Race Sexuality And Gender And The Musical Screen Adaptation

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Race, Sexuality, and Gender and the Musical Screen Adaptation

Author : Dominic Broomfield-McHugh,Reader in Musicology Dominic Broomfield-McHugh
Publisher : Oxford University Press
Page : 329 pages
File Size : 42,8 Mb
Release : 2023-02-28
Category : Film adaptations
ISBN : 9780197663226

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Race, Sexuality, and Gender and the Musical Screen Adaptation by Dominic Broomfield-McHugh,Reader in Musicology Dominic Broomfield-McHugh Pdf

"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--

The Oxford Handbook of Musical Theatre Screen Adaptations

Author : Dominic McHugh
Publisher : Oxford Handbooks
Page : 690 pages
File Size : 44,8 Mb
Release : 2019
Category : Music
ISBN : 9780190469993

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The Oxford Handbook of Musical Theatre Screen Adaptations by Dominic McHugh Pdf

Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.

The Oxford Handbook of Musical Theatre Screen Adaptations

Author : Dominic McHugh
Publisher : Unknown
Page : 0 pages
File Size : 54,5 Mb
Release : 2022
Category : Film adaptations
ISBN : 0197663230

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The Oxford Handbook of Musical Theatre Screen Adaptations by Dominic McHugh Pdf

"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--

The Oxford Handbook of Musical Theatre Screen Adaptations

Author : Dominic McHugh
Publisher : Oxford University Press
Page : 624 pages
File Size : 50,7 Mb
Release : 2019-06-14
Category : Music
ISBN : 9780190490003

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The Oxford Handbook of Musical Theatre Screen Adaptations by Dominic McHugh Pdf

Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.

America on Film

Author : Harry M. Benshoff,Sean Griffin
Publisher : Wiley-Blackwell
Page : 476 pages
File Size : 47,8 Mb
Release : 2009-01-20
Category : Performing Arts
ISBN : UOM:39015079346485

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America on Film by Harry M. Benshoff,Sean Griffin Pdf

This book provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality. It chronicles the cinematic history of various cultural groups, examines forces and institution bias and stimulates discussion about the relationship between film and American national culture.

Media Messages

Author : Linda Holtzman
Publisher : Sharpe Reference
Page : 384 pages
File Size : 44,9 Mb
Release : 2000
Category : Mass media
ISBN : UCSC:32106015155473

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Media Messages by Linda Holtzman Pdf

Studies the influence of media messages on the American public, looking at the stories and messages conveyed in prime time television shows, and in popular films and music, and examines methods of analyzing the content and impact of images of gender, socioeconomic class, race, and sexual orientation.

Fear of the Dark

Author : Lola Young
Publisher : Routledge
Page : 234 pages
File Size : 48,8 Mb
Release : 2006-05-17
Category : Social Science
ISBN : 9781134862153

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Fear of the Dark by Lola Young Pdf

Studies of the portrayal of black people in film have tended to be studies for the ideological correctness of the depictions of black people and the extent to which they rely on stereotypes. By closely examining films such as Sapphire (1959), Leo the Last (1969), Black Joy (1977), Playing Away (1986) and Mona Lisa (1987) and situating them in their historical and social context, Fear of the Dark develops a particualar critical perspective on the film portrayal of black female sexuality and questions the extent to which black film makers have challenged stereotypes.

The Politics of the Musical Theatre Screen Adaptation

Author : Dominic Broomfield-McHugh,Professor of Musicology Dominic Broomfield-McHugh
Publisher : Oxford University Press
Page : 441 pages
File Size : 42,8 Mb
Release : 2023-02-28
Category : Film adaptations
ISBN : 9780197649398

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The Politics of the Musical Theatre Screen Adaptation by Dominic Broomfield-McHugh,Professor of Musicology Dominic Broomfield-McHugh Pdf

"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--

The Persistence of Whiteness

Author : Daniel Bernardi
Publisher : Routledge
Page : 417 pages
File Size : 46,9 Mb
Release : 2007-09-12
Category : Performing Arts
ISBN : 9781135976453

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The Persistence of Whiteness by Daniel Bernardi Pdf

The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles. Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Who’s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez. Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema.

Reversing the Lens

Author : Jun Xing,Lane Ryo Hirabayashi
Publisher : Unknown
Page : 296 pages
File Size : 51,8 Mb
Release : 2003
Category : Education
ISBN : UOM:39015056906277

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Reversing the Lens by Jun Xing,Lane Ryo Hirabayashi Pdf

Reversing the Lens is relevant to anyone who is curious about how video and film can be utilized to expose ethnicity, race, gender, and sexuality as social constructions subject to political contestation and in dialogue with other potential forms of difference."--BOOK JACKET.

Free and Easy?

Author : Sean Griffin
Publisher : John Wiley & Sons
Page : 390 pages
File Size : 41,7 Mb
Release : 2017-07-24
Category : Performing Arts
ISBN : 9781405194952

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Free and Easy? by Sean Griffin Pdf

A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research. The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and research Surveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming media Examines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decision The text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in research Describes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical

Women Adapting

Author : Bethany Wood
Publisher : University of Iowa Press
Page : 301 pages
File Size : 47,8 Mb
Release : 2019-05-29
Category : Performing Arts
ISBN : 9781609386498

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Women Adapting by Bethany Wood Pdf

When most of us hear the title Gentlemen Prefer Blondes, we think of Marilyn Monroe and Jane Russell’s iconic film performance. Few, however, are aware that the movie was based on Anita Loos’s 1925 comic novel by the same name. What does it mean, Women Adapting asks, to translate a Jazz Age blockbuster from book to film or stage? What adjustments are necessary and what, if anything, is lost? Bethany Wood examines three well-known stories that debuted as women’s magazine serials—Gentlemen Prefer Blondes, Edith Wharton’s The Age of Innocence, and Edna Ferber’s Show Boat—and traces how each of these beloved narratives traveled across publishing, theatre, and film through adaptation. She documents the formation of adaptation systems and how they involved women’s voices and labor in modern entertainment in ways that have been previously underappreciated. What emerges is a picture of a unique window of time in the early decades of the twentieth century, when women in entertainment held influential positions in production and management. These days, when filmic adaptations seem endless and perhaps even unoriginal, Women Adapting challenges us to rethink the popular platitude, “The book is always better than the movie.”

Film Music in the Sound Era

Author : Jonathan Rhodes Lee
Publisher : Routledge
Page : 1096 pages
File Size : 43,7 Mb
Release : 2020-03-10
Category : Music
ISBN : 9781000091281

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Film Music in the Sound Era by Jonathan Rhodes Lee Pdf

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

The Hollywood Film Musical

Author : Barry Keith Grant
Publisher : John Wiley & Sons
Page : 197 pages
File Size : 51,8 Mb
Release : 2012-04-23
Category : Performing Arts
ISBN : 9781405182539

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The Hollywood Film Musical by Barry Keith Grant Pdf

This revealing history of the American film musical synthesizes the critical literature on the genre and provides a series of close analytical readings of iconic musical films, focusing on their cultural relationship to other aspects of American popular music. Offers a depth of scholarship that will appeal to students and scholars Leads a crucial analysis of the cultural context of musicals, particularly the influence of popular music on the genre Delves into critical issues behind these films such as race, gender, ideology, and authorship Features close readings of canonical and neglected film musicals from the 1930s to the present including: Top Hat, Singin' in the Rain, Woodstock, Gimme Shelter, West Side Story, and Across the Universe

A Fine Romance

Author : Geoffrey Block
Publisher : Oxford University Press
Page : 369 pages
File Size : 50,7 Mb
Release : 2023
Category : Film adaptations
ISBN : 9780197501733

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A Fine Romance by Geoffrey Block Pdf

"The central topic of A Fine Romance: Adapting Broadway to Hollywood in the Studio System Era is the symbiotic relationship between a dozen Broadway musicals and their Hollywood film adaptations spanning nearly a half century (1927-1972). The romance begins with the stage version of Show Boat and ends with Bob Fosse's cinematic 1972 re-envisioning of Cabaret. Between these end points are chapters on The Cat and the Fiddle, Roberta, Cabin in the Sky, Oklahoma!, On the Town, Brigadoon, Call Me Madam, Silk Stockings, West Side Story, and Flower Drum Song"--