Towards A Harmonic Grammar Of Grieg S Late Piano Music

Author : Benedict Taylor
Publisher : Routledge
Page : 158 pages
File Size : 42,8 Mb
Release : 2017-04-21
Category : Music
ISBN : 9781315307336

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Towards a Harmonic Grammar of Grieg's Late Piano Music by Benedict Taylor Pdf

The music of Edvard Grieg is justly celebrated for its harmonic richness, a feature especially apparent in the piano works written in the last decades of his life. Grieg was enchanted by what he styled the ’dreamworld’ of harmony, a magical realm whose principles the composer felt remained a mystery even to himself, and he was not alone, in that the complex nature of late-Romantic harmony around 1900 has proved a keen source of debate up to the present day. Grieg’s music forms a particularly profitable repertoire for focusing current debates about the nature of tonality and tonal harmony. Departing from earlier approaches, this study is not simply an inventory of Griegian harmonic traits but seeks rather to ascertain the deeper principles at work governing their meaningful conjunction, how elements of Grieg’s harmonic grammar are utilised in creating an extended tonal syntax. Building both on historical theories and more recent developments, Benedict Taylor develops new models for understanding the complexity of late-Romantic tonal practice as epitomised in Grieg’s music. Such an investigation casts further valuable light on the twin issues of nature and nationalism long connected with the composer: the question of tonality as something natural or culturally constructed and larger historiographical claims concerning Grieg’s apparent position on the periphery of the Austro-German tradition.

Author : Benedict Taylor
Publisher : Taylor & Francis
Page : 173 pages
File Size : 52,6 Mb
Release : 2017-04-21
Category : Music
ISBN : 9781315307343

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Towards a Harmonic Grammar of Grieg's Late Piano Music by Benedict Taylor Pdf

Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of figures -- List of music examples -- Acknowledgements -- Introduction: Enticements -- 1 Extending tonality: Klang, added-note harmonies and the emancipation of sonority -- 2 Modality and scalar modulation -- 3 Systematisation: Chromaticism, interval cycles and linear progressions -- Conclusion: Nature and nationalism -- Bibliography -- Index of Grieg's works cited -- General index

Author : Ryan R. Weber
Publisher : Springer
Page : 305 pages
File Size : 45,7 Mb
Release : 2018-10-26
Category : Literary Criticism
ISBN : 9783030018603

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Cosmopolitanism and Transatlantic Circles in Music and Literature by Ryan R. Weber Pdf

Cosmopolitanism and Transatlantic Circles in Music and Literature traces the transatlantic networks that were constructed between a select group of composers, including Edvard Grieg, Edward MacDowell, and Percy Grainger, and the writers with whom they shared cosmopolitan affinities, including Arne Garborg, Hamlin Garland, Madison Grant, and Lathrop Stoddard. Each overlapping case study surveys the diachronic transmission of cosmopolitanism as well as the synchronic practices that animated these modernist ideas. Instead of taking a strictly chronological approach to organization, each chapter offers an examination of the different layers of identity that expanded and contracted in relation to a mutual interest in Nordic culture. From the burgeoning “universal” ambitions around 1900 to the darker racialized discourse of the 1920s, this study offers a critical analysis of both the idea and practice of cosmopolitanism in order to expose its common foundations as well as the limits of its application.

Author : Benedict Taylor
Publisher : Routledge
Page : 232 pages
File Size : 54,7 Mb
Release : 2017-08-09
Category : Music
ISBN : 9781317178262

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Arthur Sullivan by Benedict Taylor Pdf

Arthur Sullivan (1842–1900) was Victorian Britain’s most celebrated and popular composer, whose music to this day reaches a wider audience than that of any of his contemporaries. Yet the comic operas on which Sullivan’s reputation is chiefly based have been consistently belittled or ignored by the British musicological establishment, while his serious works have until recently remained virtually unknown. The time is thus long overdue for scholarly re-engagement with Sullivan. The present book offers a new appraisal of the music of this most notable nineteenth-century British composer, combining close analytical attention to his music with critical consideration of the wider aesthetic and social context to his work. Focusing on key pieces in all the major genres in which Sullivan composed, it includes accounts of his most important serious works – the music to The Tempest, the ‘Irish’ Symphony, The Golden Legend, Ivanhoe – alongside detailed examination of the celebrated comic operas created with W.S. Gilbert to present a balanced portrayal of Sullivan’s musical achievement.

Author : Paul Watt
Publisher : Routledge
Page : 131 pages
File Size : 46,9 Mb
Release : 2017-11-22
Category : Music
ISBN : 9781351974004

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The Regulation and Reform of Music Criticism in Nineteenth-Century England by Paul Watt Pdf

Music criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective, cliché, bias and bombast. Critics such as Ernest Newman (1868–1959), John F. Runciman (1866–1916) and Michel D. Calvocoressi (1877–1944) fostered this new school and wrote extensively of their aspirations for musical criticism in their own times and for the future. This book charts the genesis of this new wave of musical criticism that sought to regulate and reform the profession of music critic. Alongside the establishment of principles, training manuals and schools for critics, hundreds of journal articles and dozens of books were written that encouraged new criticism, which also had a bearing on scholarly writing in biography, aesthetics and history. The Regulation and Reform of Music Criticism in Nineteenth-Century England considers the influence and advocacy of individual critics and the role that institutions, such as the Musical Association and the Musical Times, played in this period of change. The book also explores the impact that French and German writers had on their English counterparts, demonstrating the internationalization of critical thought of the period.

Author : Roger Savage
Publisher : Routledge
Page : 198 pages
File Size : 51,9 Mb
Release : 2019-08-13
Category : Music
ISBN : 9781000527353

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The Pre-history of ‘The Midsummer Marriage’ by Roger Savage Pdf

The Pre-history of ‘The Midsummer Marriage’ examines the early collaborative phase (1943 to 1946) in the making of Michael Tippett’s first mature opera and charts the developments that grew out of that phase. Drawing on a fascinating group of Tippett’s sketchbooks and a lengthy sequence of his letters to Douglas Newton, it helps construct a narrative of the Tippett-Newton collaboration and provides insights into the devising of the opera’s plot, both in that early phase and in the phase from 1946 onwards when Tippett went on with the project alone. The book asks: who was Newton, and what kind of collaboration did he have—then cease to have— with Tippett? What were the origins of and shaping factors behind the original scenario and libretto-drafts? How far did the narrative and controlling concepts of Midsummer Marriage in its final form tally with—and how far did they move away from—those that had been set up in the years of the two men’s collaboration, the ‘pre-historic’ years? The book will be of particular interest to scholars and researchers in opera studies and twentieth-century music.

Author : Iain Quinn
Publisher : Routledge
Page : 124 pages
File Size : 52,8 Mb
Release : 2017-02-03
Category : Music
ISBN : 9781315470634

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The Genesis and Development of an English Organ Sonata by Iain Quinn Pdf

This volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. With the expansion of the instrument’s capabilities came an opportunity for organist-composers to consider the repertoire anew with many factors reinforcing a desire to elevate the literature to new heights. This study begins by examining the legacy of the keyboard sonata in Britain and especially the pedagogical lineage that was to be seen through Mendelssohn and ultimately the early organ sonatas. The abiding influence of William Crotch’s lectures are studied to illuminate how a culture of conservatism emboldened the organist-composers towards compositions that were seen to represent the ideals of the Classical era but in a contemporary vein. The veneration of Bach, Mozart and Beethoven is then examined as composers wrote "portfolio" sonatas, each with a movement in a contrasting style to exhibit their compositional prowess while providing repertoire for the novice and connoisseur alike. Finally the volume considers how the British organist-composers who studied at the Leipzig Conservatorium had a direct bearing on the furtherance of an organ culture at home that in turn set the ground for the seminal work in the genre, Elgar’s Sonata of 1895.

Author : James Cook
Publisher : Routledge
Page : 151 pages
File Size : 40,9 Mb
Release : 2019-01-22
Category : Music
ISBN : 9781351042369

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The Cyclic Mass by James Cook Pdf

England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of ‘what is English’ cannot truly be answered without also answering the question of ‘what is continental’. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice – a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.

Author : Michael Allis,Paul Watt
Publisher : Boydell & Brewer
Page : 382 pages
File Size : 53,9 Mb
Release : 2020
Category : Music
ISBN : 9781783275281

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The Symphonic Poem in Britain, 1850-1950 by Michael Allis,Paul Watt Pdf

The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).

Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 403 pages
File Size : 43,5 Mb
Release : 2021-08-26
Category : History
ISBN : 9781108475433

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The Cambridge Companion to Music and Romanticism by Benedict Taylor Pdf

A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.

Author : Einar Steen-Nokleberg
Publisher : Indiana University Press
Page : 500 pages
File Size : 45,7 Mb
Release : 1997-06-22
Category : Music
ISBN : 0253332486

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Onstage with Grieg by Einar Steen-Nokleberg Pdf

Reading Onstage with Grieg is almost like taking a private lesson with Einar Steen-Nokleberg, internationally acclaimed interpreter of Grieg. He offers not only practical advice on the technical execution of these pieces but insights into their compositional background, tracing the influence of Norwegian poetry, ancient songs, traditional dances, and the sound of folk instruments. Onstage with Grieg gives invaluable advice to pianists at all levels of achievement - students, teachers, and professional performers.

Author : Benedict Taylor Ph.D.
Publisher : Oxford University Press
Page : 464 pages
File Size : 41,9 Mb
Release : 2020-04-15
Category : Music
ISBN : 9780190611798

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Rethinking Mendelssohn by Benedict Taylor Ph.D. Pdf

As one of the foremost composers, conductors, and pianists of the nineteenth century, Felix Mendelssohn played a fundamental role in the shaping of modern musical tastes through his contributions to the early music revival and the formation of the Austro-German musical canon. His career allows for a remarkable meeting point for critical engagement with a host of crucial issues in the last two centuries of music history, including the relation between musical meaning and social function, programmatic and absolute music, notions of classicism and Romanticism, modernism and historicism. It also serves as a pertinent case-study of the roles political ideology, racism, and musical ignorance may play in creating and perpetuating a composer's posthumous reception. Fittingly, Rethinking Mendelssohn focuses on critical engagement with the composer's music and aesthetics, and on the interpretation of his works in relation to contemporaneous culture. Building on the renaissance in Mendelssohn scholarship of the last two decades, Rethinking Mendelssohn sets a fresh and exciting tone for research on the composer. Opening new ways of understanding Mendelssohn and setting the future direction of Mendelssohn studies, the contributing scholars pay particular attention to Mendelssohn's contested views on the relationship between art and religion, analysis of Mendelssohn's instrumental music in the wake of recent controversies in Formenlehre, and the burgeoning interest in his previously neglected contribution to the German song.

Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 128 pages
File Size : 48,5 Mb
Release : 2011-10-27
Category : Music
ISBN : 9781139501361

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Mendelssohn, Time and Memory by Benedict Taylor Pdf

Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.

Author : Constant Lambert
Publisher : Rare Treasure Editions
Page : 273 pages
File Size : 51,5 Mb
Release : 2021-11-05T11:09:00Z
Category : Music
ISBN : 9781774642702

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Music Ho!: A Study of Music in Decline by Constant Lambert Pdf

A brilliant analysis of the music of the twenties and thirties, also discusses the music of composers like Stravinsky, Satie, Gershwin, and considers the contributions of jazz and other pop music of the time with classical music.

Author : Anonim
Publisher : Unknown
Page : 708 pages
File Size : 50,8 Mb
Release : 1958
Category : Music
ISBN : NYPL:33433074757281

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Music Teacher and Piano Student by Anonim Pdf