Rape Rage And Feminism In Contemporary American Drama
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Rape, Rage and Feminism in Contemporary American Drama by Davida Bloom Pdf
This first-ever study of rape in modern American drama examines portrayals of rape, raped women and rapists in 36 plays written between 1970 and 2007, the period during which the feminist movement made rape a matter of public discourse. These dramas reveal much about sexuality and masculine and feminine identity in the United States. The author traces the impact of second-wave feminism, antifeminist backlash, third-wave feminism and postfeminism on the dramatic depiction of rape. The prevalence of commonly accepted rape myths--that women who dress provocatively invite sexual assault, for example--is well documented, along with equally frequent examples which dispute these myths.
Rape, Rage and Feminism in Contemporary American Drama by Davida Bloom Pdf
This first-ever study of rape in modern American drama examines portrayals of rape, raped women and rapists in 36 plays written between 1970 and 2007, the period during which the feminist movement made rape a matter of public discourse. These dramas reveal much about sexuality and masculine and feminine identity in the United States. The author traces the impact of second-wave feminism, antifeminist backlash, third-wave feminism and postfeminism on the dramatic depiction of rape. The prevalence of commonly accepted rape myths—that women who dress provocatively invite sexual assault, for example—is well documented, along with equally frequent examples which dispute these myths.
Objectives, Obstacles, and Tactics in Practice by Hillary Haft Bucs,Valerie Clayman Pye Pdf
Objectives, Obstacles, and Tactics in Practice is the first book that compiles practical approaches of the best practices from a range of practitioners on the subject of working with Stanislavski's "objectives," "obstacles," and "tactics." The book offers instructors and directors a variety of tools from leading acting teachers, who bring their own individual perspectives to the challenge of working with Stanislavski's principles for today's actors, in one volume. Each essay addresses its own theoretical and practical approach and offers concrete instructions for implementing new explorations both in the classroom and in the rehearsal studio. An excellent resource for acting and directing instructors at the university level, directing and theatre pedagogy students, high school/secondary theatre teachers, and community theatre leaders, Objectives, Obstacles, and Tactics in Practice serves as a resource for lesson planning and exploration, and provides an encyclopedia of the best practices in the field today.
Representing Abortion by Rachel Alpha Johnston Hurst Pdf
Representing Abortion analyses how artists, writers, performers, and activists make abortion visible, audible, and palpable within contexts dominated by anti-abortion imagery centred on the fetus and the erasure of the pregnant person, challenging the polarisation of conversations about abortion. This book illuminates the manifold ways that abortion is depicted and narrated by artists, performers, clinicians, writers, and activists. This representational work offers nuanced and complex understandings of abortion, personally and politically. Analyses of such representations are urgently needed as access to abortion is diminished and anti-abortion representations of the fetus continue to dominate the cultural horizon for thinking about abortion. Expanding the frame of reference for understanding abortion beyond the anti-abortion use of the fetal image, contributors to this collection push beyond narrow abstractions to examine representations of the experience and procedure of abortion within grounded histories, politics, and social contexts. The collection is organized into sections around seeing (and not seeing) abortion; fetal materiality; abortion storytelling and memoir; and representations for new arguments. These themes cover a range of topics including abortion visibility, anti-abortion discourse, pro-choice engagements with the fetus, personal experience and media representations. The analyses of such representations counteract anti-abortion rhetoric, carving out space for new arguments for abortion that are more representative and inclusive and asking audiences to envision new ways to advocate for safe abortion access through reproductive justice frameworks. This is an innovative and challenging collection that will be of key interest for scholars studying reproductive rights and reproductive justice, as well as women and gender studies. Representing Abortion is organized to structure upper year undergraduate and graduate courses on reproductive rights and reproductive justice in a new and engaging way.
Staging the Rage by Katherine H. Burkman,Judith Roof Pdf
This study is divided into four sections, whose general topics trace various manifestations of misogyny in nineteenthand twentieth-century drama. Recent attempts to dismantle and expose relations between gender and spectacle receive attention in a volume that suggests exciting possibilities for a revision of theater.
Representing Latina/x Reproductive Decision-Making by Melissa Huerta Pdf
This book examines representations of reproductive decisions in cultural texts. Close analyses of Teatro Luna, Jane the Virgin, Vida, Quinceañera and Favianna Rodriguez’s artwork serve as case studies offering a refreshing way to visualize, interpret, and hear Latina/x reproductive decisions.
Feminism, Literature and Rape Narratives by Sorcha Gunne,Zoë Brigley Pdf
The essays in this volume discuss narrative strategies employed by international writers when dealing with rape and sexual violence, whether in fiction, poetry, memoir, or drama. In developing these new feminist readings of rape narratives, the contributors aim to incorporate arguments about trauma and resistance in order to establish new dimensions of healing. This book makes a vital contribution to the fields of literary studies and feminism, since while other volumes have focused on retroactive portrayals of rape in literature, to date none has focused entirely on the subversive work that is being done to retheorize sexual violence. Split into four sections, the volume considers sexual violence from a number of different angles. 'Subverting the Story' considers how the characters of the victim and rapist might be subverted in narratives of sexual violence. In 'Metaphors for Resistance,' the essays explore how writers approach the subject of rape obliquely using metaphors to represent their suffering and pain. The controversy of not speaking about sexual violence is the focus of 'The Protest of Silence,' while 'The Question of the Visual' considers the problems of making sexual violence visible in the poetic image, in film and on stage. These four sections cover an impressive range of world writing which includes curriculum staples like Toni Morrison, Sarah Kane, Sandra Cisneros, Yvonne Vera, and Sharon Olds.
Performing Gender Violence by B. Ozieblo,N. Hernando-Real Pdf
Violence against women in plays bywomen has earned little mention. This revolutionary collection fills that gap, focusing on plays by American women dramatists, written in the last thirty years, that deal with different forms of gender violence. Each author discusses specific manifestations of violence in carefully selected plays: psychological, familial, war-time, and social injustice. This book encompasses the theatrical devices used to represent violence on the stage in an age of virtual, immediate reality as much as the problematics of gender violence in modern society.
All-American TV Crime Drama by Sujata Moorti,Lisa Cuklanz Pdf
Law and Order Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique, whilst also recasting the classic crime narrative? All-American TV Crime Drama is the first dedicated study of SVU and its treatment of sexual violence, gender and criminality. The book uses detailed textual and visual analyses of episodes to illuminate the assumptions underpinning the programme. Although SVU engages with issues pertaining to feminism and gender it still relies upon traditional and misogynistic tropes such as false rape charges and the monstrous mother to undermine positive views of the feminine. The show, and its backdrop, New York City thus become a stage on which national concerns about women, gender roles, the family and race are carried out. Moorti and Cuklanz unpack how the show has become a crucible for examining current attitudes towards these issues and include an analysis of its reception by its many fans in over 30 countries.
Author : Modern Language Association of America Publisher : Unknown Page : 2358 pages File Size : 55,7 Mb Release : 2002 Category : Languages, Modern ISBN : STANFORD:36105026449434
In four chapters, each dedicated to an experimental American novelist of the postmodern period, Male Rage Female Fury investigates what happens when novels that have defied traditional literary conventions such as temporal chronology, refuse to break with traditional gender-based stereotypes. The result, Maxwell argues, is an ambiguity or "internal tension" that may eventually produce more misogynistic images within the texts. Central to the study is an analysis of the violence, male and female initiated, in the works of the minimalists Barthelme and Didion, and the mythicists Pynchon and Morrison.
From Mike Tyson to the Portland Trail Blazers to William Kennedy Smith, from Katie Roiphe's The Morning After to the Antioch College policy, the issue of acquaintance, or "date," rape has captured our national attention in recent years. In a major contribution to current debates over the meaning of date rape and how it should be criminally punished, this volume brings together lawyers, philosophers, and feminists to explore "communicative sexuality" as a model for the condemnation of date rape. As a crime, rape is viewed more ambiguously than most other offenses. As a social issue, rape reflects deep divisions in our attitudes about sexuality and gender. Nowhere are these divisions more obvious than in the controversies over date rape. Women who assert that they have been victimized by acquaintances--or, worse, by spouses or former lovers--may be met with the judgment that they, too, bear responsibility for what happened. While the past few decades have seen two major waves of rape law reform in the United States, these reforms have only chipped away at the basic criticism that sexual coercion, particularly by acquaintances, remains largely unpunished in contemporary American law. Lois Pineau's feminist analysis of date rape, which is the centerpiece of this book, seeks to replace myths about female provocation and male self-control with a model of communicative sexuality, in which each partner tries to understand the aims of the other and to further these ends toward what Pineau calls "good sex." Aggressive or coercive sex, Pineau argues, lacks this fundamental understanding. Thus, Pineau's reconceptualization of sexual assault has two elements: nonconsensual sexual action and lack of the communication needed to establish that the action was consensual. In recognition of the importance of this radical reconceptualization of sexual assault, the contributors to Date Rape evaluate its theoretical plausibility and its practical consequences. The result is a balanced evaluation of a major new direction in our understanding of rape.
Successor to the author's ground-breaking Feminist Drama (1979), this book describes the evolution of contemporary American feminist thought since that volume appeared and traces its themes in a cross-section of contemporary plays.