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Rediscovering Jacob Riis by Bonnie Yochelson,Daniel Czitrom Pdf
Jacob Riis (1849-1914) was the author of How the Other Half Lives (1890). This study of his life and work includes excerpts from Riis s diary, chronicling romance, poverty, temptation, and, after many false starts, employment as a writer and reformer. In the second half, Yochelson describes how Riis used photography to shock and influence his readers. The authors describe Riis s intellectual education and discuss the influence of How the Other Half Lives on urban history. It shows that Riis argued for charity rather than social justice; but the fact that he understood what it was to be homeless did humanize Riis s work, and that work has continued to inspire reformers. Yochelson focuses on how Riis came to obtain his now famous images, how they were manipulated for publication, and their influence on the young field of photography."
Rediscovering Jacob Riis by Bonnie Yochelson,Daniel Czitrom Pdf
Before publishing his pioneering book How the Other Half Lives—a photojournalistic investigation into the poverty of New York’s tenement houses, home to three quarters of the city’s population—Jacob Riis (1849-1914) spent his first years in the United States as an immigrant and itinerant laborer, barely surviving on his carpentry skills until he landed a job as a muckraking reporter. These early experiences provided Riis with an understanding of what it was like to be poor in the immigrant communities that populated New York’s slums, and it was this empathy that would shine through in his iconic photos. With Rediscovering Jacob Riis, art historian Bonnie Yochelson and historian Daniel Czitrom place Jacob Riis’s images in historical context even as they expose a clear sightline to the present. In the first half of their book, Czitrom explores Riis’s reporting and activism within the gritty specifics of Gilded Age New York: its new immigrants, its political machines, its fiercely competitive journalism, its evangelical reformers, and its labor movement. In delving into Riis’s intellectual education and the lasting impact of How the Other Half Lives, Czitrom shows that though Riis argued for charity, not sociopolitical justice, the empathy that drove his work continues to inspire urban reformers today. In the second half of the book, Yochelson describes for the first time Riis’s photographic practice: his initial reliance on amateur photographers to take the photographs he needed, his own use of the camera, and then his collecting of photographs by professionals, who by 1900 were documenting social reform efforts for government agencies and charities. She argues that while Riis is rightly considered a revolutionary in the history of photography, he was not a photographic artist. Instead, Riis was a writer and lecturer who first harnessed the power of photography to affect social change. As staggering inequality continues to be an urgent political topic, this book, illustrated with nearly seventy of Riis’s photographs, will serve as a stunning reminder of what has changed, and what has not.
"Danish-born Jacob A. Riis (1849-1914) found success in America as a reporter for the New York Tribune, first documenting crime and later turning his eye to housing reform. As tenement living conditions became unbearable in the wake of massive immigration, Riis and his camera captured some of the earliest, most powerful images of American urban poverty"--Jacket.
This revealing biography of a pioneering photojournalist and social reformer Jacob Riis shows how he brought to light one of the worst social justice issues plaguing New York City in the late 1800s--the tenement housing crisis--using newly invented flash photography. Jacob Riis was familiar with poverty. He did his best to combat it in his hometown of Ribe, Denmark, and he experienced it when he immigrated to the United States in 1870. Jobs for immigrants were hard to get and keep, and Jacob often found himself penniless, sleeping on the streets or in filthy homeless shelters. When he became a journalist, Jacob couldn't stop seeing the poverty in the city around him. He began to photograph overcrowded tenement buildings and their impoverished residents, using newly developed flash powder to illuminate the constantly dark rooms to expose the unacceptable conditions. His photographs inspired the people of New York to take action. Gary Kelley's detailed illustrations perfectly accompany Alexis O'Neill's engaging text in this STEAM title for young readers.
America’s news media are relentlessly criticized as too negative, sensationalistic, profit-oriented, and biased, not to mention unpatriotic and a miserable failure at reflecting the nation’s diversity. Rodger Streitmatter makes clear that although much of the criticism is deserved, it obscures the fact that news outlets have also made—and continue to make—many positive contributions to the country’s well-being. A Force for Good: How the American News Media Have Propelled Positive Change offers a compelling account of the Fourth Estate’s efforts to improve U.S. society. Whether documenting the appalling conditions in mental institutions, exposing financial shenanigans and sex-abuse scandals, or championing an obscure pill as a form of contraception, Streitmatter argues, print and broadcast journalists have propelled significant social topics onto the public agenda and helped build support for change. This text draws on both historical and contemporary examples from a wide range of social contexts; the result is a fascinating tour of American history, social change, and the benefits of a robust media.
President Theodore Roosevelt called Jacob Riis "the best American I ever knew." The pioneering photojournalist, an immigrant from Denmark, drew attention to the poverty and evils of slum life in the late 1800s. Riis won national acclaim when his photos illustrated his bestselling book How the Other Half Lives. The book focused on the difficult time immigrants faced as thousands of newcomers flooded into the United States each year. Riis called for reform and hoped to prod government officials to help the poor people who were forced to live under horrible conditions. The impact of Riis' photos came from capturing the poor and homeless as they lived and worked, with the subjects' eyes often staring directly into the camera. The great photographer Ansel Adams called them "magnificent achievements in the field of humanistic photography." But the reforms that came from Riis' work have not eliminated urban poverty and homelessness, and important work remains to be done.
Esther Bubley by Bonnie Yochelson,Esther Bubley Pdf
This monograph is dedicated to the career of Esther Bubley, one of America's leading photojournalists. Bubley's mentor was Roy Stryker, for whom she worked at the Office of War Information in Washington, D.C., and at Standard Oil in New York City. Under Stryker, Bubley learned to document the spectacle of modern industry and the lives of ordinary people in a fast-changing world. From the early 1940s to the late 1960s, she also freelanced for national magazines, producing 40 photo-essays for "Life," a dozen more for the "Ladies' Home Journal's" famous series, "How America Lives" and numerous projects for non-profit organizations and major corporations alike. At a time when career options for women were limited, Bubley rose to the top of an overwhelmingly male-dominated field. The 5,000-word essay by photo historian Bonnie Yochelson explains the working life of a photojournalist during the pre-television era when picture magazines dominated the national media. In collaboration with Yochelson, Tracy Schmid, archivist of the Bubley estate, and Jean Bubley, executor of the estate, contribute original research and interviews with Esther's colleagues and contemporaries, highlighting her achievements and accomplishments. The book includes 75 of her finest images as well as magazine layouts, which illustrate how Bubley's photographs were originally seen by millions of Americans. While Bubley's talent was well recognized at the time--her work was shown in three Museum of Modern Art exhibitions--she was not a celebrity and did little to promote herself. Having received far less attention than she deserves, this book aims to introduce a selection of her best work to a wider audience. Bonnie Yochelson is a photographic historian and freelance curator. In 2001, she co-curated "Esther Bubley: American Photo-Journalist," at the UBS/PaineWebber Art Gallery in collaboration with the Bubley archive and estate. She is the author of "Berenice Abbott: Changing New York," "The Complete WPA Project" (1997) and is co-author of "Rediscovering Jacob Riis" (2005).
A paradigm of actuality -- Searching for the real and actual -- Stirrings and roots: urban sketches and America's flaneur -- The storytellers -- Picturing the present -- Carving out the real -- Experiments in reality -- Documenting time and place.
Parkhurst's challenge -- The buttons -- Democratic city, Republican nation -- Anarchy vs. corruption -- A rocky start -- Managing vice, extorting business -- "Reform never suffers from frankness" -- "A landslide, a tidal wave, a cyclone" -- Endgames -- Epilogue: the Lexow effect
Americans in Dissent is designed as a collection of biographical essays written for general readers and undergraduates that focuses on the topic of American dissent during the period from 1830 to 1890. Centered on influential nineteenth-century social critics, this volume shifts the focus of American reform away from “romantic” attempts at reforming the individual to more pragmatic efforts aimed at confronting social, economic, and political problems. Coexisting with what seemed to be a preponderance of romantic idealism during much of the period was an undercurrent of genuine realism. Instead of looking through the prism of a pre-modern society, many of these dissenters focused on how society was becoming increasingly acquisitive and entrepreneurial. They were among the first to question laissez-faire individualism and unrestrained industrial capitalism and anticipated the critiques of later Progressive Era reformers. Representing a wide range of interests, each of the selections features a fascinating and provocative man or woman who offered a fundamental critique of American society and made a significant contribution to the development of the reform ethos that characterized the period.
Screen Culture and the Social Question, 1880–1914 by Ludwig Vogl-Bienek,Richard Crangle Pdf
Essays exploring how reformers and charities used the “magic lantern” to raise public awareness of poverty. Public performances using the magic or optical lantern became a prominent part of the social fabric of the late nineteenth century. Drawing on a rich variety of primary sources, Screen Culture and the Social Question, 1880-1914 investigates how the magic lantern and cinematograph, used at public lectures, church services, and electoral campaigns, became agents of social change. The essays examine how social reformers and charitable organizations used the “art of projection” to raise public awareness of the living conditions of the poor and the destitute, as they argued for reform and encouraged audiences to work to better their lot and that of others.
Explores the surprising diversity of fathers and fatherhood throughout American history and society The nuclear family has been endlessly praised as the bedrock of American society, even though there has rarely been a time in history when a majority of Americans lived in such families. This book deconstructs the myth of the nuclear family by presenting the rich diversity of family lives in American history from the American Revolution to the twenty-first century. To tell this story, Jürgen Martschukat focuses on fathers and their relations to families and American society. Using biographical close-ups of twelve different characters, each embedded in historical context, American Fatherhood provides a much more realistic picture of how fatherhood has been performed within different kinds of families. Each protagonist covers a crucial period or event in American history, presents a different family constellation, and makes a different argument with regard to how American society is governed through the family.
Crying the News: A History of America's Newsboys is the first book to place newsboys at the center of American history, analyzing their inseparable role as economic actors and cultural symbols in the creation of print capitalism, popular democracy, and national character. DiGirolamo's sweeping narrative traces the shifting fortunes of these "little merchants" over a century of war and peace, prosperity and depression, exploitation and reform, chroniclingtheir exploits in every region of the country, as well as on the railroads that linked them.
