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Rackham's Color Illustrations for Wagner's "Ring" by Arthur Rackham Pdf
This edition of Rackham's images, widely regarded as the greatest representations of Wagner's drama, comprises 64 full-page color illustrations and 9 vignettes from Siegfried, The Twilight of the Gods, The Rhinegold, and The Valkyrie.
Rackham's Color Illustrations for Wagner's "Ring" by Arthur Rackham,James Spero Pdf
By the time he created these images, Rackham was England's leading illustrator, famous throughout the world for his interpretations of fairy tales and myths. These illustrations from the original 1911 and 1912 editions, widely regarded as the greatest representations of Wagner's drama, constitute Rackham's masterworks. 64 full-page color images and 9 vignettes.Dover Original.
Rackham's Illustrations for Ring of the Nibelung [Color] by Arthur Rackham Pdf
Rackham's Illustrations For Ring of the Nibelung [Color] is a reprint volume of the color illustrations Arthur Rackham made for Wagner's Ring of the Nibelung. 61 color illustrations.
Siegfried & The Twilight of the Gods (Without Illustrations) by Richard Wagner Pdf
Götterdämmerung (Twilight of the Gods), is the last in Richard Wagner's cycle of four music dramas titled Der Ring des Nibelungen (The Ring of the Nibelung, or The Ring Cycle or The Ring for short). It received its premiere at the Bayreuth Festspielhaus on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase Ragnarök, which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the Ring, however, Wagner's account diverges significantly from these Old Norse sources. (wikipedia.org) About the author Wilhelm Richard Wagner (22 May 1813 - 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung). His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs-musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, run by his descendants. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg). Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment - particularly, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre. (wikipedia.org)
Rackham's Fairy Tale Illustrations by Arthur Rackham,Jeff A. Menges Pdf
One of the most renowned and best-loved illustrators of his day, English artist Arthur Rackham (1867–1939) brought countless stories and fairy tales to life though his vivid imagination and eye for telling details. Combining a sensitive use of line and subdued watercolors, he skillfully depicted forests of startling trees with claw-like roots, wholesome fairy maidens, monsters, and demons, and backgrounds filled with obscure figures. His inspired illustrations for the fairy tales of the Brothers Grimm (1900) brought him his first great success, with a long and distinguished career to follow. This collection of 55 full-color plates, reproduced from rare early editions, contains a rich selection of Rackham's best fairy tale images: a giant terrorizing the inhabitants of an isolated village in English Fairy Tales, a wicked witch greeting two lost children on her doorstep in Hansel and Gretel, a young maiden beset by snarling wolves in Irish Fairy Tales, and many more, including illustrations from Snowdrop and Other Tales, Little Brother and Little Sister, and The Allies' Fairy Book.
The Arthur Rackham Art Book - Volume I by Arthur Rackham Pdf
This book forms part of a series, dedicated to the artwork of Arthur Rackham (1867 – 1939), one of the most celebrated artists of the British Golden Age of Illustration. Over his long and illustrious career, he contributed to over 150 books, magazines and periodicals, resulting in a vast array of original artworks. Whether producing whimsical children’s images or murkier, foreboding drawings for adults, Rackham’s unique style of illustration was (and still is) admired by countless collectors, critics and the general public. For the first time, this book brings together the entirety of Rackham’s stunning images, sourced from rare and original books, in order that the modern reader may fully appreciate his art. This first volume comprises of over 340 black and white and colour illustrations by Rackham from his works dating from 1896 – 1910, and includes images from The Zankiwank and the Bletherwitch (1896), Tales From Shakespeare (1899) Alice’s Adventures in Wonderland (1907), Grimm’s Tales (1909) and Wagner’s Ring Cycle (1910) – to name but a few. The book also contains a biography of Rackham’s personal, professional and artistic life, as well as an introduction to the fascinating ‘Golden Age’ period of illustration.
A stunning treasury of 86 full-page plates span the famed English artist's career, from Rip Van Winkle (1905) to masterworks such as Undine, A Midsummer Night’s Dream, and Wind in the Willows (1939).
Wagner's Ring has baffled and confused critics because of the highly complex meaning of its text and music. The diverse range of commentaries written on the subject since the first performance over one hundred years ago reveals just how little critics have understood The Ring. Deryck Cooke displays his masterly common sense in this study of how and why The Ring took the shape it did. This volume represents only a portion of the enormous book he had planned--his untimely death prevented him from writing a full analysis of the music. Even as it stands, I Saw The World End will give fresh understanding and appreciation to every lover of Wagner's music. -- PUBLISHER DESCRIPTION.
Seven o’clock on a Monday morning, five hundred years after the end of the world, and goblins had been at the cellar again. . . . Not that anyone would admit it was goblins. In Maddy Smith’s world, order rules. Chaos, old gods, fairies, goblins, magic, glamours–all of these were supposedly vanquished centuries ago. But Maddy knows that a small bit of magic has survived. The “ruinmark” she was born with on her palm proves it–and makes the other villagers fearful that she is a witch (though helpful in dealing with the goblins-in-the-cellar problem). But the mysterious traveler One-Eye sees Maddy’s mark not as a defect, but as a destiny. And Maddy will need every scrap of forbidden magic One-Eye can teach her if she is to survive that destiny.
Wagner's Ring and the Germanic Tradition by Collin Cleary Pdf
In this remarkable book, Collin Cleary defends Richard Wagner's Der Ring des Nibelungen against the claim that it "distorts" Germanic mythology. Wagner was a serious student of the myths and sagas of Northern Europe, and the Ring is surprisingly faithful to them. Wagner retells the traditional stories, revealing new layers of meaning. Indeed, of all the works that have preserved Germanic mythology, Wagner's Ring is the most beautiful and the most profound. Cleary includes a detailed account of the composer's use of the traditional sources. In addition, he offers a complete interpretation of the Ring, demonstrating Wagner's synthesis of German myth and German philosophy.
The Ring of the Niblung by Richard Wagner and illustrated by Arthur Rackham. Translation by Margaret Armour.Some critics mention that The Lord of the Rings was directly and heavily derived from Richard Wagner's opera cycle, Der Ring des Nibelungen.This edition includes:- The Rhinegold- The Valkyrie- Siegfried- Twilight of the GodsDer Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from the Norse sagas and the Nibelungenlied.The cycle is a work of extraordinary scale. Perhaps the most outstanding facet of the monumental work is its sheer length: a full performance of the cycle takes place over four nights at the opera, with a total playing time of about 15 hours, depending on the conductor's pacing. The first and shortest work, Das Rheingold, typically lasts two and a half hours, while the final and longest, G�tterd�mmerung, takes up to five hours, excluding intervals. The cycle is modelled after ancient Greek dramas that were presented as three tragedies and one satyr play. The Ring proper begins with Die Walk�re and ends with G�tterd�mmerung, with Rheingold as a prelude. Wagner called Das Rheingold a Vorabend or "Preliminary Evening", and Die Walk�re, Siegfried and G�tterd�mmerung were subtitled First Day, Second Day and Third Day, respectively, of the trilogy proper.The plot revolves around a magic ring that grants the power to rule the world, forged by the Nibelung dwarf Alberich from gold he stole from the Rhine maidens in the river Rhine. The Ring itself as described by Wagner is a Rune-magic taufr ("tine", or "talisman") intended to rule the feminine multiplicative power by a fearful magical act termed as 'denial of love' ("Liebesverzicht"), which is probably an allusion to ritual circumcision.
The Ring of the Dark Elves by Victoria Randall Pdf
"In his vision Odin saw a ring, glittering and bright, a thing of great beauty and danger. And the face of a mortal man, stern and beautiful, his fair hair blowing in the wind of battle as the fire-edged sword in his hand rose and fell" So Odin, lord of the nine worlds, saw Sigurd Dragonslayer for the first time. He alone could recapture the ring of power from the cruel dragon Fafnir. In his effort to regain the ring, Odin ensnared Sigurd and the race of the Volsungs in his schemes * for if he failed, it would mean the beginning of Ragnarok, the end of all worlds Set in the savage, beautiful world of Norse legend, this is the epic quest of romance, enchantment, adventure and treachery from which Richard Wagner created his magnificent operatic cycle, The Ring of the Nibelung. William Morris said of the tale of Sigurd, "This is the great story of the North, which should be to all our race what the tale of Troy was to the Greeks."
Arthur Spiderwick's Field Guide to the Fantastical World Around You by Tony DiTerlizzi,Holly Black Pdf
With 41 fabulous full-color plates, six gatefolds, six watercolor landscapes, scores of black-and-white and color sketches of 31 faierie species, this book is destined to be a favorite of even the most demanding faierie enthusiast. Illustrations.
The Annotated Ring Cycle by Frederick Paul Walter Pdf
Richard Wagner’s magnum opus meets the celebrated translator of Jules Verne novels in this colorful and original work. Frederick Paul Walter makes The Valkyrie accessible not only to scholars and opera buffs but also to fans of Tolkien, Star Wars, and Hogwarts through a dazzling new translation in lively modern English and annotations that spotlight the libretto, lyrics, and stage directions. The translation conveys Wagner’s humor, rhymes, alliterative effects, subliminal messages, and inventive tale spinning, plus it also gets the most basic ingredient right: the actual story! It highlights the motives, secrets, and plot twists—what’s really going on and what its narrative shows. The Annotated Ring Cycle includes newly created graphic-novel style illustrations that visually represent the storyline alongside full color photos of classic artwork by Arthur Rackham, Howard Pyle, Aubrey Beardsley, the 1876 costume and set designs, and much more.
