The Artistry Of Afro Cuban Batá Drumming

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The Artistry of Afro-Cuban Batá Drumming

Author : Kenneth Schweitzer
Publisher : Univ. Press of Mississippi
Page : 257 pages
File Size : 41,6 Mb
Release : 2013-02-01
Category : Music
ISBN : 9781617036705

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The Artistry of Afro-Cuban Batá Drumming by Kenneth Schweitzer Pdf

An iconic symbol and sound of the Lucumí/Santería religion, Afro-Cuban batá are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song, and by metaphorically referencing salient attributes of the deities, batá drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo. In The Artistry of Afro-Cuban Batá Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumí performance. Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucumí faith, batá drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, batá drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, batá drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively.

Drumming for the Gods

Author : María Teresa Vélez
Publisher : Temple University Press
Page : 244 pages
File Size : 44,8 Mb
Release : 2000
Category : Black people
ISBN : 1439906157

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Drumming for the Gods by María Teresa Vélez Pdf

Carlos Aldama's Life in Batá

Author : Umi Vaughan,Carlos Aldama
Publisher : Indiana University Press
Page : 207 pages
File Size : 52,6 Mb
Release : 2012
Category : Music
ISBN : 9780253357199

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Carlos Aldama's Life in Batá by Umi Vaughan,Carlos Aldama Pdf

Batá identifies both the two-headed, hourglass-shaped drum of the Yoruba people and the culture and style of drumming, singing, and dancing associated with it. This book recounts the life story of Carlos Aldama, one of the masters of the batá drum, and through that story traces the history of batá culture as it traveled from Africa to Cuba and then to the United States. For the enslaved Yoruba, batá rhythms helped sustain the religious and cultural practices of a people that had been torn from its roots. Aldama, as guardian of Afro-Cuban music and as a Santería priest, maintains the link with this tradition forged through his mentor Jesus Pérez (Oba Ilu), who was himself the connection to the preserved oral heritage of the older generation. By sharing his stories, Aldama and his student Umi Vaughan bring to light the techniques and principles of batá in all its aspects and document the tensions of maintaining a tradition between generations and worlds, old and new. The book includes rare photographs and access to downloadable audio tracks.

Bata Drumming

Author : Don Skoog
Publisher : Unknown
Page : 200 pages
File Size : 42,6 Mb
Release : 2015-06-20
Category : Electronic
ISBN : 099622632X

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Bata Drumming by Don Skoog Pdf

Bata Drumming: the Instruments, the Rhythms, and the People Who Play Them is the most comprehensive study of this important Cuban musical tradition, and the first to explore the people who created it, how it developed in Cuba, and where it fits in relation to the other folkloric traditions on the island. Who were the slaves brought to Cuba? What belief systems did they carry with them? How did the various Afro-Cuban religions grow from these systems? What types of music evolved from these religions? What is Santeria, and how do the bata drums function within it? Part One answers these questions. Part Two examines the history of the drums: how they are taught, learned, and played, explaining their role in the ceremony and the structure of the music. These discussions incorporate the latest scholarship as well as the ideas and concepts of respected Cuban and North American bata drummers, resulting in a more complete study of the tradition as it is practiced today. The center piece of Bata Drumming is the Oru Seco, a set of playable, musical transcriptions of twenty-two rhythms dedicated to the Santeria gods. This transcription set accurately notates the rhythms of the Papo Angarica performance style, which is very influential in Havana-style drumming. Bata Drumming is the first book not only to notate the rhythms, but to connect them to the people who preserved and recreated them, "in the unrelenting face of displacement and oppression.""

The Music of Santería

Author : John Amira,Steven Cornelius
Publisher : Unknown
Page : 152 pages
File Size : 49,7 Mb
Release : 1992
Category : Music
ISBN : UCSD:31822008097669

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The Music of Santería by John Amira,Steven Cornelius Pdf

Revised edition of the only book to describe in detail the music and cultural context of Santeria bata drumming.

The Yoruba God of Drumming

Author : Amanda Villepastour
Publisher : Univ. Press of Mississippi
Page : 339 pages
File Size : 54,6 Mb
Release : 2016-01-19
Category : Music
ISBN : 9781496803528

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The Yoruba God of Drumming by Amanda Villepastour Pdf

As one of the salient forces in the ritual life of those who worship the pre-Christian and Muslim deities called orishas, the Yorùbá god of drumming, known as Àyàn in Africa and Añá in Cuba, is variously described as the orisha of drumming, the spirit of the wood, or the more obscure Yorùbá praise name AsòròIgi (Wood That Talks). With the growing global importance of orisha religion and music, the consequence of this deity's power for devotees continually reveals itself in new constellations of meaning as a sacred drum of Nigeria and Cuba finds new diasporas. Despite the growing volume of literature about the orishas, surprisingly little has been published about the ubiquitous Yorùbá music spirit. Yet wherever one hears drumming for the orishas, Àyàn or Añá is nearby. This groundbreaking collection addresses the gap in the research with contributions from a cross-section of prestigious musicians, scholars, and priests from Nigeria, the Americas, and Europe who have dedicated themselves to studying Yorùbá sacred drums and the god sealed within. As well as offering multidisciplinary scholarly insights from transatlantic researchers, the volume includes compelling first-hand accounts from drummer-priests who were themselves history-makers in Nigerian and Cuban diasporas in the United States, Venezuela, and Brazil. This collaboration between diverse scholars and practitioners constitutes an innovative approach, where differing registers of knowledge converge to portray the many faces and voices of a single god.

Trends in World Music Analysis

Author : Lawrence Beaumont Shuster,Somangshu Mukherji,Noé Dinnerstein
Publisher : Routledge
Page : 356 pages
File Size : 41,5 Mb
Release : 2022-02-24
Category : Music
ISBN : 9781000535501

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Trends in World Music Analysis by Lawrence Beaumont Shuster,Somangshu Mukherji,Noé Dinnerstein Pdf

This volume brings together a group of analytical chapters exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research. These contributors, drawn from the forefront of researchers in world music analysis, seek to break down barriers and build bridges between scholarly disciplines, musical repertoires, and cultural traditions. Covering a wide range of genres, styles, and performers, the chapters bring to bear a variety of methodologies, including indigenous theoretical perspectives, Western music theory, and interdisciplinary techniques rooted in the cognitive and computational sciences. With contributors addressing music traditions from Africa, Asia, Europe, and the Americas, this volume captures the many current directions in the analysis of world music, offering a state of the fi eld and demonstrating the expansion of possibilities created by this area of research.

Music around the World [3 volumes]

Author : Andrew R. Martin,Matthew Mihalka Ph.D.
Publisher : Bloomsbury Publishing USA
Page : 1385 pages
File Size : 41,9 Mb
Release : 2020-09-08
Category : Music
ISBN : 9798216120308

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Music around the World [3 volumes] by Andrew R. Martin,Matthew Mihalka Ph.D. Pdf

With entries on topics ranging from non-Western instruments to distinctive rhythms of music from various countries, this one-stop resource on global music also promotes appreciation of other countries and cultural groups. A perfect resource for students and music enthusiasts alike, this expansive three-volume set provides readers with multidisciplinary perspectives on the music of countries and ethnic groups from around the globe. Students will find Music around the World: A Global Encyclopedia accessible and useful in their research, not only for music history and music appreciation classes but also for geography, social studies, language studies, and anthropology. Additionally, general readers will find the books appealing and an invaluable general reference on world music. The volumes cover all world regions, including the Americas, Europe, Africa and the Middle East, and Asia and the Pacific, promoting a geographic understanding and appreciation of global music. Entries are arranged alphabetically. A preface explains the scope of the set as well as how to use the encyclopedia, followed by a brief history of traditional music and important current influences of music in each particular world region.

Rumba - Afro Cuban Conga Drum Improvisation, Volume 2

Author : CLIFF BROOKS
Publisher : Mel Bay Publications
Page : 112 pages
File Size : 51,8 Mb
Release : 2011-01-24
Category : Music
ISBN : 9781610658584

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Rumba - Afro Cuban Conga Drum Improvisation, Volume 2 by CLIFF BROOKS Pdf

This book is designed to take your soloing ability from 0 to 90 MPH on the quinto, conga drum, bongo or timbales while mastering the clave rhythm at the same time. It is rich with authentic phrasing. Volume 2 has much to offer for beginners and veterans alike. the book will widened your soloing horizons, and is something you will continually refer back to for ideas and inspiration. You will enjoy learning many of these unique and interesting flavorsThis teaching method brings together two different learning approaches for Afro-Cuban Drumming. the first approach is to learn by way of reading written notation; the second is to learn solely by listening and feeling. Three types of Afro-Cuban syncopated expressions are transcribed in this book: Quinto Ride, Quinto Phrase, and Quinto Solo. the helpful companion CDs allows one to hear these expressions ensuring proper comprehension of the concepts taught in this lesson.

The SAGE International Encyclopedia of Music and Culture

Author : Janet Sturman
Publisher : SAGE Publications
Page : 6589 pages
File Size : 42,8 Mb
Release : 2019-02-26
Category : Music
ISBN : 9781506353388

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The SAGE International Encyclopedia of Music and Culture by Janet Sturman Pdf

The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition

Principles of Bata Drumming

Author : Eugenio Noa
Publisher : Unknown
Page : 56 pages
File Size : 53,9 Mb
Release : 2015-12-31
Category : Electronic
ISBN : 1519761090

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Principles of Bata Drumming by Eugenio Noa Pdf

This is an instructional book designed to teach the fundamentals of bata drumming through transcriptions of patterns (toques) used in afro-Cuban folkloric music. The author is Cuban master percussionist Eugenio Arango, who has over 30 years of experience teaching orchestral and fokloric percussion in Cuba and performing around the world. This book is intended for musicians that want to learn the patterns associated with each of the three bata drums, and how such patterns align in the toques presented. This book is unique because: (1) it introduces a novel, uncomplicated notation designed by the author, which shatters the perceived difficulties associated with bata drumming, and (2) it is straightforward, to the point, and remarkably implementable.

Efficacy of Sound

Author : Ruthie Meadows
Publisher : University of Chicago Press
Page : 255 pages
File Size : 45,8 Mb
Release : 2023
Category : Afro-Caribbean cults
ISBN : 9780226828954

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Efficacy of Sound by Ruthie Meadows Pdf

The first book-length ethnographic study on music and Ifá divination in Cuba and Nigeria. Hailing from Cuba, Nigeria, and various sites across Latin America and the Caribbean, Ifá missionary-practitioners are transforming the landscape of Ifá divination and deity (òrìṣà/oricha) worship through transatlantic travel and reconnection. In Cuba, where Ifá and Santería emerged as an interrelated, Yorùbá-inspired ritual complex, worshippers are driven to "African traditionalism" by its promise of efficacy: they find Yorùbá approaches more powerful, potent, and efficacious. In the first book-length study on music and Ifá, Ruthie Meadows draws on extensive, multisited fieldwork in Cuba and Yorùbáland, Nigeria, to examine the controversial "Nigerian-style" ritual movement in Cuban Ifá divination. Meadows uses feminist and queer of color theory along with critical studies of Africanity to excavate the relation between utility and affect within translocal ritual music circulations. Meadows traces how translocal Ifá priestesses (ìyánífá), female batá drummers (bataleras), and priests (babaláwo) harness Yorùbá-centric approaches to ritual music and sound to heighten efficacy, achieve desired ritual outcomes, and reshape the conditions of their lives. Within a contentious religious landscape marked by the idiosyncrasies of revolutionary state policy, Nigerian-style Ifá-Òrìṣà is leveraged to transform femininity and masculinity, state religious policy, and transatlantic ritual authority on the island.

Ethnomusicology: A Contemporary Reader, Volume II

Author : Jennifer C. Post
Publisher : Routledge
Page : 474 pages
File Size : 55,6 Mb
Release : 2017-09-20
Category : Music
ISBN : 9781315439143

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Ethnomusicology: A Contemporary Reader, Volume II by Jennifer C. Post Pdf

Ethnomusicology: A Contemporary Reader, Volume II provides an overview of developments in the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. Nineteen essays, written by an international array of scholars, highlight the relationship between current issues in the discipline and ethnomusicologists’ engagement with issues such as advocacy, poverty and social participation, maintaining intangible cultural heritages, and ecological concerns. It provides a forum for rethinking the discipline’s identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume I published in 2005. The collection of essays is organized into six sections: Property and Rights Applied Practice Knowledge and Agency Community and Social Space Embodiment and Cognition Curating Sound Volume II serves as a basic introduction to the best writing in the field for students, professors, and music professionals, perfect for both introductory and upper level courses in world music. Together with the first volume, Ethnomusicology: A Contemporary Reader, Volume II provides a comprehensive survey of current research directions.

Global Black Narratives for the Classroom: Africa, the Americas and the Caribbean

Author : BLAM UK
Publisher : Taylor & Francis
Page : 575 pages
File Size : 53,7 Mb
Release : 2023-11-30
Category : Education
ISBN : 9781000992809

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Global Black Narratives for the Classroom: Africa, the Americas and the Caribbean by BLAM UK Pdf

Rather than reserving the teaching of Black history to Black history month, Black narratives deserve to be seen and integrated into every aspect of the school curriculum. A unique yet practical resource, Global Black Narratives for the Classroom addresses this issue by providing primary teachers with a global outline of Black history, culture and life within the framework of the UK’s National Curriculum. Each topic explored in this essential book provides teachers and teaching assistants with historical, geographic and cultural context to build confidence when planning and teaching. Full lesson plans and printable worksheets are incorporated into each topic, alongside tips to build future lessons in line with the themes explored. Volume II of this book explores the following parts: Part 1 guides teachers through planning and delivering lessons focused on Africa. Pupils will benefit from developing a diverse and accurate understanding of the changing nature of Africa throughout history, linking the continent’s social history with its geographical features. Part 2 ‘The Caribbean’, builds upon the lesson plans of Part 1 to further highlight the interconnectedness of diaspora cultures in influencing the musical, visual and religious practices of the Caribbean and Central America. Part 3 begins by addressing the incorrect assumption that the history of Black people in the Americas begins and ends with plantation slavery. Instead, this section proposes a range of in-depth lesson plans on the diverse histories, cultures and experiences of Black people within the United States. Created by BLAM UK, this highly informative yet practical resource is an essential read for any teacher, teaching assistant or senior leader who wishes to diversify their curriculum and address issues of Black representation within their school.

Geographies of Cubanidad

Author : Rebecca M. Bodenheimer
Publisher : Univ. Press of Mississippi
Page : 328 pages
File Size : 45,7 Mb
Release : 2015-07-10
Category : Music
ISBN : 9781626746848

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Geographies of Cubanidad by Rebecca M. Bodenheimer Pdf

Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book--including rumba, timba, eastern Cuban folklore, and son--are examples of the intersections between regional identity formation, racialized notions of place, and music-making.