Regina Mingotti Diva And Impresario At The King S Theatre London

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Regina Mingotti: Diva and Impresario at the King's Theatre, London

Author : Michael Burden
Publisher : Routledge
Page : 200 pages
File Size : 55,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351551717

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Regina Mingotti: Diva and Impresario at the King's Theatre, London by Michael Burden Pdf

Regina Mingotti was the first female impresario to run London's opera house. Born in Naples in 1722, she was the daughter of an Austrian diplomat, and had worked at Dresden under Hasse from 1747. Mingotti left Germany in 1752, and travelled to Madrid to sing at the Spanish court, where the opera was directed by the great castrato, Farinelli. It is not known quite how Francesco Vanneschi, the opera promoter, came to hire Mingotti, but in 1754 (travelling to England via Paris), she was announced as being engaged for the opera in London 'having been admired at Naples and other parts of Italy, by all the Connoisseurs, as much for the elegance of her voice as that of her features'. Michael Burden offers the first considered survey of Mingottis London years, including material on Mingotti's publication activities, and the identification of the characters in the key satirical print 'The Idol'. Burden makes a significant contribution to the knowledge and understanding of eighteenth-century singers' careers and status, and discusses the management, the finance, the choice of repertory, and the pasticcio practice at The King's Theatre, Haymarket during the middle of the eighteenth century. Burden also argues that Mingottis years with Farinelli influenced her understanding of drama, fed her appreciation of Metastasio, and were partly responsible for London labelling her a 'female Garrick'. The book includes the important publication of the complete texts of both of Mingotti's Appeals to the Publick, accounts of the squabble between Mingotti and Vanneschi, which shed light on the role a singer could play in the replacement of arias.

Women and Music in the Age of Austen

Author : Linda Zionkowski,Miriam F. Hart
Publisher : Rutgers University Press
Page : 208 pages
File Size : 44,5 Mb
Release : 2023-12-15
Category : Literary Criticism
ISBN : 9781684485178

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Women and Music in the Age of Austen by Linda Zionkowski,Miriam F. Hart Pdf

Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

London Opera Observed 1711-1844

Author : Michael Burden
Publisher : Taylor & Francis
Page : 1819 pages
File Size : 44,8 Mb
Release : 2024-07-31
Category : Music
ISBN : 9781040156117

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London Opera Observed 1711-1844 by Michael Burden Pdf

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.

Before the Baton

Author : Peter Holman
Publisher : Boydell & Brewer
Page : 434 pages
File Size : 43,8 Mb
Release : 2020
Category : Music
ISBN : 9781783274567

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Before the Baton by Peter Holman Pdf

How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?

Turin and the British in the Age of the Grand Tour

Author : Paola Bianchi,Karin Wolfe
Publisher : Cambridge University Press
Page : 517 pages
File Size : 46,9 Mb
Release : 2017-09-21
Category : History
ISBN : 9781107147706

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Turin and the British in the Age of the Grand Tour by Paola Bianchi,Karin Wolfe Pdf

This is an international publication exploring early modern cultural exchange between Britain and Savoy, including political, diplomatic, social, religious and artistic trends.

Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London

Author : Cheryll Duncan
Publisher : Taylor & Francis
Page : 102 pages
File Size : 53,7 Mb
Release : 2019-10-10
Category : Music
ISBN : 9781000732825

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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London by Cheryll Duncan Pdf

Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London explores Giardini’s influence on British musical life through his multifaceted career as performer, teacher, composer, concert promoter and opera impresario. The crux of the study is a detailed account of Giardini’s partnership with the music seller/publisher John Cox during the 1750s, presented using new biographical information which contextualizes their business dealings and subsequent disaccord. The resulting litigation, the details of which have only recently come to light, is explored here via a complex set of archival materials. The findings offer new information about the economics of professional music culture at the time, including detailed figures for performers’ fees, the printing and binding of music scores, the charges arising from the administration of concerts and operas, the sale, hire and repair of various instruments and the cost of what today we would call intellectual property rights. This is a fascinating study for musicologists and followers of Giardini, as well as for readers with an interest in classical music, social history and legal history.

The Lives of George Frideric Handel

Author : David Hunter
Publisher : Boydell & Brewer
Page : 537 pages
File Size : 40,9 Mb
Release : 2015
Category : Biography & Autobiography
ISBN : 9781783270613

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The Lives of George Frideric Handel by David Hunter Pdf

How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon?

Johann Mattheson? Pi?s de clavecin and Das neu-er?ete Orchestre

Author : Margaret Seares
Publisher : Routledge
Page : 140 pages
File Size : 55,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351561600

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Johann Mattheson? Pi?s de clavecin and Das neu-er?ete Orchestre by Margaret Seares Pdf

A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson?s Pi?s de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to eschew what he saw as the hidebound traditions of the past, and instead embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Beginning with the early non-musical writings by Mattheson, Seares places them in the context of the cosmopolitan city-state of Hamburg, before moving to a detailed study of his first major musical treatise Das neu-er?ffnete Orchestre of 1713, in which he espoused his views about the musics of the past and present and, in particular, the characteristics of the musics of Germany, Italy, France and England. This latter section of the treatise, Part III, is edited and translated into English in the book's appendix - the first such translation available. Seares then moves on to an evaluation of the Pi?s de clavecin as a work in which Mattheson reflects in musical terms the themes of modernism (in the sense of ?a mode) and universalism that are such a strong part of his writings of the period, and a work that represents an important precursor for the keyboard suites of Johann Sebastian Bach and Georg Frideric Handel.

The Afterlives of Eighteenth-Century Fiction

Author : Daniel Cook,Nicholas Seager
Publisher : Cambridge University Press
Page : 315 pages
File Size : 55,6 Mb
Release : 2015-09-29
Category : Literary Criticism
ISBN : 9781107054684

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The Afterlives of Eighteenth-Century Fiction by Daniel Cook,Nicholas Seager Pdf

This collection of essays offers insights into the ways in which eighteenth-century novels have been adapted and appropriated by later writers. It will be of interest to students of the rise of the novel, interdisciplinary approaches to literature, and the developing field of adaptation studies.

Women and Musical Salons in the Enlightenment

Author : Rebecca Cypess
Publisher : University of Chicago Press
Page : 388 pages
File Size : 46,8 Mb
Release : 2022-05-20
Category : History
ISBN : 9780226817910

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Women and Musical Salons in the Enlightenment by Rebecca Cypess Pdf

Musical salons as liminal spaces: salonnières as agents of musical culture -- Sensuality, sociability, and sympathy: musical salon practices as enactments of Enlightenment --Ephemerae and authorship in the salon of Madame Brillon -- Composition, collaboration, and the cultivation of skill in the salon of Marianna Martines -- The cultural work of collecting and performing in the salon of Sara Levy -- Musical improvisation and poetic painting in the salon of Angelica Kauffman -- Reading musically in the salon of Elizabeth Graeme -- Conclusion.

The 'Ars musica' Attributed to Magister Lambertus/Aristoteles

Author : translatedbyKaren Desmond
Publisher : Routledge
Page : 168 pages
File Size : 54,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351546553

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The 'Ars musica' Attributed to Magister Lambertus/Aristoteles by translatedbyKaren Desmond Pdf

The treatise on musica plana and musica mensurabilis written by Lambertus/Aristoteles is our main witness to thirteenth-century musical thought in the decades between the treatises of Johannes de Garlandia and Franco of Cologne. Most treatises on music of this century - except for Francos treatise on musical notation - survive in only a single copy; Lambertuss Ars musica, extant in five sources, is thus distinguished by a more substantial and long-lasting manuscript tradition. Unique in its ambitions, this treatise presents both the rudiments of the practice of liturgical chant and the principles of polyphonic notation in a dense and rigorous manner like few music treatises of its time - a conceptual framework characteristic of Parisian university culture in the thirteenth century. This new edition of Lambertuss treatise is the first since Edmond de Coussemakers of 1864. Christian Meyers meticulous edition is displayed on facing pages with Karen Desmonds English translation, and the treatise and translation are prefaced by a substantial introduction to the text and its author by Christian Meyer, translated by Barbara Haggh-Huglo.

Singing Dante: The Literary Origins of Cinquecento Monody

Author : Elena Abramov-van Rijk
Publisher : Routledge
Page : 146 pages
File Size : 49,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781317054870

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Singing Dante: The Literary Origins of Cinquecento Monody by Elena Abramov-van Rijk Pdf

This book takes its departure from an experiment presented by Vincenzo Galilei before his colleagues in the Florentine Camerata in about 1580. This event, namely the first demonstration of the stile recitativo, is known from a single later source, a letter written in 1634 by Pietro dei Bardi, son of the founder of the Camerata. In the complete absence of any further information, Bardi’s report has remained a curiosity in the history of music, and it has seemed impossible to determine the true nature and significance of Galilei's presentation. That, unfortunately, still remains true for the music, which is lost. Yet we know a crucial fact about this experiment, the poetic text chosen by Galilei: it was an excerpt from the Divine Comedy by Dante Alighieri, the Lament of Count Ugolino. Starting from this information the author examines the problem from another angle. Investigation of the perception of Dante’s poetry in the sixteenth century, as well as a deeper enquiry into cinquecento poetic theories (and especially phonetics) leads to a reconstruction of Galilei’s motives for choosing this text and sheds light on some of the features of his experiment.

The Cyclic Mass

Author : James Cook
Publisher : Routledge
Page : 151 pages
File Size : 53,9 Mb
Release : 2019-01-22
Category : Music
ISBN : 9781351042369

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The Cyclic Mass by James Cook Pdf

England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of ‘what is English’ cannot truly be answered without also answering the question of ‘what is continental’. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice – a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.

Towards a Harmonic Grammar of Grieg's Late Piano Music

Author : Benedict Taylor
Publisher : Routledge
Page : 158 pages
File Size : 41,9 Mb
Release : 2017-04-21
Category : Music
ISBN : 9781315307336

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Towards a Harmonic Grammar of Grieg's Late Piano Music by Benedict Taylor Pdf

The music of Edvard Grieg is justly celebrated for its harmonic richness, a feature especially apparent in the piano works written in the last decades of his life. Grieg was enchanted by what he styled the ’dreamworld’ of harmony, a magical realm whose principles the composer felt remained a mystery even to himself, and he was not alone, in that the complex nature of late-Romantic harmony around 1900 has proved a keen source of debate up to the present day. Grieg’s music forms a particularly profitable repertoire for focusing current debates about the nature of tonality and tonal harmony. Departing from earlier approaches, this study is not simply an inventory of Griegian harmonic traits but seeks rather to ascertain the deeper principles at work governing their meaningful conjunction, how elements of Grieg’s harmonic grammar are utilised in creating an extended tonal syntax. Building both on historical theories and more recent developments, Benedict Taylor develops new models for understanding the complexity of late-Romantic tonal practice as epitomised in Grieg’s music. Such an investigation casts further valuable light on the twin issues of nature and nationalism long connected with the composer: the question of tonality as something natural or culturally constructed and larger historiographical claims concerning Grieg’s apparent position on the periphery of the Austro-German tradition.

The Politics of Verdi's Cantica

Author : Roberta Montemorra Marvin
Publisher : Routledge
Page : 204 pages
File Size : 44,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351541459

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The Politics of Verdi's Cantica by Roberta Montemorra Marvin Pdf

The Politics of Verdi's Cantica treats a singular case study of the use of music to resist oppression, combat evil, and fight injustice. Cantica, better known as Inno delle nazioni / Hymn of the Nations, commissioned from Italy's foremost composer to represent the newly independent nation at the 1862 London International Exhibition, served as a national voice of pride and of protest for Italy across two centuries and in two very different political situations. The book unpacks, for the first time, the full history of Verdi's composition from its creation, performance, and publication in the 1860s through its appropriation as purposeful social and political commentary and its perception by American broadcast media as a 'weapon of art' in the mid twentieth century. Based on largely untapped primary archival and other documentary sources, journalistic writings, and radio and film scripts, the project discusses the changing meanings of the composition over time. It not only unravels the complex history of the work in the nineteenth century, of greater significance it offers the first fully documented study of the performances, radio broadcast, and filming of the work by the renowned Italian conductor Arturo Toscanini during World War II. In presenting new evidence about ways in which Verdi's music was appropriated by expatriate Italians and the US government for cross-cultural propaganda in America and Italy, it addresses the intertwining of Italian and American culture with regard to art, politics, and history; and investigates the ways in which the press and broadcast media helped construct a musical weapon that traversed ethnic, aesthetic, and temporal boundaries to make a strong political statement.