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Requiem for the Author of Frankenstein by Molly Dwyer Pdf
Preparing a paper on Frankenstein, scholar Anna Trevor falls into alarmingly realistic dreams, meeting Mary Shelley, who reveals truths only she could know. When the dreams enter Anna's waking state, she begins to believe that Mary and her lovers, Percy Bysshe Shelley and Lord Byron, actually exist as conscious beings sharing time and space and mind with her.
When Peter Parker was bitten by a radioactive spider, he became much more than the shy, introverted high school student he had always been. Now possessed of the proportionate strength, speed, and agility of a spider, he sought to use his newfound abilities to achieve wealth and fame. But after his beloved Uncle Ben was murdered, the grief-stricken youth soon realized that with great power comes great responsibility. Now Peter wages a one-man crusade against crime...in the costumed identity of the amazing Spider-Man!
From Madman to Crime Fighter by Roslynn D. Haynes Pdf
A study of the scientist in Western culture, from medieval images of alchemists to present-day depictions of cyberpunks and genetic engineers. They were mad, of course. Or evil. Or godless, amoral, arrogant, impersonal, and inhuman. At best, they were well intentioned but blind to the dangers of forces they barely controlled. They were Faust, Frankenstein, Jekyll, Moreau, Caligari, Strangelove—the scientists of film and fiction, cultural archetypes that reflected ancient fears of tampering with the unknown or unleashing the little-understood powers of nature. In From Madman to Crime Fighter, Roslynn D. Haynes analyzes stereotypical characters—including the mad scientist, the cold-blooded pursuer of knowledge, the intrepid pathbreaker, and the bumbling fool—that, from medieval times to the present day, have been used to depict the scientist in Western literature and film. She also describes more realistically drawn scientists, characters who are conscious of their public responsibility to expose dangers from pollution and climate change yet fearful of being accused of lacking evidence. Drawing on examples from Britain, America, Germany, France, Russia, and elsewhere, Haynes explores the persistent folklore of mad doctors of science and its relation to popular fears of a depersonalized, male-dominated, and socially irresponsible pursuit of knowledge for its own sake. She concludes that today’s public response to science and scientists—much of it negative—is best understood by recognizing the importance of such cultural archetypes and their significance as myth. From Madman to Crime Fighter is the most comprehensive study of the image of the scientist in Western literature and film.
No one ever said it was easy being a monster. Take Frankenstein, for instance: He just wants to marry his undead bride in peace, but his best man, Dracula, is freaking out about the garlic bread. Then there’s the Headless Horseman, who wishes everyone would stop drooling over his delicious pumpkin head. And can someone please tell Edgar Allan Poe to get the door already before the raven completely loses it? Sheesh. In a wickedly funny follow-up to the bestselling Frankenstein Makes a Sandwich, Adam Rex once again proves that monsters are just like you and me. (Well, sort of.)
Deep in the mountains of nineteenth-century Carpathia lies the mysterious and mythic land of Transylvania, a world where evil is ever-present, where danger rises as the sun sets, and where monsters such as Count Dracula, the Wolf Man, and Frankenstein's Monster take form and inhabit man's deepest nightmares -- terrifying legends who outlive generations, defying repeated attacks from the doomed brave souls that challenge them in their never-ending war upon the human race. On order of a secret society, only a lone force of good stands against them -- the legendary monster hunter Van Helsing, a man revered by some and feared by many. In his ongoing battle to rid the earth of these fiendish beings, Van Helsing must now travel to Transylvania to bring down the lethally seductive, enigmatically powerful Count Dracula, and joins forces with the fearless Anna Valerious, a woman out to rid her family of a generations-old curse by defeating the vampire. But unknown to all, the immortal Dracula will stop at nothing to unleash his master plan of subverting human civilization and ruling over a world of havoc, fear, and darkness...
THE FORTUNES OF PERKIN WARBECK (A ROMANCE) BY THE AUTHOR OF “FRANKENSTEIN” BY Mary Wollstonecraft Shelley by Mary Wollstonecraft Shelley Pdf
The Fortunes of Perkin Warbeck: A Romance is an 1830 historical novel by Mary Shelley about the life of Perkin Warbeck. The book takes a Yorkist point of view and proceeds from the conceit that Perkin Warbeck died in childhood and the supposed impostor was indeed Richard of Shrewsbury. Henry VII of England is repeatedly described as a "fiend" who hates Elizabeth of York, his wife and Richard's sister, and the future Henry VIII, mentioned only twice in the novel, is a vile youth who abuses dogs. Her preface establishes that records of the Tower of London, as well as the histories of Edward Hall, Raphael Holinshed, and Francis Bacon, the letters of Sir John Ramsay to Henry VII that are printed in the Appendix to John Pinkerton's History of Scotland establish this as fact. Each chapter opens with a quotation. The entire book is prefaced with a quotation in French by Georges Chastellain and Jean Molinet.
D.L. Macdonald and Kathleen Scherf’s edition of Frankenstein has been widely acclaimed as an outstanding edition of the novel—for the general reader and the student as much as for the scholar. The editors use as their copy-text the original 1818 version, and detail in an appendix all of Shelley’s later revisions. They also include a range of contemporary documents that shed light on the historical context from which this unique masterpiece emerged. New to this edition is a discussion of Percy Shelley’s role in contributing to the first draft of the novel. Recent scholarship has provoked considerable interest in the degree to which Percy Shelley contributed to Mary Shelley’s original text, and this edition’s updated introduction discusses this scholarship. A new appendix also includes Lord Byron’s “A Fragment” and John William Polidori’s The Vampyre, works that are engaging in their own right and that also add further insights into the literary context of Frankenstein.
Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797-1851) that tells the story of Victor Frankenstein, a young scientist who creates a hideous, sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared on the second edition, published in 1823.Shelley travelled through Europe in 1814, journeying along the river Rhine in Germany with a stop in Gernsheim, which is 17 kilometres (11 mi) away from Frankenstein Castle, where, two centuries before, an alchemist was engaged in experiments.[3][4][5] Later, she travelled in the region of Geneva (Switzerland)--where much of the story takes place--and the topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband, Percy Shelley. Mary, Percy and Lord Byron decided to have a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made; her dream later evolved into the novel's story.
Frankenstein; or, The Modern Prometheus, is a novel written by English author Mary Shelley about the young student of science Victor Frankenstein, who creates a grotesque but sentient creature in an unorthodox scientific experiment. Shelley started writing the story when she was eighteen, and the novel was published when she was twenty. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823. Shelley had traveled through Europe in 1814, journeying along the river Rhine in Germany with a stop in Gernsheim which is just 17 km (10 mi) away from Frankenstein Castle, where two centuries before an alchemist was engaged in experiments. Later, she traveled in the region of Geneva (Switzerland)--where much of the story takes place--and the topics of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her lover and future husband, Percy Shelley. Mary, Percy, Lord Byron, and John Polidori decided to have a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made; her dream later evolved into the story within the novel.
Frankenstein; by Mary Wollstonecraft (godwin) Shelley Pdf
Frankenstein is a Gothic novel written by Mary Shelley. It tells the story of Victor Frankenstein, a young scientist who creates a grotesque creature through an unconventional scientific experiment. As Frankenstein s creation grapples with his own identity and existence, he seeks revenge on his creator for abandoning him. The novel explores themes of ambition, responsibility, and the consequences of playing god. Shelley s timeless tale challenges the boundaries of humanity and the ethical implications of scientific discovery, making it a cornerstone of both Gothic literature and science fiction.
Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797-1851) that tells the story of Victor Frankenstein, a young scientist who creates a grotesque but sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London on 1 January 1818, when she was 20.[1] Her name first appeared on the second edition, published in France in 1823. Shelley travelled through Europe in 1814, journeying along the river Rhine in Germany with a stop in Gernsheim which is 17 km (10 mi) away from Frankenstein Castle, where, two centuries before, an alchemist was engaged in experiments.[2][3][4] Later, she travelled in the region of Geneva (Switzerland)-where much of the story takes place-and the topic of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her lover and future husband, Percy Shelley. Mary, Percy, Lord Byron and John Polidori decided to have a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made; her dream later evolved into the novel's story.
In her newest collection of fantasy stories, beloved author Jane Yolen's dark side has fully emerged. Her vivid, startling, and thrilling tales and poems of the supernatural--from icy-hearted witches to sometimes-innocent shapeshifters--reveal a classic storyteller at the height of her powers. "Look this way, look that; blazing her consummate imagination against the shadows of human sorrow, Jane Yolen has done it again."--Gregory Maguire, author of Wicked Jane Yolen is the Hans Christian Andersen of America" --The New York Times Welcome to the Midnight Circus--and watch your step. The dark imaginings of fantasy icon Jane Yolen are not for the faint of heart. In these sixteen brilliantly unnerving tales and poems, Central Park becomes a carnival where you can--but probably shouldn't--transform into a wild beast. The Red Sea will be deadly to cross due to a plague of voracious angels. Meanwhile, the South Pole is no place for even a good man, regardless of whether he is living or dead. Wicked, solemn, and chilling, the circus is ready for your visit--just don't arrive late. Other short story collections by Jane Yolen in this series The Emerald Circus: 2018 World Fantasy Award winner How to Fracture a Fairy Tale: 2019 Anne Izard Storytellers' Choice Award
