Download Full eBooks in PDF
Proceedings Of The 2009 International Computer Music Conference Icmc 09 Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Proceedings Of The 2009 International Computer Music Conference Icmc 09 book. This book definitely worth reading, it is an incredibly well-written.
Author : Gary Scavone,International Computer Music Association,Vincent Verfaille,Andrey da Silva
Publisher : Unknown
Page : 562 pages
File Size : 45,5 Mb
Release : 2009
Category : Computer music
ISBN : 0971319278
Author : Mitsuko Aramaki,Matthew E. P. Davies,Richard Kronland-Martinet,Sølvi Ystad
Publisher : Springer
Page : 678 pages
File Size : 47,5 Mb
Release : 2018-11-23
Category : Computers
ISBN : 9783030016920
This book constitutes the refereed proceedings of the 13th International Symposium on Music Technology with Swing, CMMR 2017, held in Matosinhos, Portugal, in September 2017. The 44 full papers presented were selected from 64 submissions. The papers are grouped in eight sections: music information retrieval, automatic recognition, estimation and classification, electronic dance music and rhythm, computational musicology, sound in practice: auditory guidance and feedback in the context of motor learning and motor adaptation, human perception in multimodal context, cooperative music networks and musical HCIs, virtual and augmented reality, research and creation: spaces and modalities.
Author : Professor Gianmario Borio
Publisher : Ashgate Publishing, Ltd.
Page : 433 pages
File Size : 50,8 Mb
Release : 2015-12-28
Category : Music
ISBN : 9781472442161
It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways. This volume offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.
Author : Eduardo Reck Miranda
Publisher : A-R Editions, Inc.
Page : 334 pages
File Size : 43,7 Mb
Release : 2011-01-01
Category : Music
ISBN : 0895796732
Artificial Life, or A-Life, aims at the study of all phenomena characteristic of natural living systems, through computational modeling, wetware-hardware hybrids, and other artificial media. Its scope ranges from the investigation of the emergence of cognitive processes in natural or artificial systems to the development of life or life-like properties from inorganic components. A number of musicians, in particular composers and musicologists, have started to turn to A-Life for inspiration and working methodology. This edited volume features thirteen chapters written by researchers and practitioners in this exciting emerging field of computer music, and includes a CD with various examples music related to A-Life.
Author : Christian Müller-Tomfelde
Publisher : Springer Science & Business Media
Page : 464 pages
File Size : 48,7 Mb
Release : 2010-06-16
Category : Computers
ISBN : 9781849961134
The objects displayed on a table can take multiple forms. In meetings, it is still very often printed paper although its content was originally created on a computer. The content can also be a “table”, but now in the mathematical sense, showing, e. g. , the budget of a project. Then, we have a “table” on the table. Most often, the computer-generated contents are subject of frequent changes or dynamic in nature. It is a logical consequence to avoid the detour and the inherent media break by transforming the surface of the table into a display able to show media that are active and can be computer-generated and computer-controlled. At the same time, it is desirable to maintain the inherent features and affordances of working with the objects and the contents while sitting or standing around a table. Electronic Meeting Rooms On the basis of these and other elaborate considerations, we started to design in 1992/1993 an electronic meeting room in Darmstadt at GMD-IPSI (later Fraunhofer IPSI). The setup of our custom-built DOLPHIN-System consisted of a “traditional” large rectangular wooden table with four physically integrated workstation-like computers with at screens. This set-up was complemented by linking a large ver- cal pen-operated interactive display, at that time the rst LiveBoard outside of Xerox PARC (two of which I was able to get to Darmstadt after my stay at Xerox PARC in 1990).
Author : Micheline Lesaffre,Pieter-Jan Maes,Marc Leman
Publisher : Taylor & Francis
Page : 456 pages
File Size : 43,9 Mb
Release : 2017-09-19
Category : Music
ISBN : 9781317219736
The Routledge Companion to Embodied Music Interaction captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the role of the human body in musical experiences. This volume brings together a broad collection of work that explores all aspects of this new approach to understanding how we interact with music, addressing the issues that have roused the curiosities of scientists for ages: to understand the complex and multi-faceted way in which music manifests itself not just as sound but also as a variety of cultural styles, not just as experience but also as awareness of that experience. With contributions from an interdisciplinary and international array of scholars, including both empirical and theoretical perspectives, the Companion explores an equally impressive array of topics, including: Dynamical music interaction theories and concepts Expressive gestural interaction Social music interaction Sociological and anthropological approaches Empowering health and well-being Modeling music interaction Music-based interaction technologies and applications This book is a vital resource for anyone seeking to understand human interaction with music from an embodied perspective.
Author : Tapio Lokki,Stefania Serafin,Meinard Müller,Vesa Välimäki
Publisher : MDPI
Page : 621 pages
File Size : 45,6 Mb
Release : 2018-06-26
Category : Computer music
ISBN : 9783038429074
This book is a printed edition of the Special Issue "Sound and Music Computing" that was published in Applied Sciences
Author : Twittie Senivongse,Rui Oliveira
Publisher : Springer
Page : 171 pages
File Size : 42,7 Mb
Release : 2009-06-04
Category : Computers
ISBN : 9783642021640
This book constitutes the refereed proceedings of the 9th IFIP WG 6.1 International Conference on Distributed Applications and Interoperable Systems, DAIS 2009, held in Lisbon, Portugal, in June 2009. The DAIS conference was held as part of the federated event on Distributed Computing Techniques (DisCoTec), together with the 11th International Conference on Coordination Models and Languages (Coordination 2009) and the IFIP WG 6.1 International Conference on Formal Techniques for Distributed Systems (FMOODS/FORTE 2009). The 12 revised full papers presented were carefully reviewed and selected from 32 submissions. The papers address service orientation, quality of service and service contract, business processes, Web services, service components, algorithms and protocols supporting dependability, fault tolerance, data replication, group communication, adaptive and collaborative systems, context awareness, model-driven development, middleware for ubiquitous computing and sensor networks, ad hoc network protocols, peer-to-peer systems, and overlays. They are organized in topical sections peer-to-peer networks, adhoc networks, dependability, and infrastructure and services.
Author : Mitsuko Aramaki,Keiji Hirata,Tetsuro Kitahara,Richard Kronland-Martinet,Sølvi Ystad
Publisher : Springer Nature
Page : 338 pages
File Size : 45,6 Mb
Release : 2023-06-21
Category : Computers
ISBN : 9783031353826
This book constitutes the refereed proceedings and revised selected papers from the 15th International Symposium on Music in the AI Era, CMMR 2021, which took place during November 15–19, 2021 as a virtual event. The 24 full papers included in this book were carefully reviewed and selected from 48 submissions. The papers are grouped in thematical sessions on Music technology in the IA era; Interactive systems for music; Music Information Retrieval and Modeling; and Music and Performance Analysis.
Author : Stefano Papetti,Charalampos Saitis
Publisher : Springer
Page : 285 pages
File Size : 48,8 Mb
Release : 2018-05-02
Category : Computers
ISBN : 9783319583167
This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.
Author : Sumanth Gopinath,Jason Stanyek
Publisher : Oxford University Press
Page : 545 pages
File Size : 55,9 Mb
Release : 2014-03
Category : Music
ISBN : 9780199913657
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 2 investigates the ramifications of mobile music technologies on musical/sonic performance and aesthetics. Two core arguments are that "mobility" is not the same thing as actual "movement" and that artistic production cannot be absolutely sundered from the performances of quotidian life. The volume's chapters investigate the mobilization of frequency range by sirens and miniature speakers; sound vehicles such as boom cars, ice cream trucks, and trains; the gestural choreographies of soundwalk pieces and mundane interactions with digital media; dance music practices in laptop and iPod DJing; the imagery of iPod commercials; production practices in Turkish political music and black popular music; the aesthetics of handheld video games and chiptune music; and the mobile device as a new musical instrument and resource for musical ensembles.
Author : Mitsuko Aramaki,Richard Kronland-Martinet,Sølvi Ystad
Publisher : Springer
Page : 371 pages
File Size : 40,8 Mb
Release : 2017-09-15
Category : Computers
ISBN : 9783319677385
This book constitutes the thoroughly refereed post-conference of the 12th International Symposium on Computer Music Modeling and Retrieval, CMMR 2016, held in São Paulo, Brazil, in July 2016. The 22 full papers presented were carefully reviewed and selected from 40 submissions. This year’s conference theme “Bridging People and Sound” aimed at encouraging contributions from artists and listeners on the one side and audio and music technology researchers on the other.
Author : Craig Harris,Computer Music Association
Publisher : San Francisco, Calif. : CMA
Page : 264 pages
File Size : 52,7 Mb
Release : 1987
Category : Computer music
ISBN : UOM:39015012794981
Author : Nick Collins
Publisher : John Wiley & Sons
Page : 396 pages
File Size : 46,5 Mb
Release : 2010-02-01
Category : Music
ISBN : 9780470714553
A must-have introduction that bridges the gap between music and computing The rise in number of composer-programmers has given cause for an essential resource that addresses the gap between music and computing and looks at the many different software packages that deal with music technology. This up-to-date book fulfills that demand and deals with both the practical use of technology in music as well as the principles behind the discipline. Aimed at musicians exploring computers and technologists engaged with music, this unique guide merges the two worlds so that both musicians and computer scientists can benefit. Defines computer music and offers a solid introduction to representing music on a computer Examines computer music software, the musical instrument digital interface, virtual studios, file formats, and more Shares recording tips and tricks as well as exercises at the end of each section to enhance your learning experience Reviews sound analysis, processing, synthesis, networks, composition, and modeling Assuming little to no prior experience in computer programming, this engaging book is an ideal starting point for discovering the beauty that can be created when technology and music unite.
Author : Anil Çamci
Publisher : Bloomsbury Publishing USA
Page : 217 pages
File Size : 51,5 Mb
Release : 2021-12-30
Category : Music
ISBN : 9781501357138
The electronic medium allows any audible sound to be contextualized as music. This creates unique structural possibilities as spectrum, dynamics, space, and time become continuous dimensions of musical articulation. What we hear in electronic music ventures beyond what we traditionally characterize as musical sound and challenges our auditory perception, on the one hand, and our imagination, on the other. Based on an extensive listening study conducted over four years, this book offers a comprehensive analysis of the cognitive processes involved in the experience of electronic music. It pairs artistic practice with theories from a range of disciplines to communicate how this music operates on perceptual, conceptual, and affective levels. Looking at the common and divergent ways in which our minds respond to electronic sound, it investigates how we build narratives from our experience of electronic music and situate ourselves in them.
