stardom in British cinema and the first to focus on female stars.

Cinema and Cinema-Going in Scotland, 1896-1950

Author : Trevor Griffiths
Publisher : Edinburgh University Press
Page : 360 pages
File Size : 41,5 Mb
Release : 2013-08-20
Category : History
ISBN : 9780748668052

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Cinema and Cinema-Going in Scotland, 1896-1950 by Trevor Griffiths Pdf

This book deals with the growth of cinema-going in Scotland in an extended scholarly manner, integrating the study of cinema into wider debates in social and economic history.

Movie History: A Survey

Author : Douglas Gomery,Clara Pafort-Overduin
Publisher : Routledge
Page : 774 pages
File Size : 41,9 Mb
Release : 2011-02-28
Category : Performing Arts
ISBN : 9781136835247

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Movie History: A Survey by Douglas Gomery,Clara Pafort-Overduin Pdf

How can we understand the history of film? Historical facts don’t answer the basic questions of film history. History, as this fascinating book shows, is more than the simple accumulation of film titles, facts and figures. This is a survey of over 100 years of cinema history, from its beginnings in 1895, to its current state in the 21st century. An accessible, introductory text, Movie History: A Survey looks at not only the major films, filmmakers, and cinema institutions throughout the years, but also extends to the production, distribution, exhibition, technology and reception of films. The textbook is divided chronologically into four sections, using the timeline of technological changes Written by two highly respected film scholars and experienced teachers, Movie History is the ideal textbook for students studying film history.

Dreaming of Fred and Ginger

Author : Annette Kuhn
Publisher : NYU Press
Page : 292 pages
File Size : 49,5 Mb
Release : 2002-11
Category : History
ISBN : 0814747728

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Dreaming of Fred and Ginger by Annette Kuhn Pdf

One of the leading voices in cultural studies today examines the habits of British cinema audiences in the 1930s to reveal the role that cinema played in shaping their lives.

Popularizing National Pasts

Author : Stefan Berger,Chris Lorenz,Billie Melman
Publisher : Routledge
Page : 378 pages
File Size : 51,8 Mb
Release : 2012
Category : History
ISBN : 9780415894357

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Popularizing National Pasts by Stefan Berger,Chris Lorenz,Billie Melman Pdf

Popularizing National Pasts is the first truly cross-national and comparative study of popular national histories, their representations, the meanings given to them and their political and societal uses, expanding outside the confines of Western Europe and the US. It draws a picture of popular histories which is European in the full sense of this term, making available to English readers the cutting edge of Eastern European scholarship on popular histories, nationalism, and culture.

Hitchcock and the Spy Film

Author : James Chapman
Publisher : Bloomsbury Publishing
Page : 360 pages
File Size : 51,5 Mb
Release : 2017-11-30
Category : Performing Arts
ISBN : 9781786733078

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Hitchcock and the Spy Film by James Chapman Pdf

Film historian James Chapman has mined Hitchcock's own papers to investigate fully for the first time the spy thrillers of the world's most famous filmmaker. Hitchcock made his name as director of the spy movie. He returned repeatedly to the genre from the British classics of the 1930s, including The 39 Steps and The Lady Vanishes, through wartime Hollywood films Foreign Correspondent and Saboteur to the Cold War tracts North by Northwest, Torn Curtain and his unmade film The Short Night. Chapman's close reading of these films demonstrates the development of Hitchcock's own style as well as how the spy genre as a whole responded to changing political and cultural contexts from the threat of Nazism in the 1930s and 40s to the atom spies and double agents of the post-war world.

Enchanted by Cinema

Author : Jan-Christopher Horak,Andréas-Benjamin Seyfert
Publisher : Berghahn Books
Page : 370 pages
File Size : 45,8 Mb
Release : 2024-05-03
Category : Performing Arts
ISBN : 9781805395386

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Enchanted by Cinema by Jan-Christopher Horak,Andréas-Benjamin Seyfert Pdf

William Thiele is remembered today as the father of the sound film operetta with seminal classics such as Drei von der Tankstelle (1930). While often considered among the most accomplished directors of Late Weimar cinema, as an Austrian Jew he was vilified during the onset of the Nazi regime in 1933 and fled to the United States where he continued making films until the end of his career in 1960. Enchanted by Cinema closely examines the European musical film pioneer’s work and his cross-cultural perspective across forty years of filmography in Berlin and Hollywood to account for his popularity while discussing issues of ethnicity, exile, comedy, music, gender, and race.

British National Cinema

Author : Sarah Street
Publisher : Routledge
Page : 248 pages
File Size : 54,8 Mb
Release : 2009-06-02
Category : Performing Arts
ISBN : 9781135253349

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British National Cinema by Sarah Street Pdf

The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.

Leisure, Citizenship and Working-class Men in Britain, 1850-1945

Author : Brad Beaven
Publisher : Manchester University Press
Page : 284 pages
File Size : 44,8 Mb
Release : 2005
Category : History
ISBN : 0719060273

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Leisure, Citizenship and Working-class Men in Britain, 1850-1945 by Brad Beaven Pdf

From the bawdy audience of a Victorian Penny Gaff to the excitable crowd of an early twentieth century football match, working-class male leisure proved to be a contentious issue for contemporary observers. For middle-class social reformers from across the political spectrum, the spectacle of popular leisure offered a view of working-class habits, and a means by which lifestyles and behaviour could be assessed. For the mid-Victorians, gingerly stepping into a new mass democratic age, the desire to create a bond between the recently enfranchised male worker and the nation was more important than ever. This trend continued as those in governance perceived that 'good' leisure and citizenship could fend off challenges to social stability such as imperial decline, the mass degenerate city, hooliganism, civic and voter apathy and fascism. Thus, between 1850 and 1945 the issue of male leisure became enmeshed with changing contemporary debates on the encroaching mass society and its implications for good citizenry. Working-class culture has often been depicted as an atomised and fragmented entity lacking any significant cultural contestation. Drawing on a wealth of primary and secondary source material, this book powerfully challenges these recent assumptions and places social class centre stage once more. Arguing that there was a remarkable continuity in male working-class culture between 1850 and 1945, Beaven contends that despite changing socio-economic contexts, male working-class culture continued to draw from a tradition of active participation and cultural contestation that was both class and gender exclusive. This lively and readable book draws from fascinating accounts from those who participated in and observed contemporary popular leisure making it of importance to students and teachers of social history, popular culture, urban history, historical geography, historical sociology and cultural studies.

Quota Quickies

Author : Steve Chibnall
Publisher : Bloomsbury Publishing
Page : 329 pages
File Size : 46,8 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838717711

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Quota Quickies by Steve Chibnall Pdf

This book, the first of two volumes, will provide a major new history of the British B film, tracing the development of the low-budget supporting feature from the 1927 Films Act (which introduced a quota system for the distribution and exhibition of indigenous product) to the age of television, when B film producers channelled their energies into making TV programmes. Along the way, the authors will address leading producers and studios, B film stars, distributors, the genres and themes that tended to dominate B film production (comedy, horror, crime and fantasy). 'Quota Quickies' will include a case study of the B films of Michael Powell. The authors' argument is that the B film was hugely important in British cinema history in offering an opportunity for British actors and technicians to develop their careers, and that the films themselves provided an outlet for the exploration of peculiarly British cultural concerns in an industry traditionally dominated by Hollywood output. They also contend that some of the films stand up well to contemporary viewing and are deserving of critical re-evaluation.