Postmodern Poetry And Queer Medievalisms Time Mechanics
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Postmodern Poetry and Queer Medievalisms: Time Mechanics by David Hadbawnik Pdf
This volume builds on recent scholarship on contemporary poetry in relation to medieval literature, focusing on postmodern poets who work with the medieval in a variety of ways. Such recent projects invert or “queer” the usual transactional nature of engagements with older forms of literature, in which readers are asked to exchange some small measure of bewilderment at archaic language or forms for a sense of having experienced a medieval text. The poets under consideration in this volume demand that readers grapple with the ways in which we are still “medieval” – in other words, the ways in which the questions posed by their medieval source material still reverberate and hold relevance for today’s world. They do so by challenging the primacy of present over past, toppling the categories of old and new, and suggesting new interpretive frameworks for contemporary and medieval poetry alike.
Postmodern Poetry and Queer Medievalisms: Time Mechanics by David Hadbawnik Pdf
This volume builds on recent scholarship on contemporary poetry in relation to medieval literature, focusing on postmodern poets who work with the medieval in a variety of ways. Such recent projects invert or “queer” the usual transactional nature of engagements with older forms of literature, in which readers are asked to exchange some small measure of bewilderment at archaic language or forms for a sense of having experienced a medieval text. The poets under consideration in this volume demand that readers grapple with the ways in which we are still “medieval” – in other words, the ways in which the questions posed by their medieval source material still reverberate and hold relevance for today’s world. They do so by challenging the primacy of present over past, toppling the categories of old and new, and suggesting new interpretive frameworks for contemporary and medieval poetry alike.
Author : Will Rogers,Christopher Michael Roman Publisher : Walter de Gruyter GmbH & Co KG Page : 243 pages File Size : 45,7 Mb Release : 2020-11-09 Category : History ISBN : 9781501513978
Medieval Futurity by Will Rogers,Christopher Michael Roman Pdf
This collection of essays asks contributors to take the capaciousness of the word "queer" to heart in order to think about what medieval queers would have looked like and how they may have existed on the margins and borders of dominant, normative sexuality and desire. The contributors work with recent trends in queer medieval studies, blending together modern concepts of sexuality and desire with the queer configurations of eroticism, desire, and materiality as they might have existed for medieval audiences.
Aeneid, Books VII-XII by Virgil,David Hadbawnik Pdf
The first volume of David Hadbawnik's astonishing modern translation of the Aeneid in 2015. He now brings the project to a spectacular conclusion in a volume with dramatic abstract illustrations.
The Oxford Handbook of Music and Medievalism by Stephen C. Meyer,Kirsten Yri Pdf
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Poetry. San Francisco poet, literary critic, educator, librarian, blogger and longtime resident Robin Tremblay- McGaw presents a carefully crafted selection of poems which "discovers a contrapuntal history in the displacements of (gendered) language" (Robert Glück), and which brings to the reader's table "a great delectable feast of a book" (Laura Moriarty).
This study provides extensive readings of overlooked American reconstructions of Chaucer and The Canterbury Tales from the colonial to postmodern periods, demonstrating how these repackagings convey uniquely American ideas.
Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.
From Our Hearts to Yours by Rob Halpern,Robin Tremblay-McGaw Pdf
Literary Nonfiction. LGBTQIA Studies. California Interest. Literary Criticism. FROM OUR HEARTS TO YOURS: NEW NARRATIVE AS CONTEMPORARY PRACTICE offers the first comprehensive anthology of essays regarding New Narrative writing and community practices by a younger generation of practitioners and scholars. As editors Rob Halpern and Robin Tremblay-McGaw write in their introduction, "We are not interested in offering an 'authoritative' canon of New Narrative work, nor are we interested in consolidating an official version of New Narrative's history. Rather, we want to use this as an opportunity to foreground New Narrative as a movement that is still coming into focus, a more or less unstable object that doesn't want to be 'fixed, ' codified, or hardened into a limited & limiting list of names and works. One of our motivating questions is Why New Narrative now? Or, What are the stakes of New Narrative for our contemporary moment? In other words, while we remain committed to a set of past works that have been identified as 'New Narrative, ' we are equally committed to maintaining New Narrative as a dynamic and ongoing project, one with consequences for our present writing." Roomy in the collective vision that they manifest, the twenty-four contributions to FROM OUR HEARTS TO YOURS address the AIDS crisis, the politics of race, the structural impacts of neo-liberalism on urban space, and the movement across queer, straight and transgender subject positions. Other topics of investigation include the category of queer art, the importance of "feeling," the fiction of personality, the necessity of risk, the function of pedagogy, the strategy of appropriation, as well as scandal and gossip as these topics have been important to New Narrative and its expanded sphere of influence. Contributors include: Lindsey Boldt, Brandon Brown, David Buuck, Amanda Davidson, Robert Dewhurst, Thom Donovan, Joel Fares, Ariel Goldberg, Rob Halpern, Carla Harryman, Colin Herd, Kaplan Harris, Arnold J. Kemp, Trisha Low, Jason Morris, Trace Peterson, Ted Rees, Camille Roy, Kathy Lou Schultz, Eric Sneathen, Brian Teare, Robin Tremblay-McGaw, Catherine Wagner, and Stephanie Young.
Dating Beowulf by Daniel C. Remein,Erica Weaver Pdf
Dating Beowulf explores the difficulties and pleasures of intimacy with Beowulf -philological and speculative, playful and serious - and how they organise themselves in an array of interrelated critical practices. Opening avenues for future work, it complicates urgent questions in the discourses of literary theory and Old English studies.
Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.
Bringing his perennially popular course to the page, Yale University Professor Paul H. Fry offers in this welcome book a guided tour of the main trends in twentieth-century literary theory. At the core of the book's discussion is a series of underlying questions: What is literature, how is it produced, how can it be understood, and what is its purpose? Fry engages with the major themes and strands in twentieth-century literary theory, among them the hermeneutic circle, New Criticism, structuralism, linguistics and literature, Freud and fiction, Jacques Lacan's theories, the postmodern psyche, the political unconscious, New Historicism, the classical feminist tradition, African American criticism, queer theory, and gender performativity. By incorporating philosophical and social perspectives to connect these many trends, the author offers readers a coherent overall context for a deeper and richer reading of literature.
