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Unfolding as a series of materially oriented studies ranging from chairs, machines and doors to trees, animals and food, this book retells the story of Renaissance personhood as one of material relations and embodied experience, rather than of emergent notions of individuality and freedom.
Character and the Individual Personality in English Renaissance Drama by John E. Curran Pdf
Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy studies instantiations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside such fraught questions as the history of Renaissance subjectivity and individualism on the one hand and Shakespearean exceptionalism on the other, we can find that in some plays, by a range of different authors and collaborators, a conception has been evidenced of who a particular person is, and has been used to drive the action. This evidence can take into account a number of internal and external factors that might differentiate a person, and can do so drawing on the intellectual context in a number of ways. Ideas with potential to emphasize the special over the general in envisioning the person might come from training in dialectic (thesis vs hypothesis) or in rhetoric (ethopoeia), from psychological frameworks (casuistry, humor theory, and their interpenetration), or from historiography (exemplarity). But though they depicted what we would call personality only intermittently, and with assumptions different from our own about personhood, dramatists sometimes made a priority of representing the workings of a specific mind: the patterns of thought and feeling that set a person off as that person and define that person singularly rather than categorically. Some individualistic characters can be shown to emerge where we do not expect, such as with Fletcherian personae like Amintor, Arbaces, and Montaigne of The Honest Man’s Fortune; some are drawn by playwrights often uninterested in character, such as Chapman’s Bussy D’Ambois, Jonson’s Cicero, and Ford’s Perkin Warbeck; and some appear in being constructed differently from others by the same author, as when Webster’s Bosola is set in contrast to Flamineo, and Marlowe’s Faustus is set against Barabas. But Shakespearean characters are also examined for the particular manner in which each troubles the categorical and exhibits a personality: Othello, Good Duke Humphrey, and Marc Antony. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Impossible Desire and the Limits of Knowledge in Renaissance Poetry by Wendy Beth Hyman Pdf
Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers' anticipated decline, and—quite stunningly given the Reformation context—humanity's relegation not to a Christian afterlife but to a Marvellian 'desert of vast Eternity.' In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval of the Reformation, an unlikely but effective vehicle for articulating religious doubt. Its ambitions were thus largely philosophical, and came to incorporate investigations into the nature of matter, time, and poetic representation. Renaissance seduction poets invited their auditors to participate in a dangerous intellectual game, one whose primary interest was expanding the limits of knowledge. The book theorizes how Renaissance lyric's own fragile relationship to materiality and time, and its self-conscious relationship to making, positioned it to grapple with these 'impossible' metaphysical and representational problems. Although attentive to poetics, the book also challenges the commonplace view that the erotic invitation is exclusively a lyrical mode. Carpe diem's revival in post-Reformation Europe portends its radicalization, as debates between man and maid are dramatized in disputes between abstractions like chastity and material facts like death. Offered here is thus a theoretical reconsideration of the generic parameters and aspirations of the carpe diem trope, wherein questions about embodiment and knowledge are also investigations into the potentialities of literary form.
Thinking Critically in College by Louis E. Newman Pdf
Finally, a college prep book that actually prepares students for college! Almost all first-year college students discover that college courses are more academically challenging than they expected, and certainly harder than classes in high school. Professors expect students not just to absorb material, but to analyze and synthesize it, consider multiple perspectives, evaluate conflicting evidence, and then apply what they’ve learned in new contexts. Thinking Critically in College explains how to do all this and more. Louis E. Newman draws on decades of experience as a professor at Carleton College and Dean of Academic Advising and Associate Vice Provost for Undergraduate Education at Stanford, offering the guidance you need to succeed both in college and in life post-graduation. Unique among college prep books, Thinking Critically in College builds on the latest research in learning, spells out the key critical thinking skills you need, shows you how to tackle actual college assignments, and provides exercises throughout to reinforce the lessons. Written in a personal, engaging style, Thinking Critically in College explains how to do the work your professors will require—exactly the preparation you need, no matter what your academic background. Practical, accessible, comprehensive, and interactive, Thinking Critically in College is the definitive guide, not only for those in college or headed there, but for everyone who needs a refresher on thinking clearly.
Women’s Agency and Self-Fashioning in Early Modern Tuscany by Autori Vari Pdf
The women profiled in these chapters come from diverse cultural, social, economic and spiritual backgrounds: from patrician heads of household to widows, from saints to artistic patrons, each of the women featured in this interdisciplinary study offers us fresh insight and a broader perspective on the position and role of female protagonists in the history of early modern Tuscany. Employing a variety of methodological approaches, and aided by new archival material, this volume examines women’s ordinary and extraordinary experiences through their writings, cultural and religious activities, social and political networks, and commercial endeavors. In so doing, the volume raises insightful questions about the scope of women’s accomplishments and provides new direction for the future study of women’s agency and self-fashioning.
Women, Art, and Architecture in Northern Italy, 1520–1580 by Katherine A. McIver Pdf
Expanding interdisciplinary investigations into gender and material culture, Katherine A. McIver here adds a new dimension to Renaissance patronage studies by considering domestic art - the decoration of the domestic interior - as opposed to patronage of the fine arts (painting, sculpture and architecture). Taking a multidimensional approach, McIver looks at women as collectors of precious material goods, as organizers of the early modern home, and as decorators of its interior. By analyzing the inventories of women's possessions, McIver considers the wide range of domestic objects that women owned, such as painted and inlaid chests, painted wall panels, tapestries, fine fabrics for wall and bed hangings, and elaborate jewelry (pendant earrings, brooches, garlands for the hair, necklaces and rings) as well as personal devotional objects. Considering all forms of patronage opportunities open to women, she evaluates their role in commissioning and utilizing works of art and architecture as a means of negotiating power in the court setting, in the process offering fresh insights into their lives, limitations, and the possibilities open to them as patrons. Using her subjects' financial records to track their sources of income and the circumstances under which it was spent, McIver thereby also provides insights into issues of Renaissance women's economic rights and responsibilities. The primary focus on the lives and patronage patterns of three relatively unknown women, Laura Pallavicina-Sanvitale, Giacoma Pallavicina and Camilla Pallavicina, provides a new model for understanding what women bought, displayed, collected and commissioned. By moving beyond the traditional artistic centers of Florence, Venice and Rome, analyzing instead women's artistic patronage in the feudal courts around Parma and Piacenza during the sixteenth century, McIver nuances our understanding of women's position and power both in and out of the home. Carefully integrating extensive archival
Dynamic Matter investigates the life histories of Renaissance objects. Eschewing the critical tendency to study how objects relate to human needs and desires, this work foregrounds the objects themselves, demonstrating their potential to transform their environments as they travel across time and space. Integrating early modern material theories with recent critical approaches in Actor-Network Theory and object-oriented ontology, this volume extends Aristotle’s theory of dynameos—which conceptualizes matter as potentiality—and applies it to objects featured in early modern texts such as Edmund Spenser’s The Faerie Queene, Robert Hooke’s Micrographia, and William Shakespeare’s The Tempest. Individual chapters explore the dynameos of matter by examining its manifestations in particular forms: combs are inscribed with words and brushed through human hair; feathers are incorporated into garments and artwork; Prince Rupert’s glasswork drops explode; a whale becomes animated by the power of a magical bracelet; and books are drowned. These case studies highlight the potentiality matter itself possesses and that which it activates in other matter. A theorization of objects grounded in Renaissance materialist thought, Dynamic Matter examines the richness of things themselves; the larger, multiple, and changing networks in which things circulate; and the networks created by these transformative objects. In addition to the editor, the contributors to this volume include Anna Riehl Bertolet, Erika Mary Boeckeler, Naomi Howell, Emily E. F. Philbrick, Josie Schoel, Maria Shmygol, Edward McLean Test, Abbie Weinberg, and Sarah F. Williams.
A prehistory of transness that recovers early modern theological resources for trans lifeworlds. In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology. Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert’s invaginated Jesus and Milton’s gestational Adam to the ungendered “glorious body” of the resurrection, early modern theology offers a rich conceptual reservoir of trans imagery. In uncovering early modern trans theology, Glorious Bodies mounts a critique of the broad consensus that secularism is a necessary precondition for trans life, while also combating contemporary transphobia and the right-wing Christian culture war seeking to criminalize transition. Developing a rehabilitative account of theology’s value for positing trans lifeworlds, this book leverages premodern religion to imagine a postsecular transness in the present.
This first book-length story and study of philosopher, activist, inventor, and philanthropist Lewis Gompertz--co-founder of both the Society for the Prevention of Cruelty to Animals (1824, ousted in 1832) and the Animals' Friend Society (1832-52)--charts his struggle against likely and unlikely enemies on behalf of other species, women, the poor, apprentices, prisoners, and slaves. Outraging fearful, elitist Christians, his classic Moral Inquiries on the Situation of Man and of Brutes (1824) reveals influences, tenets, and indeed his own situation in attempting to formulate and live by a rational morality for others' benefit, defying religious and structural forces that wanted far less. Power, class, philosophy, history, education, reform, and revolution all play their part in this account of his campaigning work and works (including Fragments in Defence of Animals and The Animals' Friend periodical), exposing the racist, sectarian rhetoric and scheming he endured at a defining moment. This attritional action, by which humane progress was obstructed and for more than a century fixed, is more disturbing than has been made widely detailed until now, in this much-needed, critical introduction.
Conversations about Heaven by Brian G. Chilton Pdf
Will heaven be boring? What will God and heaven look like? Will I enjoy heaven? Are animals in heaven? These questions, among others, often enter the hearts and minds of people envisioning their final heavenly home. Often, theologians and pastors have placed unnecessary restrictions on heaven, whereas others have claimed that heaven should not be discussed because of so many uncertainties. But is this helpful? Furthermore, is it even biblical? In the book Conversations about Heaven, Dr. Brian Chilton reflects on a conversation he had with a lady from Huntsville Baptist Church who asked some of the most challenging questions he ever received. They both discovered that if God is the greatest possible being and heaven is God's greatest gift, then heaven is a place that is far greater than anything ever imagined. Conversations about Heaven challenges you to vastly expand your thoughts on heaven, as heaven will far exceed even our greatest imaginations, and it encourages you to regularly reflect on the great things that lie ahead in your heavenly home.
GMAT Official Guide 2020 Verbal Review by GMAC (Graduate Management Admission Council) Pdf
Beat the GMAT verbal section with inside help from the makers of the GMAT GMAT Official Guide Verbal Review 2021 gets you ready for the toughest verbal test you've ever taken: the GMAT Verbal section. Written by the creators of the GMAT, the Official Guide takes you step-by-step through over 340 practice questions Improve your reading comprehension, critical reasoning, and sentence correction skills using GMAT questions from past exams. The practice questions come complete with detailed answer keys and strategies. GMAT Official Guide Verbal Review 2021 includes: An overview of the GMAT Verbal section and exam generally Grammar, critical reasoning, comprehension, and sentence correction tutorials Online flashcards and additional questions accessible by mobile app (online or offline) and desktop for seamless practice
GMAT Official Guide Verbal Review 2024-2025: Book + Online Question Bank by GMAC (Graduate Management Admission Council) Pdf
GMAT Official Guide Verbal Review 2024-2025: Includes Book + Online Question Bank + Digital Flashcards + Mobile App The GMATTM Official Guide Verbal Review provides focused practice to master the verbal reasoning section of the exam with 250+ practice questions that are not included in the main Official Guide 2024-2025. Designed by the makers of the GMAT Focus Edition, the GMAT Official Guide series is the only study guide that features real exam questions. Use this guide to: Master the verbal section of the exam Familiarize yourself with essential concepts through the updated verbal review chapter Grow your confidence with the reading comprehension and critical reasoning questions (featuring 50+ new questions!) Review detailed explanations to understand correct and incorrect answers New! Get exclusive exam preparation tips from test prep organizations New! Practice with two-part analysis questions in the book PLUS! Focus your studying with the Online Question Bank – Bonus: included with purchase! Tailor your practice by building practice sets targeting question type and difficulty Discover your strengths and weaknesses with diagnostic quizzes Track your focus areas and progress with key metrics Reinforce concepts with flashcards and engaging games Challenge yourself with timed practice Use digital flashcards to master key concepts, also accessible on the mobile app The Online Question Bank is accessible through your mba.com account.
The Oxford Handbook of Shakespeare and Race by Patricia Akhimie Pdf
Presents current scholarship on race and racism in Shakespeare's works. The Handbook offers an overview of approaches used in early modern critical race studies through fresh readings of the plays; an exploration of new methodologies and archives; and sustained engagement with race in contemporary performance, adaptation, and activism.
A New Companion to Herman Melville by Wyn Kelley,Christopher Ohge Pdf
Discover a fascinating new set of perspectives on the life and work of Herman Melville A New Companion to Herman Melville delivers an insightful examination of Melville for the twenty-first century. Building on the success of the first Blackwell Companion to Herman Melville, and offering a variety of tools for reading, writing, and teaching Melville and other authors, this New Companion offers critical, technological, and aesthetic practices that can be employed to read Melville in exciting and revelatory ways. Editors Wyn Kelley and Christopher Ohge create a framework that reflects a pluralistic model for humanities teaching and research. In doing so, the contributing authors highlight the ways in which Melville himself was concerned with the utility of tools within fluid circuits of meaning, and how those ideas are embodied, enacted, and mediated. In addition to considering critical theories of race, gender, sexuality, religion, transatlantic and hemispheric studies, digital humanities, book history, neurodiversity, and new biography and reception studies, this book offers: A thorough introduction to the life of Melville, as well as the twentieth- and twenty-first-century revivals of his work Comprehensive explorations of Melville’s works, including Moby-Dick, Pierre, Piazza Tales, and Israel Potter, as well as his poems and poetic masterpiece Clarel Practical discussions of material books, print culture, and digital technologies as applied to Melville In-depth examinations of Melville's treatment of the natural world Two symposium sections with concise reflections on art and adaptation, and on teaching and public engagement A New Companion to Herman Melville provides essential reading for scholars and students ranging from undergraduate and graduate students to more advanced scholars and specialists in the field.
Entertaining the Idea by Lowell Gallagher,James Kearney,Julia Reinhard Lupton Pdf
To entertain an idea is to take it in, pay attention to it, give it breathing room, dwell with it for a time. The practice of entertaining ideas suggests rumination and meditation, inviting us to think of philosophy as a form of hospitality and a kind of mental theatre. In this collection, organized around key words shared by philosophy and performance, the editors suggest that Shakespeare’s plays supply readers, listeners, viewers, and performers with equipment for living. In plays ranging from A Midsummer Night’s Dream to King Lear and The Winter’s Tale, Shakespeare invites readers and audiences to be more responsive to the texture and meaning of daily encounters, whether in the intimacies of love, the demands of social and political life, or moments of ethical decision. Entertaining the Idea features established and emerging scholars, addressing key words such as role play, acknowledgment, judgment, and entertainment as well as curse and care. The volume also includes longer essays on Shakespeare, Kant, Husserl, and Hegel as well as an afterword by theatre critic Charles McNulty on the philosophy and performance history of King Lear.