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This redesigned, re-edited, illustrated new edition of the classic study "Postmodern Heretics: The Catholic Imagination in Contemporary Art" challenges conventional wisdom about the relationship of contemporary art and religion. It explores the Catholic roots of controversial artists and the impact of Catholicism on the 1990s Culture Wars.
In recent decades curators and artists have shown a distinct interest in religion, its different traditions, manifestations in public life, gestures and images. Breaking Resemblance explores the complex relationship between contemporary art and religion by focusing on the ways artists re-work religious motifs as a means to reflect critically on our desire to believe in images, on the history of seeing them, and on their double power— iconic and political. It discusses a number of exhibitions that take religion as their central theme, and a selection of works by Bill Viola, Lawrence Malstaf, Victoria Reynolds, and Berlinde de Bruyckere—all of whom, in their respective ways and media, recycle religious motifs and iconography and whose works resonate with, or problematize the motif of, the true image.
'ReVisioning: Critical Methods of Seeing Christianity in the History of Art' explores some of underlying methodological assumptions in the field of art history by examining the suitability and success, as well as the incompatibility and failure, of varying art historical methodologies when applied to works of art which distinctly manifest Christian narratives, themes, motifs, and symbols.
Offers an analysis of prejudice against Catholics, arguing that anti-Catholicism can be seen in all areas of American culture, including movies, television, publishing, the arts, the news media, and academia.
Religion and Everyday Life and Culture by Vincent F. Biondo,Richard D. Hecht Pdf
This intriguing three-volume set explores the ways in which religion is bound to the practice of daily life and how daily life is bound to religion. In Religion and Everyday Life and Culture, 36 international scholars describe the impact of religious practices around the world, using rich examples drawn from personal observation. Instead of repeating generalizations about what religion should mean, these volumes examine how religions actually influence our public and private lives "on the ground," on a day-to-day basis. Volume one introduces regional histories of the world's religions and discusses major ritual practices, such as the Catholic Mass and the Islamic pilgrimage to Mecca. Volume two examines themes that will help readers understand how religions interact with the practices of public life, describing the ways religions influence government, education, criminal justice, economy, technology, and the environment. Volume three takes up themes that are central to how religions are realized in the practices of individuals. In these essays, readers meet a shaman healer in South Africa, laugh with Buddhist monks, sing with Bob Dylan, cheer for Australian rugby, and explore Chicana and Iranian art.
The Spiritual Dynamic in Modern Art by C. Spretnak Pdf
This book demonstrates that numerous prominent artists in every period of the modern era were expressing spiritual interests when they created celebrated works of art. This magisterial overview insightfully reveals the centrality of an often denied and misunderstood element in the cultural history of modern art.
Memento Mori in Contemporary Art by Taylor Worley Pdf
This book explores how four contemporary artists—Francis Bacon, Joseph Beuys, Robert Gober, and Damien Hirst—pursue the question of death through their fraught appropriations of Christian imagery. Each artist is shown to not only pose provocative theological questions, but also to question the abilities of theological speech to adequately address current attitudes to death. When set within a broader theological context around the thought of death, Bacon’s works invite fresh readings of the New Testament’s narration of the betrayal of Christ, and Beuys’ works can be appreciated for the ways they evoke Resurrection to envision possible futures for Germany in the aftermath of war. Gober’s immaculate sculptures and installations serve to create alternative religious environments, and these places are both evocative of his Roman Catholic upbringing and virtually haunted by the ghosts of his excommunication from that past. Lastly and perhaps most problematically, Hirst has built his brand as an artist from making jokes about death. By opening fresh arenas of dialogue and meaning-making in our society and culture today, the rich humanity of these artworks promises both renewed depths of meaning regarding our exit from this world as well as how we might live well within it for the time that we have. As such, it will be a vital resource for all scholars in Theology, the Visual Arts, Material Religion and Religious Studies.
Beyond the Return of Religion: Art and the Postsecular by Lieke Wijnia Pdf
Drawing from a wide range of theoretical and curatorial insights, Beyond the Return of Religion: Art and the Postsecular establishes an integrated perspective on the postsecular, to shed light on the transforming place of religion in (late) modern art.
The Magic of Organization by Hugo Letiche,Stephen A. Linstead,Jean-Luc Moriceau Pdf
Exploring magic as a creative necessity in contemporary business, this book clarifies the differences between magic as an organizational resource and magic as fakery, pretence and manipulation. Using this lens, it highlights insights into the relationship between anthropology and business, and organizational studies.
The Survival of Myth by Paul Hardwick,David Kennedy Pdf
What are myths and what are they for? Myths are stories that both tell us how to live and remind us of the inescapability and pull of the collective past. The Survival of Myth: Innovation, Singularity and Alterity explores the continuing power of primal stories to inhabit our thinking. An international range of contributors examine a range of texts and figures from the Bible to Cormac McCarthy and from Thor to the Virgin Mary to focus on the way that ancient stories both give access to the unconscious and offer individuals and communities personae or masks. Myths translated and recreated become, in this sense, very public acts about very private thoughts and feelings. The subtitle of the book, ‘Innovation, Singularity and Alterity,’ reflects the way in which the history of cultures in all genres is a history of innovation, of a search for new modes of expression which, paradoxically, often entails recourse to myth precisely because it offers narratives of singularity and otherness which may be readily appropriated. The individual contributors offer testament to the continuing significance of myth through its own constant metamorphosis, as it both reflects and transforms the societies in which it is (re)produced.
FEATURING: Judith Butler Lia Chavez Katherine James D. S. Martin Thomas Nail PLUS: What Does Where You’re From Matter? * Ta-Nehisi Coates and the Power of Lament * Sing More Like a Girl * Jesus Doesn’t Want Me for a Sunbeam * Occupied Identity * What’s So Holy about Matrimony? AND MORE . . . “We the people . . .” So begins the familiar first line to the Preamble of the United States Constitution. But even in its initial context, in a document intended to be a manifesto of hope and freedom, the matter of who exactly was to be included in this “we” was unclear and contested. First-person pronouns (i.e., I and we) roll off the tongue–or onto parchment paper–with ease, but their common use often belies an underlying complexity. Who am I? Who are we? Who does my theology say that I am? Identity is at the same time essential to life and yet also deeply contested, problematic, and enigmatic. The world may be becoming more one and, yet, it seems also to be becoming more different, fragmented, agonistic, and isolated. In this issue of The Other Journal, we explore the valences of identity, both individual and communal, personal and public. We take up the theme of identity in multiple ways, examining its interconnections with gender and race, the dissolution and reconstitution of borders, and, yes, even the 2016 presidential campaign. The issue features essays by Derek Brown, Zach Czaia, Ryan Dueck, Julie M. Hamilton, Peter Herman, Zen Hess, Kimberly Humphrey, Katherine James, Russell Johnson, Sus Long, Willow Mindich, Angela Parker, Taylor Ross, and Erick Sierra; interviews by Stephanie Berbec and Zachary Thomas Settle with Judith Butler and Thomas Nail, respectively; poetry by T. M. Lawson, D. S. Martin, Oluwatomisin Oredein, and Erin Steinke; performance art by Lia Chavez; and photography by Jennifer Jane Simonton, Pilar Timpane, and Mark Wyatt.
The Unspeakable Art of Bill Viola by Ronald R. Bernier Pdf
The breach of art from religion is just one of the many unhappy legacies of modernism. There was a time, however, when the aesthetic and the spiritual were of a piece. This study of the work of American video artist Bill Viola considers the possible reemergence of a theological dimension to contemporary art--a reenchantment of art, as some have called it. Using the high-tech apparatus of modern video, Viola's art is rooted precisely in this theological tradition of transcendent mystical experience and spiritual self-concentration. The technological apotheosis of modern image-making--high speed film, high-definition video, LCD and plasma screens, and sophisticated sound recording--are put to use by Viola in ways that significantly challenge prevailing intellectual and artistic traditions and return us to the power of the Sublime--that which, by definition, defeats language. Viola's art as such converges with postmodern notions of the "unrepresentable" and with the ancient theological tradition of apophasis, "speaking away" or "unsaying." The fullness of "meaning," then, appears only as a promise of presence through embodied absence, neither fully here and now nor entirely elsewhere and beyond. This study seeks to define, through the work of a courageous and thoughtful contemporary artist, the theological sublime as an aesthetic of revelation.
Author : Michael P. Murphy Publisher : Oxford University Press on Demand Page : 225 pages File Size : 47,5 Mb Release : 2008-01-09 Category : Language Arts & Disciplines ISBN : 9780195333527
The book explores the many ways that the theological work of Hans Urs von Balthasar provides the model, content and optic for demonstrating the credibility and range of a Catholic imagination.
Religion & Contemporary Art by Anthony Padgett Pdf
These essays explore the relationship between art and religion. The first part, 2001-2002, is essays about "The Ism," where 1994-9 Padgett united religious and spiritual perspectives by uniting the art-forms appropriate to them. The second part is essays from 2002-2005, when Padgett studied at Wimbledon School of Art, London, for an MA in Theory of Contemporary Art and Performance. Padgett looks at artists (Damien Hirst, Thomas Hirschhorn, Anton Artaud, Jake and Dinos Chapman Brothers, Guillermo Gomez-Pena etc) and develops the idea of "Postmodern Religious Art." His program of uniting the art-forms is progressed by uniting the specific material forms of religions in semi-irony with the profane - whilst keeping the sacred as of highest importance. The final part is the questionnaire that Padgett submitted to the Employment Tribunals, giving the main arguments behind his claim that the Tate Galleries were exercising religious discrimination in the way they selected artworks.
