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Revolution and the Historical Novel by John McWilliams Pdf
This book is an account of the ways the promise and threat of political revolution has informed historical novels from Walter Scott to the near present. Building off of the Marxist scholarly tradition of Georg Lukacs and Frederic Jameson, this book emphasizes the transformation of literary conventions to adapt to changing historical contexts.
Revolution and the Historical Novel by John McWilliams Pdf
This book is an account of the ways the promise and threat of political revolution has informed historical novels from Walter Scott to the near present. Building off of the Marxist scholarly tradition of Georg Lukacs and Frederic Jameson, this book emphasizes the transformation of literary conventions to adapt to changing historical contexts.
Rereading the Revolution by Benjamin S. Lawson Pdf
Approximately fifty historical novels dealing with the American Revolution were published in the United States in the single ten-year period from 1896 to 1906. Benjamin Lawson critically examines the narrative strategies employed in these many novels, the ways in which fiction is made to serve the purpose of vivifying national history. The British conventions of the historical romance in one sense seem to preclude radical declarations of literary independence even in books purportedly about a war against Britain. Working within the formula, these many writers nonetheless created fictional plots which parallel and reflect the enveloping concerns of the War for Independence. Just as the war was sometimes viewed as an Anglo-American family squabble, these metaphorical narratives depict familial and love interests.
Scaramouche A Romance Of The French Revolution by Rafael Sabatini Pdf
""Scaramouche: A Romance of the French Revolution"" is a compelling historical novel by Rafael Sabatini, renowned for its thrilling narrative and vivid depiction of the tumultuous era of the French Revolution. Set against the backdrop of political upheaval and social unrest, the story follows the transformation of André-Louis Moreau, a quick-witted and passionate young lawyer, as he becomes embroiled in the revolutionary fervor and the pursuit of justice. Through a series of dramatic twists and turns, André-Louis assumes the identity of the charismatic and enigmatic Scaramouche, a figure known for his theatrical flair and fearless spirit. Sabatini skillfully weaves a tale of love, betrayal, and revenge, highlighting the complexities of human nature and the enduring struggle for liberty and equality. ""Scaramouche"" stands as a classic in historical fiction, captivating readers with its timeless exploration of passion, honor, and the pursuit of personal and political freedom.
Scaramouche, A Romance of the French Revolution by Rafael Sabatini Pdf
He was born with a gift of laughter and a sense that the world was mad. And that was all his patrimony. His very paternity was obscure, although the village of Gavrillac had long since dispelled the cloud of mystery that hung about it. Those simple Brittany folk were not so simple as to be deceived by a pretended relationship which did not even possess the virtue of originality. When a nobleman, for no apparent reason, announces himself the godfather of an infant fetched no man knew whence, and thereafter cares for the lad's rearing and education, the most unsophisticated of country folk perfectly understand the situation. And so the good people of Gavrillac permitted themselves no illusions on the score of the real relationship between Andre-Louis Moreau—as the lad had been named—and Quintin de Kercadiou, Lord of Gavrillac, who dwelt in the big grey house that dominated from its eminence the village clustering below. Andre-Louis had learnt his letters at the village school, lodged the while with old Rabouillet, the attorney, who in the capacity of fiscal intendant, looked after the affairs of M. de Kercadiou. Thereafter, at the age of fifteen, he had been packed off to Paris, to the Lycee of Louis Le Grand, to study the law which he was now returned to practise in conjunction with Rabouillet. All this at the charges of his godfather, M. de Kercadiou, who by placing him once more under the tutelage of Rabouillet would seem thereby quite clearly to be making provision for his future. Andre-Louis, on his side, had made the most of his opportunities. You behold him at the age of four-and-twenty stuffed with learning enough to produce an intellectual indigestion in an ordinary mind. Out of his zestful study of Man, from Thucydides to the Encyclopaedists, from Seneca to Rousseau, he had confirmed into an unassailable conviction his earliest conscious impressions of the general insanity of his own species. Nor can I discover that anything in his eventful life ever afterwards caused him to waver in that opinion.
3 books to know French Revolution by Charles Dickens,Victor Hugo,Emma Orczy,August Nemo Pdf
Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books. These carefully selected works can be fiction, non-fiction, historical documents or even biographies. We will always select for you three great works to instigate your mind, this time the topic is:French Revolution. - The Scarlet Pimpernel by Emma Orczy. - A Tale of Two Cities by Charles Dickens. - Les Misérables by Victor Hugo.The Scarlet Pimpernel is the first novel in a series of historical fiction by Baroness Orczy, published in 1905. The novel is set during the Reign of Terror following the start of the French Revolution. The title is the nom de guerre of its hero and protagonist, a chivalrous Englishman who rescues aristocrats before they are sent to the guillotine. A Tale of Two Cities is a historical novel by Charles Dickens, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris and his release to live in London with his daughter Lucie, whom he had never met. The story is set against the conditions that led up to the French Revolution and the Reign of Terror. Les Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. Beginning in 1815 and culminating in the 1832 June Rebellion in Paris, the novel follows the lives and interactions of several characters, particularly the struggles of ex-convict Jean Valjean and his experience of redemption. This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics
Ribbons of Scarlet by Kate Quinn,Stephanie Dray,Laura Kamoie,E. Knight,Sophie Perinot,Heather Webb Pdf
“The French Revolution comes alive through the eyes of six diverse and complex women, in the skilled hands of these amazing authors.”--Martha Hall Kelly, New York Times bestselling author of Lilac Girls A breathtaking, epic novel illuminating the hopes, desires, and destinies of princesses and peasants, harlots and wives, fanatics and philosophers—seven unforgettable women whose paths cross during one of the most tumultuous and transformative events in history: the French Revolution. Ribbons of Scarlet is a timely story of the power of women to start a revolution—and change the world. In late eighteenth-century France, women do not have a place in politics. But as the tide of revolution rises, women from gilded salons to the streets of Paris decide otherwise—upending a world order that has long oppressed them. Blue-blooded Sophie de Grouchy believes in democracy, education, and equal rights for women, and marries the only man in Paris who agrees. Emboldened to fight the injustices of King Louis XVI, Sophie aims to prove that an educated populace can govern itself--but one of her students, fruit-seller Louise Audu, is hungrier for bread and vengeance than learning. When the Bastille falls and Louise leads a women’s march to Versailles, the monarchy is forced to bend, but not without a fight. The king’s pious sister Princess Elisabeth takes a stand to defend her brother, spirit her family to safety, and restore the old order, even at the risk of her head. But when fanatics use the newspapers to twist the revolution’s ideals into a new tyranny, even the women who toppled the monarchy are threatened by the guillotine. Putting her faith in the pen, brilliant political wife Manon Roland tries to write a way out of France’s blood-soaked Reign of Terror while pike-bearing Pauline Leon and steely Charlotte Corday embrace violence as the only way to save the nation. With justice corrupted by revenge, all the women must make impossible choices to survive--unless unlikely heroine and courtesan’s daughter Emilie de Sainte-Amaranthe can sway the man who controls France’s fate: the fearsome Robespierre.
Scaramouche is not only Rafael Sabatini's crowning literary achievement, it is one of the most engaging, thought-provoking and exciting historical novels ever written. Andre-Louis Moreau, (or Scaramouche, as he later becomes known), is a fascinatingly complex protagonist. Courageous, intelligent, quick-witted and intensely moral, Moreau is a character whose personal quest for revenge against the villainous Marquis de La Tour d'Azyr is a masterfully-woven story of swashbuckling action, romance and social conflict during the turbulent years of the French Revolution. Scaramouche is a well-born lawyer, fugitive, dramatic actor, expert swordsman, revolutionary politician and mob-inciting orator. Sabatini sets Moreau upon an intriguing path of fate, development and discovery, a fictionalized yet compelling account of a single man's ultimate test of human character as the world around him spirals into madness. Rafael Sabatini has often been compared to Alexandre Dumas (author of the Three Musketeers, the Count of Monte Cristo) as a master of historical fiction. Sabatini has created in Scaramouche an historical action-adventure novel that transcends all modern action-adventure writers in that Moreau, his protagonist, is a thoroughly multi-dimensional character. Though Moreau is driven by his hatred and quest for revenge, the spirit of his character is not defined by them, and the conflict of these passions with his ideals brings depth and substance to his exploits on the Theatre Feydau, the fencing halls of Paris, the floor of the National Assembly and his pursuit of the beautiful Aline de Kercadiou. Duels, intrigue, political introspection, romance, and more duels-all are present in Scaramouche. Enjoy!
The Historical Novel in Nineteenth-Century Europe by Brian Hamnett Pdf
Brian Hamnett examines key historical novels by Scott, Balzac, Manzoni, Dickens, Eliot, Flaubert, Fontane, Galdós, and Tolstoy, revealing the contradictions inherent in this form of fiction and exploring the challenges writers encountered in attempting to represent a reality that linked past and present.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
America's Imagined Revolution by Tomos Wallbank-Hughes Pdf
"In America's Imagined Revolution, Tomos Wallbank-Hughes explores late nineteenth- and early twentieth-century novels about Reconstruction in the American South, identifying a subgenre of the historical novel dedicated to narrating Reconstruction as revolutionary history. Operating at the margins of political and historical fiction, the writers studied here excavate generic and temporal registers in the historical novel that enable them to imagine revolution in ways that eschew narratives of transition designed to describe the bourgeois-democratic nation-state to the exclusion of plantation societies. Despite being guided in recent years by critical paradigms focused on recovering neglected moments, spaces, and voices, literary historians have struggled to fit Reconstruction's revolutionary upheavals into their transformed narratives of the long nineteenth century. This book makes the case for the novel form as a vital source in reconstructing the historical consciousness of Reconstruction as a revolutionary experience. Arguing that the historical novel of Reconstruction gains formal coherence from the conscious attempt to theorize Reconstruction as revolution-and revolution as an anachronous experience-the book offers the first formal and historical account presenting novels about the Reconstruction period as constitutive of a coherent, if evanescent, aesthetic genre. By analyzing works by George Washington Cable, Albion Tourgée, Frances Harper, W. E. B. Du Bois, and Charles Chesnutt, among others, Wallbank-Hughes details how these authors experimented with narrative forms and subverted the epic conventions of the historical novel to reimagine the period's historiographical significance. By recovering a literary genre and intellectual tradition through their complex forms of time-consciousness, America's Imagined Revolution argues that these novels provide a window onto the literary culture of the South's long nineteenth century in which the region became a terrain for interpreting that most un-American of phenomena: revolution. Taking seriously literary attempts to decipher revolutionary change amid the postbellum South's retrenched regimes of race and class oppression, therefore, enables a reexamination of Reconstruction's pull on the contemporary imagination, encouraging us to think anew about the cultural afterlives of slavery in relation to the idea of revolution"--
The French Revolution Debate and the British Novel, 1790-1814 by Morgan Rooney Pdf
This study examines how debates about history during the French Revolution informed and changed the nature of the British novel between 1790 and 1814. During these years, intersections between history, political ideology, and fiction, as well as the various meanings of the term "history" itself, were multiple and far reaching. Morgan Rooney elucidates these subtleties clearly and convincingly. While political writers of the 1790s--Burke, Price, Mackintosh, Paine, Godwin, Wollstonecraft, and others--debate the historical meaning of the Glorious Revolution as a prelude to broader ideological arguments about the significance of the past for the present and future, novelists engage with this discourse by representing moments of the past or otherwise vying to enlist the authority of history to further a reformist or loyalist agenda. Anti-Jacobin novelists such as Charles Walker, Robert Bisset, and Jane West draw on Burkean historical discourse to characterize the reform movement as ignorant of the complex operations of historical accretion. For their part, reform-minded novelists such as Charlotte Smith, William Godwin, and Maria Edgeworth travesty Burke's tropes and arguments so as to undermine and then redefine the category of history. As the Revolution crisis recedes, new novel forms such as Edgeworth's regional novel, Lady Morgan's national tale, and Jane Porter's early historical fiction emerge, but historical representation--largely the legacy of the 1790s' novel--remains an increasingly pronounced feature of the genre. Whereas the representation of history in the novel, Rooney argues, is initially used strategically by novelists involved in the Revolution debate, it is appropriated in the early nineteenth century by authors such as Edgeworth, Morgan, and Porter for other, often related ideological purposes before ultimately developing into a stable, nonpartisan, aestheticized feature of the form as practiced by Walter Scott. The French Revolution Debate and the British Novel, 1790-1814 demonstrates that the transformation of the novel at this fascinating juncture of British political and literary history contributes to the emergence of the historical novel as it was first realized in Scott's Waverley (1814).
This collection examines the intersection of historical recollection, strategies of representation, and reading practices in historical fiction from the eighteenth century to today. In shifting focus to the agency of the reader and taking a long historical view, the collection brings a new perspective to the field of historical representation.