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Author : Panayiota Mini
Publisher : Unknown
Page : 508 pages
File Size : 55,9 Mb
Release : 2002
Category : Electronic
ISBN : WISC:89081079899
Author : Amy Sargeant
Publisher : I.B.Tauris
Page : 260 pages
File Size : 42,8 Mb
Release : 2000
Category : Performing Arts
ISBN : 1860644554
Pudovkin is listed amongst the great and the good of twentieth century directors: his influence is acknowledged by such diverse figures as Hitchcock and Kubrick, Zavattini and Mamet, and Walter Benjamin usedhis work as a vital source forhis studies of the aesthetics and cultural politics of the period. Vsevelod Pudovkin: Classic Works of the Soviet Avant-Garde is the first book on Pudovkin for more than twenty-five years. It covers his career from his apprenticeship with Gardin and Kuleshov in the early '20s to his sound films of the early '30s. It discusses films on which Pudovkin worked as director, as collaborator and in which he appeared, from the famous troika, The Mother, The End of St Petersburg and Storm over Asia to the lesser known The Mechanics of the Brain and The Living Corpse. Pudovkin's art is placed in the context of his contribution to the cultural and political fervour of Soviet Russia after the Revolution, and especially the theoretical disputes with his contemporary Eisenstein. The book also suggests broader alignments within European avant-garde movements and takes a close look at the influence D. W. Griffith exerted over this giant of early Soviet film-making. Vsevelod Pudovkin: Classic Films of the Soviet Avant-Garde is the companion volume to Richard Taylor's translations of Pudovkin's writings, The Pudovkin Collection.
Author : Denise J. Youngblood
Publisher : Cambridge University Press
Page : 300 pages
File Size : 51,9 Mb
Release : 1992
Category : History
ISBN : 0521466326
This book is a pathbreaking study of the 'unknown' Soviet cinema: the popular movies which were central to Soviet film production in the 1920s. Professor Youngblood discusses acting genres, the cinema stars, audiences, and the influences of foreign films and examines three leading filmmakers - Iakov Protazanov, Boris Barnet, and Fridikh Ermler. She also looks at the governmental and industrial circumstances underlying filmmaking practices of the era, and provides an invaluable survey of the contemporary debates concerning official policy on entertainment cinema. Professor Youngblood demonstrates that the film culture of the 1920s was predominantly and aggressively 'bourgeois' and enjoyed patronage that cut across class lines and political allegiance. Thus, she argues, the extent to which Western and pre-revolutionary influences, boureois directors and middle-class tastes dominated the film world is as important as the tradition of revolutionary utopianism in understanding the transformation of Soviet culture in the Stalin revolution.
Author : Amy Sargeant
Publisher : Unknown
Page : 245 pages
File Size : 55,6 Mb
Release : 2000
Category : Motion pictures
ISBN : 6000006721
Pudovkin is listed amongst the great and the good of twentieth century directors: his influence is acknowledged by such diverse figures as Hitchcock and Kubrick, Zavattini and Mamet, and Walter Benjamin usedhis work as a vital source forhis studies of the aesthetics and cultural politics of the period. This is the first book on Pudovkin for more than twenty-five years. It covers his career from his apprenticeship with Gardin and Kuleshov in the early 1920s to his sound films of the early 1930s. It discusses films on which Pudovkin worked as director, as collaborator and in which he appeared,
Author : Philip Cavendish
Publisher : Berghahn Books
Page : 362 pages
File Size : 53,6 Mb
Release : 2013-12-30
Category : Performing Arts
ISBN : 9781782380788
Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.
Author : Vsevolod Illarionovich Pudovkin
Publisher : Read Books Ltd
Page : 346 pages
File Size : 45,6 Mb
Release : 2013-04-16
Category : Drama
ISBN : 9781446547359
This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.
Author : Yannis Tzioumakis,Claire Molloy
Publisher : Routledge
Page : 528 pages
File Size : 50,9 Mb
Release : 2016-07-01
Category : Performing Arts
ISBN : 9781317392460
The Routledge Companion to Cinema and Politics brings together forty essays by leading film scholars and filmmakers in order to discuss the complex relationship between cinema and politics. Organised into eight sections - Approaches to Film and Politics; Film, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary - this collection covers a broad range of topics, including: third cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others. It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking, itself, is a political act.
Author : Denise Jeanne Youngblood
Publisher : Unknown
Page : 1018 pages
File Size : 48,7 Mb
Release : 1980
Category : Motion pictures
ISBN : STANFORD:36105025677241
Author : David Gillespie
Publisher : Wallflower Press
Page : 126 pages
File Size : 42,9 Mb
Release : 2000
Category : Performing Arts
ISBN : 1903364043
This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.
Author : Всеволод Илларионович Пудовкин
Publisher : Seagull Books Pvt Ltd
Page : 352 pages
File Size : 54,5 Mb
Release : 2006
Category : Performing Arts
ISBN : 1905422245
The book brings together all key writings of Vsevolod Pudovkin - one of the classic directors of Russion cinema.
Author : Peter Rollberg
Publisher : Rowman & Littlefield
Page : 890 pages
File Size : 41,7 Mb
Release : 2016-07-20
Category : Performing Arts
ISBN : 9781442268425
Russian and Soviet cinema occupies a unique place in the history of world cinema. Legendary filmmakers such as Sergei Eisenstein, Vsevolod Pudovkin, Dziga Vertov, Andrei Tarkovsky, and Sergei Paradjanov have created oeuvres that are being screened and studied all over the world. The Soviet film industry was different from others because its main criterion of success was not profit, but the ideological and aesthetic effect on the viewer. Another important feature is Soviet cinema’s multinational (Eurasian) character: while Russian cinema was the largest, other national cinemas such as Georgian, Kazakh, and Ukrainian played a decisive role for Soviet cinema as a whole. The Historical Dictionary of Russian and Soviet Cinema provides a rich tapestry of factual information, together with detailed critical assessments of individual artistic accomplishments. This second edition of Historical Dictionary of Russian and Soviet Cinema contains a chronology, an introduction, and a bibliography. The dictionary section has over 600 cross-referenced entries on directors, performers, cinematographers, composers, designers, producers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian and Soviet Cinema.
Author : Peter Dart
Publisher : Unknown
Page : 264 pages
File Size : 44,9 Mb
Release : 1974
Category : Performing Arts
ISBN : STANFORD:36105036943723
Author : Malte Hagener,Michael Töteberg
Publisher : Springer
Page : 489 pages
File Size : 51,9 Mb
Release : 2016-12-16
Category : Performing Arts
ISBN : 9783476036865
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
Author : Vance Kepley
Publisher : Bloomsbury Publishing
Page : 133 pages
File Size : 43,9 Mb
Release : 2003-06-27
Category : Performing Arts
ISBN : 9780857718419
Pudovkin's epic is the most complex work of his brilliant career. The film was made to commemorate the Bolshevik Revolution's tenth anniversary and it is a gripping recreation of the events of 1917 as well as the conditions and events that led to revolution. It is a remarkable interweaving of subplots, motifs and historical references, realized through a mix of cinematic techniques, which Vance Keply Jr traces and clarifies in his analysis of the film. He explores the production circumstances that shaped the film and its reception, establishing its key place in both Russian and world cinema.
Author : Andrew Kahn
Publisher : Oxford University Press
Page : 720 pages
File Size : 40,7 Mb
Release : 2020-07-28
Category : Literary Criticism
ISBN : 9780192599827
Rightly appreciated as a 'poet's poet', Mandelstam has been habitually read as a repository of learned allusion. Yet as Seamus Heaney observed, his work is 'as firmly rooted in both an historical and cultural context as real as Joyce's Ulysses or Eliot's Waste Land.' Great lyric poets offer a cross-section of their times, and Mandelstam's poems represent the worlds of politics, history, art, and ideas about intimacy and creativity. The interconnections between these domains and Mandelstam's writings are the subject of this book, showing how engaged the poet was with the history, social movements, political ideology, and aesthetics of his time. The importance of the book also lies in showing how literature, no less than history and philosophy, enables readers to confront the huge upheaval in outlook can demand of us; thinking with poetry is to think through the moral compromise and tension felt by individuals in public and private contexts, and to create out of art experience in itself. The book further innovates by integrating a new, comprehensive discussion of the Voronezh Notebooks, one of the supreme achievements of Russian poetry. This book considers the full political dimension of works that explore the role of the poet as a figure positioned within society but outside the state, caught between an ideal of creative independence and a devotion to the original, ameliorative ideals of the revolution.