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The first volume in English about the German Democratic Republic (GDR) as a cultural phenomenon, with essays by leading scholars providing a chronological and genre-based overview along with close readings of individual works. It addresses the history and context of GDR culture, including the two decades since its decline.
Remembering East Germany is a memoir focused on experiences Richard A. Zipser had while travelling and doing research in communist East Germany during the 1970s and 1980s. The memoir is based primarily on a 396-page file the East German secret police--the Stasi--compiled on him with the help of at least ten informants over a twelve-year period. The reports in the file provide a kind of factual foundation for the memoir, as do reports about Zipser found in the Stasi-files of other persons, various printed materials, letters he wrote and received, and some memories as well. After the collapse of the Berlin Wall in 1989 and German reunification in 1990, Zipser was able to obtain a copy of his Stasi-file, a process that took seven years from beginning to end. His memoir provides unique insights into a society and literary scene that no other Westerner was able to experience so intensely. It reflects, on several levels, how he experienced communist East Germany and how it in turn experienced him. This fascinating book transports its readers back in time to the chilling Cold War days of yesteryear.
East German Film and the Holocaust by Elizabeth Ward Pdf
East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.
Gender and Sexuality in East German Film by Kyle Frackman,Faye Stewart Pdf
The first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres and in social, political, and cultural context.
Representing East Germany Since Unification by Paul Cooke Pdf
Cooke maps out the problematic path of German national identity as it struggles to deal with the legacy of division. Drawing on postcolonial theory, he argues that the East has been defined as the West's exotic other and shows how this stereotype has been vigorously challenged.
Rereading German History (Routledge Revivals) by Richard J. Evans Pdf
In Rereading German History, first published in 1997, Richard J. Evans draws together his seminal review essays on the political, economic, cultural and social history of Germany through war and reunification. This book provides a study of how and why historians – mainly German, American, British and French – have provided a series of differing and often conflicting readings of the German past. It also presents a reconsideration of German history in the light of the recent decline of the German Democratic Republic, collapse of the Berlin Wall and the reunification of Germany. Rereading German History re-examines major controversies in modern German history, such as the debate over Germany’s ‘special path’ to modernity in the nineteenth and twentieth centuries, and the discussions in the 1980s on the uniqueness or otherwise of Auschwitz. Evans also analyses the arguments over the nature of German national identity. The book offers trenchant and important analytical insights into the history of Germany in the last two centuries, and is ideal reading material for students of modern history and German studies.
AN INTERNATIONAL BESTSELLER • From the ashes of the Second World War to the fall of the Berlin Wall, the definitive history of East Germany, "a fascinating, sparkling book, filled with insights" (Peter Frankopan) In 1990, a country disappeared. When the Iron Curtain fell, East Germany ceased to be. For over forty years, from the ruin of the Second World War to the cusp of a new millennium, the German Democratic Republic presented a radically different Germany than what had come before and what exists today. Socialist solidarity, secret police, central planning, barbed wire: this was a Germany forged on the fault lines of ideology and geopolitics. In Beyond the Wall, acclaimed historian Katja Hoyer sets aside the usual Cold War caricatures of the GDR to offer a kaleidoscopic new vision of this vanished country, revealing the rich political, social, and cultural landscape that existed amid oppression and hardship. Drawing on a vast array of never-before-seen interviews and documents, this is the definitive history of the other Germany, beyond the Wall.
Examines the literature produced from the very beginnings of what became the GDR through the 1950s, redressing a tendency of literary scholarship to focus on the later GDR.
Presenting the collected reviews of one of modern Germany's single most important historians, this book offers a comprehensive summary of Richard Evans' trenchant and important analytical points on Weimar, the Third Reich and revisionism.
German Reunification and the Legacy of GDR Literature and Culture by Anonim Pdf
This collection of academic articles and personal reflections explores German reunification and the legacy of GDR literature and culture. It examines a broad range of genres and combines perspectives on both lesser-known and more established writers.
Historical Dictionary of German Cinema by Robert C. Reimer,Carol J. Reimer Pdf
The History of German film is diverse and multi-faceted. This volume can only suggest the richness of a film tradition that includes five distinct German governments [Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany (West Germany), and the German Democratic Republic (East Germany), s well as a reunited Germany], two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as and the natural inclination of artists to rebel and create new styles, allow for construction of a narrative of German film. Disjuncture generates distinct points of separation, and yet also highlights continuities between the ruptures. This second edition of Historical Dictionary of German Cinema contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. This book is an excellent resource for students, researchers, and anyone wanting to know more about German cinema.
Gendering Post-1945 German History by Karen Hagemann,Donna Harsch,Friederike Brühöfener Pdf
Although “entanglement” has become a keyword in recent German history scholarship, entangled studies of the postwar era have largely limited their scope to politics and economics across the two Germanys while giving short shrift to social and cultural phenomena like gender. At the same time, historians of gender in Germany have tended to treat East and West Germany in isolation, with little attention paid to intersections and interrelationships between the two countries. This groundbreaking collection synthesizes the perspectives of entangled history and gender studies, bringing together established as well as upcoming scholars to investigate the ways in which East and West German gender relations were culturally, socially, and politically intertwined.
The German Student Movement and the Literary Imagination by Susanne Rinner Pdf
Through a close reading of novels by Ulrike Kolb, Irmtraud Morgner, Emine Sevgi Özdamar, Bernhard Schlink, Peter Schneider, and Uwe Timm, this book traces the cultural memory of the 1960s student movement in German fiction, revealing layers of remembering and forgetting that go beyond conventional boundaries of time and space. These novels engage this contestation by constructing a palimpsest of memories that reshape readers' understanding of the 1960s with respect to the end of the Cold War, the legacy of the Third Reich, and the Holocaust. Topographically, these novels refute assertions that East Germans were isolated from the political upheaval that took place in the late 1960s and 1970s. Through their aesthetic appropriations and subversions, these multicultural contributions challenge conventional understandings of German identity and at the same time lay down claims of belonging within a German society that is more openly diverse than ever before.
Remapping Cold War Media by Alice Lovejoy,Mari Pajala Pdf
Why were Hollywood producers eager to film on the other side of the Iron Curtain? How did Western computer games become popular in socialist Czechoslovakia's youth paramilitary clubs? What did Finnish commercial television hope to gain from broadcasting Soviet drama? Cold War media cultures are typically remembered in terms of an East-West binary, emphasizing conflict and propaganda. Remapping Cold War Media, however, offers a different perspective on the period, illuminating the extensive connections between media industries and cultures in Europe's Cold War East and their counterparts in the West and Global South. These connections were forged by pragmatic, technological, economic, political, and aesthetic forces; they had multiple, at times conflicting, functions and meanings. And they helped shape the ways in which media circulates today—from film festivals, to satellite networks, to coproductions. Considering film, literature, radio, photography, computer games, and television, Remapping Cold War Media offers a transnational history of postwar media that spans Eastern and Western Europe, the Nordic countries, Cuba, the United States, and beyond. Contributors draw on extensive archival research to reveal how media traveled across geopolitical boundaries; the processes of translation, interpretation, and reception on which these travels depended; and the significance of media form, content, industries, and infrastructures then and now.
