Principles Of Bata Drumming Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Principles Of Bata Drumming book. This book definitely worth reading, it is an incredibly well-written.
This is an instructional book designed to teach the fundamentals of bata drumming through transcriptions of patterns (toques) used in afro-Cuban folkloric music. The author is Cuban master percussionist Eugenio Arango, who has over 30 years of experience teaching orchestral and fokloric percussion in Cuba and performing around the world. This book is intended for musicians that want to learn the patterns associated with each of the three bata drums, and how such patterns align in the toques presented. This book is unique because: (1) it introduces a novel, uncomplicated notation designed by the author, which shatters the perceived difficulties associated with bata drumming, and (2) it is straightforward, to the point, and remarkably implementable.
The Artistry of Afro-Cuban Batá Drumming by Kenneth Schweitzer Pdf
An iconic symbol and sound of the Lucum'/Santer'a religion, Afro-Cuban batá are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song, and by metaphorically referencing salient attributes of the deities, batá drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo. In The Artistry of Afro-Cuban Batá Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucum' performance. Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucum' faith, batá drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, batá drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, batá drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively.
Carlos Aldama's Life in Batá by Umi Vaughan,Carlos Aldama Pdf
Batá identifies both the two-headed, hourglass-shaped drum of the Yoruba people and the culture and style of drumming, singing, and dancing associated with it. This book recounts the life story of Carlos Aldama, one of the masters of the batá drum, and through that story traces the history of batá culture as it traveled from Africa to Cuba and then to the United States. For the enslaved Yoruba, batá rhythms helped sustain the religious and cultural practices of a people that had been torn from its roots. Aldama, as guardian of Afro-Cuban music and as a Santería priest, maintains the link with this tradition forged through his mentor Jesus Pérez (Oba Ilu), who was himself the connection to the preserved oral heritage of the older generation. By sharing his stories, Aldama and his student Umi Vaughan bring to light the techniques and principles of batá in all its aspects and document the tensions of maintaining a tradition between generations and worlds, old and new. The book includes rare photographs and access to downloadable audio tracks.
Bata Drumming: the Instruments, the Rhythms, and the People Who Play Them is the most comprehensive study of this important Cuban musical tradition, and the first to explore the people who created it, how it developed in Cuba, and where it fits in relation to the other folkloric traditions on the island. Who were the slaves brought to Cuba? What belief systems did they carry with them? How did the various Afro-Cuban religions grow from these systems? What types of music evolved from these religions? What is Santeria, and how do the bata drums function within it? Part One answers these questions. Part Two examines the history of the drums: how they are taught, learned, and played, explaining their role in the ceremony and the structure of the music. These discussions incorporate the latest scholarship as well as the ideas and concepts of respected Cuban and North American bata drummers, resulting in a more complete study of the tradition as it is practiced today. The center piece of Bata Drumming is the Oru Seco, a set of playable, musical transcriptions of twenty-two rhythms dedicated to the Santeria gods. This transcription set accurately notates the rhythms of the Papo Angarica performance style, which is very influential in Havana-style drumming. Bata Drumming is the first book not only to notate the rhythms, but to connect them to the people who preserved and recreated them, "in the unrelenting face of displacement and oppression.""
Ancient Text Messages of the Yoruba Bata Drum by Amanda Villepastour Pdf
The bata is one of the most important and representative percussion traditions of the people in southwest Nigeria, and is now learnt and performed around the world. In Cuba, their own bata tradition derives from the Yoruba bata from Africa yet has had far more research attention than its African predecessor. Although the bata is one of the oldest known Yoruba drumming traditions, the drum and its unique language are now unfamiliar to many contemporary Yoruba people. Amanda Villepastour provides the first academic study of the bata's communication technology and the elaborate coded spoken language of bata drummers, which they refer to as 'ena bata'. Villepastour explains how the bata drummers' speech encoding method links into universal linguistic properties, unknown to the musicians themselves. The analysis draws the direct links between what is spoken in Yoruba, how Yoruba is transformed in to the coded language (ena), how ena prescribes the drum strokes and, finally, how listeners (and which listeners) extract linguistic meaning from what is drummed. The description and analysis of this unique musical system adds substantially to what is known about bata drumming specifically, Yoruba drumming generally, speech surrogacy in music and coded systems of speaking. This book will appeal not only to ethnomusicologists and anthropologists, but also to linguists, drummers and those interested in African Studies.
This book--which won the 2000 DRUM Magazine Readers' Poll for "Best Instructional Book"--is a complete, step-by-step course on conga drumming. It's the book we looked for but couldn't find when we were first learning to drum. We did everything we could to make it user-friendly, so even non-musicians could understand it. The book teaches families of drum parts for several authentic Afro-Caribbean rhythms, including rumba, bomba, calypso, conga, and bembe. The instruction is clear and step-by-step, and the writing creates the intimate feel of private lessons. The charts are big and easy to read. Life-like illustrations clearly demonstrate proper technique for each stroke. Please note: audio files of the CD that comes with the print version of this book are not included in this ebook version (but are available separately).
Music in Latin America and the Caribbean: An Encyclopedic History REANNOUNCE/F05: Volume 2: Performing the Caribbean Experience by Kuss, Malena Pdf
The music of the peoples of South and Central America, Mexico, and the Caribbean is treated with unprecedented breadth in this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. From these texts, music emerges as the powerful tool that negotiates identities, enacts resistance, performs beliefs, and challenges received aesthetics. More than two decades in the making, this work privileges the perspectives of cultural insiders and emphasizes the role that music plays in human life. Volume 2, Performing the Caribbean Experience, focuses on the reconfiguration of this complex soundscape after the Conquest and on the strategies by which groups from distant worlds reconstructed traditions, assigning new meanings to fragments of memory and welding a fascinating variety of unique Creole cultures. Shaped by an enduring African presence and the experience of slavery and colonization by the Spanish, French, British, and Dutch, peoples of the Caribbean islands and circum-Caribbean territories resorted to the power of music to mirror their history, assert identity, gain freedom, and transcend their experience in lasting musical messages. Essays on pan-Caribbean themes, surveys of traditions, and riveting personal accounts capture the essence of pluralistic and spiritualized brands of creativity through the voices of an unprecedented number of Caribbean authors, including a representative contingent of distinguished Cuban scholars whose work is being published in English translation for the first time in this book. Two CDs with 52 recorded examples illustrate the contributions to this volume.
Drummer, dancer, and folklorist Sule Greg Wilson introduces the principles behind African and Diaspora music, including breath, posture, and orchestration.
This anthology, with essays by Riane Eisler, June Singer, and others, considers Goddess myths, current psychological perspectives, and the feminine principle in spirituality today. It offers a worldview that integrates intuition, intellect, and feeling.
Dictionary of the English/Creole of Trinidad & Tobago by Lise Winer Pdf
Using the historical principles of the Oxford English Dictionary, Lise Winer presents the first scholarly dictionary of this unique language. The dictionary comprises over 12,200 entries, including over 4500 for flora and fauna alone, with numerous cross-references. Entries include definitions, alternative spellings, pronunciations, etymologies, grammatical information, and illustrative citations of usage. Winer draws from a wide range of sources - newspapers, literature, scientific reports, sound recordings of songs and interviews, spoken language - to provide a wealth and depth of language, clearly situated within a historical, cultural, and social context.
"[Herbert] has constructed a model of power relationships structured upon gender and age, and derived from male transformative processes, and in so doing has written a notable, and most enjoyable, book." -- African History "Herbert examines with great care and thoroughness the relationships between gender and power and the rationales that give them social form.... [Her] analytical ability is outstanding." -- Patrick McNaughton "This book is a well-written and essential study of the place of belief in African material culture." -- International Journal of African Historical Studies Herbert relates the beliefs and practices associated with iron working in African cultures to other transformative activities -- chiefly investiture, hunting, and pottery making -- to propose a gender/age-based theory of power.
