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Really the Blues by Mezz Mezzrow,Bernard Wolfe Pdf
Mezz Mezzrow was a boy from Chicago who learned to play the sax in reform school and pursued a life in music and a life of crime. He moved from Chicago to New Orleans to New York, working in brothels and bars, bootlegging, dealing drugs, getting hooked, doing time, producing records, and playing with the greats, among them Louis Armstrong, Bix Beiderbecke, and Fats Waller. Really the Blues, the jive-talking memoir that Mezzrow wrote at the insistence of, and with the help of, the novelist Bernard Wolfe, is the story of an unusual and unusually American life, and a portrait of a man who moved freely across racial boundaries when few could or did, “the odyssey of an individualist . . . the saga of a guy who wanted to make friends in a jungle where everyone was too busy making money.”
“This is one of those special novels—a piece of working magic, warm, funny, and sane.”—Thomas Pynchon The whooping crane rustlers are girls. Young girls. Cowgirls, as a matter of fact, all “bursting with dimples and hormones”—and the FBI has never seen anything quite like them. Yet their rebellion at the Rubber Rose Ranch is almost overshadowed by the arrival of the legendary Sissy Hankshaw, a white-trash goddess literally born to hitchhike, and the freest female of them all. Freedom, its prizes and its prices, is a major theme of Tom Robbins’s classic tale of eccentric adventure. As his robust characters attempt to turn the tables on fate, the reader is drawn along on a tragicomic joyride across the badlands of sexuality, wild rivers of language, and the frontiers of the mind.
Really the Blues by Mezz Mezzrow,Bernard Wolfe Pdf
The story of Milton Mezzrow--a white kid who fell in love with black culture. First published in 1946, "Really the Blues" was a rousing wake-up call to alienated young whites to explore the world of jazz, the first music America could call its own. Told in the jive lingo of the underground's inner circle, this classic is an unforgettable chronicle of street life, smoky clubs, and roadhouse dances.
Chasing the Blues by Josephine Matyas,Craig Jones Pdf
Chasing the Blues explores the roots of the blues---the music birthed in the Mississippi Delta by African Americans who fashioned a new form of musical expression grounded in their shared experience of brutal oppression. They used the power of music to survive that oppression, creating a simple-in-structure, emotionally complex form that transformed and upended culture and became the bedrock of popular song. Tracing the music back to its geographical and cultural origins in the Delta is key to understanding how the blues were shaped. Over time, the Delta blues have touched virtually every form of popular music (rock and roll, soul, R&B, country-western, gospel), creating the soundscape of our lives. What makes this book unique? Fathoming how the music flowed from living and working conditions in the heart of the Deep South; appreciating how life-changing events like the Flood of 1927 sparked a mass migration away from plantation life, spreading the blues to the cities in the North and becoming the soundtrack to the civil rights movement; how blues musicians interacted, "cross-fertilizing" their music by learning, influencing, and imitating each other. The habits of travel are shifting, and there is more interest and a larger market for diving deep into destinations closer to home. Interest in Black history and culture and the role Black Americans played in shaping America is at an all-time high. By appreciating the roots of this most American style of music, readers will have a richer experience listening to songs and visiting blues' holy and sacred sites.
This little book transcends geographical, social, and economic boundaries to search the heart and soul of the blues, looking for rules to live by, hope for the downtrodden, cautionary tales for the good times, and truths that "hurt so good". Sometimes, you just gotta be blue. But, as this book goes to show, that's okay--because you're never alone.
Baking brownies for her new neighbor sounds like an excellent plan… until Sage discovers she’s now sharing a duplex with her ex. Hiding and avoiding the woman is sapping her creative energy, but Sage can’t afford another inevitable heartbreak. Brooke swore she’d never feel stuck anywhere again, so she created a challenge: live in all fifty states before she turns forty. She’s hopping from state to state, renovating old houses, but living next door to her ex was not part of the plan. While Brooke is committed to the road, Sage has made New Orleans her home. They can’t deny the fact that Brooke will leave once again, but sharing a front porch makes it nearly impossible to resist their attraction. Sing the Blues is a sweet, second chance, sapphic romance about finding the courage to take a risk and learning what “home” really means.
Seventeen-year-old Sky, openly gay but under the radar, decides to make a splashy Promposal but his plans are leaked by an anonymous, homophobic hacker, moving his classmates to help him expose the perpetrator.
Lady Sings the Blues by Billie Holiday,William Dufty Pdf
Perfect for fans of The United States vs. Billie Holiday, this is the fiercely honest, no-holds-barred memoir of the legendary jazz, swing, and standards singing sensation—a fiftieth-anniversary edition updated with stunning new photos, a revised discography, and an insightful foreword by music writer David Ritz Taking the reader on a fast-moving journey from Billie Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.
'A legend of the game' - Anthony Seibold 'He's a player that never lets his team down' - Billy Slater Darius Boyd broke into the Brisbane Broncos NRL team in 2006 straight out of high school and was part of the premiership-winning team in his debut season. He'd go on to win another premiership with the Dragons in 2010, claiming the Clive Churchill Medal for man of the match and forever stamping his name as an elite champion of the game. He has played 28 State of Origins for Queensland and taken the field in 23 Tests for Australia - never playing in a losing Australian team. In 15 seasons at the top level, Darius has won nearly every honour the sport can award and is undeniably an NRL great. But listing statistics, awards and premierships doesn't reveal the battles that Darius Boyd has faced off the field. A teenager with a troubled background, he started his career with innate footy talent but also the emotional baggage of an unknown father, the devastating loss of loved ones, and a mother who was walking a mental health tightrope herself, which as a kid he didn't understand. As his talent shone on the field and his profile increased, Darius struggled. Hiding years of depression and unhappiness, playing footy was his escape. But no one can run from themselves forever. The horrific spinal injury to good mate and Newcastle Knights teammate Alex McKinnon was the catalyst that finally broke Darius. Realising he needed help for his anxiety, depression and suicidal thoughts, he turned his back on football, checked into a mental health facility and began to mend his life and himself. Now, as he heads into retirement, Darius Boyd is sharing his story, to celebrate his triumphs on the field but, more importantly for him, revealing how to deal with depression, overcome adversity and live with mental illness. He reflects on excerpts from his private journal which charted his journey from the depths of despair to a life of gratitude. It is a heartfelt message he now takes across the NRL and into boardrooms, schools and footy clubs in a quest to keep our young men alive. BATTLING THE BLUES is a raw, honest and inspiring memoir that takes us into the heart of an NRL champion and his fight to conquer his demons and live a better life.
With her smart and playful writing, debut author Metra Farrari cleverly blends chick-lit with a dash of Greek mythology—the product a winning combination of smart-alecky wit, dreamy escapism, and a quirky yet lovable heroine. Ryan Bell is your typical millennial: surviving on a diet of wine and Netflix, woefully single enough to qualify for cat-lady membership, and renting from a seventy-something Tinder-swiping landlord-turned-bestie. But underneath her chipped-off manicure lies a green thumb that has created miraculous flowers capable of saving mankind from cataclysmic climate change. There's one problem: Only Ryan can grow them. An unusual audience comes to an unorthodox conclusion: Ryan is the heir of the Greek god Artemis. Although Ryan thinks these strange, toga-wearing folks are one kalamata olive short of a Greek salad, she reluctantly enters a hidden world where the Olympians are real and magic flows freely (plus a generous serving of Greek hunks). Talk about one epic identity crisis. Magical demigod or not, the fate of civilization—both mortal and godly—now rests on Ryan's shoulders.
The Blues: A Very Short Introduction by Elijah Wald Pdf
Praised as "suave, soulful, ebullient" (Tom Waits) and "a meticulous researcher, a graceful writer, and a committed contrarian" (New York Times Book Review), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture. It is not an easy thing to pin down. As Howlin' Wolf once described it, "When you ain't got no money and can't pay your house rent and can't buy you no food, you've damn sure got the blues." It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap. As with all of Oxford's Very Short Introductions, The Blues tells you--with insight, clarity, and wit--everything you need to know to understand this quintessentially American musical genre.
How do you love and not like the same thing at the same time? This was the riddle that met Mississippi writer B. Brian Foster when he returned to his home state to learn about Black culture and found himself hearing about the blues. One moment, Black Mississippians would say they knew and appreciated the blues. The next, they would say they didn't like it. For five years, Foster listened and asked: "How?" "Why not?" "Will it ever change?" This is the story of the answers to his questions. In this illuminating work, Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of Black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of Black life, a method that he calls listening for the backbeat.
Conversation with the Blues CD Included by Paul Oliver Pdf
First published in 1965 by Cassell and Co, this classic and unique text in blues history, Conversation with the Blues has now been re-issued in a new, larger format. The book takes a slice across blues traditions of all kinds, which were still thriving side by side in 1960. Compiled from transcriptions of interviews with blues singers made by Paul Oliver in 1960, the book tells in the singers' own words of the significance of their music and the turbulent lives it reflects. It is accompanied by a fascinating CD, slipcased on the inside back cover of the book, which captures the stark, ironic but moving narratives of the singers themselves. Included are guitarists, pianists and other instrumentalists from the rural South and the urban North, from famous blues singers who recorded extensively to singers known only to their local communities. Copiously illustrated with Paul Oliver's photographs, the book provides a rare glimpse of African American music at a time when the South was still segregated.
Paris, 1941. American jazz musician Eddie Piron has lived in the city of light since before the war began. But Paris under occupation is not what it once was, and things are looking a lot darker for a man like Eddie. The great jazz artists of the day, like Django Reinhardt, are lying low or being swept away under the racial policies of the Nazis. But the SS has a paradoxical taste for the "negermusik" and their favorite gathering place is La Caverne Negre, where Eddie leads the band.One night the drummer for "Eddie et Ses Anges", an indifferent musician but an essential part of the band, disappears. When his body is found in the Seine the next day, Eddie becomes entangled in the murder investigation. He soon finds himself in the clutches of a mercenary intelligence broker who discovers why Eddie Piron is really in Paris—and what he's really hiding.
Skip James (1902–1969) was perhaps the most creative and idiosyncratic of all blues musicians. Drawing on hundreds of hours of conversations with James himself, Stephen Calt here paints a dark and unforgettable portrait of a man untroubled by his own murderous inclinations, a man who achieved one moment of transcendent greatness in a life haunted by failure. And in doing so, Calt offers new insights into the nature of the blues, the world in which it thrived, and its fate when that world vanished.
