Raise The Lanterns High Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Raise The Lanterns High book. This book definitely worth reading, it is an incredibly well-written.
"On the eve of her arrainged marriage, Vasti discovers that she is due to marry the rapist she saw in a sugar cane field years earlier. A horrific dilemma befalls her, she can either speak out, defy convention and bring the family name in disrepute or submit silently to her fate. The emotional strain is too much: the bride to be collapses, and while unconscious, travels in a dream from her home in 1960s Trinidad back to the 18th century city of Jyotika in North India.........." -- Back cover.
Lotus, a young college student is forced by her father's death to give up her studies and marry into wealth. RAISE THE RED LANTERN is her hauntingly beautiful, nightmarish tale, and that of the other three concubines who are competing for the sexual attentions of their master in a stifling, 1930s rural clan house. It explores a world where relationships rarely reach fruition, as emotionally stunted men thoughtlessly destroy the women in their lives. The conflicts that emerge as a result of this oppression and claustrophobia are seemingly insurmountable. But Lotus, the Fourth mistress, is defiant and presumptuous and has the shocking audacity to be good at - and actually enjoy - sex. In this environment insanity begins to emerge as both a weapon and a refuge, and relations between the concubines become increasingly tense...
Critical Perspectives on Indo-Caribbean Women's Literature by Joy Allison Indira Mahabir,Mariam Pirbhai Pdf
This book is the first collection on Indo-Caribbean women's writing and the first work to offer a sustained analysis of the literature from a range of theoretical and critical perspectives, such as ecocriticism, feminist, queer, post-colonial and Caribbean cultural theories. The essays not only lay the framework of an emerging and growing field, but also critically situate internationally acclaimed writers such as Shani Mootoo, Lakshmi Persaud and Ramabai Espinet within this emerging tradition. Indo-Caribbean women writers provide a fresh new perspective in Caribbean literature, be it in their unique representations of plantation history, anti-colonial movements, diasporic identities, feminisms, ethnicity and race, or contemporary Caribbean societies and culture. The book offers a theoretical reading of the poetics, politics and cultural traditions that inform Indo-Caribbean women's writing, arguing that while women writers work with and through postcolonial and Caribbean cultural theories, they also respond to a distinctive set of influences and realities specific to their positioning within the Indo-Caribbean community and the wider national, regional and global imaginary. Contributors visit the overlap between national and transnational engagements in Indo-Caribbean women's literature, considering the writers' response to local or nationally specific contexts, and the writers' response to the diasporic and transnational modalities of Caribbean and Indo-Caribbean communities.
The heaven and earth gave birth to all living things. I saw that the heavens and the earth gave birth to all living things, and I could pick any ancient Emperor's treasure; the ancient Emperor's treasure would definitely be given to me and the Emperor's treasure would be given to me; divine weapons were destined to be given to me after the birth of a peerless weapon. If I were to follow brother, I would definitely be promoted to an Imperial Armament in the future. I can't, I remember now, it's the fate of the previous life is not over, in this life we will continue the fate.
It is 1914, and Thomas Maggs, the son of the local publican, lives with his parents and sister in a village on the Suffolk coast. He is the youngest child, and the only son surviving. Life is quiet - shaped by the seasons, fishing and farming, the summer visitors, and the girls who come down from the Highlands every year to gut and pack the herring. Then one day a mysterious Scotsman arrives. To Thomas he looks for all the world like a detective, in his black cape and hat of felted wool, and the way he puffs on his pipe as if he's Sherlock Holmes. Mac is what the locals call him when they whisper about him in the inn. And whisper they do, for he sets off on his walks at unlikely hours, and stops to examine the humblest flowers. He is seen on the beach, staring out across the waves as if he's searching for clues. But Mac isn't a detective, he's the architect Charles Rennie Mackintosh, and together with his red-haired artist wife, they soon become a source of fascination and wonder to Thomas. Yet just as Thomas and Mac's friendship begins to blossom, war with Germany is declared. The summer guests flee and are replaced by regiments of soldiers on their way to Belgium, and as the brutality of war weighs increasingly heavily on this coastal community, they become more suspicious of Mac and his curious behaviour... In this tender and compelling story of an unlikely friendship, Esther Freud paints a vivid portrait of a home front community during the First World War, and of a man who was one of the most brilliant and misunderstood artists of his generation. It is her most beautiful and masterful work.
Honorable Mention, 2022 MLA Prize for a First Book Far from Mecca: Globalizing the Muslim Caribbean is the first academic work on Muslims in the English-speaking Caribbean. Khan focuses on the fiction, poetry, and music of Islam in Guyana, Trinidad, and Jamaica. Combining archival research, ethnography, and literary analysis, Khan argues for a historical continuity of Afro- and Indo-Muslim presence and cultural production in the Caribbean. Case studies explored range from Arabic-language autobiographical and religious texts written by enslaved Sufi West Africans in nineteenth-century Jamaica, to early twentieth-century fictions of post-indenture South Asian Muslim indigeneity and El Dorado, to the attempted government coup in 1990 by the Jamaat al-Muslimeen in Trinidad, as well as the island’s calypso music, to contemporary judicial cases concerning Caribbean Muslims and global terrorism. Khan argues that the Caribbean Muslim subject, the “fullaman,” a performative identity that relies on gendering and racializing Islam, troubles discourses of creolization that are fundamental to postcolonial nationalisms in the Caribbean.
This new anthology brings together the most diverse and recent voices in postcolonial theory to emerge since 9/11, alongside classic texts in established areas of postcolonial studies. Brings fresh insight and renewed political energy to established domains such as nation, history, literature, and gender Engages with contemporary concerns such as globalization, digital cultures, neo-colonialism, and language debates Includes wide geographical coverage – from Ireland and India to Israel and Palestine Provides uniquely broad coverage, offering a full sense of the tradition, including significant essays on science, technology and development, education and literacy, digital cultures, and transnationalism Edited by a distinguished postcolonial scholar, this insightful volume serves scholars and students across multiple disciplines from literary and cultural studies, to anthropology and digital studies
Marketing Your Book: An Author's Guide by Alison Baverstock Pdf
Authors will benefit hugely from this practical book by seeing how effective they can be at helping to promote their own books. Alison Baverstock encourages authors to work with publishers and agents but also explains how to 'go it alone' for authors who plan to self publish. The book covers: how marketing works; what opportunities there are; how authors can help; how to get noticed; how to get local publicity, organise a launch event and keep the momentum going after publication. The book also provides authors with a real insight into the publishing process and contains illuminating interviews with everyone concerned: editors, marketing people and, most importantly, authors.
This collection of essays explores some new possibilities for understanding postcolonial traumas. It examines representations of both personal and collective traumas around the globe from Palestinian, Caribbean, African American, South African, Maltese, Algerian, Indian, Australian and British writers, directors and artists.
Mythologies of Migration, Vocabularies of Indenture by Mariam Pirbhai Pdf
Pirbhai uses the critical paradigm of 'indenture history' to examine the local literary and cultural histories that have influenced and shaped the development of novel-length fiction by writers of the South Asian diaspora in national contexts as diverse as Mauritius, South Africa, Guyana, and Fiji.
The Tragedy of Macbeth, Part II: The Seed of Banquo by Noah Lukeman Pdf
“An audacious achievement.” --Jennifer Lee Carrell, Ph.D. (Harvard) New York Times Bestselling author of Interred With Their Bones/The Shakespeare Secret “Lukeman’s sequel to the Scottish play succeeds as both a fascinating literary exercise and an entertaining play in its own right….[A] poetic, well-paced drama.” —Booklist Recommended Reading, New York Magazine Fall Preview In 1610, The Tragedy of Macbeth was first performed. 400 years later: the sequel, written as a five-act play in blank verse. Ten years king, Malcolm sits on an uneasy throne. If Malcolm’s mind is haunted by the ghosts of his royal father (“gracious Duncan”) as well as the thane and lady who so bloodily betrayed him, Malcolm’s soul is sickened, as was Macbeth’s, by the witches’ prophecy that from Banquo’s seed would spring a line of Scottish kings: a prophecy that remained unfulfilled at the end of Shakespeare’s play. The witches also taunt Malcolm with riddles all his own: that sorrows will visit him from Ireland (where his younger brother fled upon their father’s death); that his love for Macbeth will breed fresh treachery. True to the Shakespearean model, its devious plot unfolding in five acts and its speech set to the measure of blank verse, Macbeth, Part II, draws bold the tragedy of a powerful man undone by the terrors he imagines and the truths he fails to see. "Noah Lukeman's bold sequel to Macbeth, written in blank verse, is a fierce, memory-ridden love letter to Shakespeare, and an enthralling reminder that, in our imagination, Shakespeare's greatest plays have no end." --Nigel Cliff, author of The Shakespeare Riots “Lukeman did a top-notch job creating a fresh play in the style of Shakespeare. The story moves quite briskly, and takes quite a few intriguing twists....The rhythm of the words and the drama of the story would make for quite a suspenseful and entertaining show.” —Fashionista Piranha “Lukeman truly has mastered the Shakespearian art and created a play that can stand as a sequel to the great Shakespearian play.” —A.M. Perez, Amanda's Weekly Zen
The Novel in Africa and the Caribbean since 1950 by Simon Gikandi Pdf
Why did the novel take such a long time to emerge in the colonial world? And, what cultural work did it come to perform in societies where subjects were not free and modes of social organization diverged from the European cultural centers where the novel gained its form and audience? Answering these questions and more, Volume 11, The Novel in Africa and the Caribbean since 1950 explores the institutions of cultural production that exerted influence in late colonialism, from missionary schools and metropolitan publishers to universities and small presses. How these structures provoke and respond to the literary trends and social peculiarities of Africa and the Caribbean impacts not only the writing and reading of novels in those regions, but also has a transformative effect on the novel as a global phenomenon. Together, the volume's 32 contributing experts tell a story about the close relationship between the novel and the project of decolonization, and explore the multiple ways in which novels enable readers to imagine communities beyond their own and thus made this form of literature a compelling catalyst for cultural transformation. The authors show that, even as the novel grows in Africa and the Caribbean as a mark of the elites' mastery of European form, it becomes the essential instrument for critiquing colonialism and for articulating the new horizons of cultural nationalism. Within this historical context, the volume examines works by authors such as Chinua Achebe, Nadine Gordimer, George Lamming, Jamaica Kincaid, V.S. Naipaul, Zoe Wicomb, J. M. Coetzee, and many others.
This work offers a close reading of literary works in French and in English by women writers whose ancestors originally came to the Caribbean or across the Indian Ocean as indentured labourers.
Crafting Identities, Remapping Nationalities by Cécile Coquet-Mokoko,Trevor Harris Pdf
In the different versions of multiculturalism that have re-shaped English-speaking societies and political systems, identities appear more plastic than in societies which have constructed their national narratives on more stubborn denials of their colonial and patriarchal pasts; yet, the myth of purity (or authenticity) and separatist temptations remain very real parameters of identity politics. In such contexts, crafting an identity for oneself implies expectations of consistency, linked not only to the individual need to prove oneself and disprove stereotypes and statistics, but also to the broader political goal of dis-alienating or, as it were, de-Othering oneself and one’s community. The contributors to this book explore the different ways – from the most institutional to the most intimate – in which people articulate the politics of memory and the creation of national narratives, or communal and personal identities.