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Biographical entries on the artists, a concise guide to postermaking terms, a bibliography, and both subject and chronological indexes serve to make this volume an invaluable reference tool.
Web version of a traveling exhibition by the same name that brings together some of the great graphic images made in the United States over the past century.
The American Image by Mark Resnick,R. Roger Remington Pdf
The "modern" American poster has figured prominently in virtually every major political, social, commercial, and cultural development in the country. With arresting images and text, these posters have informed and sold Americans on election campaigns, the nation's war efforts, protest movements, consumer products, travel, entertainment, etc. They also comprise a history of U.S. graphic design, reflecting dramatic changes in style, advertising theory, and printing, as well as the emergence of key graphic designers. The American Image provides a rare survey of this popular art, spanning more than one hundred years. Selected from the Resnick Collection, the book analyzes some 70 posters representative of every significant style and theme. They range from design masterpieces to works of historical value, from posters by renowned designers to those created anonymously, and from celebrated images to those never before published. This handsome book includes superb, full-color reproductions; an incisive essay on American poster design by R. Roger Remington; and a preface and authoritative commentary on each image by Mark Resnick. MARK RESNICK is currently Executive Vice-President, Business Affairs, for Twentieth Century Fox. He has assembled what is likely the foremost private collection of American posters spanning the 1890s to present. R. ROGER REMINGTON is the Massimo and Lella Vignelli Distinguished Professor in Design in the School of Design, Rochester Institute of Technology. He is the author of several books, the most recent of which is American Modernism: Graphic Design, 1920 to 1960.
Metropolitan Museum of Art (New York, N.Y.),David W. Kiehl,Phillip Dennis Cate,Nancy Finlay
Author : Metropolitan Museum of Art (New York, N.Y.),David W. Kiehl,Phillip Dennis Cate,Nancy Finlay Publisher : Metropolitan Museum of Art Page : 201 pages File Size : 48,6 Mb Release : 1987 Category : Art nouveau ISBN : 9780810918696
American Art Posters of the 1890s in the Metropolitan Museum of Art, Including the Leonard A. Lauder Collection by Metropolitan Museum of Art (New York, N.Y.),David W. Kiehl,Phillip Dennis Cate,Nancy Finlay Pdf
From band posters stapled to telephone poles to the advertisements hanging at bus shelters to the inspirational prints that adorn office walls, posters surround us everywhere—but do we know how they began? Telling the story of this ephemeral art form, Elizabeth E. Guffey reexamines the poster’s roots in the nineteenth century and explores the relevance they still possess in the age of digital media. Even in our world of social media and electronic devices, she argues, few forms of graphic design can rival posters for sheer spatial presence, and they provide new opportunities to communicate across public spaces in cities around the globe. Guffey charts the rise of the poster from the revolutionary lithographs that papered nineteenth-century London and Paris to twentieth-century works of propaganda, advertising, pop culture, and protest. Examining contemporary examples, she discusses Palestinian martyr posters and West African posters that describe voodoo activities or Internet con men, stopping along the way to uncover a rich variety of posters from the Soviet Union, China, the United States, and more. Featuring 150 stunning images, this illuminating book delivers a fresh look at the poster and offers revealing insights into the designs and practices of our twenty-first-century world.
Design for Victory by William L. Bird,Harry Rubenstein Pdf
The poster - inexpensive, colorful, and immediate - was an ideal medium for delivering messages about Americans' duties on the home front during World War II. Design for Victory presents more than 150 of these stunning images - many never reproduced since their first issue - culled from the collections of the National Museum of American History, Smithsonian Institution. William L. Bird, Jr. and Harry R. Rubenstein delve beneath the surface of these colorful graphics, telling the stories behind their production and revealing how posters fulfilled the goals and needs of their creators. The authors describe the history of how specific posters were conceived and received, focusing on the workings of the wartime advertising profession and demonstrating how posters often reflected uneasy relations between labor and management.
Author : Thomas W. Benson Publisher : Penn State Press Page : 226 pages File Size : 51,6 Mb Release : 2015-06-18 Category : Language Arts & Disciplines ISBN : 9780271067353
By the spring of 1970, Americans were frustrated by continuing war in Vietnam and turmoil in the inner cities. Students on American college campuses opposed the war in growing numbers and joined with other citizens in ever-larger public demonstrations against the war. Some politicians—including Ronald Reagan, Spiro Agnew, and Richard Nixon—exploited the situation to cultivate anger against students. At the University of California at Berkeley, student leaders devoted themselves, along with many sympathetic faculty, to studying the war and working for peace. A group of art students designed, produced, and freely distributed thousands of antiwar posters. Posters for Peace tells the story of those posters, bringing to life their rhetorical iconography and restoring them to their place in the history of poster art and political street art. The posters are vivid, simple, direct, ironic, and often graphically beautiful. Thomas Benson shows that the student posters from Berkeley appealed to core patriotic values and to the legitimacy of democratic deliberation in a democracy—even in a time of war.
Metropolitan Museum of Art (New York, N.Y.),David W. Kiehl,Phillip Dennis Cate,Nancy Finlay
Author : Metropolitan Museum of Art (New York, N.Y.),David W. Kiehl,Phillip Dennis Cate,Nancy Finlay Publisher : Metropolitan Museum of Art New York Page : 208 pages File Size : 40,6 Mb Release : 1987 Category : Antiques & Collectibles ISBN : UOM:39015012222371
American Art Posters of the 1890s in the Metropolitan Museum of Art, Including the Leonard A. Lauder Collection by Metropolitan Museum of Art (New York, N.Y.),David W. Kiehl,Phillip Dennis Cate,Nancy Finlay Pdf
Art and Advertising in Buffalo Bill's Wild West by Michelle Delaney Pdf
William F. “Buffalo Bill” Cody, star of the American West, began his journey to fame at age twenty-three, when he met writer Ned Buntline. The pulp novels Buntline later penned were loosely based on Cody’s scouting and bison-hunting adventures and sparked a national sensation. Other writers picked up the living legend of “Buffalo Bill” for their own pulp novels, and in 1872 Buntline produced a theatrical show starring Cody himself. In 1883, Cody opened his own show, Buffalo Bill’s Wild West, which ultimately became the foundation for the world’s image of the American frontier. After the Civil War, new transcontinental railroads aided rapid westward expansion, fostering Americans’ long-held fascination with their western frontier. The railroads enabled traveling shows to move farther and faster, and improved printing technologies allowed those shows to print in large sizes and quantities lively color posters and advertisements. Cody’s show team partnered with printers, lithographers, photographers, and iconic western American artists, such as Frederic Remington and Charles Schreyvogel, to create posters and advertisements for Buffalo Bill’s Wild West. Circuses and other shows used similar techniques, but Cody’s team perfected them, creating unique posters that branded Buffalo Bill’s Wild West as the true Wild West experience. They helped attract patrons from across the nation and ultimately from around the world at every stop the traveling show made. In Art and Advertising in Buffalo Bill’s Wild West, Michelle Delaney showcases these numerous posters in full color, many of which have never before been reproduced, pairing them with new research into previously inaccessible manuscript and photograph collections. Her study also includes Cody’s correspondence with his staff, revealing the showman’s friendships with notable American and European artists and his show’s complex, modern publicity model. Beautifully designed, Art and Advertising in Buffalo Bill’s Wild West presents a new perspective on the art, innovation, and advertising acumen that created the international frontier experience of Buffalo Bill’s Wild West.
This lavishly illustrated volume amasses nearly 500 of the best and most striking posters designed by artists working in the 1930s and early 1940s for the government-sponsored Works Progress Administration, or WPA. Posters for the People presents these works for what they truly are: highly accomplished and powerful examples of American art. All are iconic and eye-catching, some are humorous and educational, and many combine modern art trends with commercial techniques of advertising. More than 100 posters have never been published or catalogued in federal records; they are included here to ensure their place in the history of American art and graphic design. The story of these posters is a fascinating journey, capturing the complex objectives of President Franklin Roosevelt’s New Deal reform program. Through their distinct imagery and clear and simple messages, the WPA posters provide a snapshot of an important era when the U.S. government employed hundreds of artists to create millions of posters promoting positive social ideals and programs and a uniquely American way of life. The resulting artworks now form a significant historical record. More than a mere conveyor of government information, they stand as timeless images of beauty and artistic accomplishment.
Travel by Train by Michael E. Zega,John E. Gruber Pdf
An illustrated history of poster art from the Golden Age of the American railroad, from 1870 to 1950, surveys the trends that shaped the industry for eighty years. (Travel)
United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Author : United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies Publisher : Unknown Page : 1320 pages File Size : 42,7 Mb Release : 1999 Category : United States ISBN : SRLF:AA0008820045
Department of the Interior and Related Agencies Appropriations for 2000: Justification of the budget estimates: Indian Health Service by United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies Pdf
United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Author : United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies Publisher : Unknown Page : 1320 pages File Size : 52,5 Mb Release : 1999 Category : Political Science ISBN : IND:30000088179217
Department of the Interior and Related Agencies Appropriations for 2000 by United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies Pdf
Propaganda Prints reviews the history, cultural diversity and artistic legacy of art produced in the service of social and political change from ancient times to the present day. The author presents the arts of state control, of opposition, of revolution, of advertising, politics and self-promotion in their historical contexts, with three hundred images to evoke some of the dreams and concerns which have driven humanity through the last five thousand years. The Ancient Mesopotamians are there with the Romans, the Crusaders, the Normans, the Victorians, the Suffragettes, the Nazis and the Hippies. The American, French, Russian, Mexican, Chinese and Cuban revolutions all contribute as do many, far too many, wars. From Gutenberg's printing press to You Tube, from Alexander to Obama, this review of propaganda art reflects the best and the worst of us, and offers the pictures by way of consolation.