Research Methods In Theatre And Performance

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Research Methods in Theatre and Performance

Author : Baz Kershaw
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 49,5 Mb
Release : 2011-04-18
Category : Performing Arts
ISBN : 9780748646081

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Research Methods in Theatre and Performance by Baz Kershaw Pdf

How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions. Challenging and debating received research wisdom and exploring innovative procedures for rigorous enquiry via archives, technology, practice-as-research, scenography, performer training, applied theatre/performance, body in performance and more, they create a focussed compendium of future research options.

Performance as Research

Author : Annette Arlander,Bruce Barton,Melanie Dreyer-Lude,Ben Spatz
Publisher : Routledge
Page : 360 pages
File Size : 55,6 Mb
Release : 2017-12-06
Category : Performing Arts
ISBN : 9781351654333

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Performance as Research by Annette Arlander,Bruce Barton,Melanie Dreyer-Lude,Ben Spatz Pdf

Performance as Research (PAR) is characterised by an extraordinary elasticity and interdisciplinary drive. Performance as Research: Knowledge, Methods, Impact celebrates this energy, bringing together chapters from a wide range of disciplines and eight different countries. This volume focuses explicitly on three critical, often contentious themes that run through much discussion of PaR as a discipline: Knowledge - the areas and manners in which performance can generate knowledge Methods - methods and methodologies for approaching performance as research Impact - a broad understanding of the impact of this form of research These themes are framed by four essays from the book's editors, contextualising their interrelated conversations, teasing out common threads, and exploring the new questions that the contributions pose to the field of performance. As both an intervention into and extension of current debates, this is a vital collection for any reader concerned with the value and legitimacy of performance as research.

Drama Research Methods

Author : Peter Duffy,Christine Hatton,Richard Sallis
Publisher : Unknown
Page : 128 pages
File Size : 40,5 Mb
Release : 2018
Category : Theater
ISBN : 9463512497

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Drama Research Methods by Peter Duffy,Christine Hatton,Richard Sallis Pdf

Research Methodologies for Drama Education

Author : Judith Ackroyd
Publisher : Trentham Books
Page : 204 pages
File Size : 48,9 Mb
Release : 2006
Category : Drama
ISBN : 1858563232

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Research Methodologies for Drama Education by Judith Ackroyd Pdf

Drama education has been lacking a research methodology. This much needed text provides models constructed by leading researchers in the field and presented at the International Drama in Education Research Institute Conference in 2004. Each chapter in this collection from across the Anglophone world describes a different research methodology. It explains how the methodology was applied to the practice and outlines how teachers and other researchers can employ it in their own contexts. Led by the editor's chapter on the context of research, the contributions include: The Process of Institute Research Stations by Philip Taylor The Reflective Practitioner by Jonothan Neelands Critical Ethnography by Kathleen Gallagher Narrative Inquiry by Bellarie Zatzman A case study by Joe Winston Performance Ethnography by Jane Bacon Post-structuralist Deconstruction by Ian McCormick Feminist Methodology by Sharon Grady The book will be essential reading for research students and teachers because it provides models and approaches that connect with the immediacy of their practice.

Drama Research Methods: Provocations of Practice

Author : Anonim
Publisher : BRILL
Page : 275 pages
File Size : 46,5 Mb
Release : 2018-11-26
Category : Education
ISBN : 9789004389571

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Drama Research Methods: Provocations of Practice by Anonim Pdf

Drama Research Methods: Provocations of Practice focuses on innovative drama/theatre research practices in ever-widening contexts for a broad range of purposes within and outside of the arts and the challenges this poses for researchers, writers and research participants.

The Cambridge Introduction to Theatre Studies

Author : Christopher B. Balme
Publisher : Cambridge University Press
Page : 0 pages
File Size : 42,9 Mb
Release : 2008-09-18
Category : Drama
ISBN : 0521856221

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The Cambridge Introduction to Theatre Studies by Christopher B. Balme Pdf

This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.

Generating Theatre Meaning

Author : Eli Rozik
Publisher : Liverpool University Press
Page : 306 pages
File Size : 44,9 Mb
Release : 2007-12-01
Category : Performing Arts
ISBN : 9781782847267

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Generating Theatre Meaning by Eli Rozik Pdf

Offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. This book carries an underlying theme that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator.

Live Research

Author : Leah Mercer,Julie Robson,David Fenton
Publisher : Unknown
Page : 178 pages
File Size : 50,9 Mb
Release : 2012
Category : Experimental theater
ISBN : 0646581880

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Live Research by Leah Mercer,Julie Robson,David Fenton Pdf

The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies

Author : Tracy C. Davis,Paul Rae
Publisher : Cambridge University Press
Page : 570 pages
File Size : 53,5 Mb
Release : 2024-02-08
Category : Drama
ISBN : 9781009294911

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The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies by Tracy C. Davis,Paul Rae Pdf

We often know performance when we see it – but how should we investigate it? And how should we interpret what we find out? This book demonstrates why and how mixed methods research is necessary for investigating and explaining performance and advancing new critical agendas in cultural study. The wide range of aesthetic forms, cultural meanings, and social functions found in theatre and performance globally invites a corresponding variety of research approaches. The essays in this volume model reflective consideration of the means, processes, and choices for conducting performance research that is historical, ethnographic, aesthetic, or computational. An international set of contributors address what is meant by planning or designing a research project, doing research (locating and collecting primary sources or resources), and the ensuing work of interpreting and communicating insights. Providing illuminating and necessary guidance, this volume is an essential resource for scholars and students of theatre, performance, and dance.

Research Methods in Performance Studies

Author : Craig Gingrich-Philbrook,Jake Simmons
Publisher : Taylor & Francis
Page : 358 pages
File Size : 40,5 Mb
Release : 2023-05-05
Category : Performing Arts
ISBN : 9781351044776

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Research Methods in Performance Studies by Craig Gingrich-Philbrook,Jake Simmons Pdf

Research Methods in Performance Studies offers a unique approach for readers to engage with performance research and methods in practice. It examines ways of making performance, researching performance cultures, researching performers who themselves are engaged in research, and conducting research in the context of enduring and emergent themes of performance studies inquiry. This book features the work of eighteen scholar-artists currently working in performance studies who demonstrate—through applied projects—various methods for conducting performance research. The result is a wide array of novel scholarship including activist performance, slam poetry, video performance, stand-up comedy, adaptation for the Broadway stage, naturecultural performance, intersectional performance, performances of cultural and material preservation, and many others. Faculty, undergraduate and graduate students, and performance practitioners alike will benefit from the approaches to performance studies research methods articulated by the scholar-artists featured in this collection.

Impacting Theatre Audiences

Author : Dani Snyder-Young,Matt Omasta
Publisher : Routledge
Page : 258 pages
File Size : 47,7 Mb
Release : 2022-03-02
Category : Performing Arts
ISBN : 9781000545913

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Impacting Theatre Audiences by Dani Snyder-Young,Matt Omasta Pdf

This edited collection explores methods for conducting critical empirical research examining the potential impacts of theatrical events on audience members. Dani Snyder-Young and Matt Omasta present an overview of the burgeoning subfield of audience studies in theatre and performance studies, followed by an introduction to the wide range of ways scholars can study the experiences of spectators. Consisting of chapter-length case studies, the book addresses methodologies for examining spectatorship, including qualitative, quantitative, historical/historiographic, arts-based, participatory, and mixed methods approaches. This volume will be of great interest to theatre and performance studies scholars as well as industry professionals working in marketing, audience development, and community engagement.

Applied Theatre: Research

Author : Peter O'Connor,Michael Anderson
Publisher : Bloomsbury Publishing
Page : 307 pages
File Size : 46,8 Mb
Release : 2015-02-26
Category : Performing Arts
ISBN : 9781472509512

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Applied Theatre: Research by Peter O'Connor,Michael Anderson Pdf

Applied Theatre: Research is the first book to consolidate thinking about applied theatre as research through a thorough investigation of ATAR as a research methodology. It will be an indispensable resource for teachers and researchers in the area. The first section of the book details the history of the relationship between applied theatre and research, especially in the area of evaluation and impact assessment, and offering an examination of the literature surrounding applied theatre and research. The book then explores how applied theatre as research (ATAR) works as a democratic and pro-social adjunct to community based research and explains its complex relationship to arts informed inquiry, Indigenous research methods and other research epistemologies. The book provides a rationale for this approach focusing on its capacity for reciprocity within communities. The second part of the book provides a series of international case studies of effective practice which detail some of the key approaches in the method and based on work conducted in Australia, New Zealand, Singapore and the South Pacific. The case studies provide a range of cultural contexts for the playing out of various forms of ATAR, and a concluding chapter considers the tensions and the possibilities inherent in ATAR. This is a groundbreaking book for all researchers who are working with communities who require a method that moves beyond current research practice.

The Routledge Introduction to Theatre and Performance Studies

Author : Erika Fischer-Lichte
Publisher : Routledge
Page : 225 pages
File Size : 55,7 Mb
Release : 2014-04-03
Category : Drama
ISBN : 9781135083878

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The Routledge Introduction to Theatre and Performance Studies by Erika Fischer-Lichte Pdf

Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study: Part 1 – Central Concepts for Theatre and Performance Research – introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline. Part 2 – Fields, Theories and Methods – looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks. Part 3 – Pushing Boundaries – expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice. Focused accounts of plays, practitioners and performances map the development of Theatre and Performance Studies as an academic discipline, and of the theatre itself as an art form. This is the most comprehensive and sophisticated introduction to the field available, written by one of its foremost scholars.

Applied Theatre

Author : Peter O'Connor (Writer on theatre),Michael Anderson
Publisher : Unknown
Page : 312 pages
File Size : 48,5 Mb
Release : 2024-06-17
Category : Theater
ISBN : 1472513487

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Applied Theatre by Peter O'Connor (Writer on theatre),Michael Anderson Pdf

This is the first book to consolidate thinking about applied theatre as research through a thorough investigation of ATAR as a research methodology. It will be an indispensable resource for teachers and researchers in the area.

Practice as Research in the Arts (and Beyond)

Author : Robin Nelson
Publisher : Springer Nature
Page : 206 pages
File Size : 41,5 Mb
Release : 2022-05-19
Category : Performing Arts
ISBN : 9783030905422

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Practice as Research in the Arts (and Beyond) by Robin Nelson Pdf

This project addresses the contexts of Practice as Research and how to undertake it. This second iteration updates thinking and practices but sustains a direct and clear approach on how to become a practitioner-researcher. New features include an extension of range “beyond” the arts and a case for intra-disciplinarity in Practice Research as an influence in the formation of the “future university”. A comparison is made between Artistic Research and Practice Research recognizing that research through practices with being-doing-knowing is central to both. Acknowledging the current crisis in legitimation, a broad view is taken of how things might be known by an onto-epistemology for the twenty-first century foregrounding the bodymind but sustaining rationality and community by way of Other/other dialogic exchange. Perspectives from around the world in Part II offset the more Eurocentric emphasis in Part I.