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Growing up in a family of Holocaust survivors, Joan Haahr was aware from an early age of the devastation wrought by the Nazis and their sympathizers on Europe's Jewish population during the Holocaust. She also witnessed firsthand the dysfunctions that plagued many of those who had made it out alive. In Prisoners of Memory, Haahr realizes her lifelong ambition to uncover the stories behind the statistics in the Nazi records and learn as much as possible about the pre-war lives, deportations, and deaths of her grandparents and other close family members. Devoting herself fully to this project after retiring from her academic career, Haahr delves into troves of family letters, takes part in numerous conversations with those directly and indirectly affected by World War II, and gathers information from contacts in Germany, archives, and other historical research. In doing so, she seeks to understand the enduring legacy of tragedy as well as of perseverance and hope in the generations that followed the Holocaust in the United States and elsewhere.
Heritage, Memory, and Punishment by Shu-Mei Huang,Hyun-Kyung Lee Pdf
Based on a transnational study of decommissioned, postcolonial prisons in Taiwan (Taipei and Chiayi), South Korea (Seoul), and China (Lushun), this book offers a critical reading of prisons as a particular colonial product, the current restoration of which as national heritage is closely related to the evolving conceptualization of punishment. Focusing on the colonial prisons built by the Japanese Empire in the first half of the twentieth century, it illuminates how punishment has been considered a subject of modernization, while the contemporary use of prisons as heritage tends to reduce the process of colonial modernity to oppression and atrocity – thus constituting a heritage of shame and death, which postcolonial societies blame upon the former colonizers. A study of how the remembering of punishment and imprisonment reflects the attempts of postcolonial cities to re-articulate an understanding of the present by correcting the past, Heritage, Memory, and Punishment examines how prisons were designed, built, partially demolished, preserved, and redeveloped across political regimes, demonstrating the ways in which the selective use of prisons as heritage, reframed through nationalism, leaves marks on urban contexts that remain long after the prisons themselves are decommissioned. As such, it will appeal to scholars of sociology, geography, the built environment, and heritage with interests in memory studies and dark tourism.
The story that you have asked me to tell you does not begin with the pitiful ugliness of Lloyd’s death. It begins on a long-ago day in August when the sun seared my blistered face and I was nine years old and my father and mother sold me to a strange man. Memory, the narrator of Petina Gappah’s The Book of Memory, is an albino woman languishing in Chikurubi Maximum Security Prison in Harare, Zimbabwe, after being sentenced for murder. As part of her appeal, her lawyer insists that she write down what happened as she remembers it. The death penalty is a mandatory sentence for murder, and Memory is, both literally and metaphorically, writing for her life. As her story unfolds, Memory reveals that she has been tried and convicted for the murder of Lloyd Hendricks, her adopted father. But who was Lloyd Hendricks? Why does Memory feel no remorse for his death? And did everything happen exactly as she remembers? Moving between the townships of the poor and the suburbs of the rich, and between past and present, the 2009 Guardian First Book Award–winning writer Petina Gappah weaves a compelling tale of love, obsession, the relentlessness of fate, and the treachery of memory.
During the Civil War, approximately 56,000 Union and Confederate soldiers died in enemy military prison camps. Even in the midst of the war's shocking violence, the intensity of the prisoners' suffering and the brutal manner of their deaths provoked outrage, and both the Lincoln and Davis administrations manipulated the prison controversy to serve the exigencies of war. As both sides distributed propaganda designed to convince citizens of each section of the relative virtue of their own prison system -- in contrast to the cruel inhumanity of the opponent -- they etched hardened and divisive memories of the prison controversy into the American psyche, memories that would prove difficult to uproot. In Haunted by Atrocity, Benjamin G. Cloyd deftly analyzes how Americans have remembered the military prisons of the Civil War from the war itself to the present, making a strong case for the continued importance of the great conflict in contemporary America. Throughout Reconstruction and well into the twentieth century, Cloyd shows, competing sectional memories of the prisons prolonged the process of national reconciliation. Events such as the trial and execution of CSA Captain Henry Wirz -- commander of the notorious Andersonville prison -- along with political campaigns, the publication of prison memoirs, and even the construction of monuments to the prison dead all revived the painful accusations of deliberate cruelty. As northerners, white southerners, and African Americans contested the meaning of the war, these divisive memories tore at the scars of the conflict and ensured that the subject of Civil War prisons remained controversial. By the 1920s, the death of the Civil War generation removed much of the emotional connection to the war, and the devastation of the first two world wars provided new contexts in which to reassess the meaning of atrocity. As a result, Cloyd explains, a more objective opinion of Civil War prisons emerged -- one that condemned both the Union and the Confederacy for their callous handling of captives while it deemed the mistreatment of prisoners an inevitable consequence of modern war. But, Cloyd argues, these seductive arguments also deflected a closer examination of the precise responsibility for the tragedy of Civil War prisons and allowed Americans to believe in a comforting but ahistorical memory of the controversy. Both the recasting of the town of Andersonville as a Civil War village in the 1970s and the 1998 opening of the National Prisoner of War Museum at Andersonville National Historic Site reveal the continued American preference for myth over history -- a preference, Cloyd asserts, that inhibits a candid assessment of the evils committed during the Civil War. The first study of Civil War memory to focus exclusively on the military prison camps, Haunted by Atrocity offers a cautionary tale of how Americans, for generations, have unconsciously constructed their recollections of painful events in ways that protect cherished ideals of myth, meaning, identity, and, ultimately, a deeply rooted faith in American exceptionalism.
Huginn and Muninn by Tazarian Antonio-Sleipnir Newby Pdf
Tazarian Antonio-Sleipnir Newby spent 12 years incarcerated by the Federal Bureau of Prisons. During that time he wrote poems, at first to pass the time and then later in exchange for cigarettes, stamps, and other items his fellow inmates would offer as barter or trade for a few inspirational words set to the page. The poems the author penned while in prison form the basis for Huginn and Muninn; a collection of poems that explore many of life's major themes including politics, religion, God, love, heartbreak, and even the battle of good versus evil. These impassioned poems are written from the unique perspective of a man who with his body imprisoned, found the inspiration to free his creative soul.
Maddie is 15, overweight and hasn't left the house for 13 years. Burying her memories, Maddie can't face her deepest fears, until her brother's life is in danger and she must leave her familiar prison behind, or lose him for good.
A look at how our monuments to World War II shape the way we think about the war by an award-winning historian. Keith Lowe, an award-winning author of books on WWII, saw monuments around the world taken down in political protest and began to wonder what monuments built to commemorate WWII say about us today. Focusing on these monuments, Prisoners of History looks at World War II and the way it still tangibly exists within our midst. He looks at all aspects of the war from the victors to the fallen, from the heroes to the villains, from the apocalypse to the rebuilding after devastation. He focuses on twenty-five monuments including The Motherland Calls in Russia, the US Marine Corps Memorial in the USA, Italy’s Shrine to the Fallen, China’s Nanjin Massacre Memorial, The A Bomb Dome in Hiroshima, the balcony at Yad Vashem in Jerusalem and The Liberation Route that runs from London to Berlin. Unsurprisingly, he finds that different countries view the war differently. In monuments erected in the US, Lowe sees triumph and patriotic dedications to the heroes. In Europe, the monuments are melancholy, ambiguous and more often than not dedicated to the victims. In these differing international views of the war, Lowe sees the stone and metal expressions of sentiments that imprison us today with their unchangeable opinions. Published on the 75th anniversary of the end of the war, Prisoners of History is a 21st century view of a 20th century war that still haunts us today.
The Russian oil mogul and activist offers reflections on his decades-long incarceration under Putin in this “illuminating and brave” prison memoir (The Washington Post). Mikhail Khodorkovsky was Russia’s most successful businessman—and an outspoken critic of the Kremlin. As his oil company Yukos revived the Russian oil industry, Khodorkovsky began sponsoring programs to encourage civil society and fight corruption. Then he was arrested at gunpoint. Sentenced to ten years in a Siberian penal colony on fraud and tax evasion charges in 2003, Khodorkovsky was put on trial again in 2010 and sentenced to fourteen years on new charges that contradicted the previous ones. While imprisoned, Khodorkovsky fought for the rights of his fellow prisoners, going on hunger strike four times. After he was pardoned in 2013, he vowed to continue fighting for prisoners’ rights, and this book is dedicated to that work. A moving portrait of the prisoners Khodorkovsky met, My Fellow Prisoners is an eye-opening account of Russia’s brutal prison system. “Vivid, humane and poignant” —Financial Times
The Prisons Memory Archive: A Case Study in Filmed Memory of Conflict by Jolene Mairs Dyer,Conor McCafferty,Cahal McLaughlin Pdf
The Prisons Memory Archive (PMA) explores ways that narratives of a conflicted past are filmed at the site of the experiences and later negotiated in a contested present in the North of Ireland. Given the state’s failed attempts at establishing an official process for addressing the legacy of the conflict that lasted between 1968 and 1998, there are a number of community and academic initiatives that have taken up this task. The Prisons Memory Archive is one such project, whose aim is to research the possibilities of engaging with the story of the ‘other’ in a society that is emerging from decades of political violence. The PMA filmed back inside the prisons with those who passed through Armagh Gaol (2006) and the Maze and Long Kesh Prison (2007), which were both touchstone and tinderbox during the 30 years of violent conflict. We applied protocols of co-ownership, where participants become co-authors of their own story, with the right to withdraw up to the point of exhibition; inclusivity to ensure a multi-narrative archive with prison staff, prisoners, visitors, teachers, chaplains, etc.; and life-story telling, where leading questions are eschewed in order to return more agency to the participants. Currently, the full archive, made up of 160 walk-and-talk recordings totaling 300 hours of filmed material, is available at the Public Record Office of Northern Ireland, where it is preserved and made accessible to the public, and a website has been designed for educational use of the archive. This collection offers critical reflections on the processes of recording, archiving and utilising the archive in its several manifestations, e.g. feature films, website, and full archive at the Public Records Office. The perspectives offer a range of reflections, including filming, editing, archiving, web design, education, and museum practice.
Prisoners of War, Prisoners of Peace by Barbara Hately-Broad Pdf
Millions of servicemen of the belligerent powers were taken prisoner during World War II. Until recently, the popular image of these men has been framed by tales of heroic escape or immense suffering at the hands of malevolent captors. For the vast majority, however, the reality was very different. Their history, both during and after the War, has largely been ignored in the grand narratives of the conflict. This collection brings together new scholarship, largely based on sources from previously unavailable Eastern European or Japanese archives. Authors highlight a number of important comparatives. Whereas for the British and Americans held by the Germans and Japanese, the end of the war meant a swift repatriation and demobilization, for the Germans, it heralded the beginning of an imprisonment that, for some, lasted until 1956. These and many more moving stories are revealed here for the first time.
Twelve-year-old Michael Kraus began keeping a diary while he was still living at home in the Czech city of Nachód but continued writing while a prisoner at Theresienstadt (Terezín). When he was shipped with other prisoners to the death camp at Auschwitz-Birkenau, all of his writings were confiscated and destroyed. After his liberation and while convalescing, he began to draw and make notes again about his experiences in Theresienstadt, in Auschwitz, the first death march out of Mauthausen, and its satellite camps, in Melk and Gunskirchen. As a teenager confronting the traumas of these experiences, Kraus found that recording his memories in words and pictures helped him overcome his hatred for those who had murdered his parents. The process of writing and drawing also helped him begin the painful transition to a so-called normal life. As a survivor, Kraus also felt the need to recount his experiences for the benefit of future generations, especially on behalf of the many who did not survive. The present edition makes this memoir, originally written in Czech and significant for having been written so close to the author’s liberation, widely available to English readers for the first time. It also reproduces pages from the original booklets that show how the teenage Kraus illustrated his memories with pencil drawings that both complement and extend his story, giving readers a sense of its character as an unusual and important historical document.
Provides the first comprehensive analysis of the history of returning German POWs after the Second World War, explored as a history of memory both during Germany's division and after unification.
