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Author : Joseph Goddard
Publisher : Unknown
Page : 104 pages
File Size : 43,9 Mb
Release : 1893
Category : Music
ISBN : UOM:39015009444822
Author : Martin Clarke
Publisher : Routledge
Page : 280 pages
File Size : 53,7 Mb
Release : 2016-04-22
Category : Music
ISBN : 9781317092261
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
Author : Newark Public Library
Publisher : Unknown
Page : 538 pages
File Size : 52,6 Mb
Release : 1895
Category : Electronic
ISBN : CUB:U183020054786
Author : Anonim
Publisher : Unknown
Page : 720 pages
File Size : 45,5 Mb
Release : 1883
Category : Electronic journals
ISBN : HARVARD:32044044303782
Author : Anonim
Publisher : Unknown
Page : 666 pages
File Size : 53,8 Mb
Release : 1883
Category : Music
ISBN : UOM:39015023769055
Author : Edward Howard Griggs
Publisher : Unknown
Page : 96 pages
File Size : 53,6 Mb
Release : 1908
Category : Aesthetics
ISBN : STANFORD:36105011780553
Author : Edward Howard Griggs
Publisher : Unknown
Page : 362 pages
File Size : 40,7 Mb
Release : 1913
Category : Aesthetics
ISBN : UCSD:31822013245394
Author : Anonim
Publisher : Unknown
Page : 1100 pages
File Size : 44,6 Mb
Release : 1895
Category : Drama
ISBN : UIUC:30112098459677
Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.
Author : Frank Philip
Publisher : Unknown
Page : 232 pages
File Size : 47,9 Mb
Release : 1936
Category : Speech
ISBN : MSU:31293101710642
Author : Anonim
Publisher : Unknown
Page : 522 pages
File Size : 52,6 Mb
Release : 1926
Category : Music
ISBN : UCAL:B3966690
Author : Harold Reeves (Firm)
Publisher : Unknown
Page : 618 pages
File Size : 55,7 Mb
Release : 1919
Category : Music
ISBN : UOM:39015023360640
Author : Henry F. Gosling
Publisher : Unknown
Page : 414 pages
File Size : 41,9 Mb
Release : 1935
Category : Violin
ISBN : STANFORD:36105042505896
Author : Wigan (England). Free Public Library,Henry Tennyson Folkard
Publisher : Unknown
Page : 58 pages
File Size : 42,8 Mb
Release : 1903
Category : Library catalogs
ISBN : HARVARD:32044041201054
Author : Sara Jane Bailes,Nicholas Till
Publisher : Routledge
Page : 302 pages
File Size : 49,8 Mb
Release : 2016-04-15
Category : Music
ISBN : 9781317175896
Discussion concerning the ’musicality’ of Samuel Beckett’s writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Beckett’s engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Beckett’s work. In Beckett’s drama and prose writings, the relationship with music plays out in implicit and explicit ways. Several of his works incorporate canonical music by composers such as Schubert and Beethoven. Other works integrate music as a compositional element, in dialogue or tension with text and image, while others adopt rhythm, repetition and pause to the extent that the texts themselves appear to be ’scored’. But what, precisely, does it mean to say that a piece of prose or writing for theatre, radio or screen, is ’musical’? The essays included in this book explore a number of ways in which Beckett’s writings engage with and are engaged by musicality, discussing familiar and less familiar works by Beckett in detail. Ranging from the scholarly to the personal in their respective modes of response, and informed by approaches from performance and musicology, literary studies, philosophy, musical composition and creative practice, these essays provide a critical examination of the ways we might comprehend musicality as a definitive and often overlooked attribute throughout Beckett’s work.
Author : Fredrik Nilsson,Halina Dunin-Woyseth,Nel Janssens
Publisher : Taylor & Francis
Page : 194 pages
File Size : 44,8 Mb
Release : 2017-02-03
Category : Architecture
ISBN : 9781315526645
Research in the creative fields of architecture, design, music and the arts has experienced dynamic development for over two decades. The research in these practice- and arts-based fields has become increasingly mature but has also led to various discussions on what constitutes doctoral proficiency in these fields. The term ‘doctorateness’ is often used when referring to the assessment of the production of doctoral research and the research competence of research students, but in architecture and the arts, the concept of doctorateness has not yet attained a clearly articulated definition. The assessment of quality has been practiced by way of supervising, mentoring and the evaluation of dissertations but much less discussed. This book offers perspectives on how to qualify and assess research in architecture, music and the arts. It creates a broader arena for discussion on doctorateness by establishing a framework for its application to creative fields. The book is grouped into three sections and includes contributions from international experts in the various fields working in Australia, Belgium, Brazil, Canada, Norway, Sweden, Switzerland, Spain, the Netherlands and the UK. The first section offers general frameworks for further conceptualising doctorateness in the fields in question. It is followed by a section that describes and discusses various experiences, concerns and visions on the production and assessment of doctoral research reporting from doctoral programmes in different stages of development. The third section includes future-oriented perspectives on knowledge-building processes, and asks how the ongoing, profound changes in academia could influence the concept of quality in both doctoral process and product. The book presents different perspectives on research assessment practices and developments of relevant criteria in the practice-based and creative fields of architecture and the arts. The contributions propose ways of framing this issue conceptually, show the need for awareness of the specific context and tradition programmes develop and give proposals for various potential trajectories for the future.
