Reclaiming Late Romantic Music

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Reclaiming Late-Romantic Music

Peter Franklin
Reclaiming Late Romantic Music Book PDF

Author : Peter Franklin
Publisher : Univ of California Press
Page : 218 pages
File Size : 51,5 Mb
Release : 2014-02-15
Category : Music
ISBN : 9780520280397

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Reclaiming Late-Romantic Music by Peter Franklin Pdf

Why are some of the most beloved and frequently performed works of the late-romantic periodÑMahler, Delius, Debussy, Sibelius, PucciniÑregarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The styleÕs continuing popularity and its domination of the film music idiom (via work by composers such as Max Steiner, Erich Wolfgang Korngold, and their successors) bring late-romantic music to thousands of listeners who have never set foot in a concert hall. Reclaiming Late-Romantic Music sheds new light on these often unfairly disparaged works and explores the historical dimension of their continuing role in the contemporary sound world.

Music, Modern Culture, and the Critical Ear

Nicholas Attfield,Ben Winters
Music Modern Culture and the Critical Ear Book PDF

Author : Nicholas Attfield,Ben Winters
Publisher : Routledge
Page : 312 pages
File Size : 48,5 Mb
Release : 2016-04-30
Category : Music
ISBN : 9781317091653

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Music, Modern Culture, and the Critical Ear by Nicholas Attfield,Ben Winters Pdf

In his 1985 book The Idea of Music: Schoenberg and Others, Peter Franklin set out a challenge for musicology: namely, how best to talk and write about the music of modern European culture that fell outside of the modernist mainstream typified by Schoenberg, Berg, and Webern? Thirty years on, this collected volume of essays by Franklin’s students and colleagues returns to that challenge and the vibrant intellectual field that has since developed. Moving freely between insights into opera, Volksoper, film, festival, and choral movement, and from the very earliest years of the twentieth century up to the 1980s, its authors listen with a ‘critical ear’: they site these musical phenomena within a wider web of modern cultural practices - a perspective, in turn, that enables them to exercise a disciplinary self-awareness after Franklin’s manner.

The Cambridge Companion to Music and Romanticism

Benedict Taylor
The Cambridge Companion to Music and Romanticism Book PDF

Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 403 pages
File Size : 44,7 Mb
Release : 2021-08-26
Category : History
ISBN : 9781108475433

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The Cambridge Companion to Music and Romanticism by Benedict Taylor Pdf

A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.

Romanticism and Film

Will Kitchen
Romanticism and Film Book PDF

Author : Will Kitchen
Publisher : Bloomsbury Publishing USA
Page : 261 pages
File Size : 41,9 Mb
Release : 2020-11-26
Category : Music
ISBN : 9781501361340

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Romanticism and Film by Will Kitchen Pdf

The relationship between Romanticism and film remains one of the most neglected topics in film theory and history, with analysis often focusing on the proto-cinematic significance of Richard Wagner's music-dramas. One new and interesting way of examining this relationship is by looking beyond Wagner, and developing a concept of audio-visual explanation rooted in Romantic philosophical aesthetics, and employing it in the analysis of film discourse and representation. Using this concept of audio-visual explanation, the cultural image of the Hungarian pianist and composer Franz Liszt, a contemporary of Wagner and another significant practitioner of Romantic audio-visual aesthetics, is examined in reference to specific case studies, including the rarely-explored films Song Without End (1960) and Lisztomania (1975). This multifaceted study of film discourse and representation employs Liszt as a guiding-thread, structuring a general exploration of the concept of Romanticism and its relationship with film more generally. This exploration is supported by new theories of representation based on schematic cognition, the philosophy of explanation, and the recently-developed film theory of Jacques Rancière. Individual chapters address the historical background of audio-visual explanation in Romantic philosophical aesthetics, Liszt's role in the historical discourses of film and film music, and various filmic representations of Liszt and his compositions. Throughout these investigations, Will Kitchen explores the various ways that films explain, or 'make sense' of things, through a 'Romantic' aesthetic combination of sound and vision.

Film Music in the Sound Era

Jonathan Rhodes Lee
Film Music in the Sound Era Book PDF

Author : Jonathan Rhodes Lee
Publisher : Routledge
Page : 1096 pages
File Size : 47,8 Mb
Release : 2020-03-10
Category : Music
ISBN : 9781000091281

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Film Music in the Sound Era by Jonathan Rhodes Lee Pdf

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

Musicology: The Key Concepts

David Beard,Kenneth Gloag
Musicology The Key Concepts Book PDF

Author : David Beard,Kenneth Gloag
Publisher : Routledge
Page : 377 pages
File Size : 44,8 Mb
Release : 2016-01-22
Category : Music
ISBN : 9781317298090

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Musicology: The Key Concepts by David Beard,Kenneth Gloag Pdf

Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including: Autobiography Music and Conflict Deconstruction Postcolonialism Disability Music after 9/11 Masculinity Gay Musicology Aesthetics Ethnicity Interpretation Subjectivity With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.

The Music of Frederick Delius

Jeremy Dibble
The Music of Frederick Delius Book PDF

Author : Jeremy Dibble
Publisher : Boydell & Brewer
Page : 565 pages
File Size : 48,7 Mb
Release : 2021
Category : Music
ISBN : 9781783275779

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The Music of Frederick Delius by Jeremy Dibble Pdf

This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice.

The Cambridge Companion to Film Music

Mervyn Cooke,Fiona Ford
The Cambridge Companion to Film Music Book PDF

Author : Mervyn Cooke,Fiona Ford
Publisher : Cambridge University Press
Page : 439 pages
File Size : 40,8 Mb
Release : 2016-12-08
Category : Music
ISBN : 9781107094512

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The Cambridge Companion to Film Music by Mervyn Cooke,Fiona Ford Pdf

A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.

Scoring the Hollywood Actor in the 1950s

Gregory Camp
Scoring the Hollywood Actor in the 1950s Book PDF

Author : Gregory Camp
Publisher : Routledge
Page : 210 pages
File Size : 51,8 Mb
Release : 2020-12-30
Category : Music
ISBN : 9781000293609

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Scoring the Hollywood Actor in the 1950s by Gregory Camp Pdf

Scoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies. Closely examining performances of such actors as James Dean, Montgomery Clift, and Marilyn Monroe, and films of directors like Elia Kazan, Douglas Sirk, and Alfred Hitchcock, this volume provides a comprehensive view of how screen performance has been musicalised, including examination of the role of music in relation to the creation of cinematic performances and the perception of an actor’s performance. The book also explores the idea of music as a temporal vector which mirrors the temporal vector of actors’ voices and movements, ultimately demonstrating how acting and music go together to create a forward axis of time in the films of the 1950s. This is a valuable resource for scholars and researchers of musicology, film music and film studies more generally.

Musical Sincerity and Transcendence in Film

Timothy B. Cochran
Musical Sincerity and Transcendence in Film Book PDF

Author : Timothy B. Cochran
Publisher : Routledge
Page : 218 pages
File Size : 48,6 Mb
Release : 2021-08-17
Category : Music
ISBN : 9780429874680

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Musical Sincerity and Transcendence in Film by Timothy B. Cochran Pdf

Musical Sincerity and Transcendence in Film focuses on the ways filmmakers treat music reflexively—that is, draw attention to what it is and what it can do. Examining a wide range of movies from recent decades including examples from Indiewood, teen film, and blockbuster cinema, the book explores two recurring ideas about music implied by foregrounded musical activity on screen: that music can be a potent means of sincere expression and genuine human connection and that music can enable transcendence of disenchantment and the mundane. As an historical musicologist, Timothy Cochran explores these assumptions through analysis of musical style, aesthetic implications, and narrative strategy while treating the ideas as historically-grounded and culturally-situated with conceptual origins often lying outside of film. The book covers eclectic critical terrain to highlight various layers of musical sincerity and transcendence in film, including the nineteenth-century aesthetics of E.T.A. Hoffmann, David Foster Wallace’s literary resistance to irony (sometimes called the New Sincerity), strategies of self-revelation in singer-songwriter repertoires, Lionel Trilling’s distinction between sincerity and authenticity, theories of play, David Nye’s notion of the American technological sublime, and Svetlana Boym’s writings on nostalgia. These lenses reveal that film is a way of perpetuating, revising, and critiquing ideas about music and that music in film is a potent means of exploring broader social, emotional, and spiritual desires.

Delius and the Sound of Place

Daniel M. Grimley
Delius and the Sound of Place Book PDF

Author : Daniel M. Grimley
Publisher : Cambridge University Press
Page : 337 pages
File Size : 54,5 Mb
Release : 2018-12-06
Category : Music
ISBN : 9781108470391

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Delius and the Sound of Place by Daniel M. Grimley Pdf

Offers a radical and interdisciplinary analysis that will transform readers' understanding of this deeply compelling early twentieth-century composer.

Music's Immanent Future

Sally Macarthur,Judy Lochhead,Jennifer Shaw
Music s Immanent Future Book PDF

Author : Sally Macarthur,Judy Lochhead,Jennifer Shaw
Publisher : Routledge
Page : 288 pages
File Size : 40,5 Mb
Release : 2016-05-12
Category : Music
ISBN : 9781317091264

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Music's Immanent Future by Sally Macarthur,Judy Lochhead,Jennifer Shaw Pdf

The conversations generated by the chapters in Music's Immanent Future grapple with some of music's paradoxes: that music of the Western art canon is viewed as timeless and universal while other kinds of music are seen as transitory and ephemeral; that in order to make sense of music we need descriptive language; that to open up the new in music we need to revisit the old; that to arrive at a figuration of music itself we need to posit its starting point in noise; that in order to justify our creative compositional works as research, we need to find critical languages and theoretical frameworks with which to discuss them; or that despite being an auditory system, we are compelled to resort to the visual metaphor as a way of thinking about musical sounds. Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers. The chapters in this volume investigate and ask fundamental questions about how we think, converse, write about, compose, listen to and analyse music. The work is informed by the philosophy primarily of Gilles Deleuze and Felix Guattari, and secondarily of Michel Foucault, Julia Kristeva and Jean-Luc Nancy. The chapters cover a wide range of topics focused on twentieth and twenty-first century musics, covering popular musics, art music, acousmatic music and electro-acoustic musics, and including music analysis, music's ontology, the noise/music dichotomy, intertextuality and music, listening, ethnography and the current state of music studies. The authors discuss their philosophical perspectives and methodologies of practice-led research, including their own creative work as a form of research. Music's Immanent Future brings together empirical, cultural, philosophical and creative approaches that will be of interest to musicologists, composers, music analysts and music philosophers.

Opera After the Zero Hour

Emily Richmond Pollock
Opera After the Zero Hour Book PDF

Author : Emily Richmond Pollock
Publisher : Oxford University Press
Page : 313 pages
File Size : 53,8 Mb
Release : 2019-08-20
Category : Music
ISBN : 9780190063764

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Opera After the Zero Hour by Emily Richmond Pollock Pdf

Opera After the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany presents opera as a site for the renegotiation of tradition in a politically fraught era of rebuilding. Though the "Zero Hour" put a rhetorical caesura between National Socialism and postwar West Germany, the postwar era was characterized by significant cultural continuity with the past. With nearly all of the major opera houses destroyed and a complex relationship to the competing ethics of modernism and restoration, opera was a richly contested art form, and the genre's reputed conservatism was remarkably multi-faceted. Author Emily Richmond Pollock explores how composers developed different strategies to make new opera "new" while still deferring to historical conventions, all of which carried cultural resonances of their own. Diverse approaches to operatic tradition are exemplified through five case studies in works by Boris Blacher, Hans Werner Henze, Carl Orff, Bernd Alois Zimmermann, and Werner Egk. Each opera alludes to a distinct cultural or musical past, from Greek tragedy to Dada, bel canto to Berg. Pollock's discussions of these pieces draw on source studies, close readings, unpublished correspondence, institutional history, and critical commentary to illuminate the politicized artistic environment that influenced these operas' creation and reception. The result is new insight into how the particular opposition between a conservative genre and the idea of the "Zero Hour" motivated the development of opera's social, aesthetic, and political value after World War II.

The Oxford Handbook of Shakespeare and Music

Christopher R. Wilson,Mervyn Cooke
The Oxford Handbook of Shakespeare and Music Book PDF

Author : Christopher R. Wilson,Mervyn Cooke
Publisher : Oxford University Press
Page : 1289 pages
File Size : 51,9 Mb
Release : 2022
Category : Drama
ISBN : 9780190945145

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The Oxford Handbook of Shakespeare and Music by Christopher R. Wilson,Mervyn Cooke Pdf

"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--

Double Lives: Film Composers in the Concert Hall

James Wierzbicki
Double Lives Film Composers in the Concert Hall Book PDF

Author : James Wierzbicki
Publisher : Routledge
Page : 254 pages
File Size : 50,8 Mb
Release : 2019-02-21
Category : Music
ISBN : 9780429671494

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Double Lives: Film Composers in the Concert Hall by James Wierzbicki Pdf

Double Lives: Film Composers in the Concert Hall is a collection of fifteen essays dealing with ‘iconic’ film composers who, perhaps to the surprise of many fans of film music, nevertheless maintained lifelong careers as composers for the concert hall. Featured composers include Erich Wolfgang Korngold, Franz Waxman, Miklós Rózsa, Bernard Herrmann, Nino Rota, Leonard Rosenman, and Ennio Morricone. Progressing in chronological order, the chapters offer accounts of the various composers’ concert-hall careers and descriptions of their concert-hall styles. Each chapter compares the composer’s music for films with his or her music for the concert hall, and speculates as to how music in one arena might have affected music in the other. For each composer discussed in the book, complete filmographies and complete works lists are included as appendices. Double Lives: Film Composers in the Concert Hall is accessible for scholars, researchers, and general readers with an interest in film music and concert music.