Reading Latin Poetry Aloud Hardback With Audio Cds
Reading Latin Poetry Aloud Hardback With Audio Cds Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Reading Latin Poetry Aloud Hardback With Audio Cds book. This book definitely worth reading, it is an incredibly well-written.
Reading Latin Poetry Aloud Paperback with Audio CDs by Clive Brooks Pdf
Embracing the whole two-thousand-year corpus of Latin poetry, this book seeks to stimulate interest in the neglected art of reading aloud. It establishes a practical working pronunciation for Classical, Medieval and Renaissance Latin by means of a detailed analysis of the essential known facts, and it develops and explains a clear and practical system of phonetic notation, based upon the International Phonetic Alphabet. A substantial number of poems and extracts from all periods is offered for practice. Issues relevant to both quantitative and rhythmical prosody are fully discussed and translation notes are supplied to aid the student. Each poem is fully transcribed into phonetics and is accompanied by an English verse translation, whose main purpose is to reveal something of the literary quality of the verse. Two accompanying CDs aid pronunciation by giving the practice words found in the pronunciation sections and offering a complete reading of the poems.
Helps to the Reading of Classical Latin Poetry by Leon Josiah Richardson Pdf
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1907 edition. Excerpt: ... RHYTHMICAL. ELEMENTS Syllables Rhythm as involved in poetry has been considered in the foregoing pages along general lines, but from this point onward the subject will be restricted to the single field of Latin. It is now in order to develop somewhat more fully a phase of the subject already touched upon, namely, the part played by syllables. The existence of syllables rests upon a natural basis. The voice can not convey a succession of thoughts except by being varied into different sounds, and these can not be sufficiently numerous and distinguishable for our needs except by the introduction of such as break or hinder the current of breath, producing a division into syllables. The poet's recognition and selection of syllables for the purposes of versification, far from being a highly artificial process, is mainly subconscious. His standard and criterion are not the dictionary, nor words sounded separately, but audible, fluent speech. And so it not infrequently happens that when one word is merged into another, the result is a syllable that embraces parts of two words. To read Latin poetry well, one must bring out distinctly the sound properties of the syllables, some of these properties being inherent in the separate syllables, some resulting from the effect one syllable has upon another. 6What, in detail, are these properties? A syllable comprises a vowel alone, a diphthong alone, or either in close union with one or more consonants. Latin vowels, according to the ancients, fell into three classes: (1) those of brief duration and therefore considered short, (2) those more extended in time and therefore considered long, and (3) those occurring in closely knit pairs, called diphthongs, the same being long. Consonants seemed to affect the...
The Quantitative Reading of Latin Poetry (Classic Reprint) by Charles Edwin Bennett Pdf
Excerpt from The Quantitative Reading of Latin Poetry This pamphlet is published in accordance with a plan formed several years ago. Few pupils learn to read Latin poetry with ease and enjoyment. What ought to be a pleasure seldom rises above the dreary routine of a mechanical task. The writer feels justified by his own experience in asserting that something more than this much more in fact - is easily within the reach of all who will faithfully carry out the simple precepts laid down in the following pages. It is this conviction which has led to the publication of this little book. The rules for quantity, along with nearly all the definitions of the leading terms of metre and prosody, have designedly been omitted. These are easily accessi ble in any Latin grammar. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
How to Read a Latin Poem by William Fitzgerald Pdf
Latin is very much alive in the poetry written by the great Latin poets, and this book is about their poetry, their language, and their culture. Fitzgerald shows the reader with little or no knowledge of the Latin language how it works as a unique vehicle for poetic expression and thought. Moving between close analysis of particular Latin poems and more general discussions of Latin poets, literature, and society, Fitzgerald gives the un-Latined reader an insider'sview of how Latin poetry feels and what makes it worth reading today.
Poetry Speaks Expanded by Elise Paschen,Rebekah Presson Mosby Pdf
Presenting a diverse cross-section of the 20th centurys best poets, this classic poetry anthology has now been revised with added essays and poems. Includes three audio CDs with recordings of each poet reading his or her work.
"This concise guide provides a clear theoretical framework for the study of Latin hexameter and places welcome stress on reading aloud and listening to classical verse, providing very practical help in achieving that skill."--Bloomsbury Publishing
Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times, Charles Bernstein is a leading voice in American literary theory. Pitch of Poetry is his irreverent guide to modernist and contemporary poetics. Subjects range across Holocaust representation, Occupy Wall Street, and the figurative nature of abstract art. Detailed overviews of formally inventive work include essays on—or “pitches” for—a set of key poets, from Gertrude Stein and Robert Creeley to John Ashbery, Barbara Guest, Larry Eigner, and Leslie Scalapino. Bernstein also reveals the formative ideas behind the magazine L=A=N=G=U=A=G=E. The final section, published here for the first time, is a sweeping work on the poetics of stigma, perversity, and disability that is rooted in the thinking of Edgar Allan Poe, Emily Dickinson, Ralph Waldo Emerson, and William Blake. Pitch of Poetry makes an exhilarating case for what Bernstein calls echopoetics: a poetry of call and response, reason and imagination, disfiguration and refiguration.
With 6 starred reviews, 8 best of the year lists, and over 20 state award nominations, everyone is raving about Mirror Mirror! "Remarkable."—The Washington Post "This mind-bending poetry is accompanied by Masse's equally intelligent, equally amusing art."—Time Out New York for Kids What’s brewing when two favorites—poetry and fairy tales—are turned (literally) on their heads? It’s a revolutionary recipe: an infectious new genre of poetry and a lovably modern take on classic stories. First, read the poems forward (how old-fashioned!), then reverse the lines and read again to give familiar tales, from Sleeping Beauty to that Charming Prince, a delicious new spin. Witty, irreverent, and warm, this gorgeously illustrated and utterly unique offering holds a mirror up to language and fairy tales, and renews the fun and magic of both.
Audiobooks, Literature, and Sound Studies by Matthew Rubery Pdf
This is the first scholarly work to examine the cultural significance of the "talking book" since the invention of the phonograph in 1877, the earliest machine to enable the reproduction of the human voice. Recent advances in sound technology make this an opportune moment to reflect on the evolution of our reading practices since this remarkable invention. Some questions addressed by the collection include: How does auditory literature adapt printed texts? What skills in close listening are necessary for its reception? What are the social consequences of new listening technologies? In sum, the essays gathered together by this collection explore the extent to which the audiobook enables us not just to hear literature but to hear it in new ways. Bringing together a set of reflections on the enrichments and impoverishments of the reading experience brought about by developments in sound technology, this collection spans the earliest adaptations of printed texts into sound by Charles Dickens, Thomas Hardy, and other novelists from the late nineteenth century to recordings by contemporary figures such as Toni Morrison and Barack Obama at the turn of the twenty-first century. As the voices gathered here suggest, it is time to give a hearing to one of the most talked about new media of the past century.
Oxford Latin Course by M. G. Balme,James Morwood Pdf
Provides teachers and students alike with a modern, inviting and structured way to sustain interest and excellence in Latin. Based on the reading of original texts, the course is structured around a narrative detailing the life of the poet Horace, which helps students to develop an understanding of the times of Cicero and Augustus.