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Looks at the history of radio broadcasting as an aspect of American culture, and discusses social tensions, radio formats, and the roles of African Americans and women
Immediately after the Second World War, the radio was the best-preserved medium of mass communication in Germany. This book explores the implications of this dominance by asking how everyday broadcasting constructed ideas of 'normal' times, people and places in the destroyed, divided and occupied zones of what would become the Federal Republic.
Combining classic work on radio with innovative research, journalism and biography, Women and Radio offers a variety of approaches to understanding the position of women as producers, presenters and consumers as well as offering guidelines, advice and helpful information for women wanting to work in radio. Women and Radio examines the relationship between radio audiences, technologies and programming and reveals and explains the inequalities experienced by women working in the industry.
"'Raise your voice!' and 'Speak up!' are familiar refrains that assume, all too easily, that all who speak do so for themselves, and that doing so will lead to empowerment, healing, and reconciliation. Marlene Schäfers's Voices that Matter reveals where such assumptions fall short, demonstrating that "raising one's voice" is, in some contexts, an endeavor full of anxieties, struggles, and discontents. In its attention to the voice as form, this book examines not only what voices say, but also how they do so. By focusing on the social labor that voices carry out as they travel, vibrate, and produce sound, Schäfers shows that where new vocal practices arise, they can produce new selves and practices of social relations. Few examples bring this into relief as effectively as the Kurdish context. Written texts have existed mostly on the margins of Kurdish popular culture, whereas oral genres have a long, rich legacy. As Kurdish voices gain increasing moral and political value as metaphors of empowerment, representation, and resistance, these genres are rapidly changing. As she traces the transformations in how Kurdish women relate to and employ their voices, Schäfers illustrates that "gaining voice" is no straightforward path to liberation, especially when one's voice can be selectively appropriated in empty displays of pluralist representation"--
Beckett’s Voices / Voicing Beckett uses ‘voice’ as a prism to investigate Samuel Beckett’s work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett’s contemporary artistic legacy in relation to music, media, performance, and philosophy.
THE AFTERLIFE. Voices And Screams From Hell And Heaven. How the Dead Talked To Us And Described Life After Death by Maximillien de Lafayette Pdf
THE AFTERLIFE. Voices And Screams From Hell And Heaven. How the Dead Talked To Us And Described Life After Death. 425 Pages + 62 photos and drawings. A publication of TIMES SQUARE PRESS]. This book is the result of the authorÕs 50 years of investigation, study, observation, findings and rapports with the occult, mediumistic sZances, materialized spirits, and the worldÕs most honest and authentic mediums and channelers. Unquestionable, it is the most powerful, the most documented, the most convincing book ever written about life after death, the afterlife, spirits, and mediumistic sZances. It will without any doubt change forever your perception and understanding of the afterlife, and convince you that there is a life after death. Every single aspect and stage of the afterlife is described and explained.
The Bedouin, or 'desert dwellers', have a rich cultural heritage often expressed through music and poetry. Here, Moneera Al-Ghadeer provides us with the first comparative reading of women's oral poetry from Saudi Arabia. She examines women's lyrics of love, desire, mourning and grievance. We come to understand Bedouin mores and - most significantly - the unique description of a desert that is consistently held to be infinite, evocative, stimulating and an eternal freedom. As the first English translation and analysis of this poetry, "Desert Voices" is both a gesture to preserving the oral poetic tradition of Bedouin women and a radical critique addressing the exclusion of their poetry from current academic literary studies. The book provides invaluable material for reflection in the debates around oral culture and women's poetic composition while it translates, presents and critically examins a genre, which opens Arabic poetry and literature to contemporary theory and criticism.
McLuhan's Global Village Today by Angela Krewani Pdf
Marshall McLuhan was one of the leading media theorists of the twentieth century. This collection of essays explores the many facets of McLuhan’s work from a transatlantic perspective, balancing applied case studies with theoretical discussions.
The study of two great demagogues in American history--Huey P. Long, a first-term United States Senator from the red-clay, piney-woods country of nothern Louisiana; and Charles E. Coughlin, a Catholic priest from an industrial suburb near Detroit. Award-winning historian Alan Brinkely describes their modest origins and their parallel rise together in the early years of the Great Depression to become the two most successful leaders of national political dissidence of their era. *Winner of the American Book Award for History*
Ghost-busting is never simple: just ask the Ghost Finder's of New York Times bestselling author Simon R. Green's Carnacki Institute. In a quiet London suburb, four university students are holding a séance in a house everyone knows is haunted - and, of course, it goes terribly wrong. Whatever or whoever they managed to summon has left them nothing but empty shells. Enter the Ghost Finders, ready to confront the enraged poltergeist and battle for the students' very souls. It's all in a day's work for the Carnacki Institute operatives - except this day is going to get very nasty indeed. What they're about to discover is that another entity had also breached the veil between worlds and crossed the threshold into ours . . . and they soon realise that it's not just four lives at stake, but all lives - humanity itself is being threatened with annihilation. Voices From Beyond is the fifth book in New York Times bestselling author Simon R. Green's Ghost Finders series.
Voices from Beyond by CARLOS GABRIEL FERNÁNDEZ Pdf
Instrumental Transcommunication is a technique that allows communication with our loved ones who are in another plane of existence, and listen to their voices through electronic instruments of ordinary use, such as radios, recorders, televisions, phones. This book includes theoretical and practical aspects of one of the most disturbing anome phenomena. In this book, among many other things you will find:- How psychophonies serve tens of thousands of people around the world to alleviate grief when they have lost a loved one- The first unknown voices were recorded more than a hundred years ago- Renowned inventors and other unknowns developed devices to communicate with the afterlife, some dictated apparently from the 'other world' - Voices are recorded not only on recorders, but also on radios, phones, computers and other electronic devices- Voices claim to be deceased people living in a 'next world'- Computer science has compared people's voices while living with psychophonies, with surprising results- All the keys to experimenting on psychophonic voices- In addition to voices, paranormal images offer a complementary view on the alleged communication with the afterlife
Beckett, Lacan, and the Voice by Llewellyn Brown Pdf
The voice traverses Beckett’s work in its entirety, defining its space and its structure. Emanating from an indeterminate source situated outside the narrators and characters, while permeating the very words they utter, it proves to be incessant. It can alternatively be violently intrusive, or embody a calming presence. Literary creation will be charged with transforming the mortification it inflicts into a vivifying relationship to language. In the exploration undertaken here, Lacanian psychoanalysis offers the means to approach the voice’s multiple and fundamentally paradoxical facets with regards to language that founds the subject’s vital relation to existence. Far from seeking to impose a rigid and purely abstract framework, this study aims to highlight the singularity and complexity of Beckett’s work, and to outline a potentially vast field of investigation.
Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus, Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of women in film, enabling us to see individual films in new ways, and to ask new questions of other films. Using Sadie Thompson (1928), Blackmail (1929), Rain (1932), The Spiral Staircase, Sorry,Wrong Number, Notorious, Sunset Boulevard (1950) and To Kill a Mockingbird (1962), Lawrence illustrates how women's voices are positioned within narratives that require their submission to patriarchal roles and how their attempts to speak provoke increasingly severe repression. She also shows how women's natural ability to speak is interrupted, made difficult, or conditioned to a suffocating degree by sound technology itself. Telephones, phonographs, voice-overs, and dubbing are foregrounded, called upon to silence women and to restore the primacy of the image. Unlike the usage of "voice" by feminist and literary critics to discuss broad issues of authorship and point of view, in film studies the physical voice itself is a primary focus. Echo and Narcissus shows how assumptions about the "deficiencies" of women's voices and speech are embedded in sound's history, technology, uses, and marketing. Moreover, the construction of the woman's voice is inserted into the ideologically loaded cinematic and narrative conventions governing the representation of women in Hollywood film.