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Author : John Thornton Caldwell
Publisher : Duke University Press
Page : 463 pages
File Size : 42,7 Mb
Release : 2008-03-25
Category : Performing Arts
ISBN : 9780822341116
An investigation of the cultural practices and belief systems of Los Angelesbased film and video production workers.
Author : Diane Crane
Publisher : SAGE Publications
Page : 211 pages
File Size : 43,8 Mb
Release : 1992-05-14
Category : Social Science
ISBN : 9781452245904
The Production of Culture is timely and relevant. . . . Diana Crane introduces the reader to this busy field of scholarly activity, organizes the strands of theory and empirical research in an orderly fashion, and advances some bold notions about the relationship between organizational ′contexts′ and innovation. --Contemporary Sociology "Crane melds numerous sources concisely and clearly in her argument that cultural forms cannot be understood ′apart from the contexts in which they are produced and consumed.′ . . . looks like a good start to a useful series." --Communication Booknotes "Crane′s overview is clearly written and does an effective job of incorporating concepts and theories from communication, cultural studies, economics, and literature, as well as her home territory, sociology." --Communication Booknotes How does the media shape and frame culture? How does media entertainment vary under different conditions of production and consumption? What types of meanings and ideologies do these modes of production convey, and how do they change over time? How does media culture differ from other forms of recorded culture produced in nonindustrial settings? In The Production of Culture, the inaugural volume in the new Foundations of Popular Culture series, Diana Crane argues that these are the kinds of questions social scientists should concern themselves with. She contends that recorded cultures simply cannot be understood apart from the contexts in which they are produced and consumed. A review and synthesis of the current media literature, Crane′s work examines both the popular and elite levels of media production. This investigation allows readers to understand how the notion of production can change depending on the size of the audience and/or the structure of the cultural industry. A systematic and accessible approach to a complex topic, The Production of Culture will have appeal not only to professors and students of cultural studies, but will also interest those studying sociology and art history.
Author : Dominic Power,Allen J. Scott
Publisher : Routledge
Page : 281 pages
File Size : 47,6 Mb
Release : 2004-08-05
Category : Art
ISBN : 9781134329748
Cutting-edge perspectives on the functioning of cultural industries are offered in this volume, which explores the media, entertainment and artistic sectors. Contributors place these industries in the new economy and suggest ways in which they can contribute to urban and regional economic and social development.
Author : Walter Santagata
Publisher : Springer Science & Business Media
Page : 117 pages
File Size : 53,9 Mb
Release : 2010-08-25
Category : Political Science
ISBN : 9783642133589
“Where are your factories that produce culture? Where are your painters, your composers, your architects, your writers, your filmmakers?” The book opens with Leonardo da Vinci and Qin Shi Huang asking embarrassed contemporary policy makers these questions. The first part of the book is therefore devoted to elaborating a model for producing culture. The model takes into account both the role played by creativity in the production of culture in a technologically advanced knowledge society. The second part of the book examines a selection of strategic sectors: fashion, material culture districts, gastronomy, creative industries, entertainment, contemporary art, museums. Special attention is paid to the role collective intellectual property rights play in increasing the quality of culture-based goods and services. In the conclusion policy makers in both developed and developing countries are urged to adopt policies that can foster creativity and promote culture.
Author : Malte Hagener
Publisher : Berghahn Books
Page : 390 pages
File Size : 50,6 Mb
Release : 2014-09-01
Category : Performing Arts
ISBN : 9781782384243
Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today.
Author : Paul du Gay
Publisher : SAGE
Page : 366 pages
File Size : 45,6 Mb
Release : 1997
Category : Language Arts & Disciplines
ISBN : 0761954368
The contributors examine the emergence of truly global cultural products and the strategies of global cultural players, analyse how culture is circulated, and consider why culture has become a crucial concern in business and organisations.
Author : Cecily Raynor,Rhian Lewis
Publisher : University of Toronto Press
Page : 224 pages
File Size : 43,5 Mb
Release : 2023-03-30
Category : Literary Criticism
ISBN : 9781487538811
To understand the creative fabric of digital networks, scholars of literary and cultural studies must turn their attention to crowdsourced forms of production, discussion, and distribution. Digital Encounters explores the influence of an increasingly networked world on contemporary Latin American cultural production. Drawing on a spectrum of case studies, the contributors to this volume examine literature, art, and political activism as they dialogue with programming languages, social media platforms, online publishing, and geospatial metadata. Implicit within these connections are questions of power, privilege, and stratification. The book critically examines issues of inequitable access and data privacy, technology’s capacity to divide people from one another, and the digital space as a site of racialized and gendered violence. Through an expansive approach to the study of connectivity, Digital Encounters illustrates how new connections – between analog and digital, human and machine, print text and pixel – alter representations of self, Other, and world.
Author : Dal Yong Jin
Publisher : Routledge
Page : 162 pages
File Size : 41,5 Mb
Release : 2021-05-26
Category : Language Arts & Disciplines
ISBN : 9781000385717
This book offers an in-depth academic discourse on the convergence of AI, digital platforms, and popular culture, in order to understand the ways in which the platform and cultural industries have reshaped and developed AI-driven algorithmic cultural production and consumption. At a time of fundamental change for the media and cultural industries, driven by the emergence of big data, algorithms, and AI, the book examines how media ecology and popular culture are evolving to serve the needs of both media and cultural industries and consumers. The analysis documents global governments’ rapid development of AI-relevant policies and identifies key policy issues; examines the ways in which cultural industries firms utilize AI and algorithms to advance the new forms of cultural production and distribution; investigates change in cultural consumption by analyzing the ways in which AI, algorithms, and digital platforms reshape people’s consumption habits; and examines whether governments and corporations have advanced reliable public and corporate policies and ethical codes to secure socio-economic equality. Offering a unique perspective on this timely and vital issue, this book will be of interest to scholars and students in media studies, communication studies, anthropology, globalization studies, sociology, cultural studies, Asian studies, and science and technology studies (STS).
Author : Mirko Tobias Schäfer
Publisher : Amsterdam University Press
Page : 251 pages
File Size : 44,7 Mb
Release : 2011
Category : Performing Arts
ISBN : 9789089642561
The computer and particularly the Internet have been represented as enabling technologies, turning consumers into users and users into producers. The unfolding online cultural production by users has been framed enthusiastically as participatory culture. But while many studies of user activities and the use of the Internet tend to romanticize emerging media practices, this book steps beyond the usual framework and analyzes user participation in the context of accompanying popular and scholarly discourse, as well as the material aspects of design, and their relation to the practices of design and appropriation.
Author : Theodore Peter Dykstra,Alice Louise Robert,Axel Langvad Andersen,Berten Wendell Allred,Charles Wesley Gantt,Clarence Dinsmore Stein,Claude Kedzie Shedd,F. M. Grant,Franklin Thomas Cowan,Fred Charles Simmons,Howard Wilfred Johnson,I. E. Stokes,John Lewis Creech,L. F. Locke,R. W. Leukel,Robert S. Rummell,Ross Calvin Thompson,Thomas Lotti,Tom Dale,Verne Elbert Davison,William John Reid,William Joseph Sando,William Solomon Porte,Rufus F. Dowdle,Claude Carl Wakeland,Clark E. Holscher,Donald William Chamberlain,Floyd Franklin Smith,Frank P. Cuthbert,Grover F. Brown,Otto H. Coleman,Sears Polydore Doolittle,V. F. Tapke,Walton Monroe Nixon,Walter Oliver Hawley,D. J. Caffrey,Jack L. Dean,Samuel George Lehman
Publisher : Unknown
Page : 676 pages
File Size : 50,5 Mb
Release : 1955
Category : Agricultural conservation
ISBN : CUB:U183021566168
Author : Iley Edgar Stokes,Otto Harvey Coleman,Jack L. Dean
Publisher : Unknown
Page : 32 pages
File Size : 48,7 Mb
Release : 1957
Category : Agriculture
ISBN : UIUC:30112019290995
Author : S. Craig Watkins
Publisher : University of Chicago Press
Page : 334 pages
File Size : 50,7 Mb
Release : 1998
Category : Performing Arts
ISBN : 0226874893
Representing examines developments in black cinema. It looks at the distinct contradiction in American society, black youths have become targets of a racial backlash but their popular cultures have become commercially viable.
Author : Vicki Mayer,Miranda J. Banks,John T Caldwell
Publisher : Routledge
Page : 264 pages
File Size : 46,9 Mb
Release : 2009-09-10
Category : Business & Economics
ISBN : 9781135840167
Production Studies is the first volume to bring together a star-studded cast of interdisciplinary media scholars to examine the unique cultural practices of media production. The all-new essays collected here combine ethnographic, sociological, critical, material, and political-economic methods to explore a wide range of topics, from contemporary industrial trends such as new media and niche markets to gender and workplace hierarchies. Together, the contributors seek to understand how the entire span of "media producers"—ranging from high-profile producers and directors to anonymous stagehands and costume designers—work through professional organizations and informal networks to form communities of shared practices, languages, and cultural understandings of the world.
Author : Lee Harrington,Denise Bielby
Publisher : Wiley-Blackwell
Page : 364 pages
File Size : 50,5 Mb
Release : 2000-09-13
Category : Social Science
ISBN : 063121710X
This is a rich collection of contemporary perspectives on how culture is produced and commodified using current examples from music, television, magazines, sports, and advertising. Incorporating a variety of theoretical frameworks, the book addresses, in addition, issues of social and cultural diversity in readings by key scholars that are accessible and provocative for both students and academics.
Author : Imre Szeman,Susie O'Brien
Publisher : John Wiley & Sons
Page : 380 pages
File Size : 41,6 Mb
Release : 2017-09-05
Category : Social Science
ISBN : 9781119140337
Popular Culture: A User’s Guide, International Edition ventures beyond the history of pop culture to give readers the vocabulary and tools to address and analyze the contemporary cultural landscape that surrounds them. Moves beyond the history of pop culture to give students the vocabulary and tools to analyze popular culture suitable for the study of popular culture across a range of disciplines, from literary theory and cultural studies to philosophy and sociology Covers a broad range of important topics including the underlying socioeconomic structures that affect media, the politics of pop culture, the role of consumers, subcultures and countercultures, and the construction of social reality Examines the ways in which individuals and societies act as consumers and agents of popular culture
