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The first book-length study of the psychoanalytic memoir, this book examines key examples of the genre, including Sigmund Freud's mistitled An Autobiographical Study, Helene Deutsch's Confrontations with Myself: An Epilogue, Wilfred Bion's War Memoirs 1917-1919, Masud Khan's The Long Wait, Sophie Freud's Living in the Shadow of the Freud Family, and Irvin D. Yalom and Marilyn Yalom's A Matter of Death and Life. Offering in each chapter a brief character sketch of the memoirist, the book shows how personal writing fits into their other work, often demonstrating the continuities and discontinuities in an author's life as well as discussing each author's contributions to psychoanalysis, whether positive or negative.
The first book-length study of the psychoanalytic memoir, this book examines key examples of the genre, including Sigmund Freud's mistitled An Autobiographical Study, Helene Deutsch's Confrontations with Myself: An Epilogue, Wilfred Bion's War Memoirs 1917-1919, Masud Khan's The Long Wait, Sophie Freud's Living in the Shadow of the Freud Family, and Irvin D. Yalom and Marilyn Yalom's A Matter of Death and Life. Offering in each chapter a brief character sketch of the memoirist, the book shows how personal writing fits into their other work, often demonstrating the continuities and discontinuities in an author's life as well as discussing each author's contributions to psychoanalysis, whether positive or negative.
Fritz Wittels (1880-1950) was a pioneering Viennese psychoanalyst, the first biographer of Freud (1924), and intermittently friend and rival of Freud himself, of Wilhelm Stekel, and of their famous satirical adversary, Karl Kraus. Towards the end of his life, while living and practising as an analyst in the United States, Wittels wrote a two-hundred-page memoir of his early life and career in Vienna. The typescript memoirs, held in the archives of the Abraham Brill Library, New York, are published here for the first time, accompanied by a range of little-known illustrations. Incomplete in places, they have been deftly edited, contextualised and introduced by Edward Timms, whose many valuable explanatory notes include the identification of the 'child woman' of the title. In his memoirs Wittels writes frankly and vividly about the erotic sub-culture of fin-de-siecle Vienna and about early controversies within the Psychoanalytic Society. His picture of the interaction between the two is startlingly original, and will appeal not only to historians of psychoanalysis, but to anyone interested in the Viennese cultural avant-garde. The erotic triangles in which Wittels, Kraus and Freud were involved are shown to have impinged directly on the activities of the famous Society. Freud himself plays a crucial role in the story, and the book as a whole is of exceptional importance for the origins of psychoanalysis.
Looking Back: Memoir of a Psychoanalyst by Paul Ornstein Pdf
Looking Back is the unusual memoir of a senior figure in the international psychoanalytic community. Dr. Paul Ornstein was one of the small and distinguished group of Holocaust survivors/physicians who came to the U.S. after the second world war and became prominent in American psychoanalysis. His memoir traces his route from a small town in Hungary, to Budapest’s Neolog Rabbinical Seminary, to a Hungarian forced labor battalion, through medical school in post-war Heidelberg to the Chicago Institute for Psychoanalysis, to Cincinnati, Ohio, where he became a prominent professor of psychiatry and a leader of the psychoanalytic Self Psychology movement. “How does one begin to identify and evaluate a well-lived life? I thought again of this question as I read Paul Ornstein’s lovely and surprisingly profound memoir titled simply Looking Back: Memoir of a Psychoanalyst. If you want to know what a life well lived looks like, read this book... Ornstein, all of his personal and professional accomplishments and contributions notwithstanding, possesses an endearing humility. Its tone colors the memoir... For entrée into a life history that spans the great events of the last century, that charts the growth and development of psychoanalysis into a humanistic and humane endeavor, and that depicts a life very well lived, I commendLooking Back: Memoir of a Psychoanalyst.” — Joye Weisel-Barth, International Journal of Psychoanalytic Self Psychology “Paul Ornstein's remarkable life has taken him from a cheder in a Hungarian town, to the Budapest Rabbinical Seminary through the Holocaust, to the summit of his psychoanalytic profession. This memoir tells this story in vivid and often moving fashion, including his dazed, postwar search for surviving family members, the tenderness of his romance and reunion with his beloved wife and collaborator Anna, their improbable postwar study of medicine among former Nazis at Heidelberg, his use of hypnosis to cure a paralyzed aide to a legendary congressman, to his development, along with Anna, into a towering figure in self-psychology. Paul, who has been fortunate to have Helen Epstein as his co-author, enriches the book by using his penetrating insight to analyze his own motivations and foibles, and those of colleagues and teachers. The reader comes away astonished by how Paul was able to transcend trauma and retain a spirited delight in living and a lifelong sense of optimism.” —Joseph Berger, veteran reporter, The New York Times and author, Displaced Persons: Growing Up American After the Holocaust. “In this memoir, Paul Ornstein describes his remarkable and moving personal, historical and professional life journey, losing many family members, his community, and his country in the Shoah, yet being blessed from the beginning with a resilient optimism and clear-eyed certainty about what he can accomplish and who and what matters to him: family first and foremost, friends, community and identity, and being a psychoanalyst. Looking Back, including photos and accounts of Ornstein’s close relationship with his long-lived survivor father, with Michael Balint, and with Hans Kohut, could be called ‘My Father’s Culture’. It serves as companion volume to his beloved Anna’s My Mother’s Eyes.” — Dr. Nancy J. Chodorow, Author, The Power of Feelings, Individualizing Gender and Sexuality and other works; Professor of Sociology Emerita, University of California, Berkeley; Lecturer on Psychiatry, Harvard Medical School; Training and Supervising Analyst, Boston Psychoanalytic Society and Institute. “Paul Ornstein was one of the psychoanalysts who came to the U.S. from Europe after the second world war and became a central figure in American psychoanalysis. He and his wife Anna have made an essential contribution to establishing Heinz Kohut’s self psychology as an important part of our pluralistic psychoanalytic world. The book is a portrait of a fine psychoanalyst and a fine human being.” — Dr. Arnold Richards, Editor InternationalPsychoanalysis.net, Publisher ipbooks.net, Former editor JAPA. “It is rare for a psychoanalyst of Paul Ornstein’s generation and stature to share his personal and professional history. Dr. Ornstein’s story is unique and, fluently written with journalist Helen Epstein, provides a way for mental health professionals and lay people alike to learn how one can overcome apocalyptic trauma. Students of psychoanalytic history will get a window onto the Hungarian tradition that stretches from Ferenczi to Balint to Ornstein as well as the politics of the American psychoanalytic community, chiefly in Cincinnati and Chicago. Dr. Ornstein’s story demonstrates how determination, perseverance and love can conquer all.” — Dr. Eva Fogelman, author of Conscience and Courage: Rescuers of Jews during the Holocaustand co-producer of Breaking the Silence: The Generation After the Holocaust. “Looking Back is, like its author, direct, without frills, but leaves the reader thinking about some of the Big Questions. And like the story of Passover, Paul Ornstein's story is one that demands telling and retelling.” — Lester Lenoff, MSW, LCSW, Consulting Editor, Psychoanalytic Inquiry; Editorial Board, The International Journal of Psychoanalytic Psychotherapy. “As a survivor, Paul Ornstein is a model of resilience, turning his Shoah experience into a lesson in living. As a psychoanalyst, he was able to distance himself from ‘ego psychology’ and to acknowledge, under the influence of Kohut, the clinical importance of empathy, an evolution that had numerous equivalents in other countries, and especially in France. The result is an important book, both moving and intellectually challenging.” — Dr. Rachel Rosenblum, Paris Psychoanalytic Society, Recipient of the 2013 Hayman Award. “This memoir conveys one man's experience of the Holocaust and how he was able to reconstruct a life after the war. Uniquely, it also gives us a feel for what was a seismic event in analytic circles in the 20th century, the birth and growth of Self Psychology. From horror to empathy, not a bad journey to read about in a short, succinct book.” —Dr. Michael Rosenbluth, FRCPC Chief, Department of Psychiatry, Toronto East General Hospital, Associate Professor, University of Toronto. “This memoir is a gem, rich and deeply personal as well as a chronicle of a remarkable life lived during a remarkable time. And those photos! They are stunning.” — Dr. James Fisch, Editorial Board, International Journal of Psychoanalytic Self Psychology.
Winner of the 2021 ABAPsa Book Prize Award! What would the story of analysis look like if it were told through the eyes of the analysand? How would the patient write and present the analytic experience? How would the narrative as written by the analysand differ from the analytic narrative commonly offered by the analyst? What do the actual analytic narratives written by Freud’s patients look like? This book aims to confront these intriguing questions with an innovative reading of memoirs by Freud’s patients. These patients—including Sergei Pankejeff, known as the Wolf Man; the poet H. D.; and the American psychoanalyst Abram Kardiner—all came to Vienna specially to meet Freud and embark with him on the intimate and thrilling journey of deciphering the unconscious and unravelling the secrets of the psyche. A broad psychoanalytic and literary-historical reading of their memoirs is offered in this new entry to the popular Routledge History of Psychoanalysis Series, with the purpose of presenting the analysands' narratives as they themselves recounted them. This makes it possible to re-examine the links among psychoanalysis, literature, and translation and sheds new light on the complex challenge of coming to know oneself through the encounter with otherness. This book is unique in its focus on multiple memoirs by patients of Freud and presents a fresh, even startling, close-up look at psychoanalysis as a clinical practice and as a rigorous discourse and offers a new vision of Freud’s strengths and, at times, defects. It will be of considerable interest to scholars of psychoanalysis and intellectual history, as well as those with a wider interest in literature and memoir.
Bion and Contemporary Psychoanalysis by Giuseppe Civitarese Pdf
This book examines the importance and continued relevance of A Memoir of the Future in understanding and applying Bion’s work to contemporary psychoanalysis. Bion continued to innovate throughout his life, but the Memoir has been largely overlooked. Focusing on A Memoir of the Future is not only of deep interest in terms of the author’s biography, or even only in function of a better understanding of his theoretical concepts, but can also be considered, for all intents and purposes, the final chapter of an ingenious creative enterprise While by some it was thought as the evidence of Bion’s presumed senility, this book challenges that perspective, arguing that it represents the last challenge he issued to the psychoanalytic Establishment. In each chapter, the authors explore this notion that A Memoir forms an essential part of Bion’s theory, and that in it he establishes a new ‘aesthetic’ psychoanalytic paradigm. With an international list of distinguished authors, this is a key book for any analysts interested in a comprehensive understanding of Bion’s work.
Freud and the Child Woman - the Memoirs of Fritz Wittels by Edward Timms Pdf
Fritz Wittels (1880-1950) was a pioneering Viennese psychoanalyst, the first biographer of Freud (1924), and intermittently friend and rival of Freud himself, of Wilhelm Stekel, and of their famous satirical adversary, Karl Kraus. Towards the end of his life, while living and practising as an analyst in the United States, Wittels wrote a two-hundred page memoir of his early life and career in Vienna. The typescript memoirs, held in the archives of the Abraham Brill Library, New York, are published here for the first time, accompanied by a range of little-known illustrations. Incomplete in places, they have been deftly edited, contextualised and introduced by Edward Timms, whose many valuable explanatory notes include the identification of the 'child woman' of the title. In his memoirs Wittels writes frankly and vividly about the erotic sub-culture of fin-de-siecle Vienna and about early controversies within the Psychoanalytic Society. His picture of the interaction between the two is startingly original, and will appeal not only to historians of psychoanalysis, but to anyone interested in the Viennese cultural avant-garde.The erotic triangles in which Wittels, Kraus and Freud were involved are shown to have impinged directly on the activities of the famous Society. Freud himself plays a crucial role in the story, and the book as a whole is of exceptional importance for the origins of psychoanalysis. Edward Timms was Professor of German and Director of the Centre for German-Jewish Studies at the University of Sussex. Among his publications is 'Karl Kraus: Apocalyptic Satirist' (1986), and he is co-editor of 'Freud in Exile: Psychoanalysis and its Vicissitudes' (1988) and of 'Austrian Exodus: The Creative Achievements of Refugees from National Socialism' (1995).
A Memoir of the Future, Bion's unorthodox attempt to cast psychoanalytic speculation in fictional form, is composed of three semi-autobiographical novels: The Dream (1975), The Past Presented (1977), and The Dawn of Oblivion (1979). Presented here for the first time in one volume, they appear together with the Key to A Memoir of the Future, a glossary of terms and concepts compiled by Wilfred and Francesca Bion.
Looking Back is the unusual memoir of a senior figure in the international psychoanalytic community. Dr. Paul Ornstein was one of the small and distinguished group of Holocaust survivors/physicians who came to the U.S. after the second world war and became prominent in American psychoanalysis. His memoir traces his route from a small town in Hungary, to Budapest's Neolog Rabbinical Seminary, to a Hungarian forced labor battalion, through medical school in post-war Heidelberg to the Chicago Institute for Psychoanalysis, to Cincinnati, Ohio, where he became a prominent professor of psychiatry and a leader of the psychoanalytic Self Psychology movement.
Author : Richard F. Sterba Publisher : Wayne State University Press Page : 204 pages File Size : 41,8 Mb Release : 1982 Category : Psychoanalysis ISBN : 0814317162
One hundred (and one) tales to mark Salman Akhtar's one hundredth book! Divided into eight informative parts - Dr Akhtar's journey to psychoanalysis; the lessons he learned from his teachers, supervisors, and mentors; the teachings from his peers and colleagues; the benefits of clinical work; the impact of cultural difference; insights gained from students, supervisees, and audiences; his experiences of writing, editing, and publishing; and advice for those about to take their first steps - each section is packed full of incredible advice lightly given in a series of engaging anecdotes. Tales of Transformation: A Life in Psychotherapy and Psychoanalysis is the perfect book for trainees, practising clinicians, those considering psychoanalysis as a career path, anyone with an interest in the subject, and all who enjoy reading the recollections of a witty raconteur.
The Studio is a unique and exciting work, referencing Freud and other psychoanalytic heavyweights to examine a difficult past, where loss, trauma, and the complexities of life are addressed and explored. Each chapter takes a painting as its focus, holding it up to the light as the author's engagement with each work is interwoven with memoir and her thoughts on the psychoanalytic processes which inform her life. *** "Gill Gregory's poetic memoir maps the struggle to be free from a paralysing past by way of an exploration of paintings and psychoanalysis. The Studio breaks the mould of autobiographical writing like Marion Milner's 'On Not Being Able To Paint', and tells a story that is at once lyrical and scholarly, emotionally gripping and historically intriguing - moving above all. This is an outstandingly gifted and rare book." -- Prof. Isobel Armstrong, Emeritus, U. of London *** "A unique and inherently fascinating read from beginning to end...enhanced with the inclusion of two appendices, a list of the paintings discussed, a bibliography, and an index. "The Studio" is very highly recommended for personal reading lists, as well as both community and academic library collections." -- Midwest Book Review, Reviewer's Bookwatch: January 2016 [Subject: Memoir, Psychoanalysis, Art]
Doing Psychoanalysis in Tehran by Gohar Homayounpour Pdf
A Western-trained psychoanalyst returns to her homeland and tells stories of displacement, nostalgia, love, and pain. Is psychoanalysis possible in the Islamic Republic of Iran? This is the question that Gohar Homayounpour poses to herself, and to us, at the beginning of this memoir of displacement, nostalgia, love, and pain. Twenty years after leaving her country, Homayounpour, an Iranian, Western-trained psychoanalyst, returns to Tehran to establish a psychoanalytic practice. When an American colleague exclaims, “I do not think that Iranians can free-associate!” Homayounpour responds that in her opinion Iranians do nothing but. Iranian culture, she says, revolves around stories. Why wouldn't Freud's methods work, given Iranians' need to talk? Thus begins a fascinating narrative of interlocking stories that resembles—more than a little—a psychoanalytic session. Homayounpour recounts the pleasure and pain of returning to her motherland, her passion for the work of Milan Kundera, her complex relationship with Kundera's Iranian translator (her father), and her own and other Iranians' anxieties of influence and disobedience. Woven throughout the narrative are glimpses of her sometimes frustrating, always candid, sessions with patients. Ms. N, a famous artist, dreams of abandonment and sits in the analyst's chair rather than on the analysand's couch; a young chador-clad woman expresses shame because she has lost her virginity; an eloquently suicidal young man cannot kill himself. As a psychoanalyst, Homayounpour knows that behind every story told is another story that remains untold. Doing Psychoanalysis in Tehran connects the stories, spoken and unspoken, that ordinary Iranians tell about their lives before their hour is up.
