Reflections On A New Mexican Crypto Jewish Song Book
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Reflections on a New Mexican Crypto-Jewish Song Book by Seth D. Kunin Pdf
This book explores a unique crypto-Jewish manuscript written by Loggie Carrasco of Albuquerque, New Mexico. The essays examine central themes in Loggie's manuscript and use them to reflect crypto-Judaism both as a historic and a vital living culture.
Reflections on a New Mexican Crypto-Jewish Song Book by Seth D. Kunin Pdf
This book explores a unique crypto-Jewish manuscript written by Loggie Carrasco of Albuquerque, New Mexico. The essays examine central themes in Loggie's manuscript and use them to reflect crypto-Judaism both as a historic and a vital living culture.
Juggling Identities is an extensive ethnography of the crypto-Jews who live deep within the Hispanic communities of the American Southwest. Critiquing scholars who challenge the cultural authenticity of these individuals, Seth D. Kunin builds a solid link between the crypto-Jews of New Mexico and their Spanish ancestors who secretly maintained their Jewish identity after converting to Catholicism, offering the strongest evidence yet of their ethnic and religious origins. Kunin adopts a unique approach to the lives of modern crypto-Jews, concentrating primarily on their understanding of Jewish tradition and the meaning they ascribe to ritual. He illuminates the complexity of this community, in which individuals and groups perform the same practice in diverse ways. Kunin supplements his ethnographic research with broader theories concerning the nature of identity and memory, which is especially applicable to crypto-Jews, whose culture resides mainly in memory. Kunin's work has wider implications, not only for other forms of crypto-Judaism (such as that found in the former Soviet Union) but also for the study of Judaism's fluid nature, which helps adherents adapt to new circumstances and knowledge. Kunin draws fascinating comparisons between the intricate ancestry of crypto-Jews and those of other ethnic communities living in the United States.
In From Metaphysics to Midrash, Shaul Magid explores the exegetical tradition of Isaac Luria and his followers within the historical context in 16th-century Safed, a unique community that brought practitioners of Judaism, Christianity, and Islam into close contact with one another. Luria's scripture became a theater in which kabbalists redrew boundaries of difference in areas of ethnicity, gender, and the human relation to the divine. Magid investigates how cultural influences altered scriptural exegesis of Lurianic Kabbala in its philosophical, hermeneutical, and historical perspectives. He suggests that Luria and his followers were far from cloistered. They used their considerable skills to weigh in on important matters of the day, offering, at times, some surprising solutions to perennial theological problems.
Blending history, celebrations, and reconciliation of Jewish traditions with life in New Mexico, the circle of the Jewish year is saturated by the New Mexico experience as tashlich is performed in a desert river, and Passover coincides with Good Friday pilgrims making a holy journey to the Santuario de Chimayo. Includes work by Marjorie Agosin, Yehudis Fishman, Gene Frumkin, Natalie Goldberg, Judyth Hill, Joan Logghe, Consuelo Luz, Carol Moldow, Judith Rafaela, Miriam Sagan, and others.
In 1981, while working as New Mexico State Historian, Stanley M. Hordes began to hear stories of Hispanos who lit candles on Friday night and abstained from eating pork. Puzzling over the matter, Hordes realized that these practices might very well have been passed down through the centuries from early crypto-Jewish settlers in New Spain. After extensive research and hundreds of interviews, Hordes concluded that there was, in New Mexico and the Southwest, a Sephardic legacy derived from the converso community of Spanish Jews. In To the End of the Earth, Hordes explores the remarkable story of crypto-Jews and the tenuous preservation of Jewish rituals and traditions in Mexico and New Mexico over the past five hundred years. He follows the crypto-Jews from their Jewish origins in medieval Spain and Portugal to their efforts to escape persecution by migrating to the New World and settling in the far reaches of the northern Mexican frontier. Drawing on individual biographies (including those of colonial officials accused of secretly practicing Judaism), family histories, Inquisition records, letters, and other primary sources, Hordes provides a richly detailed account of the economic, social and religious lives of crypto-Jews during the colonial period and after the annexation of New Mexico by the United States in 1846. While the American government offered more religious freedom than had the Spanish colonial rulers, cultural assimilation into Anglo-American society weakened many elements of the crypto-Jewish tradition. Hordes concludes with a discussion of the reemergence of crypto-Jewish culture and the reclamation of Jewish ancestry within the Hispano community in the late twentieth century. He examines the publicity surrounding the rediscovery of the crypto-Jewish community and explores the challenges inherent in a study that attempts to reconstruct the history of a people who tried to leave no documentary record.
Klezmer is a continually evolving musical tradition that grows out of Eastern European Jewish culture, and its changes reflect Jews' interaction with other groups as well as their shifting relations to their own history. But what happens when, in the klezmer spirit, the performances that go into the making of Jewishness come into contact with those that build different forms of cultural identity? Jonathan Freedman argues that terms central to the Jewish experience in America, notions like "the immigrant," the "ethnic," and even the "model minority," have worked and continue to intertwine the Jewish-American with the experiences, histories, and imaginative productions of Latinos, Asians, African Americans, and gays and lesbians, among others. He traces these relationships in a number of arenas: the crossover between jazz and klezmer and its consequences in Philip Roth's The Human Stain; the relationship between Jewishness and queer identity in Tony Kushner's Angels in America; fictions concerning crypto-Jews in Cuba and the Mexican-American borderland; the connection between Jews and Christian apocalyptic narratives; stories of "new immigrants" by Bharathi Mukherjee, Gish Jen, Lan Samantha Chang, and Gary Shteyngart; and the revisionary relation of these authors to the classic Jewish American immigrant narratives of Henry Roth, Bernard Malamud, and Saul Bellow. By interrogating the fraught and multidimensional uses of Jews, Judaism, and Jewishness, Freedman deepens our understanding of ethnoracial complexities.
When young Rolando Perez falls to his death from a cliff outside Santa Fe, New Mexico, the mysteries immediately begin to accumulate. Was he pushed or did he jump? What are the documents that Rolando was willing sacrifice himself to protect from his family, the police, and the Catholic Church? And what does a colorful concha pastry have to do with any of this? In the midst of the investigation, Professor Ilan Stavans arrives in Santa Fe to give a lecture about the area's long-buried Jewish history. He's looking forward to relaxing afterwards with an evening of opera, but his presentation on "crypto-Jews" attracts unexpected attention, and soon Ilan is drawn into a desperate race to find the long-lost documents that might hold the key to Rolando's death. Ilan's detective work leads him to taco joints, desert ranches, soaring cathedrals, and, finally, deep into the region's past, where he encounters another young man: Luis de Carvajal, aka "El Iluminado," a sixteenth-century religious dissenter. In a tale of martyrdom that eerily echoes Rolando's, Carvajal fled Spain for colonial Mexico at the height of the Spanish Inquisition, searching for his religious heritage -- a hunt for which he, like Rolando, would pay the ultimate price. In El Iluminado, esteemed literary critic Ilan Stavans and author and illustrator Steve Sheinkin present a secret history of religion in the Americas, showing how thousands of European refugees have left a trail of ghostly footprints -- and troves of mysteries -- across the American Southwest.
Goliath as Gentle Giant by Jonathan L. Friedmann Pdf
In the Hebrew Bible and stories loyal to it, Goliath is the stereotypical giant of folklore: big, brash, violent, and dimwitted. Goliath as Gentle Giant sets out to rehabilitate the giant’s image by exploring the origins of the biblical behemoth, the limitations of the “underdog” metaphor, and the few sympathetic treatments of Goliath in popular media. What insights emerge when we imagine things from Goliath’s point of view? How might this affect our reading of the biblical account or its many retellings and interpretations? What sort of man was Goliath really? The nuanced portraits analyzed in this book serve as a catalyst to challenge readers to question stereotypes, reexamine old assumptions, and humanize the “other.”
A history of Sephardic Jews in the United States examines their place within the American Jewish community ahd how Ashkenazic Jews have often failed to recognize Sephardim as fellow Jews.
Examines types of Iberian Conversos from the late 14th to the 17th centuries and surveys Christian and Jewish attitudes towards them. Argues that the Jewish identity of Conversos was complicated and existed along a broad spectrum ranging from complete abandonment to ardent Judaizing.