Music And Theology In Nineteenth Century Britain

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Music and Theology in Nineteenth-Century Britain

Author : Martin Clarke
Publisher : Routledge
Page : 280 pages
File Size : 53,8 Mb
Release : 2016-04-22
Category : Music
ISBN : 9781317092261

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Music and Theology in Nineteenth-Century Britain by Martin Clarke Pdf

The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.

Music in Nineteenth-Century Britain

Author : Rosemary Golding
Publisher : Taylor & Francis
Page : 418 pages
File Size : 53,6 Mb
Release : 2022-08-15
Category : History
ISBN : 9781000564389

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Music in Nineteenth-Century Britain by Rosemary Golding Pdf

This volume of primary source material examines music and British national identity during the ninteenth century. Sources explore the reception of British music, continental and other foreign music, English, Scottish, Welsh and Irish music, and Empire. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.

Music in Nineteenth-Century Britain

Author : Rosemary Golding
Publisher : Taylor & Francis
Page : 433 pages
File Size : 47,5 Mb
Release : 2022-08-15
Category : History
ISBN : 9781000564297

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Music in Nineteenth-Century Britain by Rosemary Golding Pdf

This volume of primary source material examines music and society in Britian during the ninteenth century. Sources explore religion, politics, class, and gender. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.

Scripture and Song in Nineteenth-Century Britain

Author : James Grande,Brian H. Murray
Publisher : Bloomsbury Publishing USA
Page : 247 pages
File Size : 40,5 Mb
Release : 2023-11-16
Category : Music
ISBN : 9781501376399

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Scripture and Song in Nineteenth-Century Britain by James Grande,Brian H. Murray Pdf

This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

Science and Sound in Nineteenth-Century Britain

Author : Edward J. Gillin
Publisher : Taylor & Francis
Page : 400 pages
File Size : 54,7 Mb
Release : 2023-12-22
Category : History
ISBN : 9781003805212

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Science and Sound in Nineteenth-Century Britain by Edward J. Gillin Pdf

Sound and Science in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. In the context of rapid urbanization and industrialization, as well as a growing overseas empire, Britain was home to a rich scientific culture in which the ear was as valuable an organ as the eye for examining nature. Experiments on how sound behaved informed new understandings of how a diverse array of natural phenomena operated, notably those of heat, light, and electro-magnetism. In nineteenth-century Britain, sound was not just a phenomenon to be studied, but central to the practice of science itself and broader understandings over nature and the universe. This collection, accompanied by extensive editorial commentary, will be of great interest to students and scholars of the History of Science.

Music and Performance Culture in Nineteenth-Century Britain

Author : Bennett Zon
Publisher : Routledge
Page : 387 pages
File Size : 54,5 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092377

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Music and Performance Culture in Nineteenth-Century Britain by Bennett Zon Pdf

Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.

Nineteenth-Century British Music Studies

Author : Bennett Zon
Publisher : Routledge
Page : 324 pages
File Size : 53,8 Mb
Release : 2019-05-23
Category : Music
ISBN : 9780429628849

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Nineteenth-Century British Music Studies by Bennett Zon Pdf

Originally published in 1999, this volume of essays arises from the first biennial Music in Nineteenth-Century Britain conference, held at the University of hull in July 1997. Like the conference, this book seeks to expand and reassess our current knowledge of musical life in Britain during the nineteenth century, as well as to challenge the preconceptions of earlier attitudes and scholarship. This volume covers a cohesive range of subjects and materials intended not only as a revision of past views and scholarship, but also as a tool for further research. It provides a vigorous reconsideration of the musical activity of the period.

Music and Performance Culture in Nineteenth-Century Britain

Author : Bennett Zon
Publisher : Routledge
Page : 364 pages
File Size : 53,8 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092384

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Music and Performance Culture in Nineteenth-Century Britain by Bennett Zon Pdf

Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.

Music and Institutions in Nineteenth-century Britain

Author : Paul Rodmell
Publisher : Routledge
Page : 0 pages
File Size : 45,8 Mb
Release : 2012
Category : Music
ISBN : 1409405834

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Music and Institutions in Nineteenth-century Britain by Paul Rodmell Pdf

It is undoubtedly the case that, within nineteenth-century British society, music and musicians sought in many cases to bring music into powerful institutions, partly out of belief in music's inherently beneficial properties, but also to promote the occupation and profession of music in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire: not only how and why music was institutionalized, but also how and why institutions became 'musicalized'.

Edinburgh Critical History of Nineteenth-Century Christian Theology

Author : Daniel Whistler
Publisher : Edinburgh University Press
Page : 376 pages
File Size : 45,5 Mb
Release : 2017-10-23
Category : Philosophy
ISBN : 9781474405874

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Edinburgh Critical History of Nineteenth-Century Christian Theology by Daniel Whistler Pdf

Bridges the gap between Plutarch Studies and Achaemenid Studies through analysis of key texts.

The Oxford Handbook of Nineteenth-Century Christian Thought

Author : Joel Rasmussen,Judith Wolfe,Johannes Zachhuber
Publisher : Oxford University Press
Page : 720 pages
File Size : 40,9 Mb
Release : 2017-06-22
Category : Religion
ISBN : 9780191028236

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The Oxford Handbook of Nineteenth-Century Christian Thought by Joel Rasmussen,Judith Wolfe,Johannes Zachhuber Pdf

Through various realignments beginning in the Revolutionary era and continuing across the nineteenth century, Christianity not only endured as a vital intellectual tradition contributed importantly to a wide variety of significant conversations, movements, and social transformations across the diverse spheres of intellectual, cultural, and social history. The Oxford Handbook of Nineteenth-Century Christian Thought proposes new readings of the diverse sites and variegated role of the Christian intellectual tradition across what has come to be called 'the long nineteenth century'. It represents the first comprehensive examination of a picture emerging from the twin recognition of Christianity's abiding intellectual influence and its radical transformation and diversification under the influence of the forces of modernity. Part one investigates changing paradigms that determine the evolving approaches to religious matters during the nineteenth century, providing readers with a sense of the fundamental changes at the time. Section two considers human nature and the nature of religion. It explores a range of categories rising to prominence in the course of the nineteenth century, and influencing the way religion in general, and Christianity in particular, were conceived. Part three focuses on the intellectual, cultural, and social developments of the time, while part four looks at Christianity and the arts-a major area in which Christian ideas, stories, and images were used, adapted, changes, and challenged during the nineteenth century. Christianity was radically pluralized in the nineteenth century, and the fifth section is dedicated to 'Christianity and Christianities'. The chapters sketch the major churches and confessions during the period. The final part considers doctrinal themes registering the wealth and scope through broad narrative and individual example. This authoritative reference work offers an indispensible overview of a period whose forceful ideas continue to be present in contemporary theology.

Nineteenth-century British Music Studies

Author : Bennett Zon
Publisher : Ashgate Pub Limited
Page : 272 pages
File Size : 53,5 Mb
Release : 1999
Category : Music
ISBN : 1840142596

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Nineteenth-century British Music Studies by Bennett Zon Pdf

Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts

Author : Claire Mabilat
Publisher : Routledge
Page : 250 pages
File Size : 53,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351555548

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Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts by Claire Mabilat Pdf

Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.

Sounding Feminine

Author : David Kennerley
Publisher : Oxford University Press
Page : 224 pages
File Size : 43,8 Mb
Release : 2020-05-01
Category : Music
ISBN : 9780190097578

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Sounding Feminine by David Kennerley Pdf

Between 1780 and 1850, the growing prominence of female singers in Britain's professional and amateur spheres opened a fraught discourse about women's engagement with musical culture. Protestant evangelical gender ideology framed the powerful, well-trained, and expressive female voice as a sign of inner moral corruption, while more restrained and delicate vocal styles were seen as indicative of the performer's virtuous femininity. Yet far from everyone was of this persuasion, and those from alternative class and religious milieux responded in more affirmative ways to the sound of professional female voices. The meanings listeners ascribed to women's voices reflect crucial developments in the musical world of the period, such as the popularity of particular genres with audiences of certain social backgrounds, and the reasons underpinning the development of prevalent types of nineteenth-century professional female vocality. Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture. Arguing for the importance of the aural dimension of the past, author David Kennerley draws from a variety of fields-including sound studies, sensory histories, and gender theory-to examine how audiences heard different kinds of femininities in the voices of British female singers. Sounding Feminine explores the intense divisions over the "correct" use of the female voice, and the intricate links between gender, nationality, class, and religion in ascribing status, purpose, and morality to female singing. Through this lens, Kennerley also explores the formation of British middle-class identities and the cultural impact of the evangelical revival-deepening our understanding of this period of transformational change in British culture.

The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century

Author : Paul Watt,Sarah Collins,Michael Allis
Publisher : Oxford University Press
Page : 720 pages
File Size : 54,7 Mb
Release : 2020-08-04
Category : Music
ISBN : 9780197500682

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The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century by Paul Watt,Sarah Collins,Michael Allis Pdf

Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.