The Politics Of The Musical Theatre Screen Adaptation

Author : Dominic Broomfield-McHugh,Professor of Musicology Dominic Broomfield-McHugh
Publisher : Oxford University Press
Page : 441 pages
File Size : 47,8 Mb
Release : 2023-02-28
Category : Film adaptations
ISBN : 9780197649398

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The Politics of the Musical Theatre Screen Adaptation by Dominic Broomfield-McHugh,Professor of Musicology Dominic Broomfield-McHugh Pdf

"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--

Author : Dominic McHugh
Publisher : Oxford Handbooks
Page : 690 pages
File Size : 46,8 Mb
Release : 2019
Category : Music
ISBN : 9780190469993

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The Oxford Handbook of Musical Theatre Screen Adaptations by Dominic McHugh Pdf

Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.

Author : Dominic Broomfield-McHugh,Reader in Musicology Dominic Broomfield-McHugh
Publisher : Oxford University Press
Page : 401 pages
File Size : 46,9 Mb
Release : 2023-02-28
Category : Film adaptations
ISBN : 9780197663257

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Stars, Studios, and the Musical Theatre Screen Adaptation by Dominic Broomfield-McHugh,Reader in Musicology Dominic Broomfield-McHugh Pdf

"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--

Author : Dominic Broomfield-McHugh,Reader in Musicology Dominic Broomfield-McHugh
Publisher : Oxford University Press
Page : 329 pages
File Size : 54,9 Mb
Release : 2023-02-28
Category : Film adaptations
ISBN : 9780197663226

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Race, Sexuality, and Gender and the Musical Screen Adaptation by Dominic Broomfield-McHugh,Reader in Musicology Dominic Broomfield-McHugh Pdf

"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--

Author : Dominic McHugh
Publisher : Unknown
Page : 0 pages
File Size : 49,7 Mb
Release : 2022
Category : Film adaptations
ISBN : 0197663265

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The Oxford Handbook of Musical Theatre Screen Adaptations by Dominic McHugh Pdf

"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--

Author : Dominic Broomfield-McHugh
Publisher : Unknown
Page : 0 pages
File Size : 43,7 Mb
Release : 2022
Category : Film adaptations
ISBN : LCCN:2022042575

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“An” Oxford Handbook of Musical Theatre Screen Adaptations by Dominic Broomfield-McHugh Pdf

Author : George Rodosthenous
Publisher : Routledge
Page : 427 pages
File Size : 42,8 Mb
Release : 2017-08-14
Category : Performing Arts
ISBN : 9781317234050

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Twenty-First Century Musicals by George Rodosthenous Pdf

Twenty-First Century Musicals stakes a place for the musical in today’s cinematic landscape, taking a look at leading contemporary shows from their stage origins to their big-screen adaptations. Each chapter offers a new perspective on a single musical, challenging populist narratives and exploring underlying narratives and sub-texts in depth. Themes of national identity; race, class and gender; the ‘voice’ and ‘singing live’ on film; authenticity; camp sensibilities; and the celebration of failure are addressed in a series of questions including: How does the film adaptation provide a different viewing experience from the stage version? What themes are highlighted in the film adaptation? What does the new casting bring to the work? Do camera angles dictate a different reading from the stage version? What is lost/gained in the process of adaptation to film? Re-interpreting the contemporary film musical as a compelling art form, Twenty-First Century Musicals is a must-read for any student or scholar keen to broaden their understanding of musical performance.

Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 52,8 Mb
Release : 2018
Category : Motion pictures
ISBN : 1474234208

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The Disney Musical on Stage and Screen by Anonim Pdf

A critical treatment of the corporation's hugely successful musicals both on screen and on the stage. The 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations

Author : Raymond Knapp,Mitchell Morris,Stacy Wolf
Publisher : OUP USA
Page : 482 pages
File Size : 47,5 Mb
Release : 2011-11-04
Category : Drama
ISBN : 9780195385946

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The Oxford Handbook of The American Musical by Raymond Knapp,Mitchell Morris,Stacy Wolf Pdf

The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today.Each essay traces the genealogy of the term or issue it addresses, including related issues and controversies, positions and problematizes those issues within larger bodies of scholarship, and provides specific examples drawn from shows and films. Essays both re-examine traditional topics and introduce underexplored areas. Reflecting the concerns of scholars and students alike, the authors emphasize critical and accessible perspectives, and supplement theory with concrete examples that may be accessed through links to the handbook's website.Taking into account issues of composition, performance, and reception, the book's contributors bring a wide range of practical and theoretical perspectives to bear on their considerations of one of America's most lively, enduring artistic traditions. The Oxford Handbook of The American Musical will engage all readers interested in the form, from students to scholars to fans and aficionados, as it analyses the complex relationships among the creators, performers, and audiences who sustain the genre.

Author : Steven Neale
Publisher : Indiana University Press
Page : 250 pages
File Size : 47,6 Mb
Release : 2017-06-06
Category : Art
ISBN : 9780861969296

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Screening the Stage by Steven Neale Pdf

Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage musicals on which the film versions were based. Each play or musical is contextualized and summarized in detail, and each film is analyzed so as to pinpoint the ways in which they articulate, modify, or rework the former. Examples range from dramas, comedies, melodramas, musicals, operettas, thrillers, westerns and war film, and include The Squaw Man, The Poor Little Rich Girl, The Merry Widow, 7th Heaven, The Cocoanuts, Waterloo Bridge, Stage Door, I Remember Mama, The Pirate, Dial M for Murder and Attack.

Author : Olaf Jubin
Publisher : Routledge
Page : 398 pages
File Size : 48,9 Mb
Release : 2021-03-18
Category : Performing Arts
ISBN : 9780429878626

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Paris and the Musical by Olaf Jubin Pdf

Paris and the Musical explores how the famous city has been portrayed on stage and screen, investigates why the city has been of such importance to the genre and tracks how it has developed as a trope over the 20th and 21st centuries. From global hits An American in Paris, Gigi, Les Misérables, Moulin Rouge! and The Phantom of the Opera to the less widely-known Bless the Bride, Can-Can, Irma la Douce and Marguerite, the French capital is a central character in an astounding number of Broadway, Hollywood and West End musicals. This collection of 18 essays combines cultural studies, sociology, musicology, art and adaptation theory, and gender studies to examine the envisioning and dramatisation of Paris, and its depiction as a place of romance, hedonism and libertinism or as ‘the capital of the arts’. The interdisciplinary nature of this collection renders it as a fascinating resource for a wide range of courses; it will be especially valuable for students and scholars of Musical Theatre and those interested in Theatre and Film History more generally.

Author : Anonim
Publisher : Hal Leonard Corporation
Page : 245 pages
File Size : 40,9 Mb
Release : 2014-01-01
Category : Music
ISBN : 9781480383869

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Carrie: The Musical - Vocal Selections by Anonim Pdf

(Vocal Selections). "This show has guts!" proclaimed Richard Zoglin of Time magazine about this 2012 revival, which won the Off-Broadway Alliance Award for Best Musical Revival. It features music by Michael Gore, lyrics by Dean Pitchford, and book by Lawrence D. Cohen (based on the novel by Stephen King). Our folio features vocal selections for 18 songs from that revival, including: Alma Mater * And Eve Was Weak * Carrie * Carrie (Reprise) * Do Me a Favor * Dreamer in Disguise * Epilogue * Evening Prayers * I Remember How Those Boys Could Dance * In * A Night We'll Never Forget * Once You See * Open Your Heart * Unsuspecting Hearts * When There's No One * Why Not Me? * The World According to Chris * You Shine.

Author : Thomas G. Aylesworth
Publisher : Unknown
Page : 256 pages
File Size : 49,8 Mb
Release : 1985
Category : Performing Arts
ISBN : 0831710063

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Broadway to Hollywood by Thomas G. Aylesworth Pdf

Describes the history of the screen adaptations of Broadway musicals from Showboat to Grease and tells the story of the composers, stars, and directors

Author : Geoffrey Block
Publisher : Oxford University Press
Page : 369 pages
File Size : 43,7 Mb
Release : 2023
Category : Film adaptations
ISBN : 9780197501733

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A Fine Romance by Geoffrey Block Pdf

"The central topic of A Fine Romance: Adapting Broadway to Hollywood in the Studio System Era is the symbiotic relationship between a dozen Broadway musicals and their Hollywood film adaptations spanning nearly a half century (1927-1972). The romance begins with the stage version of Show Boat and ends with Bob Fosse's cinematic 1972 re-envisioning of Cabaret. Between these end points are chapters on The Cat and the Fiddle, Roberta, Cabin in the Sky, Oklahoma!, On the Town, Brigadoon, Call Me Madam, Silk Stockings, West Side Story, and Flower Drum Song"--

Author : Victoria Lowe
Publisher : Intellect (UK)
Page : 0 pages
File Size : 49,6 Mb
Release : 2020
Category : Film adaptations
ISBN : 1789382335

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Adapting Performance Between Stage and Screen by Victoria Lowe Pdf

An introduction to adaptations between theatre and film, considering these as distinct from literary adaptation. Places emphasis on performance and event, including the recent growth of digital theatre with phenomena such as NT Live. Case studies show how adaptations can't be divorced from the historical and cultural moment in which they are produced.