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Queer Returns returns us to the scene of multiculturalism, diaspora, and queer through the lens of Black expression, identity, and the political. The essays question what it means to live in a multicultural society, how diaspora impacts identity and culture, and how the categories of queer and Black and Black queer complicate the political claims of multiculturalism, diaspora, and queer politics. These essays return us to foundational assumptions, claims, and positions that require new questions without dogmatic answers.
Queer Returns : Essays on Multiculturalism, Diaspora, and Black Studies by Anonim Pdf
Queer Returns returns us to the scene of multiculturalism, diaspora and queer through the lens of black expression, identity and the political. The essays question what it means to live in a multicultural society, how diaspora impacts identity and culture and how the categories of queer and black and black queer complicate the political claims of multiculturalism, diaspora and queer politics. These essays return us to foundational assumptions, claims and positions that require new questions without dogmatic answers.
Queer Retrosexualities: The Politics of ReparativeReturn examines the retrospective logic that informs contemporary queer thinking; specifically the narrative return to the 1950s in post-1990s queer and LGBT culture in the United States. The term “Queer Retrosexuality” marks the intersection between retrospective thinking and queerness—to illustrate not only how to “queer” retrospection, but also how retrospection, in some senses can be thought of as always already queer. This book examines the historical possibilities that inform the narrative return to the 1950s in queer cultural and literary productions such as Samuel Delany’s The Motion of Light in Water, Todd Haynes’s Far from Heaven, Sarah Schulman’s Shimmer, and Mark Merlis’s American Studies—all texts that return to a traumatic past marked by shame, exile, and persecution. Queer Retrosexualities inquires into what motivates the return in these texts to a historical moment informed by the bruises and wounds of history; but more importantly, it poses the question of how such a turn backwards could be theorized as reparative or even hopeful. This book shows how the framework of queer retrospection offers new ways of understanding history and culture, of reformulating disciplines and institutions, and of rethinking traditional modes of political activism and knowledge production. Even while it seems counterproductive to return to a historical moment that is marked by the persecution of sexual and racial minorities, the book examines how a shared feeling of relationality and community produced by the exile of shame shapes the political value of queer retrosexualities. The retrospective return to the 1950s allows queer thinking to move away from the commodification of queer culture in the present that masquerades as progress. Thus, the book theorizes how traumatic history becomes a valuable resource for the political project of assembling collective memory as the base materials for imagining a different—and more queer—future.
In Queer Tidalectics, Emilio Amideo investigates how Anglophone writers James Baldwin, Jackie Kay, Thomas Glave, and Shani Mootoo employ the trope of fluidity to articulate a Black queer diasporic aesthetics. Water recurs as a figurative and material site to express the Black queer experience within the diaspora, a means to explore malleability and overflowing sexual, gender, and racial boundaries. Amideo triangulates language, the aquatic, and affect to delineate a Black queer aesthetics, one that uses an idiom of fluidity, slipperiness, and opacity to undermine and circumvent gender normativity and the racialized heteropatriarchy embedded in English. The result is an outline of an ever-expanding affective archive of experiential knowledge. Amideo engages and extends the work of Black queer studies, Oceanic studies, ecocriticism, phenomenology, and new materialism through the theorizations of Sara Ahmed, Omise’eke Natasha Tinsley, M. Jacqui Alexander, Édouard Glissant, José Esteban Muñoz, and Edward Kamau Brathwaite, among others. Ambitious in scope and captivating to read, Queer Tidalectics brings Caribbean writers like Glissant and Brathwaite into queer literary analysis—a major scholarly contribution.
Queer Dramaturgies by Alyson Campbell,Stephen Farrier Pdf
This international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance. Ranging across cabaret, performance art, the performativity of film, drag and script-based theatre it unravels the dynamic relationship performance has with queerness as it is presented in local and transnational contexts.
Queer Kinship by Tracy Morison,Ingrid Lynch,Vasu Reddy Pdf
What makes kinship queer? This collection from leading and emerging thinkers in gender and sexualities interrogates the politics of belonging, shining a light on the outcasts, rebels, and pioneers. Queer Kinship brings together an array of thought-provoking perspectives on what it means to love and be loved, to ‘do family’ and to belong in the South African context. The collection includes a number of different topic areas, disciplinary approaches, and theoretical lenses on familial relations, reproduction, and citizenship. The text amplifies the voices of those who are bending, breaking, and remaking the rules of being and belonging. Photo-essays and artworks offer moving glimpses into the new life worlds being created in and among the ‘normal’ and the mundane. Taken as a whole, this text offers a critical and intersectional perspective that addresses some important gaps in the scholarship on kinship and families. Queer Kinship makes an innovative contribution to international studies in kinship, gender, and sexualities. It will be a valuable resource to scholars, students, and activists working in these areas.
The Queer Biopic in the AIDS Era by Laura Stamm Pdf
"The Queer Biopic returns to the historical moment of the AIDS crisis and the emergence of New Queer Cinema to investigate the phenomena of queer biopic films produced during the late 1980s-early 1990s. More specifically, the book asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. While film critics and historian typically treat the biopic as a conservative, if not cliché, genre, queer filmmakers have frequently used the biopic to tell stories of queer lives. This project pays particular attention to the genre's queer resonances, opening up the biopic's historical connections to projects of education, public health, and social hygiene, along with the production of a shared history and national identity. Queer filmmakers' engagement with the biopic evokes the genre's history of building life through the portrayal of lives worthy of admiration and emulation, but it also points to another biopic history, that of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open up the potential for new means of connection and relationality. The book features fresh readings of the cinema of Derek Jarman, John Greyson, Todd Haynes, Barbara Hammer, and Tom Kalin. By calling for a reappraisal of the queer biopic, the book also calls for a reappraisal of New Queer Cinema's legacy and its influence of contemporary queer film"--
Queer Retrosexuality: The Politics of Reparative Return analyzes the cultural, theoretical, and political value of thinking about retrospection in conjunction with queerness. It historically grounds and exemplifies the call for a more "reparatively" informed queer theory in its contextualization of reparation through the return to the 1950s. The book thus contributes and furthers some of the dynamic conversations around the politics of queer temporality and historiography.
The Harvey Milk Institute Guide to Lesbian, Gay, Bisexual, Transgender, and Queer Internet Research by Alan L Ellis,Melissa White,Kevin Schaub Pdf
Find the facts, figures, and connections you need on the Internet! This powerful reference tool is the most comprehensive, reliable guide to Internet resources for the LBGTQ community. More than just a guide to useful Web sites, it also evaluates LGBTQ mailing lists, message boards, search engines, and portals. The Harvey Milk Institute Guide to Lesbian, Gay, Bisexual, Transgender, and Queer Internet Research provides background information as well as useful URLs. It covers the history and objectives of major sites. The in-depth interviews with leaders of the queer Internet include discussions with Barry Harrison, Director of Queer Arts Resources, and Sister Mary Elizabeth, founder of AEGiS. The Harvey Milk Institute Guide to Lesbian, Gay, Bisexual, Transgender, and Queer Internet Research includes resources for a variety of academic disciplines, including: the humanities the social sciences law labor studies media studies transgender and intersex studies and more! Edited by Alan L. Ellis, co-chair of the institute's board of directors, The Harvey Milk Institute Guide to Lesbian, Gay, Bisexual, Transgender, and Queer Internet Research is an indispensable tool for researchers, community leaders, and scholars.
On Sibling Love, Queer Attachment and American Writing by Denis Flannery Pdf
Sibling bonds, both literal and figurative, have had a crucial role in American writings of queer desire and identity. In nuanced and original readings, Denis Flannery demonstrates the centrality of fraternal and sororal love to queer strands of nineteenth- and twentieth-century texts from the elemental wildnesses of Moby-Dick to David Fincher's postmodern cinema; from the brutal and comic decorum of Henry James's major fiction to the elegiac memoir-writing of Jamaica Kincaid. Questions driving Flannery's exploration of sibling relations: How do we characterize the relationship between sibling love, queer possibility and the formal intensities of American writing? Why do so many American texts rely on the presence of sibling love to articulate queer desire? Why is brotherhood invoked as a positive value in announcements of United States national aspirations but used repeatedly and ominously in that nation's texts to herald a fall? Written with lyrical clarity and verve, On Sibling Love, Queer Attachment and American Writing is an important contribution to queer theory; to American studies; and to the study of culture, writing and affect.
The Gentrification of Queer Activism by Olimpia Burchiellaro Pdf
In the 2010s, London’s LGBTQ+ scene was hit by extensive venue closures. For some, this represented the increased inclusion of LGBTQ+ people in society. For others, it threatened the city’s status as a ‘global beacon of diversity’ or merely reaffirmed the hostility of London’s neoliberal landscapes. Navigating these competing realities, Olimpia Burchiellaro explores the queer politics of LGBTQ+ inclusion in London. Drawing on ethnographic research conducted with activists, professionals and LGBTQ-friendly businesses, the author reveals how gender and sexuality come to be reconfigured in the production and consumption of LGBTQ+ inclusion and its promises. Giving voice to queer perspectives on inclusion, this is an important contribution to our understanding of urban policy, nightlife, neoliberalism and LGBTQ+ politics.
Championing the liberatory potential of silence to address the fraught disability politics of queerness In queer culture, silence has been equated with voicelessness, complicity, and even death. Queer Silence insists, however, that silence can be a generative and empowering mode of survival. Triangulating insights from queer studies, disability studies, and rhetorical studies, J. Logan Smilges explores what silence can mean for people whose bodyminds signify more powerfully than their words. Queer Silence begins by historicizing silence’s negative reputation, beginning with the ways homophile activists rejected medical models pathologizing homosexuality as a disability, resulting in the silencing of disability itself. This silencing was redoubled by HIV/AIDS activism’s demand for “out, loud, and proud” rhetorical activities that saw silence as capitulation. Reading a range of cultural artifacts whose relative silence has failed to attract queer attachment, from anonymous profiles on Grindr to ex-gays to belated gender transitions to disability performance art, Smilges argues for silence’s critical role in serving the needs of queers who are never named as such. Queer Silence urges queer activists and queer studies scholars to reconcile with their own ableism by acknowledging the liberatory potential of silence, a mode of engagement that disattached queers use every day for resistance, sociality, and survival. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. Cover alt text: Background detail of a painting on canvas shows a partial view of the upper body and face of a figure, bearded and naked; title in painted script.
