Post Jazz Poetics

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Post-Jazz Poetics

Author : J. Ryan
Publisher : Springer
Page : 225 pages
File Size : 41,8 Mb
Release : 2010-05-24
Category : Literary Criticism
ISBN : 9780230109094

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Post-Jazz Poetics by J. Ryan Pdf

African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black women have created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers engagements with jazz-based compositional devices represent a new strand of radical black poetics, while their renditions of local-to-global social critique sketch the outlines of a transnational feminism.

Post-Jazz Poetics

Author : J. Ryan
Publisher : Palgrave Macmillan
Page : 0 pages
File Size : 42,5 Mb
Release : 2010-06-21
Category : Literary Criticism
ISBN : 0230623158

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Post-Jazz Poetics by J. Ryan Pdf

African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black women have created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers engagements with jazz-based compositional devices represent a new strand of radical black poetics, while their renditions of local-to-global social critique sketch the outlines of a transnational feminism.

Jazz Poetry

Author : Sascha Feinstein
Publisher : Praeger
Page : 224 pages
File Size : 46,9 Mb
Release : 1997-03-18
Category : Language Arts & Disciplines
ISBN : UOM:39015041773485

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Jazz Poetry by Sascha Feinstein Pdf

Embracing the entire history of jazz poetry, the work defines this inspired literary genre as poetry necessarily informed by jazz music. It discusses the major figures and various movements from the racist poems of the 1920s to contemporary times when the tone of jazz poetry experienced a dramatic change from elegy to celebration. The jazz music of Charlie Parker and John Coltrane transliterated into poetry by the likes of Langston Hughes and Sterling Brown is but a part of this vital work. This unusual volume will be of interest to scholars and students of literature, music, American and African Studies, and popular culture as well as anyone who enjoys jazz and poetry. Emphasis is given to a call and response between white and African American writers. The earliest jazz poems by white writers from the 1920s, for example, reflected the general anxieties evoked by jazz, particularly regarding race and sexuality, and jazz did not fully become embraced in American verse until Langston Hughes and Sterling Brown published their first books in 1926 and 1932, respectively. By the 1950s, jazz poetry had become a fad, featuring jazz and poetry in performance, and this book spends considerable time addressing the energetic but often wildly unsuccessful work by dominantly white, West coast writers who turned to Charlie Parker as their hero. African American poets from the 1960s, however, focused more on John Coltrane and interpreted his music as a representation of the Black Civil Rights movement. Jazz poetry from the 1970s to the present has had less to do with this call and response between races, and the final two chapters discuss contemporary jazz poetry in terms of its dramatic change in tone from elegy to joy.

The Muse is Music

Author : Meta DuEwa Jones
Publisher : University of Illinois Press
Page : 306 pages
File Size : 55,7 Mb
Release : 2011
Category : Language Arts & Disciplines
ISBN : 9780252036217

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The Muse is Music by Meta DuEwa Jones Pdf

This wide-ranging, ambitiously interdisciplinary study traces jazz's influence on African American poetry from the Harlem Renaissance to contemporary spoken word poetry. Examining established poets such as Langston Hughes, Ntozake Shange, and Nathaniel Mackey as well as a generation of up-and-coming contemporary writers and performers, Meta DuEwa Jones highlights the intersections of race, gender, and sexuality within the jazz tradition and its representation in poetry. Applying prosodic analysis to emphasize the musicality of African American poetic performance, she examines the gendered meanings evident in collaborative performances and in the criticism, images, and sounds circulating within jazz cultures. Jones also considers poets who participated in contemporary venues for black writing such as the Dark Room Collective and the Cave Canem Foundation, including Harryette Mullen, Elizabeth Alexander, and Carl Phillips. Incorporating a finely honed discussion of the Black Arts Movement, the poetry-jazz fusion of the late 1950s, and slam and spoken word performance milieus such as Def Poetry Jam, she focuses on jazz and hip hop-influenced performance artists including Tracie Morris, Saul Williams, and Jessica Care Moore. Through attention to cadence, rhythm, and structure, The Muse is Music fills a gap in literary scholarship by attending to issues of gender in jazz and poetry and by analyzing recordings of poets both with and without musical accompaniment. Applying the methodology of textual close reading to a critical "close listening" of American poetry's resonant soundscape, Jones's analyses include exploring the formal innovation and queer performance of Langston Hughes's recorded collaboration with jazz musicians, delineating the relationship between punctuation and performance in the post-soul John Coltrane poem, and closely examining jazz improvisation and hip-hop stylization. An elaborate articulation of the connections between jazz, poetry and spoken word, and gender, The Muse Is Music offers valuable criticism of specific texts and performances and a convincing argument about the shape of jazz and African-American poetic performance in the contemporary era.

A Bibliographic Guide To Jazz Poetry

Author : Sascha Feinstein
Publisher : Greenwood
Page : 0 pages
File Size : 55,7 Mb
Release : 1998-04-08
Category : Music
ISBN : 9780313294693

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A Bibliographic Guide To Jazz Poetry by Sascha Feinstein Pdf

Containing over 500 annotated entries for individual poets and several anthologies, this work presents a substantial collection of poems that have been inspired by blues and jazz. Thousands of poems written between 1916 and the present are included. References to individual jazz figures addressed in the poetry are cross-referenced. The range of poems includes homages to jazz musicians and work written primarily to be read with jazz accompaniment. This wide selection of poetry offers a unique guide to the poetry inspired by jazz musicians and their music. Of interest to scholars and jazz enthusiasts alike, this substantial bibliography, annotated by author and cross-referenced by musician, presents a wealth of information previously unavailable in a single source. The jazz-related poetry identified will attract a range of writers and musicians. Furthermore, the broad variety of poets and anthologies presented crosses many boundaries and will also interest scholars of 20th century poetry, African American literature, and American literature.

The Second Set, Vol. 2

Author : Sascha Feinstein,Yusef Komunyakaa
Publisher : Indiana University Press
Page : 270 pages
File Size : 52,6 Mb
Release : 1996-10-22
Category : Music
ISBN : 0253210682

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The Second Set, Vol. 2 by Sascha Feinstein,Yusef Komunyakaa Pdf

Embracing a wide variety of poems informed by jazz, The Second Set includes statements of poetics by many of the poets anthologized.

Notes to Make the Sound Come Right

Author : T. J. Anderson
Publisher : University of Arkansas Press
Page : 238 pages
File Size : 41,9 Mb
Release : 2004-07-01
Category : Poetry
ISBN : 1557287694

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Notes to Make the Sound Come Right by T. J. Anderson Pdf

In “When Malindy Sings” the great African American poet Paul Laurence Dunbar writes about the power of African American music, the “notes to make the sound come right.” In this book T. J. Anderson III, son of the brilliant composer, Thomas Anderson Jr., asserts that jazz became in the twentieth century not only a way of revising old musical forms, such as the spiritual and work song, but also a way of examining the African American social and cultural experience. He traces the growing history of jazz poetry and examines the work of four innovative and critically acclaimed African American poets whose work is informed by a jazz aesthetic: Stephen Jonas (1925?–1970) and the unjustly overlooked Bob Kaufman (1925–1986), who have affinities with Beat poetry; Jayne Cortez (1936– ), whose work is rooted in surrealism; and the difficult and demanding Nathaniel Mackey (1947– ), who has links to the language writers. Each fashioned a significant and vibrant body of work that employs several of the key elements of jazz. Anderson shows that through their use of complex musical and narrative weaves these poets incorporate both the tonal and performative structures of jazz and create work that articulates the African journey. From improvisation to polyrhythm, they crafted a unique poetics that expresses a profound debt to African American culture, one that highlights the crucial connection between music and literary production and links them to such contemporary writers as Michael Harper, Amiri Baraka, and Yusef Komunyakaa, as well as young recording artists—United Future Organization, Us3, and Groove Collection—who have successfully merged hip-hop poetry and jazz.

The Jazz Poetry Anthology

Author : Sascha Feinstein,Yusef Komunyakaa
Publisher : Unknown
Page : 328 pages
File Size : 43,6 Mb
Release : 1991
Category : Poetry
ISBN : UOM:39015021852614

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The Jazz Poetry Anthology by Sascha Feinstein,Yusef Komunyakaa Pdf

..". in a class by itself... sensitive, moving, and powerful jazz imagery... the perfect companion to listening to good jazz." --Jazziz Magazine "In the course of the history of jazz, there have been only a few articles that get to the core of the meaning of jazz. These poems hit it right on the head, and the book is certainly essential for anyone who is interested in our music." --Dizzy Gillespie "To those interested in the impact of jazz upon the poetry of our century I recommend this anthology altogether without reservation." --John Lucas, JazzTimes ..". essential... Its virtues are varied and copious, and not the least among them is discovering a writer whose work is new to you." --Los Angeles Reader "What makes this work most enjoyable is knowing the music and musicians and using that knowledge to understand and judge the poets' reactions to the elements in the music that please and inspire us." --MultiCultural Review "Filled with a variety of form, rhythm, and sound, this anthology is an absolute MUST for anyone who is even remotely interested in jazz and modern literature." --David Baker Since the turn of the century, poets have responded to jazz in all its musical and cultural overtones. The poems here cover the range of jazz itself: from early blues to free jazz and experimental music. Among the 132 poets included are James Baldwin, Lawrence Ferlinghetti, Langston Hughes, Jack Kerouac, Mina Loy, Ishmael Reed, and Sonia Sanchez. This anthology represents the broad appreciation for jazz as poetic inspiration, not only from the Beat movement but from writers across the decades and around the world.

Translating Jazz Into Poetry

Author : Erik Redling
Publisher : Walter de Gruyter GmbH & Co KG
Page : 305 pages
File Size : 49,8 Mb
Release : 2017-02-20
Category : Literary Criticism
ISBN : 9783110395280

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Translating Jazz Into Poetry by Erik Redling Pdf

The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate “melody,” “dynamics,” “tempo,” “mood,” and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear).

Jazz After Dinner

Author : Leonard A. Slade Jr.
Publisher : State University of New York Press
Page : 106 pages
File Size : 55,6 Mb
Release : 2012-02-01
Category : Poetry
ISBN : 9780791480809

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Jazz After Dinner by Leonard A. Slade Jr. Pdf

From "I Am a Black Man" I am a Black man my history written with blood some sweet songs of sorrow are composed for my soul and I can be seen plowing in the fields Can be heard humming in the night In these poems of celebration and endurance, Leonard A. Slade Jr. addresses the human need to be connected not only to the physical "now," but also to the other lives and other music we pass through during our lives. Slade's unique voice exposes the sweetness, the sorrow, and the humor of life's celebrations and struggles, but above all is the importance of love and the reliance on God and in faith for transcendence. These are poems to help us to endure, to grow, and to triumph.

Jazz Poems

Author : Kevin Young
Publisher : Everyman's Library
Page : 258 pages
File Size : 49,9 Mb
Release : 2006-04-11
Category : Poetry
ISBN : 9781400042517

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Jazz Poems by Kevin Young Pdf

Ever since its first flowering, jazz has had a powerful influence on American poetry; this scintillating anthology offers a treasury of poems that are as varied and as vital as the music that inspired them. From the Harlem Renaissance to the beat movement, from the poets of the New York school to the contemporary poetry scene, the jazz aesthetic has been a compelling literary force—one that Jazz Poems makes palpable. We hear it in the poems of Langston Hughes, E. E. cummings, William Carlos Williams, Frank O’Hara, and Gwendolyn Brooks, and in those of Yusef Komunyakaa, Charles Simic, Rita Dove, Ntozake Shange, Mark Doty, William Matthews, and C. D. Wright. Here are poems that pay tribute to jazz’s great voices, and poems that throb with the vivid rhythm and energy of the jazz tradition, ranging in tone from mournful elegy to sheer celebration.

Major Features of Langston Hughes' Jazz Poetry. An Analyis of his Poem "Railroad Avenue"

Author : Roswitha Mayer
Publisher : GRIN Verlag
Page : 17 pages
File Size : 48,9 Mb
Release : 2016-07-12
Category : Literary Collections
ISBN : 9783668257375

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Major Features of Langston Hughes' Jazz Poetry. An Analyis of his Poem "Railroad Avenue" by Roswitha Mayer Pdf

Seminar paper from the year 1998 in the subject American Studies - Miscellaneous, grade: 1,7, Johannes Gutenberg University Mainz (American Studies Department), course: American Modernism, language: English, abstract: How did Langston Hughes shape music into poetry, what were the items of his jazz poetry and what message did he want to mediate? Concerning the items and message of jazz poetry, secondary literature offers no help. Reading Hughes' jazz poems and combining it with the status of jazz music and Hughes' view of art, the following assumptions are plausible: Hughes’ jazz poetry tries with literary devices to imitate jazz music. This poetry reflects to reflect modern, urban black poplar culture. His poems transmit a new black self- confidence. The aim of this paper is to give reasons for those assumptions by analyzing a jazz poem closely. The poem that is to be analyzed is called „Railroad Avenue“ and was published first in 1926.

Jazz Griots

Author : Jean-Philippe Marcoux
Publisher : Lexington Books
Page : 244 pages
File Size : 50,7 Mb
Release : 2012-06-27
Category : Social Science
ISBN : 9780739166741

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Jazz Griots by Jean-Philippe Marcoux Pdf

This study is about how four representative African American poets in the 1960s, Langston Hughes, Umbra’s David Henderson, and the Black Arts Movement’s Sonia Sanchez, and Amiri Baraka engage, in the tradition of African griots, in poetic dialogues with aesthetics, music, politics, and Black History, and in so doing narrate, using jazz as meta-language, genealogies, etymologies, cultural legacies, and Black (hi)stories. In intersecting and complementary ways, Hughes, Henderson, Sanchez, and Baraka fashioned their griotism from theorizations of artistry as political engagement, and, in turn, formulated a Black aesthetic based on jazz performativity –a series of jazz-infused iterations that form a complex pattern of literary, musical, historical, and political moments in constant cross-fertilizing dialogues with one another. This form of poetic call-and-response is essential for it allows the possibility of intergenerational dialogues between poets and musicians as well as dialogical potential between song and politics, between Africa and Black America, within the poems. More importantly, these jazz dialogisms underline the construction of the Black Aesthetic as conceptualized respectively by the griotism of Hughes, of Henderson, and of Sanchez and Baraka.

Dictionary Poetics

Author : Craig Dworkin
Publisher : Fordham University Press
Page : 172 pages
File Size : 55,6 Mb
Release : 2020-05-05
Category : Literary Criticism
ISBN : 9780823287994

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Dictionary Poetics by Craig Dworkin Pdf

The new ways of writing pioneered by the literary avant-garde invite new ways of reading commensurate with their modes of composition. Dictionary Poetics examines one of those modes: book-length poems, from Louis Zukofsky to Harryette Mullen, all structured by particular editions of specific dictionaries. By reading these poems in tandem with their source texts, Dworkin puts paid to the notion that even the most abstract and fragmentary avant-garde literature is nonsensical, meaningless, or impenetrable. When read from the right perspective, passages that at first appear to be discontinuous, irrational, or hopelessly cryptic suddenly appear logically consistent, rationally structured, and thematically coherent. Following a methodology of “critical description,” Dictionary Poetics maps the material surfaces of poems, tracing the networks of signifiers that undergird the more familiar representational schemes with which conventional readings have been traditionally concerned. In the process, this book demonstrates that new ways of reading can yield significant interpretive payoffs, open otherwise unavailable critical insights into the formal and semantic structures of a composition, and transform our understanding of literary texts at their most fundamental levels.

American Haiku, Eastern Philosophies, and Modernist Poetics

Author : Yoshinobu Hakutani
Publisher : Rowman & Littlefield
Page : 237 pages
File Size : 42,6 Mb
Release : 2020-10-29
Category : Literary Criticism
ISBN : 9781793634511

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American Haiku, Eastern Philosophies, and Modernist Poetics by Yoshinobu Hakutani Pdf

American Haiku, Eastern Philosophies, and Modernist Poetics traces the genesis and development of haiku in Japan as it transformed over the years and eventually made its way to the Western world. Yoshinobu Hakutani analyzes the prominent Eastern philosophies expressed through haiku, such as Confucianism and Zen, and the aesthetic principles of yugen, sabi, and wabi. Hakutani discusses several reinventions of haiku, from Matsuo Basho’s transformation of the classic haiku, to Masaoka Shiki’s modernist perspectives expressing subjective thoughts and feelings, and eventually to Yone Noguchi’s introduction of haiku to the Western world through W. B. Yeats and Ezra Pound. Hakutani argues that the adoption and transformation of haiku is one of the most popular East-West artistic, cultural, and literary exchanges to have taken place in modern and postmodern times.